pianist from the sea

Chapter 331 Lassan
dang dang...

Two soft C-sharp presses,

The sound did not stop because Fu Tiao's feet were pressed against the pedals of the piano.

Before the sound completely dissipated, he pressed the main chord of C-sharp minor with both hands at the same time.

bang bang.

The heavy chords are decisive, leaving no room for maneuver.

Dang beep beep...

Fu Diao raised his foot slightly to release some of the discordant timbre in the chord, and then continued to press the pedal to let the remaining timbre blend into the next section of music.

Bang Bang!

Two more decisive harmonies cut off the music.

Fu Tiao's feet did not lift at this moment.

Because there is a series of weird melodies behind it.

Yes, yes... yes.

The D sharp here is restored, which seems to have changed the key.

But that doesn't seem to be the case.

Fu Tiao's feet were raised at this moment.

The dissonance in the music fled wildly at this moment, rising from the piano into the air, and then gradually dissipated.

Fu Tiao grasped the remaining harmony of the music and pressed down with his feet.

Again a chord cuts off the music.

bang bang.

With such a simple beginning, it seems that anyone can do it, even cats without any problems.

But at this moment, Fu Tiao did many, many small details.

Make your music perfect.

These details are so small that ordinary viewers cannot notice them.

The pedal under Fu Diao's feet showed a completely different charm at this time.

It seems to be slightly different from the pedal used by Chopin before.

At that time, Chopin used more delay pedals or a technique called syncopation pedals in Fu tune.

Normal pedals go down together with the sound.

But the syncopated pedal is pedaled first, and after the note is played, release the pedal before pressing it again.

The main function of this pedal is to make the music appear cleaner.

The main purpose of a pedal is really to mix.

Many people like to add a little pedal when playing the piano.

This way, no matter how rubbish your performance is, it will sound a little bit more listenable.

Of course, if you do this in a music conservatory, you will easily get criticized by the teacher.

And such a mix will naturally make the music as a whole muddy.

Especially when dissonant intervals appear.

That's when the key changes.

If you keep pressing the pedal, the original character of the music is eliminated.

Therefore, the syncopated pedal was developed.

Release the discordant intervals, allowing the music to maintain its overall purity while also possessing the characteristics of a mix.

There are so many things that can be said about pedals, but most of the techniques are derived from both whole-tone pedals and syncopated pedals.

The same goes for the pedaling techniques used by Fu Diao at this moment.

His pedal is almost never loosened, and it can be regarded as a syncopated pedal technique, but what he does is more subtle than a syncopated pedal.

He didn't play the music all loose at all.

Instead, some more detailed processing was done on the music.

He deliberately retained a little bit of dissonant intervals to stretch out the original musical characteristics.

This hint gives the music a more interesting feel without making it too muddy.

Many people have not noticed this, but this is what Fu Diao expected.

He doesn't want many people to focus on his skills, but on the music.

Therefore, the audience sitting on the stage, whether they are the music critics or ordinary audiences.

All they could feel was that the music was beautiful.

The Hungarian Rhapsody No. [-] is great.

That's it.

There isn't much else in it.

That is, one or two people feel a little bit of skill.

In this atmosphere, Fu Diao's fingers intertwined on the piano to play the melody.

With each chord, Fu Tiao changes the mood.

Emotions are moving and flowing.

And the same timbre, which was resolutely bright at the beginning, gradually became a little bit darker.

The mood in the music also became depressed.

Such finely divided emotional changes are as natural as a matter of course, and there is no trace of man-made traces at all.

Horror, shock.

Even though not many people can recognize the techniques Fu Diao used in it.

But they can all hear the smooth changes in emotions in the music, as smooth as silk.

As the opening melody ends, the music comes to the real main melody.

Fu Diao withdrew his right hand, leaving only his left hand on the keyboard.

The little finger presses down gently, like a scale, passing through the index finger and pressing down on the thumb.

In other words, like a clock.

The tone has a hint of darkness.

Fu Diao's foot stepped lightly on the pedal, with a low echo.

Just like the sound of an old-fashioned hanging clock in the middle of the night, it rings lonely.

Under the sound of the bell, Fu Diao's right hand was raised with great grace and landed on the piano keyboard.

A dark timbre sounded in the midrange.

A sad melody slowly rises in the piano.

It's like a person dancing on the stage at dusk.

Lassan means slow.

This is a slow solo dance.

This is a sad solo dance.

She danced on the empty stage as if she was being delayed.

The passion in my heart was suppressed, but the fire in my heart kept boiling.

The sad past flows out under the music.

Sing slowly under the main melody.

Set against the sluggish rhythm, the low and depressing melody contains great sorrow and anger. It is the people's sorrow and accusation against the misfortune of the nation.

