Almighty painter

Chapter 430 Awards

Chapter 430 Awards

after all.

The only reason why "The Blazing World" has been selected by the publishing house to be included in the "Indestructible Tree" literature publishing project has been passed down to this day.

Just because it may be the earliest utopian novel in human history and the first full-length novel written by a female science enthusiast.

Discuss text quality.

Compared with the later Jane Austen, a truly outstanding female writer of that era, and even Mary Shelley, who wrote "Frankenstein" with some similarities to her writing style, it is far behind.

Essentially.

It is just an imaginary dream of a hesitant duchess using the standard heroine routine, with a touch of Mary Sue fantasy.

The academic symbolic significance is greater than the literary significance of reading.

There is no comparison with Saint-Exupéry's elegant writing that is full of ethereal melancholy and deeply infiltrated by existential philosophy.

If the system panel could rate the text rendering skills of the Duchess of Newcastle, it would be estimated to be between level 3 and 4, which is the level between semi-professional enthusiasts and ordinary text workers with creative experience.

When describing the heroine's style and achievements, the Duchess of Newcastle's favorite three sentences are "radiant beauty", "still burning youthful vitality" and "taken care of by the gods".

Or the scene where she crowns herself a powerful queen under a gorgeous church.

Ancient countries in the East and West, as well as any civilization in the world, after their art developed to a certain level, they all chose to paint with brushes instead of knives and shovels, which obviously makes sense.

Gu Weijing felt, however, that in the later stages of the story, the protagonist’s imaginary naval parade scene highlighted the queen’s elegance better than a simple wedding filled with pink bubbles and a splendid coronation ceremony.

As for the publishing house, they didn't think about making money from "The Blazing World". They were just enjoying themselves if they could sell ten or twenty thousand copies.

It will no longer be labeled as "strange and obscene" in niche and unpopular categories.

Not a coincidence.

It doesn’t matter if you lose less money.

But the difference between the president of the high school student union at Dulwich College and the head of the Irina family who denounced Fang Qiu at the entire European Art Annual Conference is nothing more than a fledgling chick flying with wings covering the sky. The difference between divine birds.

At least.

But he also felt that it wouldn't be a bad idea to be a small ashes, hovering around such a person.

Painting with an oil painting knife is only a very niche and niche category in the field of oil painting.

The Lady of Newcastle is a Duchess, but she may not be able to find a model as graceful as Miss Elena in the camera.

At least it should be able to highlight Miss Elena's style.

Only Miss Sandnu may feel vaguely similar to Anna.

Using Miss Irina's appearance as a model material for paintings is not without its difficulties.

According to the publisher, in fact, the cover painting they suggested was a scene where the beautiful heroine Mary Suvin, with her explosive aura, rips off the vixen with her hands, wins the heart of the king and walks into the wedding hall with flowers in her hands.

Pretty simple common sense.

It was he who drew the Queen, imitating Miss Elena.

Therefore, he decided to create this cover painting called "The Queen".

Say.

The young girl on the podium was the first person in Gu Weijing's life who felt that she gave him the feeling of a real queen.

He couldn't draw the face.

Ms. Sakai is too gentle, without that sharpness.

The style of Miss Elena matches the manuscript called "The Blazing World" very well, and it is far more vivid than a few pale text descriptions.

Unfortunately.

In his opinion, it was completely impossible to summarize the aura of Miss Elena, which seemed to be like rolling petals, pressing towards you in layers.

When listening to her speech, you feel as if your whole body is being burned into bright ashes by the heat wave inspired by her at any time.

It is far less impactful than Gu Weijing's "legendary" knife-drawing skills.

She was cold, yet hot.

Beautiful like a heart of flame burning on the ice sea.

Katsuko can’t.

Scholastic Group's "No Dead Tree" project is an expansion effort that is more focused on academic research and demonstrating corporate social responsibility.

If you have one painting method, you can paint in any field.

Neither can Kou Kou, Kou Kou is a lively little heroine, not the same type of powerful as Miss Elena, and lacks the solemn and religious temperament of the other party.

