pianist from the sea
Chapter 233 Fu Diao, awesome!
Chapter 233 Fu Diao, awesome!
Accompanied by the roar of the last few chords, the first movement of Chopin's third piano sonata ushered in the end in this place.
Without any surprise, there was thunderous applause in this place.
The overly introverted character of the Chinese people is actually not like foreign countries who keep shouting "bravo", nor will they shout some words like "beautiful", they just use their best strength to applaud and express My own respect and admiration for the performer.
Fu Tiao's original plan to play the second movement was interrupted. Looking at the crowd off the stage, he was a little helpless for a while, but there was nothing he could do. He could only bow and nod slightly to the crowd, and then raised his hand again.
After all what can you do?Why can't he rush down to the stage and punch everyone, telling them not to applaud in the middle of the movement, which will interrupt his thinking?
He definitely couldn't do this, so he could only restrain himself a little, and wait for the applause of the crowd to end before entering the second movement.
After all, people applaud with good intentions, not malicious ones.
It might be a little more difficult to re-enter the mood, but it's not a big deal.
The professor at the Haicheng Conservatory of Music looked at the people around him with a not particularly happy expression.
Fu Tiao is already the last stop on the global tour. At present, it seems that Fu Tiao should not come out to perform in the next few years. He may at least settle for three or four years.
In other words, this is the last public performance of Fu Tiao in the past three or four years. Are you guys just applauding and destroying Fu Tiao's performance?
This is simply reckless!
In other words, he is just an ordinary concert-goer.
If he was the person in charge of the Haicheng Grand Theater, he would definitely come on stage and curse at the group of people, telling them not to continue applauding, and applauding when Fu Diao signaled them to applaud.
The mood of the music is interrupted.
Not only is it more difficult for Fu Diao to play, but the old audience's thoughts about music have also been interrupted a lot.
If you can hear Fu Tiao's complete Chopin Piano Sonata No. [-], it will definitely be a unique enjoyment.
It's a pity that it has been interrupted now. A complete sonata is forced to be listened to three or four times, and the emotions are not coherent enough.
Fu Tiao's performance still maintains the same level as before, but it always feels that something is missing, making the music not complete and perfect.
Thinking of this, he looked at the other people around with some complaints, shook his head slightly, raised his neck, and didn't bother to pay attention.
After Fu Tiao's concert this time, I wonder if Fu Tiao will choose an album?
If a set of records about Chopin can be released, he will definitely buy it!
First buy a copy for your own collection, then buy a copy for yourself to listen to at home, and finally buy a copy for others to preach.
As far as Fu Tiao just showed the content of the first movement, it is enough for him to do so.
And he felt that such an approach seemed a bit conservative.
He also plans to buy a dozen or twenty copies directly from him, and put one in all the places he frequents.
For example, in your own car, your own home, your own piano room, your own little wife's house, your own...
All in all, put a copy in every place, so you can listen to it wherever you are.
As for why you don't use your phone to listen.
Nonsense, can the sound quality of a mobile phone have a special disc for listening to records?
The dean of the Haicheng Conservatory of Music looked at the applauding people around him, and countless thoughts flashed through his head, but he didn't say anything. He just put his hands down after applauding with everyone, waiting for Fu Tiao's first speech. The second movement appears.
The concert hall fell into silence again. Fu Tiao took a deep breath and let it out slowly. His eyebrows were slightly raised. He put his hand on the keyboard and pressed it easily.
wow...
The sound of the piano sounded, appearing in front of everyone with ease and joy.
Different from the foggy feeling at the beginning of the first movement, in the second movement, this is a scherzo-style part, so Fu Tiao also handles it very humorously.
No, it's not accurate if it's just banter.
If it is more accurate, the feeling of Fu Tiao's playing should actually be...light.
Eighth notes scurry endlessly across the keyboard without any sign of fatigue.
Just like a kite.
It is looming in the distance and is not conspicuous, but there is always a line controlling the keyboard in Fu Tiao's hand, so that it will not fly too far.
And this part is looming, it is beyond everyone's imagination, and there is a very strange and illusory image.