Such a painful interpretation becomes meaningful under Fu Tiao's fingers.

Shocked.

Far more shocking than Chopin's before.

Compared with the shock that Chopin had before about Fu Tiao's technique, here, what everyone actually felt was more of a shock to Fu Tiao's musical expression.

You can't hear many techniques, because Fu Diao completely hides the musical skills.

But they can hear the expression of the music.

The expression of musical emotions.

As a world-famous piece, this piece has been played countless times by many pianists.

For example, Valentina, a woman known as Sister Val, is one of the most outstanding Liszt performers, and her interpretation of this music version is also extremely outstanding.

Another example is Lang Liangyue.

As his enlightenment music, Lang Liangyue's interpretation of this piece is absolutely perfect.

And such a work is not only interpreted by a few people, but also by countless musicians.

From ordinary music lovers, to music school students, to professors.

Everyone is interpreting such works.

Just like Chopin's etudes, there are countless versions.

Among so many versions, the version displayed by Fu Tiao is particularly dazzling.

Just like his Chopin, he did not return to the ordinary.

Among all versions, you know that when you hear the music played by Fu Diao, you can definitely feel the different feeling.

That is……

"As deep as the sea."

One critic listened to the music played by Fu Diao and couldn't help but whispered in shock.

He took out a set of pen and paper from the side, struggled with it for a long time, and finally wrote the first word.

The sea.

Then came the second word.

deep.

The slow movement is the most technical.

How well you play slow movements is actually the best way to judge a person's understanding of the beauty of music.

Because the speed is slow, many things will be opened wider.

Just like a high-speed train.

As the train slowly moves on the ground at a speed of more than 20 kilometers per hour, you can see the scenery more clearly and see more details.

The high-speed train travels at [-] to [-] kilometers per hour, so you can see the detailed scenery more clearly.

Obviously, you can see it more clearly when the train is moving slowly.

When faced with that kind of high-speed movement, if you don't perform well in many parts, you can just get over it.

Musicians are human and we all make mistakes.

The concert just needs to make sure that the audience doesn't hear as many mistakes as possible.

Making mistakes in fast movements is relatively acceptable.

But in slow movements, the details in the music are maximized, and it will be particularly obvious if you make a mistake.

Even if the expression of your music is too ordinary, it will make people not so happy.

Therefore, slow movements are the content that most tests a musician’s skills.

The first half of the Hungarian Rhapsody by Rasu is an extremely standard slow movement.

Fu Tiao's fingers moved with difficulty on the piano, and the pain in the music was vividly interpreted.

The emotions in the music are stretched to the maximum.

As deep as the sea.

Almost everyone in the audience was shocked by the musical beauty interpreted by Fu Diao.

This Rasu.All I can say is that he deserves to be called Fu Tiao.

He is indeed the youngest top pianist currently.

He is indeed a top-notch pianist who can perform at a divine level.

The Rasu in the opening scene vividly displayed Fu Diao, a top pianist.

genius!

true genius!
Someone suddenly thought of the title of a previous piece by Fu Diao.

"Take your hat off!"The genius has appeared! 》

Fu Diao not only performed well on Chopin, but also had similar performance on Liszt.

His music was not limited to having the music express the feeling of Chopin.

Rather, it allows all musicians to show their own characteristics while also having their own sense of tune.

The performance of this music...

"Amazing!"

Some people couldn't help but said in shock.

"The processing of this tone is really beautiful, Dior Fu, is this Dior? The performance of this music..."

He didn't know what he should say. He was completely shocked by Fu Diao's interpretation.

The sound is extremely beautiful.

Even the beauty with a hint of sadness was so beautiful that it took his breath away.

He can feel the emotional changes in the music very clearly.

Feel the beauty conveyed in the music.

Soft, as soft as silk.

It was so soft that he couldn't help but get goosebumps.

This is not just one person, but a feeling shared by many people.

beautiful.

If you ignore the sadness that Fu Tiao embodies in his music.

Just pay attention to the beauty of music.

The beauty displayed by Fu Diao almost occupied all the content in their brains.

When they hear Fu Diao music, their brains have no energy to think about other content.

All they could do was listen carefully to Fu Diao's interpretation.

Because it is so beautiful.

They couldn't bear to miss any detail.

They don't know when they'll be able to hear a performance like this next.

It may even be difficult to hear Fu Diao's performance in the future.

Because Fu Diao's performance is improvised.

It was already mentioned in Fu Tiao's notice at the beginning.

Today's performance of Fu Tiao is completely improvised.

In other words, almost everything he plays is decided by Fu Tiao himself.

Fu Tiao played whatever he wanted to play.

He did not specify an exact performance form, saying what he would play in this concert.

So that means...