At least when Gu Weijing read "The Blazing World" under the guidance of Mr. Sloth.

Gu Weijing discovered this when he watched the speech.

There is a reason why this type of subject matter has been popular both at home and abroad for centuries.

That's right.

But if you can fool some adolescent girls, it would be a good thing to buy a copy and take it home when you see the beautiful cover painting when browsing the romance category in a bookstore, and bear the printing cost.

Gu Weijing is the protagonist of this painting, you can tell by looking at the dark emerald long skirt flying up and down in the sea breeze and the small silver gauze crown on her head.

The oil painting knife is still essentially a rough "nine-ring sword" rather than a delicate embroidery needle.

Unable to handle very fine details.

The legendary knife painting technique breaks this shackles to a certain extent.

With the blessing of the system, Gu Weijing could perform such a delicate operation as cutting Wensi tofu with a nine-ring sword, but he was asked to use a nine-ring sword to carve Audrey Hepburn on the tofu.

That's really hard to do.

What is needed is not to break the limits of painting techniques, but to break the limits of physics.

Some neat stuff.

If you can't handle it in your bones, you just can't handle it. No painter can handle it.

It won’t work a thousand years ago, and it won’t work a thousand years back.

If it is done forcefully, the effect may not be as good as the sketching level of his second-level profession, which can be done with a small brush.

The simple cartoon images of pumpkin heads, white-bearded drunkards, and robed kings in "The Little Prince" are easy to draw without any pressure.

The little prince's pair of deep and emotional eyes were also illuminated by a subtle pull on the canvas paint like an antelope hanging its horns.

But Gu Weijing knew it very well.

There was no way he could depict Anna's overly delicate facial features, just like the old CRT tube display couldn't handle the ultra-clear medium format camera photography images.

When painted, it will be imitated and the hazy beauty will be lost.

So Gu Weijing made a very bold decision - not to draw the facial features.

He decided that all the illustrations about the heroine in the entire set of "The Blazing World" would not depict the front face.

Either a back figure in a church, or a silhouette reading a book under a yew tree.

Even in this painting, when the protagonist is standing among the seaside cliffs to review the army, her face is obscured by the hazy seaside fog. No clear true appearance can be seen.

Still holding the pipa, half-hiding her face - this is the beauty map summarized by the great poet Bai Juyi, which has the most oriental philosophy.

Sufficient blank space also represents sufficient room for imagination.

At the same time, once the characters' facial features are blurred, readers will pay more attention to the overall atmosphere of the painting.

Describe the mood of the scene.

This is the area where Hua Dao Hua is best at.

He only portrayed a figure, and it was full of essence.

The sea breeze is howling and the fog is misty.

Under the dark night, the winding and steep cliffs between the waves seemed like a sharp sword thrust into the coast. The only ray of moonlight among the clouds shone on the figure of the woman on the cliff.

So the entire infinitely extending world became her palace, her domain.

Gu Weijing adopted a V-shaped composition method.

The scenery in the entire painting is in the shape of an inverted V, with the figure of the Queen on the cliff in the distance being the tallest, and the giants and the masts of the warships in the foreground on both sides, continuously extending downward.

The visual principle of the V-shaped composition method is very similar to the triangle composition method he used before. However, due to the lack of a bottom edge, the overall look and feel of the picture suddenly changed from the most stable triangle in geometry to an undulating herringbone. .

The scenery gives people a much more turbulent impression in an instant.

But when your eyes go beyond the sea breeze, past the giants and warships, and fall to the moonlight-like phantom at the top of the cliff.

Your entire messy mood immediately calmed down.

It's hard to accurately describe this visual effect.

Even though she couldn't fly, her figure was negligible compared to those war giants whose sea water only submerged up to their knees.

But she is the most important character in this painting. As long as she stares at this painting for a moment, the audience will immediately feel the peaceful power emerging from her body that is completely different from the turbulent sea.

And even if you can't see her face clearly.

Just look at the corner of the emerald dress floating in the wind, look at the mist surrounding her composed of different shades of paint painted by Gu Weijing, and feel her eternal solemnity and dignity like a stone carving on a cliff.