Somehow, this illusory image has a slight connection with the image of the first movement before.
And it was this connection that blew the head of the head of the piano department of Haicheng Conservatory of Music.
"Wait, this line?"
He actually had a little regret about Fu Tiao's performance. He felt that Fu Tiao's performance was broken by the applause of the audience, and it was difficult to present the original feeling of this work.
So he listened to Fu Tiao's performance with a relatively low attitude.
But now, he suddenly realized something was wrong.
Fu Tiao's performance was not as he thought, and the whole seemed to be slightly broken.
To be precise, not only can you not hear any broken elements in Fu Tiao's performance, but you can even hear the connection between the first movement and the second movement.
It was as if there had never been any break between the two.
Didn't even applaud there?
This feeling directly made the head of the department stupid.
"how can that be?"
He looked at Fu Tiao in disbelief, and muttered to himself in a low corner of his mouth.
His voice was so small that only he could hear it, but he felt that his voice was too loud, so he quickly covered his mouth.
Now Fu Tiao can't see any trace of a student in front of him.
He had to face Fu Tiao with the attitude he would face a front-line pianist.
Even so, he felt that Fu Tiao's performance was a bit shocking.
This is too awesome, it can still be connected even after being interrupted.
This link is not simply linked by the performer himself, but to allow the emotions of the audience to be connected.
This level is too high, as high as three or four floors.
Even if he is interrupted by the audience, he can't guarantee that his emotions can be connected.
But Fu Diao...
He didn't want to talk anymore, and he even felt that his years of practicing the piano had been practiced in the dog's stomach.
Not to mention that he is not as good at practicing as those great pianists. After all, he may have stood out from so many top players in the world in the major of music performance.
But he was actually not as good as those who were younger than him.
You must know that since he was a child, he has basically crushed his peers and older people all the way.
Now I actually experience the feeling of being crushed.
For a while, he didn't know what he should say, and his emotions were a little confused, so he could only continue to listen to Fu Tiao's performance silently, and listen to what kind of surprise Fu Tiao could bring him later.
Under his gaze, Fu Tiao continued to play the second movement of the Third Piano Sonata without any pause.
It is still a top-level comparison method that is not much different from the first movement.
With rigorous and simple, chant-like harmony, the broad and solemn main melody is contrasted with the soft and sincere inner voice.
Here it is not just a comparison of two timbres, but a comparison of three timbres in this place.
This work is indeed Chopin's pinnacle work, Chopin's greatest piano sonata, and there is no such thing as one of them.
In this work, he imprinted everything he could express in front of everyone, and completed this miraculous top-level piano work.
And Fu Tiao, also interpreted this work with his superb technique.
The lines of music are constantly flowing, changing in the air.
Fu Tiao thought about it for a while, and then made a new construction of it.
I didn't make all the music lines the same, but chose to make constant changes to make the music lines more varied.
Small changes are being made each time.
And it is this processing that directly makes the originally monotonous works, at this moment, no monotonous feeling can be heard at all.
Every sentence is changing, even every breath is changing.
Everything is changing, it is shocking to listen to, and there is no extra words to say.
It just feels horrible, unbelievable.
It's really hard to believe that someone can handle it as well as Fu Diao, so clean, so varied, and so interesting.
The feeling of uniqueness in music that only belongs to Chopin acts as a restriction, which completely restricts music and does not allow music to develop unscrupulously.
And it is this restriction that makes Fu Diao's thoughts on Chopin and his interpretation of himself all shrouded in the music, making the music more complicated and more gorgeous.
This level of strength is really too strong.
The head of the department has absolutely nothing to say at this moment.
As far as these things played by Fu Diao are concerned, you can't teach them at all, and you have no way to teach them.
At least that's how it was for him.
There are many things you can only let Fu Tiao understand, think about, and discover yourself, so that you can make progress.
And these things he doesn't know how to teach.
Fu Tiao even exceeded his expectations a little bit.
Seeing Fu Tiao like this, he remained silent.
Not only him alone, but also other people around him, most of whom are silent.
