Dressed as an actress and was raped by the Internet?A song from the bottom of the sea to the top

Chapter 152 Bottom Rebound!Is this still the original dog blood plot?

In fact, if you carefully compare Bai Ling's modified script with the original plot.

It will be found that the ideas are roughly consistent.

However, Bai Ling's behavior is more in line with today's artistic conception.

She is a woman who lives for herself. She loves others and loves herself.

She likes Gong Jiasong, but she doesn't care about Gong Jiasong's family background.

She doesn't depend on men, and she doesn't fear losing love.

If Gong Jiasong also respects her, loves her, and is willing to accompany her all the way.

The two can support each other, which is naturally the best.

Hou Feifei is not the kind of selfish person, let alone a complete emotional breakdown at this moment, and started to fight with her best friend, or even a hysterical, yelling crazy woman.

She will be sad and angry, but she will also work hard to reconcile herself and maintain emotional stability.

In the details, it is full of tenacity.

Judging from the lines alone, Bai Ling's adaptation may not be absolutely perfect.

But combined with Bai Ling's performance, the emotional expression in the details.

But it made many people present have the urge to applaud.

A relatively vivid character image began to emerge, and even, because of the comparison with the original version, it gave people a bright feeling.

Of course, changing the script of Bai Ling will definitely not be as simple as modifying his own character design.

The performance of other people is also completely different from the original plot expression.

After facing Hou Feifei's statement, Gong Jiasong's heartache became more and more profound.

Anger is dissipating, and regret is surging.

The memories of the past seemed to appear in front of his eyes, making his eyes turn red instantly.

"Fifi..."

Here, he actually wanted to defend himself, talking about his regrets, and complaining about his mental journey during this period.

In the original plot, Gong Jiasong is a son of a rich family, and he is unruly and free and easy on weekdays.

But in the expression of the plot, it is like a wronged little beast, which is completely different from the previous character design.

Of course, there is a thing called contrast.

Even many people will go crazy because of this.

Look!
He loves it!
So I will change myself because of love.

Originally he was not such a person, but now he is so blah blah!

This is good, but there are prerequisites.

Only after enough foreshadowing and enough "sweetness" can such a reversal of the persona make sense and won't make people feel obtrusive.

Throughout the whole story of "Our Youth", the love is inexplicable, the estrangement is inexplicable, and the final quarrel and breakup are also inexplicable.

Even the collapse of the human design came suddenly.

So in Bai Ling's pen, Gong Jiasong looked at Hou Feifei at this moment.

The words of apology were not spoken, and the words of regret were not spoken.

Because this is Gong Jiasong, this is the young master, he rarely apologizes, and under the current situation, it is even more difficult to say anything.

It may also be because he is still puzzled, and he is still not on the same thinking channel as Hou Feifei.

However, even so, Su Chaolin expressed his emotions well.

Even if he couldn't say a word, he showed his 'regret' to the fullest.

Just for a moment, looking at Gong Jiasong's red eyes, although everyone felt relieved, they couldn't help but fell into deep thought.

Hou Feifei who is so 'sober' must be right?
With the fewest lines and the most performances, the conflicts and contradictions between the two characters are vividly displayed.

The people who originally planned to applaud and applaud stopped moving at this moment, and devoted themselves to it, immersed in it.

And this, in fact, is the greatest recognition of the performance.

At the same time, Gu Tianhong and Bi Xiaoxiao had also finished their dialogue.

The two sides are almost in tandem.

Bai Ling also put some thought into the dialogue between the couple.

It also focuses on expressing the differences in personalities between Gu Tianhong and Bi Xiaoxiao, resulting in a collision.

It aims to complement the logic and rationality of the current plot.

Why did a couple get into trouble like this?

Isn't it just because of personality incompatibility?
Gu Tianhong, like Hou Feifei, came from a poor background and has a strong self-esteem. Although he regards Bi Xiaoxiao as a white moonlight.

But in order to be able to be with Bi Xiaoxiao more dignifiedly, he had to put in more effort.

But now, all the hard work has become a self-deprecating joke in his heart.

Therefore, the words are mostly harsh, completely different from the slightly refined Gu Tianhong in the past.

And Bi Xiaoxiao also let go of her usual arrogance, and is no longer a little princess who can act freely in front of Gu Tianhong.

The status between the two has been reversed, and the relationship between the two has quietly begun to change.

The more intense collision unfolded, Gu Tianhong was not as free and easy as Hou Feifei.

So at this moment, the two of them felt somewhat unhappy.

Of course, if it develops in this way, it will really follow Bai Ling's plan and intention.

But Wen Yan had already made preparations, how could he really follow Bai Ling's script?
Immediately, he saw Bi Xiaoxiao staring coldly at everyone present.

"My only mistake was meeting you guys!"

"Hou Feifei, you are free and easy, you are free."

"But what about me?"

"I don't treat you well? Don't I really treat you as a sister?"

"You and Tianhong didn't know each other before. Is it better than what we have now?"

"Gong Jiasong, why don't you speak? Why should the two of us bear the fault of the four of us?"

Originally developed according to Bai Ling's script, this scene reflects the conflict caused by the different personalities of the four people.

Many people at the scene have already entered the play,

But Wen Yan's sudden suddenness made everyone play in an instant.

It was as if everyone had already known that the following would be a bloody drama, and then Lin Yubai, Su Chaolin and Bai Ling forced it to act like a literary film.

Then the style of painting changed, and it returned to the bloody drama, and the spearhead was extraordinarily sharp!

Hou Feifei, played by Bai Ling, had actually finished her performance at this time, but was forcibly dragged back.

All of a sudden, everyone frowned.

It's like a broken porcelain plate that was repaired and was about to be completely repaired, but the person who was repaired again smashed it to pieces.

That fragmented feeling is extraordinarily uncomfortable.

And Lin Yubai and Su Chaolin were also a little confused at the moment.

Wen Yan, what's going on?

This line is wrong.

And what next?
The original lines are no longer available, should we follow Wen Yan's rhythm?

This is not easy to follow!
The personalities of the several characters present are extremely complicated, which is completely unsuitable for impromptu performance.

Hearing this effort, it directly drove the three of them to a dead end.

Wen Yan also understood this, so she had grief and indignation on her face, but she was extremely proud in her heart.

"Bai Ling, let's see how you pick it up!"

　The author is good at singers in terms of entertainment, and the actors are a little weaker. This time, the writing is also very careful, but it may be a little rusty. If some readers have a bad impression, I would like to say sorry first, really I'm sorry
　　
　
(End of this chapter)