Almighty painter
Chapter 210 Sakai Katsuko New Body Painting Exclusive Transformation
Chapter 210 Sakai Katsuko's New Body Painting Exclusive Transformation
When Gu Weijing pushed open the door of his small studio, he was already prepared in his heart, but he was still momentarily surprised and distracted.
On the cost of learning,
Among the related fields of art students, playing classical music is actually the most expensive.
Not to mention the unpopular majors such as the church organ, whose cost is calculated in units of small targets.
A good mid-to-high-end grand piano does not need high-end brands such as Steinway and Bechstein, and semi-factory pianos mass-produced by Yamaha. It is easy to replace it with an A-class Mercedes-Benz.In terms of rent, if you really want to play a good piano for a few weeks, no matter how cheap it is, it is half a month's salary for an ordinary person in a small county in Dongxia.
art business,
It belongs to the game of poor and poor, and the painting method of rich and rich.
The bulk of consumption for art students studying painting is actually consumables, as well as the cost of flying to art museums around the world for some high-end ones.
The space is not limited,
The conditions of studios vary from good to bad, expensive beyond imagination, and cheap beyond imagination.
In southern France, Provence and other traditional big artist gathering places, those artist studios that cost tens of millions of dollars to decorate are all places where aesthetic needs are higher than practical needs.
High-end studios with bright and clean windows can paint. Go to the roadside and set up a small horse under the overpass, and build a wooden shelf.
In fact, most of the public studios that are open to the public earn money from education and training.
Many simply rent a hundred-odd-square-meter apartment as a venue, and set up a few plaster statues and easels to finish the job.
Gu Weijing originally lived a makeshift life in the studio of the Lucky Orphanage, and the only lighting tool was the tungsten filament emergency lamp that Uncle Alai managed to bring in from the construction team.
In just a few days,
When he comes here again after a small vacation.
The room had become completely unrecognizable to him.
The dark teak floor is very bright, and the warm and soft light and the sunshine outside the window are ingeniously blended together, making it difficult for him to distinguish where is the light and where is the sun.
Two Honeywell ion oxygen-enriched air purifiers are running silently and efficiently, without any pungent odor left after decoration.
The moment you push the door and walk into the breath,
Gu Weijing had the illusion of stepping into the forest in a trance.
Next to the wall are two or three Nordic minimalist fabric sofas, a bucket water dispenser, and bracket-type reflective fill lights used for lighting mannequins.
What's more,
There is even a small capsule coffee machine!
Gu Weijing has never believed that there is any link between the painter's painting level and the hardware conditions of the studio.
But good environment,
It can indeed easily affect a person's mental state when creating.
Just a moment into the new, shotgun-changing room made him feel refreshed.
"In 1874, not recognized by the mainstream art world, the Impressionist painters who had just participated in the Salon of the Unselected gathered on the banks of the Seine in France and began to collectively create a large number of paintings. Molly, come and see this painting. The artist Manet tried to The traditional inherent color painting method is broken, and the blue fragment-like brushwork is used to describe the water waves on the lake, focusing on presenting the feeling of instant light and color to the audience..."
Two figures, one big and one small, were huddling together in the sunlight by the window, whispering to the images on the iPad.
Today is the first day of school after the holiday.
As usual, Katsuko Sakai was quite free. She skipped class in the afternoon and ran to the new studio of herself and Gu Weijing that had just been renovated.
Ms. Shengzi is very serious in her work.
After looking around, I felt that there was no major problem, and remembered that I had promised Jasmine to teach her to appreciate art.
So he caught Jasmine who was picked up from Baixiang Primary School by Uncle Alai in the afternoon, and dragged her to give the little girl an art history appreciation class by the window.
Sakai Katsuko's lectures are focused.
She didn't hear the footsteps behind her, and she pointed down at the bearded man in a white shirt holding a paintbrush staring at the sparkling lake in the oil painting on the tablet.
"This painting is also very famous because our protagonist, the model sitting on the boat, is also a master of art. He is a friend of Manet, and his paintings are among the works we have appreciated. Tell Sister, can you guess who this person is?"
Katsuko Sakai took Jasmine's little hand, and swept across the face of the man sitting cross-legged on the bow of the fishing boat on the screen.
