American fame and fortune.
Chapter 401 The crew environment is too bad
Chapter 401 The crew environment is too bad
Louisiana, New Orleans.
In the Michoud studio, the sky had just dawned and the sun had not yet risen. Multiple trailers drove in and parked near the largest studio.
At 07:30 in the morning, Martin showed up on the set on time and entered the biggest trailer for makeup.
Bruce saw that the stylist was still the same one from the audition, and followed the trailer directly, staring at him the whole time.
The stylist's effeminate attitude dissipated very quickly under Lao Bu's wolf-like eyes, and he turned into a normal man again.
Bruce just sat in the corner and stared. He said that if you keep behind Martin, you will definitely keep behind Martin.
The other two assistants were honestly doing styling for Martin.
The makeup lasted for an hour and a half. Before leaving, the stylist fetched a blue hat and carefully placed it on Martin's head, covering all his hair.
Martin got up, picked up his crutches, and walked a few steps.
The stylist clapped his palms: "Perfect."
Bruce opened the trailer door, and Martin got out of the trailer on crutches.
Entering the studio, various behind-the-scenes cast members are busy.
Martin naturally enters the role, like a dying old man entering the set with a trembling cane.
David Fincher is talking to a blond girl, accompanied by the girl's mother or governess.
"Director, you don't need to ask your mother to communicate with me." Elle Fanning raised her face and said to David Fincher solemnly: "I have acted in many movies, and I can understand what you are talking about."
David Fincher laughed: "Okay, I'll tell you about the play directly in the future."
He looked at Martin, who was tremblingly walking over, and looked carefully. No matter his expression, walking posture, or even the vicissitudes and innocence in his eyes, they were all the same as those of old people who were about to reach the end of their lives.
Martin walked over slowly.
Not only was David Fincher not in a hurry, but he praised: "Sure enough, my vision was right."
Elle Fanning's eyes were full of curiosity, and she asked, "This blue hat... Grandpa, do you want to play this scene with me?"
Martin said hoarsely: "You are Daisy."
Elle Fanning, who was at most ten years old, tried her best to appear mature: "Hi, I'm Elle Fanning who plays Daisy."
Martin remembered that she also had an older sister named Dakota, and the pair of sisters belonged to particularly spiritual child stars.
Because of the shape, his smile was a bit ugly: "My name is Martin, and the character I play is Benjamin."
Elle Fanning circled around Martin: "You look nothing like Martin, more like my grandpa... That's not right, you are older than my grandpa."
David Fincher did not interrupt the communication between the male and female actors. He thought it would be good for the shooting, after all, the old is old and the young is small.
Martin asked, "How old are you? Not ten?"
Elle Fanning deliberately said older: "I will be ten soon."
Martin asked curiously: "I remember that Daisy still has a lot of plays in the age group of fourteen or fifteen. Could it be your sister acting?"
Elle Fanning paused: "You know my sister?"
"Dakota Fanning." Martin said honestly: "I have seen a few movies in which she acted, such as "War of the Worlds."
Elle Fanning shook her head: "Dakota will not play this role. Her schedule is much tighter than mine, and there are always endless scenes to film."
She is not without envy: "It seems that she is more popular than me."
In the past, Martin had watched many Dakota Fanning movies. Fanning was very impressive in the childhood star era, but he didn't remember what she acted in when he grew up.
David Fincher looked around, clapped his hands and said, "Guys, get ready to shoot."
Before leaving the set, he came to Martin and said: "Keep in good condition."
Martin nodded slightly, and together with Elle Fanning, walked twice in a row among the actors with the same background to familiarize themselves with the moves.
With the recording of the scene, the filming began.
Martin was well-prepared and got into the mood quickly. Elle Fanning was also very spiritual. The first scene of the two walking hand in hand and chatting in the nursing home was quickly declared approved.
Although there are occasional interruptions in the next few articles, the overall progress is smooth.
Originally, children and animal actors were hailed as the two most uncontrollable unstable elements for the crew, but in Elle Fanning, these were not seen at all.
Martin felt that it was not unreasonable for the Fanning sisters to receive so many film contracts.
The crew entered the rest stage, Martin returned to the rest area, threw away his crutches, sat down on the chair, and played the aging man for most of the morning, which was actually very tiring.
The stylist hurried over to touch up the makeup.
Bruce got Martin a sippy cup to drink from.
After the stylist and two assistants left, sitting on the left side of Martin was a young man who seemed to have tics.
Shia LaBeouf took the initiative and said: "Old man cool, I heard that you formed a bastard trio with Nicholson and Leonardo?" This was not a secret in the industry at all. Martin responded: "Yes, together. Nonsense."
