pianist from the sea

Chapter 320 Mozart Tune by Fu
Just like the sunshine that shined on Uchida Mitsuko that day.

After Fu Diao's fingers fell, the warm and soft emotions under the music gradually rose from it.

Like a childhood afternoon.

Lying on the lawn outside the house, in the arms of his parents.

The music is extremely soft.

Fu Tiao's body didn't move at all this time. He just gently stroked the piano keyboard as if he were stroking his lover's skin.

He didn't seem to use any force, he just put his fingers on the piano.

But the moment the sound flows out, it seems particularly powerful.

There is nothing weak in the music.

This way of interpretation even reminds people of an old friend.

The King of Piano, Horowitz.

The man who literally stood at the top of the piano.

But he and Horowitz are not the same.

Horowitz's hands were purely placed on the piano keyboard, and he just used his fingers to play.

Fu Diao, on the other hand, plays in a normal way. He not only uses his fingers, he also uses his arms, wrists, palms, and every muscle in his body.

He worked hard to control his body and use his body to play music.

But keep your body as calm as possible and don't show too many movements.

Keep yourself as steady as possible and play the most peaceful music.

Let all your strength be on the piano, not on your movements.

This made him appear to be completely still to outsiders.

Only the fingers move slightly on the piano keyboard.

The light shines down from the sky and falls on Fu Diao's body, illuminating Fu Diao's face particularly softly.

Fu Tiao's expression was calm, like an angel's, looking at the piano in his hand gently.

Let every bit of power in the music be used for music, and let the music flow into everyone's ears as much as possible.

Pretty.

From the end of the previous piece to the beginning of this piece, Fu Diao played particularly beautifully.

Someone suddenly heard Fu Diao's design.

Fu Tiao did not play it casually, he had his own design in it.

Why didn't he play the Fourth Sonata and then the Fifth Sonata?But play the Fifth Sonata first and then the Fourth Sonata?
The reason is here.

He is trying to keep the overall feeling of the music as stable as possible, from the fifth movement at the beginning to the current fourth movement perfectly.

The feeling of front and back is unified, so that the music does not become too divided.

Fu Tiao's fingers ran quickly on the piano keyboard.

This kind of running did not bring too much tearing emotions.

Every sound is under Fu Tiao's control.

He controlled the movement of his fingers, controlled the volume as smoothly as possible, controlled the flow of the music.

intoxicated.

Many people can't help but indulge in music with Fu Tiao.

They could never imagine that Mozart played by Fu Tiao could actually perform like this.

The feeling of this music is really great.

Especially the feeling displayed in this concert hall is simply amazing.

He's using pianissimo.

He controlled his voice to be as soft as possible.

It may sound like a simple matter of just turning the volume down, but it's not.

The weak playing of music is Lang Liangyue's unique skill, and it is also Lang Liangyue's most distinctive point.

Now Fu Tiao actually has such characteristics of weak playing.

Many people come to listen to Lang Liangyue's music because Lang Liangyue's weak performance is so good that the contrast in the music is extremely strong.

And why can't other people play Lang Liangyue's feeling with such a weak performance?

It's because they don't have a particularly clear understanding of what it means to be weak.

What exactly is weakness?

What is not as strong as strong is called weak.

This sounds like nonsense, but what it actually means is...

Strength and weakness are relative, not an absolute value.

When you are playing, the strength or weakness you decide needs to be controlled according to the entire concert hall.

If you want to control your own weak timbre, then you have to show the reason why it is weak.

Not only that, you also need to have a comparison to tell everyone that this place is weak.

One of the most distinctive features of Lang Liangyue is.

The pianissimo he played was very convincing. Even without any comparison, people can still feel the charm of this pianissimo.

His strength is even more so.

Now, Fu Tiao also showed a similar feeling.

His musical interpretation is very convincing.

The weak playing in one place and the strong playing in another place do not have any sense of abruptness.

On the contrary, it makes people feel...

This is how music should be played.

This is how Mozart should feel.

When hearing this feeling, some musicians couldn't help but froze, and then felt a little bit shocked.

and many more?

Is this Mozart?
So does that mean... that the version he is playing now can actually be listened to as a Mozart specialization by Fu?

The Mozart played by Fu feels very interesting, and the sense of authority in his music is particularly strong.

If Fu Tiao can become the authority of Mozart...

Everyone couldn't help but be stunned when they thought of this place, and then they were a little shocked.

If Fu Diao can become the authority of Mozart, then Fu Diao, the two most difficult pianists to interpret, can be regarded as conquering two people.

But can Fu Tiao now be regarded as an authority on Mozart?

Everyone listened to Fu's music carefully, feeling a little confused and confused for a while.

They don't know either.

They always feel that Fu Tiao is still a little bit far from authority.