The second movement of Chopin's Third Piano Sonata soon came to an end.
This is a work about 3 minutes long.
Perhaps because it was too short, many passers-by didn't hear anything, and Fu Diao's performance was over.
And when they were hesitating whether to applaud, Fu Tiao started the third movement of Chopin's Third Piano Sonata without any hesitation.
Largo movement, Cantonese movement.
The difficulty of this movement is completely different from the previous ones.
The difficulty of the previous movement may lie in the contrast between the music, but the difficulty of this movement lies in the sense of direction.
Yes, the sense of direction in the music.
Music has a sense of direction.
For example, the simplest sense of direction is [-], which is a simple standard for writing harmony from beginning to end.
From the fifth level to the first level, the feeling of tension and relief is the most standard sense of direction.
But Chopin's third movement seems to be to eliminate this sense of direction, and does not give the chords of the music a particularly progressive attribute. Coupled with the ultra-slow speed of the wide board, the music itself becomes more complicated. .
The head of the department under the stage looked relaxed and smiling.
He believed that Fu Tiao could bring him a sufficiently perfect expression.
As for the smile, it was because of Fu Tiao's careful thinking that the second movement quickly followed the third movement, and there was no time for the audience to applaud.
This feeling is really cool, to enter the third movement without any interference.
So cool that I can't extricate myself.
So……
How can Fu Diao express this work?
He was looking forward to it.
Under his gaze, Fu Tiao stared at his hands, softly playing the music in his hands.
It looked like he was looking at something, but in fact...
He didn't look at any items at all.
He is listening.
Listen attentively to everything he plays.
Because the third movement of this work is the most important and the most important part of this work besides the first movement.
Whether this place is played well or not is more important than the scherzo in the second movement and the coda of the fourth movement.
And this place was the part that Fu Tiao paid close attention to.
As for the flow direction of music, he actually doesn't particularly care about this, because his own playing direction can solve this problem very well.
The Chopin he played is not just Chopin, but also many, many of his own elements.
These feelings mixed together will make the music swing on a balance point.
And this swing will naturally produce a distinctive sense of flow in the music.
Therefore, he doesn't care about the stagnation in this piece, what he cares about is the mysterious chord in his left hand.
In the third movement, although the left hand exists in the form of accompaniment, there is a very mysterious chord above the left hand.
Every repetition makes the identity of this chord more clear.
Therefore, every time you play, you must make a slight change in this chord, and you must not play it in the same way.
Fu Tiao put all his attention on his left hand, tried his best to listen to his performance, and listened to the unique and unique wonderful feeling that his left hand could express under his performance.
Continuous and soothing.
This is what everyone under the stage heard.
But under this continuous relief, everyone felt a little bit of something wrong.
It seems that there is not only this relief in the music, but also a completely different emotion in the music.
as……
Fog at sea?
Everyone didn't know why, and once again thought of the layer of sea fog shown by Fu Tiao in the first movement.
Layer after layer of fog emerged in front of everyone.
The music is advancing slowly, like waves, using the fusion of Chopin and Fu Tiao in the music to drive the progress of the music.
This feeling made everyone even more confused.
They felt as if they were on a big ship, the fog in front of them was getting heavier, and they couldn't see everything around them clearly.
This fog is superimposed little by little.
Moreover, the fog of each layer is not a simple superposition, but a slightly different change.
All these expressions made everyone even a little bit confused, not knowing where they were now.
The fog was getting heavier and heavier, and they couldn't even see their own existence.
Under this thick fog, they have already produced a trace of confusion, unable to figure out their minds.
And that's not the end of the board.
Beneath the music, in the mist, dreams emerge.
It doesn't simply appear in front of everyone, but slowly dissolves the fog, allowing that layer of dream to appear.
Remove a layer of fog and add a layer of dreams.
Layers of fog were cut down, and dreams enveloped everyone, and almost everyone was immersed in the dream, unable to leave.
Whether it is Jiang Ruijia who is sitting at the front of the 1888 yuan gold supreme zone A VVVIP, or the head of the piano department not far away.