The little girl's black eyes were wide open, a little confused, but also slightly familiar, racking her brains to think.
"It's Monet."
Gu Weijing rubbed Jasmine's little head from behind, and glanced at the screen.
Actually don't need to look,
Just from Ms. Sakai's description, he could easily guess that it was "Monet Painting on a Boat", which is very famous in the history of art in the world, by the Impressionist master Manet.
"Gu Jun?"
Seeing Gu Weijing approaching, Sakai Katsuko gave a bright smile with a little blush on his face.
She was a little shy but naturally took her hand to the boy beside her.
"Have you persuaded Mrs. Sakai to let you paint here?"
"I have to go back before [-]:[-] p.m., and I can't leave the enclosure of the orphanage's yard. If there are any other situations, I need to communicate with my mother in advance."
Sakai Katsuko nodded, talking about what she had agreed with her mother.
"I called you before and mentioned that my mother even had someone decorate the room a little bit. I think it's not bad, how about you?" The girl tilted her head.
"Of course it's very good. It seems that I have gained the favor of our Miss Shengzi and have a soft meal." Gu Weijing glanced around the exquisitely decorated rooms and smiled slightly.
He set his eyes on Jasmine who was next to him.
The little girl was staring at the screen of the tablet computer on the window sill, which was almost at the height of her own side, holding a paper cup with a half cup of coffee in her hand.
Coffee is very rare in the orphanage.
It is estimated that this is the first time Jasmine drinks this kind of drink. Whether it suits her taste or not, at least it tastes quite novel.
The little girl was reluctant to drink it straight away, but stuck out her tongue and licked it slowly like a puppy.
"I don't know if it's good for her to drink caffeinated drinks at her age. I added half a spoonful of saccharin and a little milk to her." Sakai Katsuko turned her face and explained.
When she was making coffee for herself, the little girl didn't cry or fuss, she just looked at Shengzi eagerly, her fingers hooked together.
Where did Miss Sakai receive this.
Being stared at by the little loli almost melted my heart, so I also gave the little girl a taste.
"Let's have a drink today, you are still young, I can bring you freshly squeezed juice to drink when I come here." Sakai Katsuko touched Jasmine's forehead.
Gu Weijing asked Jasmine how she felt about her life in elementary school recently, and let her run away to play.
After a short chat,
The studio fell into silence.
Gu Weijing stepped aside, prepared his painting tools, and fixed a new linen canvas on the easel.
Neither he nor Sakai Katsuko were the type of couple who would get tired of being together all day long after falling in love, and the two of them soon began to do business quietly.
Katsuko Sakai was preparing to finish the "Old Church" which was stopped halfway through the copy a few days ago.
Gu Weijing began to paint his "Lucky Orphanage in the Sun (No.3)".
This time, I still start with pencil sketches, then use quick-drying paint to paint the base map, and then fill in the details on the base map.
Because it has been drawn once,
Gu Weijing is well aware of the process and difficulties of painting, and what he is doing now is A, B, C, D... step by step, push through step by step, grind a little bit, and overcome difficulties.
Sometimes,
Painting is the same as doing physics problems. It is a skilled job, and you have to repeat the questions over and over again.
The only difference is that what he is doing now may be more like the national training team test questions for the Physics Olympiad.
Ordinary students, even ordinary academic masters, have not learned advanced skills and concepts, and there is a high probability that they will not even understand the questions.
Even if Gu Weijing is now among the students of the same age, he can definitely be regarded as a "god of learning".When doing this "fusion painting" test question repeatedly.
Still far from simple.
Now it's the third painting,
What Gu Weijing wanted was not an untouched copy of the previous one.
He needs to see progress.
Can you make some details more detailed this time?Can you make the subtle gaps and frizz between colors less?
Even if the painting technique has not changed substantially.
These small changes and improvements can add up to a lot, and can also instantly improve the direct look and feel of the painting.
Among other things, if you draw a hundred pictures of the same painting, God will give you some face, no matter how lucky you are, you should be able to encounter a few extraordinary performances.
After the technique has been upgraded, repainting a work that the artist is already familiar with will have the perfect effect of perfect combination and icing on the cake.
Since Gu Weijing wants to see changes, the painting process this time is still not easy.
