Almighty painter

Chapter 476 Meow!
Gu Weijing was stunned for a moment.

He was slightly surprised.

He just wanted to teach his grandfather how to improve, and the experience points fed back by the system were actually quite a lot!

Gaining one or two hundred painting experience points doesn't sound like much.

It can be converted into a value of thousands of dollars.

I can't catch up with him as he painted a few Chinese paintings seriously, or listened to Professor Lin Tao's WeChat online class.

If the latter wasn't due to Mr. Cao's relationship.

Normally.

The tuition fee of one to two thousand US dollars per hour should not be able to buy a 1V1 master experience class for a painter of Lin Tao's level.

It turns out that not only listening to the master's lectures, you will also be rewarded with painting experience points.

Can you gain experience points by giving lectures?
The system tasks are introduced, and the process of drawing with the guide is also an explanation of the process of sorting out the knowledge system, which is not a lie.

Gu Weijing stared at the drawing on the paper and thought about it carefully. He found that the process of training Mr. Gu had indeed provided him with an unprecedented perspective on art.

In the past, when he started painting, he often took matters into his own hands, letting his creative desire and the muscle memory honed by his fingertips dominate the shaping of the details of the painting.

The process of painting the "Museum" Island was like forming a unique soul bond with the artists in history.

He temporarily borrowed the greatness of the great masters and appreciated the excellence of the outstanding painters.
It's like a Milky Way hanging upside down in the heart.

Therefore, whatever you do with your hands and move with your mind is starlight.

No need to think about it at all.

Starting and finishing the pen, the best color expression and the most skillful brushwork techniques naturally appear on the paper in front of you.

It was as relaxed as if Awang next to him had bitten off a piece of sawdust from the old man's tea pile.

The process of his painting, regardless of whether he uses skills or not, seems to be guided by a mysterious "intention" in his heart.

This kind of process certainly has the elegance and elegance of "the article is made by nature, and the skillful hand can accidentally obtain it".

However, it also lacks the sense of solidity that comes from splitting the entire painting into thousands of independent pen and ink dots and carefully polishing and deliberation.

Think about it carefully.

Gu Weijing's painting skills improved too fast and fiercely during this period.

Except when he was painting wisteria flowers by the lake in the Royal Botanic Gardens, he was desperately trying to capture the essence of the petals, but he was quickly overcome by a state of confusion.

In fact, the entire process of improving his painting skills was quite a stream of consciousness.

It was as if he had been initiated and taught by the "old monk" of the system.

Once you know how to draw, you know how to draw.

However, he lacked enough thinking and examination. This was the first time that he described his works stroke by stroke from a complete intellectual and theoretical perspective.

Why are you so oblivious? Why do you mention this?

Tell others the complete process.

He was not only telling Gu Tongxiang, but also telling his past self.

Give roses.

There is a lingering fragrance in the hands.

"Oh oh oh! And then--"

Gu Tongxiang listened there fascinated.

The old man has always felt that the main difference between himself and a truly good painter lies in his style, his brushwork, and his sincere and generous spirit.

They are all concentrated in these more metaphysical places.

At least it’s also about the subtle fire control and shaping of lines, such as the dark and light dry and wet burnt, and the rendering and rubbing points.

Simple hooking method - to put it bluntly, it is just a small porcelain bottle.

Just that inch of something.

He is not a naturally gifted person, and learning is like a whale sucking water. But if you work hard and put a drop of ink into it every day for five or sixty years, it should be full by now.

For people who have been playing with calligraphy brushes for most of their lives, who can be any worse than the other!
But Sun Tzu's quaint comment that "it is neither rotten nor delicate" and the random changes of single and double hooks in his writing are like a wake-up call.

The door to a new world has been opened to me.

In the eyes of an expert.

A small ink line can contain hundreds of articles.

In a trance, the small porcelain vase that had been filled with tears in his heart turned into a 30,000-jin jade pure vase in Sister Guanyin's hand that could hold pool water, which made Gu Tongxiang feel unfathomable.

Gu Tongxiang was wandering in a daze between the excitement of discovering a different world and the impact of a large amount of information, which almost burned the old man's CPU. He tried his best to stretch his arms and look through the crack in the door.

Suddenly I found that my grandson was a little distracted and stopped talking.

The door that had just been pushed open clicked and stuck there, no longer opening.

How could Mr. Gu, who had just tried his best to poke his head, be satisfied with this?

