pianist from the sea

Chapter 33 After class, the grove, the envelope

Fu Tiao didn't know that there was a person outside the room who had been listening to her performance for more than two hours.

He just looked at the music score in his hand, heaved a long sigh of relief, and his expression was dignified.

Speed, not as expected.

This is only Chopin's first work, a very simple work, even the taste of Chopin in this work is not particularly strong, he needs a whole lot of time to play this work in an extremely perfect state. More than two hours of practice.

Coupled with his previous reading in the library, Fu Diao felt that he might have spent nearly ten hours to complete this piece of work.

Find the feeling of Chopin in this piece.

If the feeling of Chopin in this work can be applied to all other works, then Fu Tiao feels that his efforts may be rewarded.

But the problem now is that when he has played Chopin's first piece thoroughly, his feeling for Chopin is just a newly established state.

To use a more popular metaphor to understand, Fu Tiao's performance at this moment can be regarded as having just opened the door of Chopin, becoming Chopin's Lv1 level.

And this Lv1 is not the Lv6 with the highest level of Lv1 like Academy City, but the Lv100 with the highest level of 1, which is somewhat similar to online games.

Fu Tiao has no idea how much Chopin's progress will be increased by continuing to play other works later.

Maybe play a few more works by Chopin when he was young, and his level will directly rise from Lv1 to Lv10, then play mid-term works to Lv60, and finally play a few late works, directly rise to Lv100.

There is also a possibility that after practicing a piece of work, one level is added, and then when reaching a certain level, the progress is completely stuck, and an epiphany is needed to break through that level.

It's a bit similar to job transfer tasks.

I just don't know if there is one point for every 10th level, or if it reaches level 60, or if it reaches level 99.

Looking at the music score in his hand, Fu Tiao could only let out a long sigh.

Based on the fact that he has only been able to advance to one level after one day of practice, unless the subsequent progress is extremely smooth, Fu Tiao feels that it may be completely impossible for him to directly pull Chopin to the full level in October.

"It's difficult... The feeling of classical music is much more difficult than that of jazz. The more you delve into the details, the more difficult it is."

Fu Tiao received the music score in the bag, pushed the door and left helplessly, not forgetting to return the rented card.

It was almost ten o'clock in the evening, so the school was full of students coming out of the piano room.

If they were residents in Haicheng, they would take the subway directly to their homes, while other students from other places would honestly wait near the school bus platform, waiting for the last school bus to take them back to their dormitories.

Fu Tiao didn't squeeze in with the group of people, but found a seat in the distance and sat down, looking up in a daze.

This was his favorite thing when he was on the boat before.

Every night when everyone was going to sleep, he was alone in the piano room, or in the sea hall, or on the deck, watching the stars and listening to songs.

In the whole world, he was the only one left.

Maybe it's because the brightness of big cities is too bright, even in the Haicheng Conservatory of Music where the lights are not particularly obvious, there is no way to see the starry sky particularly clearly.

Fu Tiao was a little helpless for a while, he could only shake his head, and was a little confused for a while.

If jazz goes deep, it can actually go deep, but it doesn’t make much sense. Jazz cares more about the ability to improvise, that is, the breadth of music.

But classical music... seeks the depth of the music

He also practiced classical music on the ship before, playing for those passengers who like classical music. After all, walking on the five oceans, not everyone likes jazz, and there are quite a few people who like classical music.

You have to know that those who were able to travel across oceans at that time, especially those who could live in the top guest rooms and listen to music in the lobby, were basically people with a certain status.

They like a little jazz when they dance, and they ask him to play some classical works in normal times.

At that time, he could also play, but he didn't particularly like it. He could only say that he could play.

After all, in classical music, the limitations in the music are really too huge, and he is completely trapped in it, and he has no way to play his own music.

So he doesn't particularly like it.

It's like dancing in shackles.

But judging by the satisfied looks of those people, Fu Tiao didn't really value classical music at that time.

After all, I can attract everyone by just playing according to the music score. Isn't this too simple?
Not as good as jazz music that needs to unleash creativity.

But now, his concept has completely changed.

Especially when he saw so many contestants playing the same work, and he could still hear such a big difference. When everyone interpreted the music completely differently, he felt that his musical outlook was shocked.

Only then did he truly understand what classical music is.

Classical music is not just about playing all the sounds according to the content on the score. Classical music is equivalent to a restricted level of fighting.

If you understand it metaphorically, then jazz may be the kind where you pull out a scythe and play over there, and I pull out a pistol and bang you.

But classical music is a restriction, restricting the two of you to use only swords, a complete competition of hard power.

And unless your level of strength is really much stronger than others, and can directly reach the level of crushing the opponent, otherwise you can only defeat the opponent with a more precise and in-depth understanding.

Of course, this is limited to the competition.

And this precise and accurate performance is not particularly easy to find.

Sitting on the chair, Fu Tiao couldn't help sighing.

This feeling is really uncomfortable. Even though he has successfully mastered the first work, the polonaise piece written by Chopin when he was 7 years old, and successfully established the feeling of Chopin, he still feels a little uncomfortable.

It was completely different from the feeling he had when he was practicing jazz, not sharp enough.

In addition to in-depth research until I forget myself to feel comfortable, I have been in a very embarrassing state at other times.

Fu Tiao shook his head, looked at the crowd that had gradually evacuated, and was about to walk towards the dormitory, but he never expected that when he just stood up and was about to leave, a thin and small figure with his head bowed rushed towards him. In front of him, he stopped, stuffed a snow-white envelope into his arms, and then quickly left with his hood.

However, the bag on her back seems a little familiar?

Fu Tiao looked at the envelope in his hand and the distant figure, and couldn't help blinking.

etc?what happened?
(End of this chapter)