Instructing her daughter to practice throwing knives, the police were frightened and asked to file

Qin Tian concluded: "Today's discussion was very successful. We not only shared ideas, but also paved the way for future cooperation and innovation. Let us continue to work together to inspire broader environmental action through art."

As the meeting ends, team members feel more motivated. They began to plan the next few big projects, including expanding the virtual reality environmental protection experience and promoting the "Artist Residency Program" in more countries.

In the next few months, Qin Tianhe’s team focused on working with technology developers to improve their virtual reality environmental education projects. They hope that through this platform, users can not only appreciate art visually, but also emotionally feel the seriousness of environmental damage, thereby motivating them to take action.

At a presentation, Qin Tian showed off a prototype that allows users to experience the direct impacts of deforestation, urban pollution and ocean plastic pollution through a VR headset. He explained: "We use advanced graphics and data simulation technology to allow the experiencer to not only be a bystander, but also a participant, feeling the impact of each choice on the environment."

The demonstration attracted the attention of many educators and environmental activists, who believed that this technology could greatly enhance the effectiveness of public education. A representative of an environmental organization told Qin Tian after the experience: "The application of this technology opens up a new realm of environmental education. We are very interested and hope to use this equipment in our community activities."

Encouraged by the positive feedback, Qin Tian decided to increase investment and promote this project to a wider market. Together with his team members, he planned a global tour to bring this virtual reality experience to schools and public spaces around the world.

At the same time, the team is also actively expanding the “Artist Residency Program”. They have reached cooperation with nature reserves in multiple countries, inviting artists from different backgrounds to participate, and create works closely related to the local environment and culture.

These resident artists not only create stunning works, but also interact with global audiences through social media and the "Environmental Art Network" platform to share their creative processes and experiences.

An artist resident in a Kenyan nature reserve said in a live broadcast: "The nature here gives me endless inspiration. I hope that through my works, more people can pay attention to and cherish our common earth."

Audiences left messages expressing their support and appreciation. One person wrote: "Your works made me feel the beauty and fragility of nature. Thank you for using art to open a window to the world for us."

With the advancement of the "Artist Residency Program" and the virtual reality environmental protection experience project, the number of users of the "Environmental Protection Art Network" continues to rise. More and more people are paying attention to environmental issues and actively participating in various activities on the platform.

Lu Wan shared the latest user data at the team meeting: "Our user activity has increased by 30%, and user messages and interactions have also increased significantly. This shows that our efforts are having a positive impact."

Li Fang also added: "Yes, and we have found that more and more users are starting to spontaneously organize offline environmental protection activities, such as cleaning up riverbank garbage, planting trees, etc. This is really a very gratifying change."

Qin Tianze is full of expectations for the future: "This is just the beginning, and we still have a long way to go. But I believe that as long as we persist and use the power of art to promote environmental protection, we will definitely be able to create a better future." "

In order to further enhance the influence and usefulness of the platform, the team also began to develop a mobile application version to allow users to more conveniently access and participate in various activities on the platform.

With the launch of the application and the continuous optimization of user feedback, the "Environmental Protection Art Network" has gradually become a comprehensive platform integrating artistic creation, environmental protection education and public participation.

It not only stimulates the creative enthusiasm of artists, but also awakens the public's environmental awareness and makes a positive contribution to the development of global environmental protection.

In an online event, Qin Tian invited several artists with whom he has collaborated for a long time to share in a live broadcast. They talked about their cooperation experience with the "Environmental Art Network" and how they expressed their concerns about environmental issues through art.

One of the artists said: "Since joining the 'Environmental Art Network', I have not only found like-minded friends, but also gained more opportunities to display my works. More importantly, I can communicate with global audiences through this platform and work together." Explore how to protect our planet."

Another artist also lamented: "Art has no borders. It can transcend language and cultural barriers and allow us to join hands to fight environmental problems. I am very grateful to the 'Environmental Art Network' for providing us with such a platform."

Qin Tian responded in the live broadcast: "We are honored to cooperate with such versatile artists to jointly contribute to the cause of environmental protection. Each artist's unique perspective and creation are valuable resources for our platform."

Subsequently, Qin Tian announced a new plan: "In order to further encourage artists to participate in environmental protection, we are about to launch a funding project called 'Create Green' to specifically support artists with innovative ideas in the field of environmental protection. We hope that these projects Not only can it raise public awareness of environmental issues, but it can also have a real positive impact on local communities.”

The news sparked an enthusiastic response from the audience, with many artists and environmental activists expressing during the live broadcast that they wanted to know more about the funding project and asked how to apply to participate.

Lu Wan then introduced the details of the funded projects: "We will provide financial support, technical guidance, marketing and other assistance to ensure that each project can be implemented smoothly and achieve the expected impact. We especially welcome those who can combine it with the local environment Characteristic and cultural projects.”

Li Fang also emphasized the educational significance of the project: "In addition to artistic creation, we also encourage artists to carry out relevant educational activities, such as workshops, lectures, etc., so that they can directly interact with community residents and improve their environmental awareness." With the launch of the "Create Green" funding program, more and more ideas and projects have begun to emerge. Artists not only display their works on the "Environmental Art Network", but also actively participate in various public activities to convey environmental protection messages through art.