Shia LaBeouf said seriously: "I want to meet Nicholson, can you help introduce him?"
Martin asked, "Why?"
"Last time, at Paramount Studios, as you saw, I helped Blanchett, and she scolded me." Shia LaBeouf's anger was written on his face: "Nicholas Sen did a great job and helped me get out of my bad mood."
Martin nodded: "You want to express your gratitude?"
Shia LaBeouf shook his head: "No, no, I want Nicholson to be a teacher, really! You see, the main creators in this crew are not normal, only me...no, and you, Martin , are normal people. There are too many people like Blanchett."
His brain circuit is not on the same line as ordinary people: "The working environment and living environment are too harsh. I want to learn from Nicholson how to protect myself."
Martin looked at Shia LaBeouf in surprise, making sure he wasn't joking.
Shia LaBeouf suddenly said: "I really hope my Bumblebee follows me at all times."
Martin did not respond to these nonsense, and just said: "Nicholson may come to visit the class in a while, and I will introduce you to him then."
Shia LaBeouf scratched his head and stood up: "I have to think carefully about what special way to greet Nicholson to shock him."
Martin feels that Jack Sr. may have something in common with Shia LaBeouf, but he and he are not on the same page at all.
When leaving, Shia LaBeouf suddenly remembered something, he and Blanchett had a kiss scene.
Thinking of this, his stomach twitched, and he wanted to vomit but couldn't.
Martin reached for the crutches, stood up shakily, and slowly walked into the set to continue filming the scene with the child Daisy.
The scenes were passed one after another, and the actors were in good condition, which ensured the smooth shooting of the crew.
Midway through, David Fincher called Martin over to the director's monitor.
Martin puts on the headset and joins Fincher in watching all the shots from the morning.
After watching it, Martin realized the problem: "My voice when I say my lines."
"Yes, you are trying to change, and you have done your best." David Fincher said the objective conditions that cannot be ignored: "But your vocal cords, after all, are the vocal cords of young people. It is not difficult to pretend to be a middle-aged person. For An old man who is about to be called by the Lord is still too young."
Martin had no choice, let alone perform surgery on the voice for such a role, and asked, "Can this be resolved through post-production?"
David Fincher called Martin over to solve this problem and said, "I asked the technical department. It can be solved through voice changing technology in the later stage. You will be required to re-dub the young Benjamin during post-production."
Martin replied, "I have no problem."
The crew finished work at noon and had a two-hour break.
Martin couldn't remove his makeup, let alone take his makeup to the restaurant for lunch, so he simply asked Bruce to bring the food back to the trailer.
In New Orleans in November, the temperature at noon just reached 11 degrees, and the natural wind blowing on my body was very comfortable.
Martin and Bruce simply set up a table and umbrella beside the trailer and ate leisurely.
The environment here is very good. It is currently Hollywood's third largest filming base in the United States after New York and Georgia, and its tax rebate can reach up to 42%.
The promotion of local brands by the film industry and the promotion of the tourism industry are too obvious.
The most famous attraction in New Orleans, Oak Grove Manor, became famous because of "Interview with the Vampire" and has been visited by tourists for more than ten years.
Bruce said at this time: "I just heard a few producers on the crew discuss that New Orleans currently likes crews with war scenes or a lot of action scenes."
Because of the inconvenient shape, Martin ate very slowly, and asked, "Why?"
"Like Atlanta, there are too many dilapidated buildings and industrial parks, and it takes time, effort and money to dismantle them locally." Bruce inquired more carefully: "If Hollywood crews want to blow them up, the locals only charge a sum of garbage. Clean up the expenses, and let the crew do the rest."
Martin couldn't help but said: "This deal is such a good deal."
Bruce nodded: "The abandoned buildings can be cleaned up without spending a penny."
Suddenly, Martin saw a familiar figure passing by on the main road on the side of the trailer.
"You! Come here!" He said to the other side.
It was a girl of fourteen or fifteen years old, with long golden brown hair tied into a ponytail on the back of her head, and a camera hanging under her neck, as if she was going to take a photo in a studio.
Strangers with cameras cannot enter the studio at all.
Saoirse Ronan heard the sound, turned around, and saw an old man who was a little familiar but very strange.
The old man has a funny shape, and the blue hat on his head covers all his hair.
But seeing the person next to the old man, Saoirse Ronan realized who she had met.
At Pinewood Studios, she had a few encounters with Bruce and was caught by him.
Saoirse quickly left the camera with both hands to avoid being misunderstood. Although she was a bit reluctant, she moved over step by step and said, "Hello, Martin, your current look is really unique."