In addition to the slightly more familiar feeling between brush strokes, the pressure is still pouring towards him from the tip of the pen like a tide.
Time passed slowly like this.
quickly,
There was a little sweat on his forehead again.
"It seems that for you now, it is a little difficult to use a pen like this. Gu Jun, can I make a little suggestion?"
Once when he put the paintbrush in his hand into the brush holder, Gu Weijing felt a warm and soft body sticking to his back from behind.
Miss Sakai has finished her copying, and she is staring at the drawing board in front of Gu Wei over his shoulder.
She watched silently for a few minutes,
He keenly saw the strenuous feeling of Gu Weijing in the process of painting.
Katsuko tossed his hair.
"Of course, if you think I've disturbed your thinking, please tell me directly. This is normal. Everyone has different drawing habits. Many people hate being disturbed by others when they are painting."
Sakai Katsuko smiled gently.
Also an art student, Shengzi has learned a lot from the state of getting along with her parents since she was a child.
She knows the smart way to get along with lovers of art students, and it is definitely not to rush up and ask each other while they are painting.
"Darling! Come get a glass of water!"
"You've been drawing for 10 minutes, let's take a break now."
"Let's start the mobile game together!"
"Discuss which restaurant to eat at night."
"Damn ghost, you only know how to draw, but you don't even know how to care about me."
This kind of thing you think is showing affection and caring, and the anger tank in the heart of the person who is disturbed by the creative thinking is going up.
It may not matter if the love period is dry.
After a long time, no matter whether the object is a man or a woman, quarrels will definitely break out because of this.
When the father, Professor Sakai, was immersed in creative ideas, he didn't even eat or even go home.Sitting in front of the drawing board in the studio for a whole night, stuffing all kinds of sweets and junk food into his mouth when he was hungry.
The peak record is that 29 donuts were killed in one night.
No matter how dissatisfied Mrs. Sakai was, she would still pinch her nose and say nothing.
At most, Professor Sakai will teach him a lesson after he wakes up after finishing the painting, and then ask people to replace all the donuts in the studio with gluten-free and sugar-free versions.
The company that art creators really need is brainstorming for inspiration and mutual support on the road of creation.
It is better for her to help her partner break out of the cage of her soul than for her to pour ten thousand cups of hot tea for him.
Ms. Sakai has been quietly looking at the canvas in front of her, and finally seems to think of something.
When she was waiting for Gu Weijing to change his pen, she leaned forward gently and made a sound.
"Shengzi, do you have any good ideas?"
Gu Weijing's eyes lit up, and he wanted to turn his head: "If you need, I can tell you about my painting method."
"You don't need to look at me, just look at the painting with peace of mind."
Sakai Katsuko patted Gu Weijing on the shoulder,
She wiped off a few drops of sweat from Gu Weijing's forehead with a tissue from behind, and said softly: "You don't need to tell me the details. Sometimes, you just want to get out of the old way of thinking, and you can get better ideas instead."
"When my father was creating, no one dared to disturb him. But when I was a child, I liked to hang around him and express my own opinions. My father found that most of the time, it was just children's nonsense, but sometimes , one more person’s perspective, and occasionally can give him some inspiring new ideas.”
"I found that you seem to be paying attention to the edges of some highlights, hoping that it can transition more smoothly with the surrounding color block scenes. Am I wrong about your understanding of your goals?"
Sakai Katsuko asked.
"you can say it this way."
Gu Weijing nodded.
What he wants to do most is to eliminate the sense of isolation in the picture.
The reason for the unnatural sense of estrangement in the current works is largely due to the conflict between the high-light contrast details of Western paintings and the natural, fresh and shadow-free colors pursued by Chinese paintings, the conflict between the two art philosophies.
Sakai Katsuko didn't know the details of the new body painting method.
However, she is also much more talented than old man Wu, and she is also a close-up watcher who paints for the scriptures.
After watching for a few minutes, he keenly grasped the crux of the problem.
"My pen is not strong enough."
Gu Weijing nodded honestly.
Lang Shining can use his ingenious pen control ability to forcefully push these difficulties over.
He doesn't have this skill yet.
That's why Gu Weijing felt that this gap might be bridged when his step-by-step sketching and Chinese painting techniques were upgraded to the next stage.
Sakai Katsuko has a different new idea.