At this moment, they don't have any extra thoughts in their heads at all, and they only think about one thing now.
That is appreciation.
Appreciate the performance of Fu Tiao and appreciate the interpretation of Fu Tiao.
Don't think about how Fu Tiao did it anymore, because you can't figure it out even if you think about it.
Instead of looking for troubles in this place, it is better to let go of all the burdens and go directly to listen and appreciate Fu Tiao's performance.
How good is that?
The concert hall was extremely quiet, and everyone was listening to Fu Tiao's performance with a smile on their faces.
It's like flying into heaven.
All this is really too beautiful, so beautiful that they can hardly express it in words.
Even when the final chord was struck from Fu Tiao's hand, there was no movement from the crowd.
Buzzing.
The strings trembled.
They greedily listen to the tenderness left by the piano strings in the air.
Enjoy the beauty of music.
unwilling to leave.
They even forgot the applause between the customary music movements at this moment, and just sat there blankly.
No matter if they were music lovers, or just joining in the fun, or someone else, they just listened in a daze, unable to say anything.
They didn't know what language they should use to express their inner emotions and express their shock at Fu Tiao's performance just now.
This is really beautiful, beautiful to the extreme.
They never imagined that classical music could be so beautiful.
but……
What they didn't expect was that Fu Tiao seemed to be deliberately teasing them. When they thought the third movement was over, he directly started the fourth movement without any hesitation.
That is the last movement.
His fingers are running fast, and the expression of music is also extremely good.
only……
Before everyone could react, the fourth movement was over.
As Fu Tiao moved his hands from the keyboard, stood up and stood in front of the piano, and bowed slightly to the crowd, they suddenly remembered the matter of applauding.
Whoa!
In an instant, the applause was thunderous, more intense and enthusiastic than when Fu Tiao entered the arena.
Everyone applauded vigorously, and some even stood up directly from their chairs.
Although there is no traditional "Bravo" to add to the fun, there are many unique praises from Huaguo.
"Fu Diao! Awesome!"
Try to update a chapter later
(End of this chapter)
Accompanied by the roar of the last few chords, the first movement of Chopin's third piano sonata ushered in the end in this place.
Without any surprise, there was thunderous applause in this place.
The overly introverted character of the Chinese people is actually not like foreign countries who keep shouting "bravo", nor will they shout some words like "beautiful", they just use their best strength to applaud and express My own respect and admiration for the performer.
Fu Tiao's original plan to play the second movement was interrupted. Looking at the crowd off the stage, he was a little helpless for a while, but there was nothing he could do. He could only bow and nod slightly to the crowd, and then raised his hand again.
After all what can you do?Why can't he rush down to the stage and punch everyone, telling them not to applaud in the middle of the movement, which will interrupt his thinking?
He definitely couldn't do this, so he could only restrain himself a little, and wait for the applause of the crowd to end before entering the second movement.
After all, people applaud with good intentions, not malicious ones.
It might be a little more difficult to re-enter the mood, but it's not a big deal.
The professor at the Haicheng Conservatory of Music looked at the people around him with a not particularly happy expression.
Fu Tiao is already the last stop on the global tour. At present, it seems that Fu Tiao should not come out to perform in the next few years. He may at least settle for three or four years.
In other words, this is the last public performance of Fu Tiao in the past three or four years. Are you guys just applauding and destroying Fu Tiao's performance?
This is simply reckless!
In other words, he is just an ordinary concert-goer.
If he was the person in charge of the Haicheng Grand Theater, he would definitely come on stage and curse at the group of people, telling them not to continue applauding, and applauding when Fu Diao signaled them to applaud.
The mood of the music is interrupted.
Not only is it more difficult for Fu Diao to play, but the old audience's thoughts about music have also been interrupted a lot.
If you can hear Fu Tiao's complete Chopin Piano Sonata No. [-], it will definitely be a unique enjoyment.
It's a pity that it has been interrupted now. A complete sonata is forced to be listened to three or four times, and the emotions are not coherent enough.