They cannot follow Fu Diao around the world and attend Fu Diao's concerts several times.

Because the next time I go to another place to hear a concert, it may be a different piece.

Anyway, there is only a small chance that it is the Hungarian Rhapsody played by Fu Diao today.

Faced with such works, they had to admit one thing, that is...

They want to hear it again.

Want to listen to it a few more times.

For the first time, they felt what a pity it was that Fu Diao didn't record much.

If Fu Tiao's recordings could be sold today, they would definitely spend huge sums of money to buy three or more records and take them home to listen to.

One part for collection, one part for listening to oneself, and one part for preaching.

This is the most basic purchase!
Really beautiful.

It was hard for them to think of anyone else who could play the Hungarian Rhapsody No. [-] like this.

"Pretty!"

Someone hammered his thigh hard and bared his teeth.

This is for people who cannot control their emotions.

Those particularly attractive details in the music shocked him as if they were life-threatening.

Every detail change made him excited.

"it is good……"

Someone clenched his fist hard and locked eyes with Fu Diao, looking excited but extremely restrained.

This is a person who is more able to restrain himself.

But they were still excited by Fu Tiao's performance.

They can only keep their emotions from exploding too much.

But watching Fu Tiao's performance, they still couldn't help clenching their fists, trying to calm themselves down.

This feeling is too explosive.

Fu Tiao's fingers gradually became lighter on the piano.

Showing off skills... gradually begins.

The single-note finger ring appears in an extremely eye-catching state on the piano.

The skills in this place are particularly terrifying.

Because the single tone wheel finger is in the middle of the music.

During the performance of the main melody of the music, the single-note ring of the fingers keeps trembling between the music melody and the accompaniment.

There is no delay whatsoever.

It was as if another hand appeared in front of Fu Diao out of thin air to help Fu Diao play.

If played normally, this place can easily bring everyone into the virtuosity of music.

After all, even if you listen to this place, you can hear that the music contains extremely serious elements of showmanship.

but……

Under Fu Diao, this was not the case at all.

No one can hear the element of showmanship in it.

Fu Tiao uses the beauty of music to completely cover up the virtuoso part of the music.

Even though the music is particularly dazzling, the beauty in his music is more obvious, covering up the brilliance of his dazzling skills.

Lift weights lightly.

What is control!

This is called control!

When encountering a particularly difficult place, many viewers can definitely notice it and hear that this place is particularly difficult.

After all, no one is deaf.

Especially when there is a drama, if you just listen to the music relatively calmly, you can even hear the performer using a lot of effort to show off.

but……

What if everyone was immersed in music?

What if they are unable to extricate themselves from music and are addicted to the beauty of music?

Their thoughts about music are only limited to enjoyment, and they have no other superfluous thoughts?
So will they notice the dramatic jump in skill difficulty?

It is clear……

They don't.

Fu Diao controls the music, making the release of emotions in the music more intense.

Even though the speed of the music is gradually increasing, he still does not let the details in the music get out of control.

Clear and thorough.

You can hear all the details in Fu Diao music.

Interpretation of Fu Diao music...

Reassuring.

No one noticed the sense of technique in the music.

This is true for both music critics and ordinary people.

Such sad music, such as weeping music, pulls everyone's heart under the music, making it impossible to break away.

They are willing to devote their whole body and soul to Fu Tiao.

Let Fu Diao control their hearts and enjoy the feast of music.

After all, this is Fu Tiao.

In such a short period of time, I just listened to Fu's music.

They have completely trusted Fu Tiao.

They believed in Fu Tiao's strength.

They believed that Fu Tiao would not disappoint them.

They believe that today's concert will definitely satisfy them.

Such sad Rasu gradually came to an end.

The main melody part sounded again.

The music seems to have changed a little this time from before.

The muffled fog of the music gradually dissipated.

Although it is still extremely thick.

But the sadness above the music has completely disappeared.

The tone of the music seemed to have a little bit of transparency under the low tone.

With the end of the last chord, like a sad sigh, Rasu in the first half of the music completely ushered in the intermediary at this moment.

When the Rasu is over, it’s the second part of the music.

Friska.

Flisca, translated means fresh.

Fast and passionate, it is the music of a pas de deux.

This work adopts free form and is not restricted by ordinary music forms. It has a unique style and is unique.

At the same time, the main melody part still uses the content of the first part of Rasu, which is in sharp contrast with Rasu.

Just when the main theme of the music appeared for the last time in the Rasu part.

Although the sadness in the music remains, it is obvious that the emotion has gradually passed and the matter has been resolved.

And it will inevitably appear after all sorrow is eliminated.

It’s a carnival of celebration!
　Every time I write a music part, it takes me 5 hours to write 4k words...

　　
　
(End of this chapter)