(End of this chapter)
Louisiana, New Orleans.
In the Michoud studio, the sky had just dawned and the sun had not yet risen. Multiple trailers drove in and parked near the largest studio.
At 07:30 in the morning, Martin showed up on the set on time and entered the biggest trailer for makeup.
Bruce saw that the stylist was still the same one from the audition, and followed the trailer directly, staring at him the whole time.
The stylist's effeminate attitude dissipated very quickly under Lao Bu's wolf-like eyes, and he turned into a normal man again.
Bruce just sat in the corner and stared. He said that if you keep behind Martin, you will definitely keep behind Martin.
The other two assistants were honestly doing styling for Martin.
The makeup lasted for an hour and a half. Before leaving, the stylist fetched a blue hat and carefully placed it on Martin's head, covering all his hair.
Martin got up, picked up his crutches, and walked a few steps.
The stylist clapped his palms: "Perfect."
Bruce opened the trailer door, and Martin got out of the trailer on crutches.
Entering the studio, various behind-the-scenes cast members are busy.
Martin naturally enters the role, like a dying old man entering the set with a trembling cane.
David Fincher is talking to a blond girl, accompanied by the girl's mother or governess.
"Director, you don't need to ask your mother to communicate with me." Elle Fanning raised her face and said to David Fincher solemnly: "I have acted in many movies, and I can understand what you are talking about."
David Fincher laughed: "Okay, I'll tell you about the play directly in the future."
He looked at Martin, who was tremblingly walking over, and looked carefully. No matter his expression, walking posture, or even the vicissitudes and innocence in his eyes, they were all the same as those of old people who were about to reach the end of their lives.
Martin walked over slowly.
Not only was David Fincher not in a hurry, but he praised: "Sure enough, my vision was right."
Elle Fanning's eyes were full of curiosity, and she asked, "This blue hat... Grandpa, do you want to play this scene with me?"
Martin said hoarsely: "You are Daisy."
Elle Fanning, who was at most ten years old, tried her best to appear mature: "Hi, I'm Elle Fanning who plays Daisy."
Martin remembered that she also had an older sister named Dakota, and the pair of sisters belonged to particularly spiritual child stars.
Because of the shape, his smile was a bit ugly: "My name is Martin, and the character I play is Benjamin."
Elle Fanning circled around Martin: "You look nothing like Martin, more like my grandpa... That's not right, you are older than my grandpa."
David Fincher did not interrupt the communication between the male and female actors. He thought it would be good for the shooting, after all, the old is old and the young is small.
Martin asked, "How old are you? Not ten?"
Elle Fanning deliberately said older: "I will be ten soon."
Martin asked curiously: "I remember that Daisy still has a lot of plays in the age group of fourteen or fifteen. Could it be your sister acting?"
Elle Fanning paused: "You know my sister?"
"Dakota Fanning." Martin said honestly: "I have seen a few movies in which she acted, such as "War of the Worlds."
Elle Fanning shook her head: "Dakota will not play this role. Her schedule is much tighter than mine, and there are always endless scenes to film."
She is not without envy: "It seems that she is more popular than me."
In the past, Martin had watched many Dakota Fanning movies. Fanning was very impressive in the childhood star era, but he didn't remember what she acted in when he grew up.
David Fincher looked around, clapped his hands and said, "Guys, get ready to shoot."
Before leaving the set, he came to Martin and said: "Keep in good condition."
Martin nodded slightly, and together with Elle Fanning, walked twice in a row among the actors with the same background to familiarize themselves with the moves.
With the recording of the scene, the filming began.
Martin was well-prepared and got into the mood quickly. Elle Fanning was also very spiritual. The first scene of the two walking hand in hand and chatting in the nursing home was quickly declared approved.
Although there are occasional interruptions in the next few articles, the overall progress is smooth.
Originally, children and animal actors were hailed as the two most uncontrollable unstable elements for the crew, but in Elle Fanning, these were not seen at all.
Martin felt that it was not unreasonable for the Fanning sisters to receive so many film contracts.
The crew entered the rest stage, Martin returned to the rest area, threw away his crutches, sat down on the chair, and played the aging man for most of the morning, which was actually very tiring.
The stylist hurried over to touch up the makeup.
Bruce got Martin a sippy cup to drink from.
After the stylist and two assistants left, sitting on the left side of Martin was a young man who seemed to have tics.
Shia LaBeouf took the initiative and said: "Old man cool, I heard that you formed a bastard trio with Nicholson and Leonardo?" This was not a secret in the industry at all. Martin responded: "Yes, together. Nonsense."