But it felt like Fu Tiao had indeed touched the threshold of authority.

This is difficult to explain.

They don't know whether Fu Diao is considered an authority now.

Some people were silent, then looked at each other, and turned their eyes to Ali Wadi, who was sitting in the corner of the concert hall.

Among all the people present, everyone's identity is similar, but Arivadi's identity is the most special.

Because he is a teacher.

Among all the people, he has the strongest teaching ability and teaching level.

He is also the most sensitive person to music.

Although if his professional level is really discussed, he is probably not as good as many people who are still struggling in the professional arena, but no one will think that his level is weak.

Therefore, faced with such an elusive Fu Tiao Mozart, someone approached Arivadi and asked him in a low voice.

"Mr. Arivadi?"

"Ok?"

Arivadi was smiling and listening to the music played by Fu. Suddenly he saw someone approaching him. He frowned slightly and spoke in a low voice.

"how?"

"We want to ask you...how do you feel about Dior's Mozart?"

"Dior's Mozart..."

Arivadi was stunned when he heard it, and then fell silent for a while.

Under this silence, everyone had some expectations and was curious about what kind of evaluation Arivadi could say.

Under the expectation of everyone, Arivadi spoke.

"There is still room for improvement, but his current professional level should be considered as a relatively advanced Mozart player. Although he is not as famous as Mozart in the world, or can be said to be Mozart's successor, he can definitely be considered. Above is...a very good Mozart musician."

Very good Mozart music player.

This is Arivadi's evaluation of Fu Tiao.

It was also Arivadi's comment on Fu Tiao's performance of such beautiful Mozart in just a few months.

In Arivadi's opinion, if there could be a Mozart competition like this, it would be a competition on the level of the Chopin International Piano Competition.

Fu Tiao has a chance to compete for first place.

If you include Fu Tiao's personal reputation, then Fu Tiao is definitely number one.

Among the young people he knew, there were basically not many people who could play Mozart so beautifully.

The Mozart that Fu tuned perfectly fits his idea of ​​Mozart. There may be a little problem, but it's not a big problem.

It does not affect the completion of this Mozart piece played by Fu.

And if you ask him to modify the Mozart played by Fu, there is a high probability that he will not be able to come up with any particularly good modification methods.

His main direction is the performance of German-Austrian music and Chopin, rather than music from other directions.

Especially on the German side, people like Beethoven are the main ones, not Mozart.If he was asked to think about how to take Fu's Mozart to a higher level...

The only solution he could come up with was that people within Mitsuko Uchida could share their knowledge, or Fu Tiao had an epiphany about Mozart.

If he were solely relied on to teach Mozart, he felt that Fu Tiao's current level was basically close to the limit of Mozart that he could teach.

There was nothing he could do about it further up.

Further up is the territory of those people who regard Mozart as the direction of their lifelong struggle.

Therefore, he said that the Chopin played by Fu was among the very outstanding ones.

"Excluding the Mozarts of Mitsuko Uchida and his group, Dior's Mozart may be considered to be at the top level in the world. But it is because of Mitsuko Uchida's group of people who have played and studied Mozart for half their lives, Dior's Mozart has only gone down a notch...

but!Compared with other musicians and pianists, Mozart played by Fu is still among the best. This is undeniable. "

Arivadi directly defined the playing of Fu tune.

The little hope left in the hearts of other musicians and artists around that Arivadi would criticize Fu Tiao and say that Fu Tiao's performance was average has also disappeared.

After all, facing such a young pianist who could actually play Mozart like this, no one felt very comfortable.

I feel as if my life has been in vain.

I have worked hard for most of my life, but I am not as good as Fu Tiao's few months of hard work.

Is there any thought of living in this?
It's a pity that the dark thoughts in my heart can't last long.

Fu Tiao's professionalism impressed everyone present.

They must admit that the level of Mozart played by Fu has reached a level that is difficult for many people to reach.

Moving forward, Fu Tiao could already rely on Mozart to ascend to the throne of classical music.

Who can not envy such a talent?

For a moment, the group of people in the corner looked sad and sighed, but they were helpless.

I can only focus on Fu Tiao's music again.

They had no idea that the group of people from the Elb Concert Hall in Hamburg who were sitting backstage were already extremely happy at this moment.

The principal of the North German Symphony Radio Philharmonic Orchestra had just finished handling his own affairs and entered the backstage of the concert hall to enjoy the performance of the musicians they invited.

As a result, he suddenly stood up from his seat after listening to a little bit.

He looked at Fu Tiao playing in front of him in great surprise, looked at the other symphony broadcasters around him, and asked them.

"Who is this person?"

"Dior Fu." A person next to him replied: "The winner of the Chopin International Piano Competition and the best of the year at the Ruhr Piano Festival."

