pianist from the sea

Chapter 268 Chopin No. [-]
Not many people could understand Fu Tiao's words, but everyone laughed amicably when they heard Fu Tiao's words, and didn't take it seriously.

After all, when I suddenly give you what is called the real Chopin, which sounds a little secondary, no one can take his words seriously, and basically understand them as a joke.

Therefore, their understanding of Fu Tiao is more of that youthful and frivolous feeling. At most, if they add some capable young children, they don't have too many ideas.

After all, Fu Tiao's strength is not bad, and at least he performed a god-level live performance.

At his age, there are almost very few people who can perform at a supernatural level. Even if you don't calculate it specially, you don't know who can be comparable to the current Fu Tiao.

Therefore, the crowd just had some friendly laughter, without any other superfluous actions, just smiling and waiting for the start of Fu Tiao's concert.

However, some people other than these people, such as Lang Liangyue, knew very well what Fu Diao meant.

Fu Diao is telling him what is the real Chopin.

Why did Fu Tiao tell him?
Lang Liangyue thought about it, and felt that maybe, maybe it was because Fu Tiao and him were actually the same kind of people.

Fu Tiao is also a person with a particularly strong personal style, no matter what kind of works he plays, he can play out his own personal characteristics.

The same is true for him, Lang Liangyue thinks that he is the kind of person who can become Lang Liangyue's works no matter what works he plays.

However, Fu Tiao has a very different point from him.

That is because Fu Tiao pays more attention to the perfection of music than he does.

Just like what Argerich said to him before.

Chopin before Fu Tiao was not perfect, he was just an ordinary music student, and then he found out how to make his own music perfect and how to make Chopin complete.

His pursuit of music is very serious. He is really pursuing the most perfect work, not the most perfect self.

Take Chopin as an example, Fu Tiao will not suppress the feeling of Chopin in Chopin's works to the extreme like him, making the music completely his own.

Fu Tiao will choose to find the most integrated parts of his own music and Chopin's works, extract these parts, put them in the palm of his hand, and then manipulate them to make Chopin himself and himself Chopin.

The two of them took completely different paths.

If it was just a simple difference, perhaps Fu Tiao would not be so angry. After all, everyone has works that they are not good at, even Fu Tiao is probably the same now.

Fu Tiao was probably angry because he brought his imperfect works to such a stage to perform, especially when facing Arkadi's god-level scene, he played so recklessly and didn't care about himself at all. Whether the works are worthy of this stage.

Lang Liangyue's expression was a little sad, and he didn't know what kind of expression he should use to face Fu Tiao.

After all, to be honest, he really didn’t pay enough attention to it, especially when he witnessed Arkadi’s performance and confirmed that he had no chance to win the best new artist of the year, he basically gave up competing and turned to promoting his own album , "Lang Liangyue in Paris" went.

But forget it...

Lang Liangyue took a deep breath and let it out slowly.

He didn't know what he should say, but he was silent for a while, and he didn't say anything, but his eyes became sharper instead.

He would like to see how Fu Diao will prove to him what the real Chopin is.

His gaze and Fu Tiao's gaze collided with each other. Although there were no sparks like in anime movies, both of them understood each other's meaning and understood each other's thoughts, so they couldn't help but smile at the same time.

Fu Tiao looked at the piano keyboard in front of her, while Lang Liangyue put her gaze on Fu Tiao. The concert hall became extremely silent, waiting for Fu Tiao's performance.

Everything seems to have a hint of anxiety, as if someone can't wait to witness Fu Tiao's Chopin Piano Ballade No. [-].

However, Fu Tiao's expression did not change at all.

He just looked at the piano in front of him, breathing indifferently, then slowly closed his eyes, feeling everything in the concert hall.

The emotions that had slowed down during the intermission gradually regrouped in his hands in his breath.

Without any sense of obstruction, he once again felt the concert hall, allowing his emotions to blend and intertwine with those of the audience off the stage.

Everyone's emotions seemed to be unfolding in front of him.

And he felt that sense of control again.

Although the appearance of the god-level scene was accidental, it was not completely formed by accident. He still needed the support of strength.

Therefore, there will be no interruption of his god-level scene due to a short rest.

After all, those who can perform ecstatic live performances are basically all star-level players before performing ecstatic live performances. Even if they do not have representative works, they are also first-line pianists who can tour the world.

Their strength is not bad.

Only in this way, it is a coincidence and accident for them to play a god-level scene.

And for those who have not reached the level, those pianists who are lower than the first line in the world, even close to the second line, or even the third line.

Although their level is still good, they can find corresponding positions in major music academies around the world, and even if they are lucky, they can hold concert tours and release records to prove their strength.