"Hurry up, hurry up and continue talking, what kind of bridge are you using? I'm still hiding you and your grandfather!"

Old Man Gu was very unhappy.

After the words came out of his mouth, Gu Tongxiang felt that he had spoken too eagerly and had lost his status in front of his grandson.

"Ahem, I can help you check to see if your idea makes sense." He cleared his throat and coughed twice.

"This is not my idea. Many predecessors have already summed it up. Professor Lin Tao said that if you are good at painting flowers and birds in traditional Chinese painting, you can't skip the two words "traditional and simple". Flowers, plants and leaves should be multiplied when they should be multiplied, even if they are multiplied to dozens of branches, There are hundreds of leaves, and every outline of the leaf must be outlined in detail and full of vitality. It must not be messy or confusing. The sketch must also be simple, with only a few strokes, three or five branches and leaves, and one ink stroke. The charm is floating..."

Gu Weijing was too lazy to expose the old man's little thoughts.

While painting, he would break down his painting techniques into content that Gu Tongxiang's level could understand as much as possible, and share it with the other party.

The more Gu Wei Jing talked about it, the more surprised he became.

He wasn't surprised by the constant buzzing prompts on the panel about increasing experience points, but he was surprised that he could actually say these words.

Don't look at the way he is talking there now.

Even if it is Gu Weijing himself.

Before sitting here today and forcing himself to explain the principles of painting to his grandfather, he actually did not closely connect these statements in his mind with the lines in his pen.

Professor Lin Tao asked him to read the book, and he read it carefully.

Professor Lin Tao taught the class, and Gu Weijing also listened attentively.

But after going through it once, Gu Weijing had a fleeting feeling. Not only did the left ear go in, but the right ear came out more, at most it only absorbed 10% or 20%.

now.

Gu Weijing felt that he might have been abrupt in the past and did not realize how awesome Lin Tao was.

Among Master Cao's disciples, Lin Tao and Zhou Ming are two of those who receive relatively little attention.

It can even be said that he is quite ignored by the media. The sound of these words is enough to make most art students in the world want to vomit blood with grief and anger.

Both of them are big names on the Hurun Artist Rich List.

The price record for a single work has also exceeded one million yuan.

It couldn't be any more awesome.

It just depends on what standards you use to judge this matter.

Schumacher's son and Senna's nephew will be scolded by the media if they can't perform far better than others in F1.

No one cares that everyone who can sit in the cockpit of Formula is a super expert, one of the 20 best drivers on the planet.

Whoever gave you the last name Schumacher, this result is unqualified.

Because Lin Tao is Cao Lao's eldest disciple.

Therefore, even if he reaches this level of net worth, he is taken for granted in the eyes of critics and does not even meet the expected standards, which is a bit disappointing.

When articles mention him, they often lament his failure to sign with Gagosian. Missing the possibility of a different world of life unfolding.

Tangning's behavior is what meets society's expectations.

In the mural project at the beginning of the year, Lin Tao seemed to be as popular as Uncle Sakai, mainly because he was a disciple of Mr. Cao.

Who wouldn't praise his son in front of his awesome father?

This is a bit strange to use to describe a sixty-seven-year-old "son" with gray hair, but the words are rough but not rough.

Purely in terms of worth and attention, and seniority.

Strictly speaking, only Tangning after the Hong Kong Film Festival is on the same level as Kazunari Sakai. They are both the best among tens of millions of industry practitioners in the world, regardless of race or country. Ranking close to the top fifty.

Lin Tao is still far behind.

If we talk about his oil paintings, they may only be sold for one-fifth or even one-seventh of Sakai's price at most.

On the monument built by the government tourism department next to the Shwedagon Pagoda, Uncle Sakai's name was also listed in front of Lin Tao.

After even considering Wei Jing himself, he realized that Mr. Cao Xuan might have the idea of ​​recruiting him as his disciple. He was not a sage. He must have great respect for Professor Lin Tao, but he could not help but regard him as his general. A staircase to a higher palace of art.

He didn't realize what a rare opportunity it was for a master of this level to take time alone every week to give him one-on-one lessons.

Lin Tao said that artists can only rely on their own perceptions and thinking to change their styles and overcome bottlenecks.

No outside force can help him.

The master leads you in. Cultivation is up to the individual. The only thing you can do is give some tips and enlightenment. Whether you can gain enlightenment or not depends entirely on your personal understanding.

