Traveling Through the Tokyo Bubble Era

Chapter 95 The Dream of Shinsuke Ito

"How did Hanyu-san think about it?" Nobusuke Ito asked.

Nobusuke Ito did not suggest that Hideki Hanyu hand over the right to adapt because of his admiration for Junya Sato.

"Although Supervisor Sato is a great director, I don't think he is suitable for shooting Love Home."

Hideki Hanyu is not talking nonsense, looking at the movies made by Junya Sato, the other party is undoubtedly best at crime movies.

It is hard for him to imagine how such a director who has filmed "Hunt" and "Shinkansen Big Bang" can direct such a tender and tender story as "Love, Go Home".

"Which director in Hanyu-san's mind is suitable to supervise this movie?" Asako Hirohashi asked curiously.

Just looking at the moved faces of the two partners and the heated discussion caused by the serialization of "Love, Go Home" before, it is not difficult for Hirohashi Asako to imagine that this novel will definitely be sought after by major film and television clubs.

After all, it is different from the "Magic Snack Shop" directed by children. This kind of family story has a very wide audience, and once it is filmed, it is very likely to be a hit.

Hearing Hirohashi Asako's question, Hanyu Hideki turned to look at Ito Shinsuke.

"Why should my work be handed over to outsiders? I think it is very suitable for Ito-san to supervise."

"What! Hanyu-san is not joking."

Shinsuke Ito, who was waiting for the answer, did not expect Hideki Hanyu to say his name.

"Why are you joking? Didn't we say when we founded Yun Shang Pictures that if we make money, we will invest in Ito-san to make movies?"

When Hideki Hanyu talked about the past, his expression didn't look like he was joking at all.

After the movie "Love, Go Home" was released in South Korea, it won the box office champion for four consecutive weeks with its tear-jerking story.

In terms of professional awards, "Love, Go Home" also gained a lot of money, sweeping the Korean Film Grand Bell Awards.

How could Hanyu Hideki hand over such a famous and profitable movie to others.

"But...but this is a movie." Ito Shinsuke was so nervous that he stuttered.

"What's wrong with making a movie? I don't have a big scene in this story. The cost of 3000 million is definitely enough. If Yunying Pictures wants to develop, it is absolutely impossible to just shoot commercials. Ito-san is a disciple of Master Akira Kurosawa. You must not be unconfident. "

"I do not know."

Nobusuke Ito wanted to answer that he was confident, but he was afraid of failure and let down the hard work of his friends.

"Idiot! As the author of the original work, Hanyu-san is not worried. Ito-san has nothing to worry about."

Shota Yoshioka slapped the table and said loudly.

"I also believe in Ito-san, the advertisements you are afraid of have always been great." Hirohashi Asako encouraged Ito Nobusuke with a smile.

"Ito-san, please use our trust as motivation, not pressure."

Hideki Hanyu said as a joke, "In case the movie is released and wins an award, Ito-san can't forget to thank us when he accepts the award on stage."

Listening to the cheers from his friends and seeing everyone's trusting eyes, Nobusuke Ito felt a warm current in his heart.

For a moment, he remembered the days when he was studying at Shochiku Photography Institute.

His dream is to become a director and direct a movie that everyone likes.

But at that time, it was not up to the apprentice to decide what he wanted to learn. After entering the photography studio, he was assigned to the photographer group, and started to learn photography with his current master.

But in his heart, he has never forgotten his dream of becoming a supervisor. Every time he has an internship opportunity, he will silently observe how the supervisor works.

One day, while the crew was resting, he secretly sat on the supervisor's chair and pretended to shout, "Action!"

After the shooting ended that day, the master found him.

"Nosuke, leave the studio."

"Master, why?" Ito Shinsuke didn't know why the master wanted to drive him away.

"Because Shinsuke will only be a photographer at the photography studio." The master smiled and said to him at the time, "If you want to become a supervisor who can call Action, go outside and venture out."

He finally understood that the master had always known about his dream, and saw him sitting on the supervision chair and shouting Action.

After that day, with the help of his master, he left the Shochiku Photography Institute.

In the days that followed, he worked odd jobs in the crew, took photos for models, and worked hard for his dream.

After a long time, he finally became a director, albeit only for a music video for a newly debuted idol.

He still remembered that it was a young and stubborn kid.

Recalling this point, Shinsuke Ito looked at Hideki Hanyu.

Fate is really amazing.

"I will not let everyone down." Ito Shinsuke's voice was firm.

The dream is almost in his hands.

……

Ito Shinsuke, who agreed to supervise the work, began to get busy for his dream.

Shooting a movie is not just talking about it. Even though Yunying Pictures already has a lot of experience in shooting commercials, shooting commercials and movies are completely different things.

Pre-production, crew construction, shooting process, post-production, release and distribution, the film is much more complicated than the advertisement.

They are just the producer of the advertisement, and they don't need to consider the playback issue at all.

But movies are different. Even though the filming of "Love, Go Home" is not complicated and the production cost is not too high, it still needs to be released to recover the cost.

At Neon, unless they only plan to release in a small number of independent theaters, they must cooperate with the big photography studios that control the theaters.

Because of Ito Shinsuke's relationship, the partner must be inclined to Shochiku Yinghua. After all, Ito Shinsuke's master line is also considered a mountain in Shochiku Photography.

Therefore, in the next period of time, in addition to shooting commercials, Ito Nobusuke often went to Shochiku Films to discuss cooperation matters.

As for the preparation of a movie, it is naturally impossible for Shinsuke Ito alone. Hirohashi Asako and Yoshioka Shota are busy working on Yunying Pictures' pioneering film.

Hideki Hanyu, the author of the original work, should not be idle. First of all, the story script. Although there are scriptwriters drafting the first draft, he still needs to confirm the final draft.

The next step is to choose actors. In everyone's opinion, no one knows who is more suitable than him, the author of the original work.

Although it is only the initial preparation and it is still early before the official shooting, considering the characteristics of the two leading actors, it is not easy to find the right one, so it is better to start choosing as soon as possible.

Hideki Hanyu originally thought that with Shinsuke Ito as a tool man, he would be able to be a shopkeeper when shooting movies, but he still couldn't escape.

At the same time that Yun Shang Pictures started preparing for the first film, the last story of "Love, Go Home" serialized in "Children's Literature and Art" began to show its tear-jerking power.

Think about it, even a tough guy like Yoshioka Shota couldn't resist crying, how moved ordinary readers would be.

In addition to readers who have read the serialized novels, there are still many readers who have not read "Love, Go Home" before. Because of Kondo Masahiko's criticism of the incident, they found the previous magazine and read it out of curiosity.

And these people, after the serialization of the last story of "Love, Go Home", all became victims of the super tear gas bomb "Love, Go Home".

When the little bit of family affection brewed to the end, Hideki Hanyu used the most unpretentious words and seemingly plain stories to release the most violent touch.

(End of this chapter)