Almighty painter

Chapter 525 Believe
Gu Weijing could see that Shengzi was following the same idea as depicting the shadows of green plants.

She hopes to play to the strengths of both colors.

Red and green are two colors that are not easy to draw together.

But as long as you paint well, you can paint brilliant colors.

Red and green, orange and blue, yellow and purple are the three pairs of complementary colors that art students are most likely to come into contact with.

The so-called complementary colors.

That is, they are 180 degrees apart on the hue circle and can complement each other.

Under natural light, two colors of light, mixed in equal proportions, will turn white; in painting, two colors of paint, mixed in equal proportions, will turn into the opposite color of black and gray.

Red and green are both one of the three basic primary colors: red, green and blue.

Looking at the entire art pigment system, and even the optical system of the biological human eye - red and green are a very special pair of colors.

On the whole, she has demonstrated the fresh temperament of plants to some extent, and her artistic path has not strayed.

It certainly can’t be called a poisonous spot in the picture.

There is no natural distinction between good and bad in complementary color matching. It is a pure color phenomenon, only the difference between good and bad processing level in the artistic works.

Since it can be vulgar, it can often be elegant.

Many people think that the red and green country style is very rustic and unattractive, and is something only farmers and women like to do.

This is already a relatively outstanding level among professional painters.

Since it is a rustic and elegant color combination.

The colors that are most down-to-earth and widely accepted by people are often the most elegant colors.

It is poison to mortals and elixir to masters.

For example, herdsmen stare at the endless green grassland for a long time. In order to reduce the visual fatigue caused by monotonous colors, the human eyes often have the illusion that the weeds at the edge of the vision are red.

Surgeons who have been looking at blood for a long time will occasionally look at their white coat or the wall and have a green illusion. Therefore, in order to prevent such illusions from interfering with the doctor's surgical process, the surgical gowns in modern surgical operating rooms are often directly green.

The spectral wavelengths of these two colors, placed in the same place, can form a strong visual contrast.

in contrast.

Even if you are a specialized art student, someone who has studied color for four, five, or even ten years, it is inevitable that you will not be able to do this kind of thing.

In art classes, some students often use color blocks very rigidly, which causes strong visual fatigue for the audience, and even makes the audience feel weird after looking at them for a long time, and may cause physiological discomfort.

of course.

It can be called a disaster within a disaster.

on the contrary.

for example.

Van Gogh, Monet, and Seurat all liked to use complementary pigments with very strong contrast or saturation in their works.

When Gu Weijing stood in front of the drawing board, his first impression was that he saw a plant growing out of the ground, rather than sticking up a small advertisement on a telephone pole with abrupt colors of red, green and white. piece.

Jean-François Millet has always believed that farmers are the most natural artists in the world and the brush of inspiration given to the world by God.

And they will transform each other in visual images to a certain extent.

It's like a simple to complex boiled cabbage dish.

This is why the complementary color processing is dry, the red is bloody, and the green is stiff.

It's not customary.

Not only the lines are good, but the colors are also good.

As soon as he breaks through the bottleneck, his painting skills will improve slowly. He can't wait to fall in love and chat, and gain experience there, which simply makes Gu Weijing amazed.

To be fair.

Poor painters, when doing this kind of color matching, often end up with the effect of a car accident scene, where the intestines are twisted together with bile.

Then again.

This is understandable.

The waist cannot be lowered.

It is the simple, fresh and innocent temperament that the painter cannot handle well.

Sakai Katsuko is a very spiritual girl.

Gu Weijing felt that Shengzi's painting was not bad, at least not clumsy.

Therefore, the painted works are imitated and crooked, and the paintings are just vulgar.

It was the professor who saw too many destructive psoriasis-like designs submitted by his students and couldn't bear it anymore, so he issued a one-size-fits-all color matching instruction.

The combination of highly saturated red and green often appears in the "Prohibited Color Color Systems for Portfolios" reference materials issued to students by the design departments of some art schools.

Not at all.

Because they have the most affinity and point directly to the origin of nature.

No joke.

Students may be wary of hearing about the fact that falling in love affects academic performance.

But in art school, it is quite common to fall in love and have your academic performance improve rapidly.

Again.