But in fact, Professor Lin Tao's lectures are from a high position, majestic and grand.

Everyone had told me the principles of teaching and the higher-level pen and ink skills, but at that time, Gu Weijing's level was still unclear and he couldn't understand it. Like Gu Tongxiang, he was ignorant of the treasure mountain.

Listening to the teacher's lectures at the level 4 level is quite an experience.

When I reached Level 5, I thought about those words again, and it was a completely different feeling.

What Lin Tao teaches is the most essential and orthodox experience and art philosophy passed down from generation to generation for thousands of years by the Southern Painting School.

In ancient times, if you didn't have Wang Xizhi's top family background, it would be difficult to hear these knowledge.

As the level of Gu Weijing's skills improved, the most essential and obscure divine meanings in those ancient art classics began to open their arms to him little by little.

The other party seemed to have planted a seed, a key, in his heart.

As his skills improve, they naturally grow and develop, and every time he tastes, there is a new level of heaven and earth.

This is the benefit of the master's personal enlightenment and lessons. The starting point is too high, high enough for many people to realize and grow in their lifetimes.

There is always something to think about.

Just like Guo Jing has been exposed to countless mysterious martial arts classics in his life, but the martial arts that really changed his destiny in his life may not be the peerless martial arts like the Eighteen Dragon Subduing Palms, but the Quanzhen Tao Changma in the desert. The internal breathing method that Yu taught him.

This was the first upright and peaceful Xuanmen spiritual method that he came into contact with in his life. From then on, he was able to distinguish himself from the jugglery and second-rate martial arts of the Jiangnan Seven Monsters by his half-assed master, and he saw the real world.

It also became the basis for him to later be able to understand the "Nine Yin Manual" and practice those truly advanced martial arts.

"Perspective, perspective, perspective."

Gu Weijing recalled the knowledge he learned in those classes and imagined how Lin Tao would give guidance to Gu Tongxiang if he were here.

"You must remember that perspective is very important in any painting. Only the perspective relationship can depict the three-dimensional sense of space. The perspective system of Chinese painting is different from that of oil painting. The entire shape tends to be flat, which can be Chinese painting is definitely not without perspective...

"In modern textbooks, the perspective system of Eastern painting is called the scatter point perspective system. However, when Professor Lin Tao taught me, he liked to use the more ancient "Six Classics of Painting" with the terms lofty, far-reaching, flat far, far away, and far away. "Broadness, distance, distance, using the big to see the small, the close to see the far, the body to see the surface, and the time to see the space are ten words to capture the compositional relationship of the entire painting..."

"look here……"

In the quiet study room.

After Gu Weijing started to draw and talk for three minutes, Gu Tongxiang was dumbfounded. The old man stopped being so stubborn and stopped talking about the difference between grandfather and grandson.

Inside, he lowered his eyebrows and nodded in agreement.

Later, the modal words "oh oh ah ah" were gone, and the wrinkles on the old face curled up, and he was thinking seriously.

Gu Weijing felt as if he had entered a strange state.

In the past two or three months, the teaching content of more than a dozen classes, the books he read, and the content of the knowledge cards provided by the system were all slowly regurgitated during his lectures.

Many key and difficult points that I had not thought through before suddenly disappeared as soon as I changed my mind.

Those incomprehensible theories and the content written down are perfectly and roundly tied together.

It's like the mantra that middle school math teachers often like to say - you don't really know it until you know it, you only really know it if you can tell it.

[Chinese painting techniques +71! 】

[Chinese painting techniques +63! 】

[Chinese painting techniques +121! 】

【…】

The chewed-up knowledge was integrated into his body, and in the ding-dong, ding-dong notification sounds of the system, it became the skeleton and cornerstone of Gu Weijing's path to Chinese painting.

In the blink of an eye.

After he broke through the second level of the L.5 profession, the second wave of skill improvement suddenly came.

The Chinese Painting Techniques column on the system panel began to fill up towards the end of the experience bar at a not-so-fast, but steady pace.

In the blink of an eye.

The experience value that was originally over six thousand has reached seven thousand, and is soaring towards eight thousand.

I was bored there, maybe thinking about whether to sneak out and bully the butterfly, or continue to lie here and wait for Awang to cook on time at noon.

It seems that the shovel officer Xiao Guzi looks a little strange now.

It no longer harmed Lao Guzi's teacup. It lazily raised its round head and let out a confused "meow".

(End of this chapter)