But for them, the god-level scene is not a coincidence, but a dream.

All perfect performance needs strength to support, and Fu Diao just has that strength.

His eyes opened suddenly, and his emotions were instantly connected with the emotions of everyone, and then he adjusted it to his most comfortable state.

Everyone was a little anxious for some reason, although they were still a little anxious, but in this anxiety, they clearly felt that there was a sense of bewilderment in their emotions.

It's as if the place I'm in now is no longer a concert hall, but...

An isolated island!
hum!
The sound of the piano slammed down when everyone imagined the isolated island.

As thick as the earth, all the weight of this world is supported on the shoulders.

And the decomposition of the Neapolitan sixth chord scale that Fu Tiao pressed with both hands is like an ancient tree constructed of confusion, pain, and sadness, firmly rooted on the deep bass, supporting this ancient tree like a sea of ​​trees General confusion.

And what then diffused out was the ultimate softness and emptiness.

This beginning, explode!

This opening is such a blast!
After everyone heard the beginning of Chopin's First Piano Ballade, they felt like their brains were about to explode.

They could never have imagined that the music interpreted by Fu Tiao could have such an explosion, such a horror, so terrifying that they could hardly express it in words.

All of them had goosebumps, they couldn't have imagined that Chopin's ballad No. [-] could be played like this.

The sadness and grief in the music, as well as the romance that belongs to Chopin alone, and the individual heroism are perfectly integrated together.

The music became extraordinarily gorgeous, so gorgeous that they didn't know what words to use to describe this feeling.

Fu Tiao also seemed to be infected by the music, his body leaned back slightly, and his fingers waved gracefully in the air.

It's like conducting an orchestra.

No, it's not like, but...

Fu Diao is really directing the orchestra.

Lang Liangyue, who was sitting on the chair, had dilated pupils, and Barenboim, who was calm in the distance, couldn't help sitting up straight, while Argerich showed a look of interest.

Not only them, Zhao Chengzhen and Hamelin were completely sluggish, but sitting on the other side, not far behind Fu Tiao, Zimmerman, who had been sitting on a chair with his legs crossed, was extremely elegant, his The body can't help but sit up straight.

He looked at Fu Diao in front of him with a little surprise, and was a little confused and puzzled for a while.

This musical interpretation of Fu Tiao feels... very interesting.

He did not use a simple chamber music solo work to interpret, but like Lang Liangyue, he turned Chopin's music into a chamber music ensemble version, making the music as a whole more three-dimensional.

He is no longer as if he is performing a work, but as if he is directing, he is directing the rhythm of the music, making the music extraordinarily splendid.

Such a way of playing is very rare, especially for people who tend to lean towards the traditional direction.

It's more on people who are more inclined to modern ideas, such as Lang Liangyue, who has a strong sense of band.

Every performance of his is not a solo, but the resonance of the whole band.

Now Fu Tiao has learned this and applied it to his own music.

However, this is not the end point, Fu Diao's emphasis is not limited to this.

His Chopin feeling is even more enthusiastic.

Almost everyone can hear the Chopin flavor in Fu Tiao's music, which is so strong that people can even confuse it.

This taste of Chopin stunned Zimmerman, who was sitting behind Fu Tiao and was known as the textbook of Chopin ballads.

He has never seen any pianist besides him who can have Chopin with Fu Tiao's concentration.

Especially when Fu Tiao can still maintain his own style, he can have this concentration, which is simply terrifying.

If we simply discuss the concentration, in fact, the people with the highest concentration of Chopin should be people like Zhao Chengzhen. They completely imprint everything in Chopin's music on themselves and completely abandon everything about themselves.

This is not the case for Fu Tiao. He is able to have such purity while maintaining his own purity.

The performance of Chopin's first piano ballade under this purity is simply terrifying to the extreme.

Zimmerman just found it interesting. After all, he has been on tour recently. Even in the previous Chopin International Piano Competition, he did not appear. The prize for the best Chopin sonata goes to the winner.

Argerich felt a little surprised.

Compared with Zimmerman, she can be regarded as having listened to all of Fu Tiao's Chopin International Piano Competitions.

Therefore, she knew Fu Diao better.

She knew that with the blessing of such a god-level scene, Fu Tiao could express Chopin's works more perfectly and make everyone's emotions more intense, but she never expected that the purity of Fu Tiao's music His sense of Chopin, and his sense of self, can blend together so harmoniously.

It even gave people the illusion that he is Chopin.

After all, no one can act like Fu Tiao.

Discussing the purity of Chopin, it is hardly inferior to that of Zhao Chengzhen who completely abandons himself.