Painters can be introverted and shy, but dull wooden people and robots that can only stare at books will never reach the top in the art industry.

For a talented painter who takes a perceptual approach.

Falling in love, falling out of love, encountering major emotional shocks or emotional ups and downs, etc.

It can often really change their view of the world, thus playing a radical role in promoting and evolving painting techniques and even the entire artistic style.

Emotion is the catalyst for the transformation of techniques from quantitative to qualitative, and love is the jewel in the crown of art - this view has been proven by a large number of case experiences and repeated practice.

Tang Bohu, Zhang Daqian, Manet, Picasso, Renoir... Throughout the ages, a large number of art masters are representatives of the experience of picking up girls.

Lao Bi was even jokingly said to have practiced the weird side-door Joyful Zen + the secret method of "killing" his wife to achieve enlightenment.

Every time he cheats, he changes his lover, and watching his wife and lover tearing their hair and fighting in front of him, it is as if he has taken a panacea, and he can make a major breakthrough in the painting method.

The trigger for the formation of Picasso's painting style during the Blue Style period was witnessing the suicide of his beloved friend Casagemas. He said - "That completely reshaped my painting brush."

Miss Sakai is a girl who combines Zhong Lingyu and Xiu.

When Katsuko embraced nature with a more passionate attitude, nature embraced the works she wrote with a more intense attitude.

When she painted her first painting, "Girl Reading Poetry to Cat," her technique had just reached the second level of her professional career.

It's only been a month or two.

Now, not only the sketching level has almost reached the latter stage of Level 5.

He knows everything about everything and draws inferences from one instance to another. Even oil painting has reached the second level of his profession thanks to Shengzi's constant polishing and elaboration of colors.

He was barely left behind by Gu Weijing, who had system auxiliary points.

Even though Miss Katsuko doesn’t have to allocate a lot of practice energy to watercolor and Chinese painting like herself.

Oil painting is her only main occupation, and she can devote herself wholeheartedly to it.

However, this kind of progress was so amazing to him.

Every time he saw Sakai Katsuko's kind - each painting showed a wild progress speed that was visibly improved compared to the previous one.

He seemed to understand why Picasso was specially recruited by the Royal School of Fine Arts in Madrid at the age of fifteen, and Tangning could reach the level of a master at the age of twenty.

This is the talent that truly overflows from the paper!
Then when I got home, I was not angry at all, and I waved my little "whip" even more vigorously.

Gu Weijing looked like he saw the kid next door who got 100% in the parent-teacher meeting, and then turned around to see his own stupid, snot-nosed kid who didn't pass the exam and only wanted to go out to play. Like an angry parent.

He pushed Old Man Gu hard to continue grinding. I paint there every day.

Look at other people's Shengzi, and then look at my own old man Gu.

Shengzi only drew six pictures, and the progress bar for the second level of his profession was almost full. Then he looked at his grandfather, and saw the bottleneck of the last 200 points, which was like a lazy donkey pulling a mill.

You can't grind it out even if you live or die.

Have you practiced? Are you careful? What have you practiced?
Useless!

Not afraid of not knowing the goods, but afraid of comparing goods.

With such a gem like his girlfriend in front of him, Gu Weijing felt that his grandfather's explosive rate was completely unacceptable.

If the task given by the system is to tutor Katsuko.

No.

Even though he was being held there, Mr. Gu, who was grumbling and reluctantly practicing painting and doing homework, had one-third of Miss Sakai's intelligence.

Our mission to break through the border has been completed long ago.

The former Gu Weijing, even at the same level, had a slightly higher oil painting experience value of two to three thousand points than Shengzi.

He is still not qualified to pretend to be an expert in front of Sakai Katsuko.

In the whole of Yangon, there may not be only five painters who are qualified to pretend to be a big-tailed wolf in front of Shengzi.

Her aura and creativity in blending colors, as well as her trembling dynamic feeling, can be considered as a high-quality product with over 5 points for the entire Lv. segment.

Regarding the knowledge construction of the color science system, Katsuko was much more solid than him.

It would be more like Miss Sakai to be his teacher.

Fortunately, his oil painting is now at Level 6, a third-level professional level, and he has begun to touch the door of the road to master.