Shia LaBeouf said seriously: "I want to meet Nicholson, can you help introduce him?"
Martin asked, "Why?"
"Last time, at Paramount Studios, as you saw, I helped Blanchett, and she scolded me." Shia LaBeouf's anger was written on his face: "Nicholas Sen did a great job and helped me get out of my bad mood."
Martin nodded: "You want to express your gratitude?"
Shia LaBeouf shook his head: "No, no, I want Nicholson to be a teacher, really! You see, the main creators in this crew are not normal, only me...no, and you, Martin , are normal people. There are too many people like Blanchett."
His brain circuit is not on the same line as ordinary people: "The working environment and living environment are too harsh. I want to learn from Nicholson how to protect myself."
Martin looked at Shia LaBeouf in surprise, making sure he wasn't joking.
Shia LaBeouf suddenly said: "I really hope my Bumblebee follows me at all times."
Martin did not respond to these nonsense, and just said: "Nicholson may come to visit the class in a while, and I will introduce you to him then."
Shia LaBeouf scratched his head and stood up: "I have to think carefully about what special way to greet Nicholson to shock him."
Martin feels that Jack Sr. may have something in common with Shia LaBeouf, but he and he are not on the same page at all.
When leaving, Shia LaBeouf suddenly remembered something, he and Blanchett had a kiss scene.
Thinking of this, his stomach twitched, and he wanted to vomit but couldn't.
Martin reached for the crutches, stood up shakily, and slowly walked into the set to continue filming the scene with the child Daisy.
The scenes were passed one after another, and the actors were in good condition, which ensured the smooth shooting of the crew.
Midway through, David Fincher called Martin over to the director's monitor.
Martin puts on the headset and joins Fincher in watching all the shots from the morning.
After watching it, Martin realized the problem: "My voice when I say my lines."
"Yes, you are trying to change, and you have done your best." David Fincher said the objective conditions that cannot be ignored: "But your vocal cords, after all, are the vocal cords of young people. It is not difficult to pretend to be a middle-aged person. For An old man who is about to be called by the Lord is still too young."
Martin had no choice, let alone perform surgery on the voice for such a role, and asked, "Can this be resolved through post-production?"
David Fincher called Martin over to solve this problem and said, "I asked the technical department. It can be solved through voice changing technology in the later stage. You will be required to re-dub the young Benjamin during post-production."
Martin replied, "I have no problem."
The crew finished work at noon and had a two-hour break.
Martin couldn't remove his makeup, let alone take his makeup to the restaurant for lunch, so he simply asked Bruce to bring the food back to the trailer.
In New Orleans in November, the temperature at noon just reached 11 degrees, and the natural wind blowing on my body was very comfortable.
Martin and Bruce simply set up a table and umbrella beside the trailer and ate leisurely.
The environment here is very good. It is currently Hollywood's third largest filming base in the United States after New York and Georgia, and its tax rebate can reach up to 42%.
The promotion of local brands by the film industry and the promotion of the tourism industry are too obvious.
The most famous attraction in New Orleans, Oak Grove Manor, became famous because of "Interview with the Vampire" and has been visited by tourists for more than ten years.
Bruce said at this time: "I just heard a few producers on the crew discuss that New Orleans currently likes crews with war scenes or a lot of action scenes."
Because of the inconvenient shape, Martin ate very slowly, and asked, "Why?"
"Like Atlanta, there are too many dilapidated buildings and industrial parks, and it takes time, effort and money to dismantle them locally." Bruce inquired more carefully: "If Hollywood crews want to blow them up, the locals only charge a sum of garbage. Clean up the expenses, and let the crew do the rest."
Martin couldn't help but said: "This deal is such a good deal."
Bruce nodded: "The abandoned buildings can be cleaned up without spending a penny."
Suddenly, Martin saw a familiar figure passing by on the main road on the side of the trailer.
"You! Come here!" He said to the other side.
It was a girl of fourteen or fifteen years old, with long golden brown hair tied into a ponytail on the back of her head, and a camera hanging under her neck, as if she was going to take a photo in a studio.
Strangers with cameras cannot enter the studio at all.
Saoirse Ronan heard the sound, turned around, and saw an old man who was a little familiar but very strange.
The old man has a funny shape, and the blue hat on his head covers all his hair.
But seeing the person next to the old man, Saoirse Ronan realized who she had met.
At Pinewood Studios, she had a few encounters with Bruce and was caught by him.
Saoirse quickly left the camera with both hands to avoid being misunderstood. Although she was a bit reluctant, she moved over step by step and said, "Hello, Martin, your current look is really unique."
(End of this chapter)
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