Fu Tiao's performance still maintains the same level as before, but it always feels that something is missing, making the music not complete and perfect.
Thinking of this, he looked at the other people around with some complaints, shook his head slightly, raised his neck, and didn't bother to pay attention.
After Fu Tiao's concert this time, I wonder if Fu Tiao will choose an album?
If a set of records about Chopin can be released, he will definitely buy it!
First buy a copy for your own collection, then buy a copy for yourself to listen to at home, and finally buy a copy for others to preach.
As far as Fu Tiao just showed the content of the first movement, it is enough for him to do so.
And he felt that such an approach seemed a bit conservative.
He also plans to buy a dozen or twenty copies directly from him, and put one in all the places he frequents.
For example, in your own car, your own home, your own piano room, your own little wife's house, your own...
All in all, put a copy in every place, so you can listen to it wherever you are.
As for why you don't use your phone to listen.
Nonsense, can the sound quality of a mobile phone have a special disc for listening to records?
The dean of the Haicheng Conservatory of Music looked at the applauding people around him, and countless thoughts flashed through his head, but he didn't say anything. He just put his hands down after applauding with everyone, waiting for Fu Tiao's first speech. The second movement appears.
The concert hall fell into silence again. Fu Tiao took a deep breath and let it out slowly. His eyebrows were slightly raised. He put his hand on the keyboard and pressed it easily.
wow...
The sound of the piano sounded, appearing in front of everyone with ease and joy.
Different from the foggy feeling at the beginning of the first movement, in the second movement, this is a scherzo-style part, so Fu Tiao also handles it very humorously.
No, it's not accurate if it's just banter.
If it is more accurate, the feeling of Fu Tiao's playing should actually be...light.
Eighth notes scurry endlessly across the keyboard without any sign of fatigue.
Just like a kite.
It is looming in the distance and is not conspicuous, but there is always a line controlling the keyboard in Fu Tiao's hand, so that it will not fly too far.
And this part is looming, it is beyond everyone's imagination, and there is a very strange and illusory image.
Somehow, this illusory image has a slight connection with the image of the first movement before.
And it was this connection that blew the head of the head of the piano department of Haicheng Conservatory of Music.
"Wait, this line?"
He actually had a little regret about Fu Tiao's performance. He felt that Fu Tiao's performance was broken by the applause of the audience, and it was difficult to present the original feeling of this work.
So he listened to Fu Tiao's performance with a relatively low attitude.
But now, he suddenly realized something was wrong.
Fu Tiao's performance was not as he thought, and the whole seemed to be slightly broken.
To be precise, not only can you not hear any broken elements in Fu Tiao's performance, but you can even hear the connection between the first movement and the second movement.
It was as if there had never been any break between the two.
Didn't even applaud there?
This feeling directly made the head of the department stupid.
"how can that be?"
He looked at Fu Tiao in disbelief, and muttered to himself in a low corner of his mouth.
His voice was so small that only he could hear it, but he felt that his voice was too loud, so he quickly covered his mouth.
Now Fu Tiao can't see any trace of a student in front of him.
He had to face Fu Tiao with the attitude he would face a front-line pianist.
Even so, he felt that Fu Tiao's performance was a bit shocking.
This is too awesome, it can still be connected even after being interrupted.
This link is not simply linked by the performer himself, but to allow the emotions of the audience to be connected.
This level is too high, as high as three or four floors.
Even if he is interrupted by the audience, he can't guarantee that his emotions can be connected.
But Fu Diao...
He didn't want to talk anymore, and he even felt that his years of practicing the piano had been practiced in the dog's stomach.
Not to mention that he is not as good at practicing as those great pianists. After all, he may have stood out from so many top players in the world in the major of music performance.
But he was actually not as good as those who were younger than him.
You must know that since he was a child, he has basically crushed his peers and older people all the way.
Now I actually experience the feeling of being crushed.
For a while, he didn't know what he should say, and his emotions were a little confused, so he could only continue to listen to Fu Tiao's performance silently, and listen to what kind of surprise Fu Tiao could bring him later.