The audience's heartbeat will beat slightly.

You can't help but hold your breath waiting for the moment when the cloud on her face clears.

Even though you clearly know that this is just a painting, you firmly believe that there must be a moving face under the clouds, and you will follow her to the end of the world without hesitation.

Even if it's just to look up to her for a few more moments.

"The system is really harsh!"

Gu Weijing curled his lips slightly, feeling dissatisfied with the evaluation of [Heartfelt (Perfect)] on the system panel.

Is it so difficult to give a [painstaking] review?

Although Gu Weijing knew that he was simply conquered by Miss Elena on the podium.

On the depth of emotional depth.

It is definitely not as good as the "Little Prince" inspired by the Muse candle or the "Wisteria Flowers" that breaks and then rises. However, he also put a lot of thought into this painting.

In terms of pure evaluation skills, it is already the most exquisite, most skillful, and most complex work created after acquiring the legendary knife-drawing technique.

It can only reach the level of "feeling something in the heart (consummation)".

Ok.

No matter how the system evaluates it, Gu Weijing himself feels that his painting is excellent and has reached the highest level he can currently achieve.

[The Blessing Candle of the Muse] During this period, when he was copying "The Old Church on a Thunderstorm", he opened two more.

Gu Weijing hasn't figured out how to use it yet.

But when it comes to "Blazing World" works specifically for prizes, it's not necessary.

He believes that whether he uses candles or not, his skill level must be the best among the various candidates.

As for the more important off-site influencing factors, there may not be much difference in essence whether small candles are used or not.

"I've finished the painting. When it's dry enough to be transported, I'll come and pick it up in two days."

Gu Weijing sent a message to Brother Dyson from Schonbrunn Office.

During the selection process of Scholastic Group's [Writing and Art Master Award], its painters can submit original drawings to the organizing committee if they are willing.

After successfully winning the award, it will be placed in the exhibition hall of the group headquarters building.

It’s okay if you don’t want to submit, there’s no need to force it.

If the publishing house were to give the late Andy Warhol a 40th anniversary commemorative award tomorrow, he couldn't use his drawings worth millions of dollars for nothing.

Right?

It is also possible to place photocopies in the exhibition hall.

But a little guy like Gu Weijing doesn't have that much airs to show.

Mr. Sloth suggested that it would be better for him to submit the manuscript.

After contacting the assistant at Perfect Spring Palace Office, Gu Weijing thought for a moment, then swiped his phone and opened Mr. Sloth's chat box.

"The drawings for "The Blazing World" will be completed here soon. Please ask, is there a way to get the contact information of Miss Elena... After so many things happened, I think I should say thank you to her."
-

The climate in Gleze City in April and May is cool. Except for occasional light rain, the temperature can be said to be pleasant.

The aftermath of the shock at the opening ceremony of the annual meeting is still fermenting and reverberating around the world.

Instead, the center of the ripples fell into a strange tranquility.

Few cities have such a light temperament as Gleze.

Yangon is a stove with pebbles piled on the surface in a sauna, while Glitz...it is a slow symphony like Chopin's "Portrait of a Lover" that is melodious and melodious, like walking on the beach in spring.

Never get restless.

Various special exhibitions at the European Fine Arts Annual Meeting, which lasts for several weeks, have just begun.

Tourists from all over the world still flock to art galleries of all sizes in the city every moment.

But when these international travelers from all over the world whispered to each other and shared the explosive news at the opening ceremony of the annual meeting, they happily took a taxi from the airport and traveled through ancient European cities.

They will be surprised to find out.

Gleizes has returned to his old rhythm of life, as if the speech that shocked the world had not just happened a few hours ago.

Sir Brown was holding a cup of coffee and silently watching the drizzle outside the window as the banner slogan "Bring Art Home" slowly floated downstairs.

The morning time on the schedule was originally the time when he and the President of Austria jointly cut the ribbon for the opening of the [Muse Project].

just now.

Thinking about it, neither he nor the president, who had suffered an unreasonable disaster, had the intention to do such a thing.

(End of this chapter)

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