"Gu Jun, have you thought about changing your painting tool?" the girl asked softly.
(End of this chapter)
When Gu Weijing pushed open the door of his small studio, he was already prepared in his heart, but he was still momentarily surprised and distracted.
On the cost of learning,
Among the related fields of art students, playing classical music is actually the most expensive.
Not to mention the unpopular majors such as the church organ, whose cost is calculated in units of small targets.
A good mid-to-high-end grand piano does not need high-end brands such as Steinway and Bechstein, and semi-factory pianos mass-produced by Yamaha. It is easy to replace it with an A-class Mercedes-Benz.In terms of rent, if you really want to play a good piano for a few weeks, no matter how cheap it is, it is half a month's salary for an ordinary person in a small county in Dongxia.
art business,
It belongs to the game of poor and poor, and the painting method of rich and rich.
The bulk of consumption for art students studying painting is actually consumables, as well as the cost of flying to art museums around the world for some high-end ones.
The space is not limited,
The conditions of studios vary from good to bad, expensive beyond imagination, and cheap beyond imagination.
In southern France, Provence and other traditional big artist gathering places, those artist studios that cost tens of millions of dollars to decorate are all places where aesthetic needs are higher than practical needs.
High-end studios with bright and clean windows can paint. Go to the roadside and set up a small horse under the overpass, and build a wooden shelf.
In fact, most of the public studios that are open to the public earn money from education and training.
Many simply rent a hundred-odd-square-meter apartment as a venue, and set up a few plaster statues and easels to finish the job.
Gu Weijing originally lived a makeshift life in the studio of the Lucky Orphanage, and the only lighting tool was the tungsten filament emergency lamp that Uncle Alai managed to bring in from the construction team.
In just a few days,
When he comes here again after a small vacation.
The room had become completely unrecognizable to him.
The dark teak floor is very bright, and the warm and soft light and the sunshine outside the window are ingeniously blended together, making it difficult for him to distinguish where is the light and where is the sun.
Two Honeywell ion oxygen-enriched air purifiers are running silently and efficiently, without any pungent odor left after decoration.
The moment you push the door and walk into the breath,
Gu Weijing had the illusion of stepping into the forest in a trance.
Next to the wall are two or three Nordic minimalist fabric sofas, a bucket water dispenser, and bracket-type reflective fill lights used for lighting mannequins.
What's more,
There is even a small capsule coffee machine!
Gu Weijing has never believed that there is any link between the painter's painting level and the hardware conditions of the studio.
But good environment,
It can indeed easily affect a person's mental state when creating.
Just a moment into the new, shotgun-changing room made him feel refreshed.
"In 1874, not recognized by the mainstream art world, the Impressionist painters who had just participated in the Salon of the Unselected gathered on the banks of the Seine in France and began to collectively create a large number of paintings. Molly, come and see this painting. The artist Manet tried to The traditional inherent color painting method is broken, and the blue fragment-like brushwork is used to describe the water waves on the lake, focusing on presenting the feeling of instant light and color to the audience..."
Two figures, one big and one small, were huddling together in the sunlight by the window, whispering to the images on the iPad.
Today is the first day of school after the holiday.
As usual, Katsuko Sakai was quite free. She skipped class in the afternoon and ran to the new studio of herself and Gu Weijing that had just been renovated.
Ms. Shengzi is very serious in her work.
After looking around, I felt that there was no major problem, and remembered that I had promised Jasmine to teach her to appreciate art.
So he caught Jasmine who was picked up from Baixiang Primary School by Uncle Alai in the afternoon, and dragged her to give the little girl an art history appreciation class by the window.
Sakai Katsuko's lectures are focused.
She didn't hear the footsteps behind her, and she pointed down at the bearded man in a white shirt holding a paintbrush staring at the sparkling lake in the oil painting on the tablet.
"This painting is also very famous because our protagonist, the model sitting on the boat, is also a master of art. He is a friend of Manet, and his paintings are among the works we have appreciated. Tell Sister, can you guess who this person is?"
Katsuko Sakai took Jasmine's little hand, and swept across the face of the man sitting cross-legged on the bow of the fishing boat on the screen.
The little girl's black eyes were wide open, a little confused, but also slightly familiar, racking her brains to think.
"It's Monet."