Under his gaze, Fu Tiao continued to play the second movement of the Third Piano Sonata without any pause.
It is still a top-level comparison method that is not much different from the first movement.
With rigorous and simple, chant-like harmony, the broad and solemn main melody is contrasted with the soft and sincere inner voice.
Here it is not just a comparison of two timbres, but a comparison of three timbres in this place.
This work is indeed Chopin's pinnacle work, Chopin's greatest piano sonata, and there is no such thing as one of them.
In this work, he imprinted everything he could express in front of everyone, and completed this miraculous top-level piano work.
And Fu Tiao, also interpreted this work with his superb technique.
The lines of music are constantly flowing, changing in the air.
Fu Tiao thought about it for a while, and then made a new construction of it.
I didn't make all the music lines the same, but chose to make constant changes to make the music lines more varied.
Small changes are being made each time.
And it is this processing that directly makes the originally monotonous works, at this moment, no monotonous feeling can be heard at all.
Every sentence is changing, even every breath is changing.
Everything is changing, it is shocking to listen to, and there is no extra words to say.
It just feels horrible, unbelievable.
It's really hard to believe that someone can handle it as well as Fu Diao, so clean, so varied, and so interesting.
The feeling of uniqueness in music that only belongs to Chopin acts as a restriction, which completely restricts music and does not allow music to develop unscrupulously.
And it is this restriction that makes Fu Diao's thoughts on Chopin and his interpretation of himself all shrouded in the music, making the music more complicated and more gorgeous.
This level of strength is really too strong.
The head of the department has absolutely nothing to say at this moment.
As far as these things played by Fu Diao are concerned, you can't teach them at all, and you have no way to teach them.
At least that's how it was for him.
There are many things you can only let Fu Tiao understand, think about, and discover yourself, so that you can make progress.
And these things he doesn't know how to teach.
Fu Tiao even exceeded his expectations a little bit.
Seeing Fu Tiao like this, he remained silent.
Not only him alone, but also other people around him, most of whom are silent.
The second movement of Chopin's Third Piano Sonata soon came to an end.
This is a work about 3 minutes long.
Perhaps because it was too short, many passers-by didn't hear anything, and Fu Diao's performance was over.
And when they were hesitating whether to applaud, Fu Tiao started the third movement of Chopin's Third Piano Sonata without any hesitation.
Largo movement, Cantonese movement.
The difficulty of this movement is completely different from the previous ones.
The difficulty of the previous movement may lie in the contrast between the music, but the difficulty of this movement lies in the sense of direction.
Yes, the sense of direction in the music.
Music has a sense of direction.
For example, the simplest sense of direction is [-], which is a simple standard for writing harmony from beginning to end.
From the fifth level to the first level, the feeling of tension and relief is the most standard sense of direction.
But Chopin's third movement seems to be to eliminate this sense of direction, and does not give the chords of the music a particularly progressive attribute. Coupled with the ultra-slow speed of the wide board, the music itself becomes more complicated. .
The head of the department under the stage looked relaxed and smiling.
He believed that Fu Tiao could bring him a sufficiently perfect expression.
As for the smile, it was because of Fu Tiao's careful thinking that the second movement quickly followed the third movement, and there was no time for the audience to applaud.
This feeling is really cool, to enter the third movement without any interference.
So cool that I can't extricate myself.
So……
How can Fu Diao express this work?
He was looking forward to it.
Under his gaze, Fu Tiao stared at his hands, softly playing the music in his hands.
It looked like he was looking at something, but in fact...
He didn't look at any items at all.
He is listening.
Listen attentively to everything he plays.
Because the third movement of this work is the most important and the most important part of this work besides the first movement.
Whether this place is played well or not is more important than the scherzo in the second movement and the coda of the fourth movement.
And this place was the part that Fu Tiao paid close attention to.
As for the flow direction of music, he actually doesn't particularly care about this, because his own playing direction can solve this problem very well.
The Chopin he played is not just Chopin, but also many, many of his own elements.
These feelings mixed together will make the music swing on a balance point.
