pianist from the sea

Chapter 35 Workshop?
When Fu Tiao returned, the door of the house was already closed. After Fu Tiao returned the card he had read, he went straight to bed.

And for the next three days, at six o'clock in the morning every day, Fu Diao didn't activate the alarm clock, so he woke up from his sleep, got up and got out of bed to wash up, and prepared to take the earliest bus to school.

All the roommates in the room are still awake.

In the past few days, he came back too late and didn't communicate much with his roommates. He just greeted him a little and went straight to bed.

It's not polite to wake up others when the relationship has not yet reached a certain level of familiarity. Fu Tiao also went downstairs as quietly as possible to prevent waking them up.

It's okay to roll, but it's not good to affect others at the same time.

The morning in Haicheng is not cold and quiet. Many shops have already opened their doors after six o'clock, and dense crowds shuttled through the alleys of the city, receiving steaming hot breakfast from various small shops.

Different from Zhongzhou Wucheng, people here don't like to carry noodles while walking and eating. They prefer to sit down and enjoy breakfast slowly, or take the breakfast away directly.

Enjoying breakfast in that kind of traditional dim sum shop may be the only place where you can slow down in a fast-paced city like Haicheng.

Fu Tiao's memory at sea and the stomach of the Chinese people made Fu Tiao choose rice cakes.

The fluffy and soft rice cake is wrapped with a golden fritter, and the sweet oil penetrates into the pure white rice cake. Even if you haven't eaten it yet, you can feel the beauty of this Chinese traditional breakfast.

The taste is not limited to the rice cakes full of carbohydrates, nor is it limited to the fried fritters that are a bit greasy when eaten dry. The combination of the two makes the taste comprehensive and appears extremely harmonious.

Fu Diao asked the boss for four deep-fried dough sticks and two slices of cake, plus a small bowl of soy milk, and sat on the bench in the shop, grabbing rice cakes with deep-fried dough sticks, sipping soy milk, and looking at the cars on the road Cars came and went until the end of breakfast, and the time came to seven o'clock.

Haicheng Conservatory of Music is worthy of being one of the top three conservatories in Huaguo. Even if it is just seven o'clock, the piano room has just opened, and there are already dense numbers of students running to the door of the piano room to reserve the piano room for themselves.

After Fu Tiao honestly arranged a few piano spots for himself, he turned around and walked directly to the library.

He has developed a habit now, that is, before practicing the piano, he will analyze the works that are going to be performed today, and then perform them.

Instead of just holding the sheet music and starting to play.

The analyzed performance can help him understand the work better and understand more deeply what Chopin wants to express in the work.

He wants to continue to dismantle Chopin's music, dismantle Chopin's music completely, and then understand it.

At the same time, in conjunction with Chopin's historical documents, think about what Chopin was thinking in his head when he was writing music.

From one movement, the music is gradually disassembled into several passages, and then continues to be disassembled into phrases and musical ideas.

The trend of music has become extremely clear in front of Fu Tiao, no longer pure music, but a more precise expression.

Fu Tiao could see everything Chopin wanted to express in his music, and all the problems he encountered when writing this work.

Chopin's childhood image has gradually made a little progress on Fu Tiao's side.

However, it is not enough.

Currently, there are only five or six works in Fu Tiao's hands, plus a new work that has just been analyzed, all of which are Chopin's untitled Polonaises.

That is, when Chopin just started to learn to write, Fu Tiao barely constructed the image of Chopin's childhood, a genius boy in his works.

To put it a little narcissistically, when Fu Tiao looked at Chopin, he always felt that Chopin might be similar to when he was on the boat?

Just by listening to a general type of music, you can draw inferences from one instance and write a lot of music works.

It's just that Chopin's works are more in line with the composition method of classical music, which can be regarded as standard writing, while Fu Tiao's previous writing on the ship was pure improvisation.

Fu Tiao shook his head, cleared away his strange thoughts, and looked at the work in his hand.

Now the number of works he has completed is a bit too small, and the number of Chopin's works is far more than five or six.

This is just the simplest Chopin Polonaise at the beginning, and it has not yet reached the pinnacle of etudes in romantic music.

Not to mention several sonatas and concertos by Chopin.

Now the work is only a few minutes long, but all the later works are nearly 10 minutes or even longer.

Forget it, don’t worry about it, let’s continue to write works, shall we?Try to finish the work as soon as possible to build a complete Chopin.

Fu Tiao shook his head helplessly, quickly brushed the music score in his hand, and kept understanding and analyzing it. After confirming that there was almost no room for analysis, he put down the music score in his hand, switched to another work, and continued to start a new round of practice , find an absolutely perfect state of Chopin in his own music.

Slowly pull out the feeling of Chopin in his own music through continuous training and careful study of details.

Fu Tiao gave up his proud listening performance.

He doesn't think about what other people's Chopin is like, but listening to other people's Chopin doesn't mean anything to him. What he needs is his own Chopin!

And listening and playing can only play a general idea, and there is no way to make the details of the music perfect.

In classical music, the most important thing is the details!

Time passed quickly and the music kept repeating.

Compared with the first analysis, the repetition this time is more about the repetition of the details. Every practice seems to make a little progress.

Finally it was time for the piano room to close again. Fu Diao walked out of the piano room with a not particularly comfortable expression.

This time, he did manage to capture all the details of Chopin's three Polonaises, but Chopin's image was not completely unified.

Chopin is not something that can be directly practiced simply by practicing.

Chopin, it seems that more thinking is needed?
And how should this kind of thinking and special feeling be interpreted?
He felt as if he had fallen into a stuck state, which made him uncomfortable, but there was nothing he could do.

The process got stuck, and Fu Tiao felt that he might have reached level 10 or so.

This time, it may really be as predicted before, the threshold of level ten.

In the early stage, you can upgrade quickly, and basically you can make rapid progress on your own, but the further you go, if you don’t have a systematic study, the smaller your progress will be, and you will eventually stop in a dead end and cannot leave.

Therefore, even though it was not time to close the door at night, Fu Tiao still walked out without any regrets.

However, when he just walked out of the school's piano room building, his footsteps suddenly stopped, and he couldn't help but look into the distance.

Near the school concert hall, a new stand is being pulled up by a group of students, and posters are posted everywhere.

Fu Tiao glanced at it, and the sign seemed to be about the content of the music teaching method seminar, to be precise, it was the International Piano Teaching Conference.

Just as Fu Diao was about to leave, he suddenly noticed a very important message from the corner of his eye.

The content of the seminar this time seems to have Chopin in it?The fourth day is Chopin's day?
(End of this chapter)