"Winner of the Chopin International Piano Competition?"

After hearing this term, the chief was in a daze for a moment: "Um... the class in 2010? I remember that there seemed to be no Chinese in that class? Are you sure you are not mistaken?"

"Sorry, Chief, it's the class of 2015, not the class of 2010."

The man corrected: "That's the champion of the Chopin International Piano Competition two years ago."

"The winner of the Chopin International Piano Competition, now playing Mozart? Or the winner two years ago?"

The chief was shocked. He glanced at Fu Tiao, who was still playing, and then at the members around him, his face full of surprise.

"how old is he?"

"I think around twenty, the highest is no more than 22, I forgot the specifics..."

"Twenty? You call this twenty?"

The chief pointed at Fu Tiao in disbelief.

"Can your 20-year-old be able to play such a tone? Such a contrast between strengths and weaknesses? When you listen to the control of his fingers over the music, you call this...twenty? He was also the Chopin champion two years ago for playing Chopin For the main performance direction?”

"I……"

The man was speechless.

He didn't know what he should say either.

He could only be silent.

When the chief saw the silence of his team members, he didn't know what to say. He could only sigh, return to his seat, and look through his cell phone.

When he found that he couldn't find it after looking through it for a long time, he turned to the group member and said.

"Did you bring your cell phone?"

"Bring, bring..."

"Call the manager and conductor! Ask them to contact this Dio!"

"what?"

"Just ask, can I cooperate with Dior? Oh no, the conductor should be in the room. He doesn't need to ask. Just ask the manager to see if he can cooperate with Dior. Ask if he can play the concerto. With the romantic style Mainly, modernist second, I want to collaborate with him.”

"..."

The group member was stunned, immediately ran to the side, picked up his cell phone and started making calls.

The chief didn't have any members beside him during the regular meeting, but continued to look at Fu Diao and couldn't help but admire him.

"Such a beautiful timbre, it really matches the timbre of our North German radio. The beauty of this music is really beautiful. If we can cooperate with him, I feel that we can perform a god-level live performance... If we can If you cooperate."

He muttered there.

Fu Diao, on the other hand, played freely on the stage.

His fingers were running wildly on the piano keyboard, but the tone in his hands still maintained a smooth and agile flow.

No sound will be too prominent, and no sound will be too dim.

Every sound is under Fu Tiao's control.

He is fully interpreting his own Mozart, his understanding of childhood, and his understanding of life.

He is now Mozart's age.

The honors he enjoyed, while perhaps not as loud as Mozart's, were as shining as Mozart's.

The rising star of classical piano.

One of the world's most outstanding interpreters of Chopin.

Best New Star of the Year at the Ruhr Piano Festival.

Salzburg Festival Pollini's replacement.

Even if many classical music lovers do not listen to piano, they are still aware of Fu Tiao's reputation.

He is as dazzling as Mozart.

Therefore, the Mozart he interpreted was also the most brilliant Mozart of that year.

His playing even gave people the feeling that he and Mozart were fused together.

Fu Tiao, Mozart.

Conversations spanning hundreds of years.

Meet at this moment.

Surprising and shocking.

He smiled and looked at the piano in front of him, stroking the keys and playing a bright tone.

The light shone on his body, illuminating him with a bright light.

In the Elb Concert Hall in Hamburg, Fu Diao's strength was magnified to the maximum.

In addition to having to try your luck, the right time, place and people are a three-in-one god-level scene.

Fu Tiao did everything he could.

His performance impressed everyone present.

Regardless of the group of ordinary spectators sitting in the audience seats.

Or the group of musicians and artists sitting in the corner.

Even some of the top bosses scattered in all directions of the concert hall.

They had no way of imagining that such Mozart could be played by a Chopin expert like Fu Diao.

Completely different tone, completely different feel.

The only thing that is the same is the musical feeling that Fu Diao has in his music, which is unique to him.

That feeling like the ocean.

Broad, fearless, bold, passionate, and deep.

It's changing all the time.

You can't use an exact word to describe Fu Diao's music.

But you can clearly feel that this feeling belongs to Fu Tiao.

Only Fu Diao can play with such a feeling.

The music is obviously very neat, but there is always a hint of freedom.

The music is obviously very bright, but it always has a hint of obscurity.

There is opposition in order.

Bright with darkness.

All these constitute the final form of Fu Diao.

As the last chord fell, Fu Diao's hand suddenly rose.

It seems as if the force is too heavy and is reflected back by the piano.

But there was no change in the final timbre.

Such a strong contradiction maximizes the tension of the music.

As Fu Diao gradually loosened the pedal.

The vibrating strings also slowly calmed down in this space.

The lingering sound gradually dissipated.

What followed was thunderous applause from everyone in the audience.

(End of this chapter)