And this swing will naturally produce a distinctive sense of flow in the music.
Therefore, he doesn't care about the stagnation in this piece, what he cares about is the mysterious chord in his left hand.
In the third movement, although the left hand exists in the form of accompaniment, there is a very mysterious chord above the left hand.
Every repetition makes the identity of this chord more clear.
Therefore, every time you play, you must make a slight change in this chord, and you must not play it in the same way.
Fu Tiao put all his attention on his left hand, tried his best to listen to his performance, and listened to the unique and unique wonderful feeling that his left hand could express under his performance.
Continuous and soothing.
This is what everyone under the stage heard.
But under this continuous relief, everyone felt a little bit of something wrong.
It seems that there is not only this relief in the music, but also a completely different emotion in the music.
as……
Fog at sea?
Everyone didn't know why, and once again thought of the layer of sea fog shown by Fu Tiao in the first movement.
Layer after layer of fog emerged in front of everyone.
The music is advancing slowly, like waves, using the fusion of Chopin and Fu Tiao in the music to drive the progress of the music.
This feeling made everyone even more confused.
They felt as if they were on a big ship, the fog in front of them was getting heavier, and they couldn't see everything around them clearly.
This fog is superimposed little by little.
Moreover, the fog of each layer is not a simple superposition, but a slightly different change.
All these expressions made everyone even a little bit confused, not knowing where they were now.
The fog was getting heavier and heavier, and they couldn't even see their own existence.
Under this thick fog, they have already produced a trace of confusion, unable to figure out their minds.
And that's not the end of the board.
Beneath the music, in the mist, dreams emerge.
It doesn't simply appear in front of everyone, but slowly dissolves the fog, allowing that layer of dream to appear.
Remove a layer of fog and add a layer of dreams.
Layers of fog were cut down, and dreams enveloped everyone, and almost everyone was immersed in the dream, unable to leave.
Whether it is Jiang Ruijia who is sitting at the front of the 1888 yuan gold supreme zone A VVVIP, or the head of the piano department not far away.
At this moment, they don't have any extra thoughts in their heads at all, and they only think about one thing now.
That is appreciation.
Appreciate the performance of Fu Tiao and appreciate the interpretation of Fu Tiao.
Don't think about how Fu Tiao did it anymore, because you can't figure it out even if you think about it.
Instead of looking for troubles in this place, it is better to let go of all the burdens and go directly to listen and appreciate Fu Tiao's performance.
How good is that?
The concert hall was extremely quiet, and everyone was listening to Fu Tiao's performance with a smile on their faces.
It's like flying into heaven.
All this is really too beautiful, so beautiful that they can hardly express it in words.
Even when the final chord was struck from Fu Tiao's hand, there was no movement from the crowd.
Buzzing.
The strings trembled.
They greedily listen to the tenderness left by the piano strings in the air.
Enjoy the beauty of music.
unwilling to leave.
They even forgot the applause between the customary music movements at this moment, and just sat there blankly.
No matter if they were music lovers, or just joining in the fun, or someone else, they just listened in a daze, unable to say anything.
They didn't know what language they should use to express their inner emotions and express their shock at Fu Tiao's performance just now.
This is really beautiful, beautiful to the extreme.
They never imagined that classical music could be so beautiful.
but……
What they didn't expect was that Fu Tiao seemed to be deliberately teasing them. When they thought the third movement was over, he directly started the fourth movement without any hesitation.
That is the last movement.
His fingers are running fast, and the expression of music is also extremely good.
only……
Before everyone could react, the fourth movement was over.
As Fu Tiao moved his hands from the keyboard, stood up and stood in front of the piano, and bowed slightly to the crowd, they suddenly remembered the matter of applauding.
Whoa!
In an instant, the applause was thunderous, more intense and enthusiastic than when Fu Tiao entered the arena.
Everyone applauded vigorously, and some even stood up directly from their chairs.
Although there is no traditional "Bravo" to add to the fun, there are many unique praises from Huaguo.
"Fu Diao! Awesome!"
Try to update a chapter later
(End of this chapter)
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