Don't belittle yourself.

Gu Weijing was confident, considering that his grandfather was a well-known local oil painter.

When it comes to traditional silk paintings in Southeast Asia, there are definitely better ones in Yangon than him.

But when it comes to oil painting techniques.

Among the five million people in Yangon Province, his third-level professional level should really rank among the top five.

After entering a new stage of painting, he found that he had a new understanding of the entire color system of oil painting.

Red and green, I dare not say how I want to match it, just match it.

however.

From Monet's red and green tree shadows, to Van Gogh's psychedelia, to the trendy new seasons of some niche luxury brands, to the red and green, bullshit tones that everyone can't understand.

Gu Weijing can restore it very similarly.

"Do you want to apply it with your fingers? The basic tone of the magnolia tree above is almost the same as what I just applied."

Sakai Katsuko probably guessed what Gu Weijing wanted to do.

It's not even possible to guess.

She knew that the boy had been studying the finger painting method recently, and since he said he didn't need a brush, there was no other choice, but——

"The pressure of your fingers can indeed change the color mixture of the upper and lower layers of paint to a certain extent, and create some deft and small transitional textures that cannot be achieved with a brush."

"However, the overall tone is difficult to change."

Shengzi thought about it for a moment and put forward his opinion honestly.

"It's not easy to do. It's very difficult."

Gu Weijing knew that Miss Sakai must have regarded his words about painting magnolia flowers as words of ambition to show off his authority in front of the girl.

He smiled slightly.

Not much explanation.

"Well, if I can draw a more natural effect, Shengzi will take care of all the work of bathing Awang in the next two months. If the effect of the drawing is not good, then I lose... Hmm , then let it get dirty happily."

Gu Weijing suggested.

Sakai Katsuko pursed her lips and shook her head slightly.

"Don't bet?"

"Winning or losing, I will give Awang a bath," Shengzi said. "It's fun to give Awang a bath, just like playing with a baby. And I won't bet on you losing."

She put Gu Weijing's arm in her palm and said seriously.

"If you believe you can do it, then I believe you can do it, and I only bet on you to win."

"Friend, you don't make any sense at all?"

"It doesn't make any sense, Gu Jun. From the day I met you, you have done everything you said you could do. Even if you don't draw well now, you will definitely be able to draw well in the future. You just need to do it." Be prepared.”

Miss Sakai stared at Gu Weijing with a bright smile on her face.

The faint rosiness on the porcelain doll-like cheeks seemed to be like a magnolia flower blooming in front of his eyes.

Some truths don’t need to be said.

I believe you can do it.

Just like the reason why flowers bloom, spring is there, but it's just this spring or next spring.

Gu Weijing stared at the girl for a few seconds.

"it is good."

He didn't smile, turned his head and looked at the drawing board in front of him, and said calmly.

Originally, Gu Weijing just mentioned it casually and half-jokingly to distract Shengzi's attention from Miss Elena.

however.

Sakai Katsuko trusts herself so much.

The girl looks at you so brightly, with such a pure and sincere smile, as if she has put her entire heart-heavy faith in him.

If he can't draw well again.

It was a bit embarrassing, even Gu Weijing looked down on himself.

He took a step back and looked over it from top to bottom very seriously before speaking.

"Shengzi, do you know what you didn't do well?"

"Please say."

"Actually, you have already said the key to the problem. Otherwise, you will lose your agility, or you will lose your aura's abundance."

"Yes, this painting has already captured the feeling of plant growth. The only difference is that it does not have the floral flavor of magnolia. Or, I think, it is probably because you have read too many works of famous European Impressionists. So get into the mindset.”

Gu Weijing said slowly.

"It's the red and green tones of violets, poppies or a rose field, not a magnolia painting."

Sakai Katsuko's face was straight, and she looked deeply at her work.

There seemed to be some shackles that were troubling her. With Gu Weijing's words, they were suddenly broken in her mind.

The truth is to teach one sentence, but the false teaching is to teach thousands of scriptures.

She understood instantly.

At this moment, Gu Weijing placed the magnolia piece in his hand on the small table aside.

He didn't pick up a paintbrush or dip his fingers in paint directly, but picked up the oil painting knife next to him.

(End of this chapter)