A few months later, a series of environmentally friendly art works supported by the grant project were displayed in public spaces in several cities. These works included large-scale environmentally themed murals, sculptures made from recycled materials, and interactive art installations. Each work has attracted the attention of a large number of citizens, and many people have gained an in-depth understanding of environmental issues through these works for the first time.

At the opening ceremony of an art exhibition, Qin Tian said to participating artists and audiences: "These works are not only artistic expressions, they are also our care for the environment and our hope for the future. We believe that art has the power to cause social reflection and Action, every creation and presentation is a step towards a greener future.”

These successful cases have been widely reported, further enhancing the brand influence of "Environmental Art Network". Qin Tianhe’s team continues to work closely with artists, educators and environmental organizations around the world to continuously explore and implement new environmental art projects, making the platform a center for global environmental art exchange and innovation.

As the "Environmental Art Network" has gradually become the center for global environmental protection art exchanges, the team has also begun to pay attention to how to intervene in specific environmental restoration projects through art. Lu Wan proposed a new direction in a strategic planning meeting: "We can work with environmental scientists to explore how art can participate in ecological restoration and urban greening projects, not only as decorative elements, but also as a means of stimulating community participation and public education. tool."

Li Fang expressed support for this and proposed some specific implementation strategies: "We can set up a special fund to support innovative projects that combine art and environmental science. For example, we can fund artists and environmental engineers to jointly develop sustainable rainwater Management systems that are not only functional but also have artistic and aesthetic value.”

Qin Tian believed this was a very forward-looking proposal and acted quickly: "I agree with you, let's start with a small-scale pilot and gradually expand. I will contact our partners, including universities, research institutions and local governments Government, look who is interested in such projects.”

Soon after, the team launched its first pilot project, an ecological restoration project in a city park, in partnership with a university and the city government. Artists and environmental scientists jointly designed a series of rain gardens and decorative green walls that not only regulate the microclimate and reduce the urban heat island effect, but also serve as places for leisure and education for citizens.

On the opening day of the project, Qin Tian introduced the significance of the project to the participating citizens and media: "This park is an example of how we experiment with integrating art into environmental protection. The cooperation of artists and scientists makes this space not only beautiful, but also ecological." Friendly. We hope this innovation will encourage more communities to participate in urban greening and environmental protection.”

The project was warmly welcomed by the public. Many visiting citizens expressed their love for this new type of park and expressed their hope to see more similar projects implemented in the city.

Encouraged by the initial success, Lu Wan suggested: “We should standardize this model and develop a detailed instruction manual so that other cities and communities can easily replicate this successful program.”

The team then set out to develop a guidance manual, which detailed the project's design concepts, implementation steps, maintenance requirements and expected results. At the same time, through the "Environmental Art Network" platform, they provide these resources for free to urban planners and environmental organizations around the world.

As more and more projects are implemented around the world, the team's work has been recognized by international environmental organizations. Qin Tian was invited to give a speech at a meeting of the United Nations Environment Program to share their experiences and results.

In his speech, Qin Tian emphasized the role of art in global environmental governance: "By combining art and science, we not only beautify the urban environment, but more importantly, enhance people's awareness and participation in environmental issues. Art as a A powerful communication tool that can help the public better understand and care about our shared planet.”

Qin Tian’s speech was widely recognized by the participants, and many representatives expressed their desire to learn and introduce this model to their own countries.

In the Q&A session after the speech, an environmental policymaker from Europe asked: “What factors do you think are the most critical in promoting projects that combine art and environmental protection?”

Qin Tian replied: "First, interdisciplinary collaboration is crucial. Artists and scientists must work together to ensure that projects have both scientific and aesthetic value. Second, community participation is equally critical, because ultimately these projects serve the community , only with the support and participation of community members can the project continue to develop. Finally, continuous education and publicity are also very important. We need to continue to educate the public and improve their environmental awareness.”

Then, an NGO representative from Africa raised a question: “How can we effectively use art to promote environmental education and community participation when resources are limited?”

Qin Tian thought for a moment and then answered: "With limited resources, we can make use of existing community resources, such as local artists, natural materials, and public spaces. Art projects do not always have to be large-scale and expensive, small Community art projects can also have a profound impact. In addition, collaboration and sharing of resources are also very important, and limited resources can be maximized by establishing cooperative networks.”

In addition, the team also opened a special forum on the "Environmental Art Network" to discuss how to effectively implement environmentally friendly art projects in an environment with limited resources. This forum has attracted the attention and participation of many artists and environmentalists around the world, who share experiences, discuss challenges and propose solutions.

Lu Wan proposed further expansion plans in a team meeting: "We see the global potential of this model, and next we should consider cooperating with more international organizations, such as UNESCO, to obtain a wider range of Support and resources.”

Qin Tian agreed to the proposal and decided to personally take charge of the initial contact for this cooperation: "I will hold talks with them at the international environmental protection conference next month to explore possible cooperation opportunities."

As the influence of the "Environmental Art Network" continues to increase and international cooperation deepens, the team's projects are increasingly recognized and supported by the international community. Their work not only changed public views on environmental protection, but also promoted the innovative integration of art and science in the field of environmental protection, making important contributions to global environmental protection. (End of chapter)