Gu Weijing rubbed Jasmine's little head from behind, and glanced at the screen.
Actually don't need to look,
Just from Ms. Sakai's description, he could easily guess that it was "Monet Painting on a Boat", which is very famous in the history of art in the world, by the Impressionist master Manet.
"Gu Jun?"
Seeing Gu Weijing approaching, Sakai Katsuko gave a bright smile with a little blush on his face.
She was a little shy but naturally took her hand to the boy beside her.
"Have you persuaded Mrs. Sakai to let you paint here?"
"I have to go back before [-]:[-] p.m., and I can't leave the enclosure of the orphanage's yard. If there are any other situations, I need to communicate with my mother in advance."
Sakai Katsuko nodded, talking about what she had agreed with her mother.
"I called you before and mentioned that my mother even had someone decorate the room a little bit. I think it's not bad, how about you?" The girl tilted her head.
"Of course it's very good. It seems that I have gained the favor of our Miss Shengzi and have a soft meal." Gu Weijing glanced around the exquisitely decorated rooms and smiled slightly.
He set his eyes on Jasmine who was next to him.
The little girl was staring at the screen of the tablet computer on the window sill, which was almost at the height of her own side, holding a paper cup with a half cup of coffee in her hand.
Coffee is very rare in the orphanage.
It is estimated that this is the first time Jasmine drinks this kind of drink. Whether it suits her taste or not, at least it tastes quite novel.
The little girl was reluctant to drink it straight away, but stuck out her tongue and licked it slowly like a puppy.
"I don't know if it's good for her to drink caffeinated drinks at her age. I added half a spoonful of saccharin and a little milk to her." Sakai Katsuko turned her face and explained.
When she was making coffee for herself, the little girl didn't cry or fuss, she just looked at Shengzi eagerly, her fingers hooked together.
Where did Miss Sakai receive this.
Being stared at by the little loli almost melted my heart, so I also gave the little girl a taste.
"Let's have a drink today, you are still young, I can bring you freshly squeezed juice to drink when I come here." Sakai Katsuko touched Jasmine's forehead.
Gu Weijing asked Jasmine how she felt about her life in elementary school recently, and let her run away to play.
After a short chat,
The studio fell into silence.
Gu Weijing stepped aside, prepared his painting tools, and fixed a new linen canvas on the easel.
Neither he nor Sakai Katsuko were the type of couple who would get tired of being together all day long after falling in love, and the two of them soon began to do business quietly.
Katsuko Sakai was preparing to finish the "Old Church" which was stopped halfway through the copy a few days ago.
Gu Weijing began to paint his "Lucky Orphanage in the Sun (No.3)".
This time, I still start with pencil sketches, then use quick-drying paint to paint the base map, and then fill in the details on the base map.
Because it has been drawn once,
Gu Weijing is well aware of the process and difficulties of painting, and what he is doing now is A, B, C, D... step by step, push through step by step, grind a little bit, and overcome difficulties.
Sometimes,
Painting is the same as doing physics problems. It is a skilled job, and you have to repeat the questions over and over again.
The only difference is that what he is doing now may be more like the national training team test questions for the Physics Olympiad.
Ordinary students, even ordinary academic masters, have not learned advanced skills and concepts, and there is a high probability that they will not even understand the questions.
Even if Gu Weijing is now among the students of the same age, he can definitely be regarded as a "god of learning".When doing this "fusion painting" test question repeatedly.
Still far from simple.
Now it's the third painting,
What Gu Weijing wanted was not an untouched copy of the previous one.
He needs to see progress.
Can you make some details more detailed this time?Can you make the subtle gaps and frizz between colors less?
Even if the painting technique has not changed substantially.
These small changes and improvements can add up to a lot, and can also instantly improve the direct look and feel of the painting.
Among other things, if you draw a hundred pictures of the same painting, God will give you some face, no matter how lucky you are, you should be able to encounter a few extraordinary performances.
After the technique has been upgraded, repainting a work that the artist is already familiar with will have the perfect effect of perfect combination and icing on the cake.
Since Gu Weijing wants to see changes, the painting process this time is still not easy.
In addition to the slightly more familiar feeling between brush strokes, the pressure is still pouring towards him from the tip of the pen like a tide.