But the concentration of self-discussion can still give everyone a feeling that this is Fu Tiao's work, just like Lang Liangyue's strong personal style.

The two seem to be completely incompatible, but in Fu Tiao's body they are perfectly integrated, regardless of each other.

You can even say that Fu Diao is Chopin at this very moment.

He is indeed Chopin!
Compared with Argerich, Zhao Chengzhen and Hamelin were more shocking.

Hamelin was a little better. He listened to some of Fu Tiao's personal works, and also listened to some of Fu Tiao's online videos.

But Zhao Chengzhen was completely numb.

He knows Fu Tiao well, and he has also listened to Fu Tiao's previous Chopin concerts, so he knows Fu Tiao's level of Chopin.

The previous Fu Tiao can only be regarded as a good level, probably among the top ten Chopin players in the world, especially when those old people have no strength to play the piano.

This is his gratitude to Fu Tiao before, but now, with the level shown by Fu Tiao, he feels that Fu Tiao's Chopin is definitely not as simple as the top ten.

If we just take Chopin's Ballade as an example, as the level of Fu Tiao, then the current level of Fu Tiao can definitely be regarded as the first in the world.

It's because the level and strength of those old people are constantly declining, and other people have no way to catch up with Fu Tiao's world number one.

The only chance to surpass Fu Tiao is the historical version, not the real scene.

In his impression, there are a few people who play Chopin's piano ballads quite well.

Just like Zimmerman who is sitting behind Fu Tiao at this moment.

The Chopin ballads in Zimmermann's historical edition are the strongest textbooks in the world. It is undeniable that Fu Tiao may still have a slight gap in personal style with him.

After all, people are Poles. It is undeniable that Poles understand Polish works better than people from other countries, and they are more suitable in some aspects.

But the textbooks belong to the textbooks. If Zimmerman is allowed to compete with Fu Tiao now, the current Zimmerman can also play a god-level live performance and fight against Fu Tiao.

Although there may be a hint of disrespect for Zimmerman, Zhao Chengzhen really believes that Zimmerman will definitely lose, and there is no possibility of success at all.

After all... Zimmerman was too old.

He was past his golden age of piano playing, and even past his prime.

Even though he had a deeper understanding of the interpretation of Chopin's First Piano Ballade, his physical strength could not support him to play that kind of Chopin.

Just like the current Pollini, people no longer want to listen to Pollini's almost perfect textbook-like interpretation. They listen to Pollini just to see Pollini again. , that's all.

Even if Pollini suddenly forgets the score, plays a lot of wrong notes, and even changes the notes randomly to make the music messy, but everyone is still willing to listen to his concert, just want to take a look at him and pass for him My utmost respect for its glory.

Zimmerman, Argerich, Barenboim, Ashkenazi, although their understanding and understanding of music are growing like monsters, but their age cannot support them Show off your music perfectly.

Perhaps at most, a monster among monsters like Argerich can show a little bit and can compete with young people, but others have long since had no chance.

Therefore, unless Zimmerman, who is about 30 years old, has physical strength and understanding of music at the golden age, comes out, or those old top pianists have recovered, otherwise these current people, really No one can compete with Fu Tiao, who is showing Chopin's brilliance now.

No, to be precise, there should actually be one more person.

Zhao Chengzhen suddenly thought of a legendary figure, but soon he shook his head again and put the thought behind him.

Li Diyun.

This is the name he thought of. Zhao Chengzhen felt that Li Diyun was lucky enough to compete with Fu Diao for the strongest position.

Li Diyun is a character who needs a lot of form. Even though his crit rate may have dropped below 1%, his crit damage is still tens of thousands of times.

but……

In the face of Fu Tiao's performance, can Li Diyun really have a chance to crit?

It has been a long time since Li Diyun showed a small crit concert, let alone discuss the god-level scene of a big crit.

Therefore, Zhao Chengzhen only thought of Li Diyun's name, but did not count him among those who could defeat Fu Tiao.

After all, a person who has difficulty even holding a normal concert, do you expect him to beat Fu Tiao?

It looks a little dreamy.

Listening to the performance of Fu Tiao in front of her, Zhao Chengzhen couldn't help closing her eyes slowly, raised her head as if staring at the ceiling, and seemed to have fallen into a deep sleep.

No one noticed that his Adam's apple trembled up and down involuntarily, as if he was shocked by Fu Tiao's performance.

No one knows that in Zhao Chengzhen's heart, Fu Tiao has surpassed all current pianists and has become a global pianist.

Chopin number one!

　Visit the Puppet Manchukuo Palace tomorrow, and leave Jilin for Harbin in the afternoon
　　
　
(End of this chapter)