pianist from the sea

Chapter 6 But that's it
If it's just the pure beauty in music, Fu Tiao thinks that he is no worse than others.

I think when he was sailing at sea, people would often call him the number one pianist of the five oceans, the number one pianist at sea.

Although there are not many pianists at sea, not even one percent of those on land, this can be regarded as a very high praise.

The actual situation was just as Fu Tiao thought. His performance in the Chopin Ballade No. [-], the first work in the preliminaries of the Chopin International Piano Competition, was very impressive.

If this work is really used for competition, it is not suitable, after all, the overall difficulty is indeed low.

But here comes the question, can top pianists play the same little star variations as ordinary people?

Mozart's works are often called the most difficult works to interpret by many people. It does not mean how difficult Mozart's works are and how difficult they are to play, but that it is difficult for modern people to interpret Mozart's works in Mozart's works. A unique feeling.

When Mozart wrote those works, he had the innocence of a child, with a little maturity of an adult.

If you only want to interpret childlike innocence, then you will definitely look very stupid, and if you want to interpret the maturity of childlike innocence, you will easily fall into another misunderstanding.

The degree is very difficult to grasp.

Chopin's third piano ballad is also the same question, where is the degree?
What kind of performance is the sweetness between men and women?And what kind of rendition, is industrial syrup?

One of the key points is how to make the audience feel sweet instead of greasy when listening to your work.

Secondly, in addition to interpreting the sweetness in the music, you also need to pay attention to the person behind the music.

Chopin!

The things played in this competition are still Chopin's things after all. At the very least, you have to make your interpretation closer to Chopin, so that you can get higher results.

Although it is said that the Chopin International Piano Competition is almost divided into two factions, the self-style faction insists that performers should have a dialogue with Chopin, and the pure faction that players should abandon themselves and interpret Chopin wholeheartedly.

However, even if they are egoists, they need to have the shadow of Chopin in their music, not just the existence of "you".

Fu Tiao did a very good job in the sweetness of the music, exceeding the expectations of all the judges, allowing their bodies to relax involuntarily and not be so tense.

However, in his interpretation of Chopin, he imitated other people a little bit. There are many people's shadows mixed together, which sounds weird.

Although it was still Chopin, they couldn't hear anything special in this Chopin.

After weighing the two, the judges gave Fu Tiao a very high score.

If it's just a single work, this one has a full 22 points!
The competition is a 25-point system, 15 points pass, and 22 points are converted, which is 100 points out of 88 points!
Among all the players, this result is considered very good!Normal players who can score 20 points are already considered excellent, and only a very small number of people who have the qualifications to hit the championship from the beginning can score around 23 or 24 points.

If it weren't for the fact that Fu Tiao's interpretation of Chopin was too mixed, his work would definitely score 24 points, or even 25 points.

However, this is only the first work, and there are still many works that have not been performed.

The works that Fu Tiao submitted to the Organizing Committee of the Chopin International Piano Competition at the beginning were Chopin etudes 10-4, 25-10. In terms that ordinary people can understand, the folk translation of these two works is, Black Key, winter wind.

Fu Tiao has a little bit of a problem with these two works. His interpretation of these two works is a little bit inconsistent with everyone's expectations.

Mistakes, no, not even a single mistake in these two works.

Have a problem with tempo?nor.

After all, when Fu Tiao was playing the piano with others on the boat, his speed could be so high that one person could play the parts of two people. Even if the rebirth could not restore the previous state, the speed of playing these two works was still not much of a problem.

But when it came to the interpretation of the last work, the problem came.

In these two works, Fu Tiao's performance is still the same as before. Chopin's feeling is not pure enough, and many things are mixed in it.

The basics are up to standard, but other content is still a little lacking. The expressions of several judges are slightly wrinkled, thoughtful.

"This Dior, it seems that he still has a little problem with the interpretation of Chopin. Before Chopin's third piano ballad, his aesthetic sense of performance made up for some of the loopholes above, and now these two etudes , his problems in music interpretation are more obvious."

"Well, there is absolutely no problem technically, but there is a slight flaw in the interpretation of the content, which needs to be corrected. Personally, I tend to give the etude a score of 19, which is not bad, but not perfect."

"Well, let's continue to look at it later. The next two mazurkas are also fast-paced works. For him, these two works may also be relatively weak. Let's focus on the later nocturnes."

"Yes, if his personal performance talent lies in the beauty of music, I think it is enough to make the final judgment after listening to the nocturne."

"It's a pity. This person's score should be quite high. Who is his mentor? If he chooses a work like this, is his teacher out of his mind? Doesn't he know how to make use of his strengths and avoid weaknesses?"

"Maybe the teacher thinks that there is no problem with his performance, and he is not afraid of choosing songs because of his outstanding strength?"

"There is another possibility...he doesn't have a mentor."

The last sound fell, and the other judges looked at each other, and then laughed at the same time.

"Hahaha, how could there be no teacher?"

"That's right, how can you get into the qualifiers without a mentor?"

"Although I don't want to admit it, Xiao Sai's players, basically all of them came from well-known teachers, almost without exception."

"Yes, yes, his teacher may just be not good at guiding the game."

Everyone laughed and skipped the matter.

The rest is just as these judges have noticed, Fu Tiao's Mazurka played well, there is nothing wrong, indeed there is nothing wrong, but it can only be said that it is not so satisfactory.

Fu Tiao himself didn't feel anything, he was just immersed in his own music.

The large screen next to it scrolled, and Fu Tiao's last work appeared on the screen.

"Chopin Nocturne: Op27, No1"

The slightly lazy bodies of the people could not help but sit up straight, looking carefully at Fu Tiao in front of them.

They were a little curious, what kind of Fu Tiao's nocturnes can be played?

After all, in terms of the beauty of music, Fu Tiao gave them a great shock!

In the sight of everyone, Fu Tiao just raised his hand, took a deep breath, and leaned forward slightly.

With an extremely gentle gesture, the first note fell.

　I have written 40 chapters, comfortable

　　
　
(End of this chapter)