Time passed slowly like this.
quickly,
There was a little sweat on his forehead again.
"It seems that for you now, it is a little difficult to use a pen like this. Gu Jun, can I make a little suggestion?"
Once when he put the paintbrush in his hand into the brush holder, Gu Weijing felt a warm and soft body sticking to his back from behind.
Miss Sakai has finished her copying, and she is staring at the drawing board in front of Gu Wei over his shoulder.
She watched silently for a few minutes,
He keenly saw the strenuous feeling of Gu Weijing in the process of painting.
Katsuko tossed his hair.
"Of course, if you think I've disturbed your thinking, please tell me directly. This is normal. Everyone has different drawing habits. Many people hate being disturbed by others when they are painting."
Sakai Katsuko smiled gently.
Also an art student, Shengzi has learned a lot from the state of getting along with her parents since she was a child.
She knows the smart way to get along with lovers of art students, and it is definitely not to rush up and ask each other while they are painting.
"Darling! Come get a glass of water!"
"You've been drawing for 10 minutes, let's take a break now."
"Let's start the mobile game together!"
"Discuss which restaurant to eat at night."
"Damn ghost, you only know how to draw, but you don't even know how to care about me."
This kind of thing you think is showing affection and caring, and the anger tank in the heart of the person who is disturbed by the creative thinking is going up.
It may not matter if the love period is dry.
After a long time, no matter whether the object is a man or a woman, quarrels will definitely break out because of this.
When the father, Professor Sakai, was immersed in creative ideas, he didn't even eat or even go home.Sitting in front of the drawing board in the studio for a whole night, stuffing all kinds of sweets and junk food into his mouth when he was hungry.
The peak record is that 29 donuts were killed in one night.
No matter how dissatisfied Mrs. Sakai was, she would still pinch her nose and say nothing.
At most, Professor Sakai will teach him a lesson after he wakes up after finishing the painting, and then ask people to replace all the donuts in the studio with gluten-free and sugar-free versions.
The company that art creators really need is brainstorming for inspiration and mutual support on the road of creation.
It is better for her to help her partner break out of the cage of her soul than for her to pour ten thousand cups of hot tea for him.
Ms. Sakai has been quietly looking at the canvas in front of her, and finally seems to think of something.
When she was waiting for Gu Weijing to change his pen, she leaned forward gently and made a sound.
"Shengzi, do you have any good ideas?"
Gu Weijing's eyes lit up, and he wanted to turn his head: "If you need, I can tell you about my painting method."
"You don't need to look at me, just look at the painting with peace of mind."
Sakai Katsuko patted Gu Weijing on the shoulder,
She wiped off a few drops of sweat from Gu Weijing's forehead with a tissue from behind, and said softly: "You don't need to tell me the details. Sometimes, you just want to get out of the old way of thinking, and you can get better ideas instead."
"When my father was creating, no one dared to disturb him. But when I was a child, I liked to hang around him and express my own opinions. My father found that most of the time, it was just children's nonsense, but sometimes , one more person’s perspective, and occasionally can give him some inspiring new ideas.”
"I found that you seem to be paying attention to the edges of some highlights, hoping that it can transition more smoothly with the surrounding color block scenes. Am I wrong about your understanding of your goals?"
Sakai Katsuko asked.
"you can say it this way."
Gu Weijing nodded.
What he wants to do most is to eliminate the sense of isolation in the picture.
The reason for the unnatural sense of estrangement in the current works is largely due to the conflict between the high-light contrast details of Western paintings and the natural, fresh and shadow-free colors pursued by Chinese paintings, the conflict between the two art philosophies.
Sakai Katsuko didn't know the details of the new body painting method.
However, she is also much more talented than old man Wu, and she is also a close-up watcher who paints for the scriptures.
After watching for a few minutes, he keenly grasped the crux of the problem.
"My pen is not strong enough."
Gu Weijing nodded honestly.
Lang Shining can use his ingenious pen control ability to forcefully push these difficulties over.
He doesn't have this skill yet.
That's why Gu Weijing felt that this gap might be bridged when his step-by-step sketching and Chinese painting techniques were upgraded to the next stage.
Sakai Katsuko has a different new idea.
"Gu Jun, have you thought about changing your painting tool?" the girl asked softly.
(End of this chapter)
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