Almighty painter

Chapter 610 Shengzi's Model

Koko was next to the easel. She was always there during this period.

But she is not painting now.

The campus recruitment fair is next Monday.

Koko was holding a large file rack, glancing at the various application forms on it... At least, the last scene that Miss Sakai remembered before she put on her headphones, closed her eyes and entered meditation was that Miss Koko was staring intently at the documents for the campus recruitment fair and her past academic transcripts.

That vicious look was similar to that of a contestant in a food variety show who forgot to add seasoning in the kitchen when the countdown was over and was staring at the Irish vegetable balls on the plate in front of him.

Anger arises from the heart, evil comes from the courage.

I was ready to throw it all in, serve it to the judges, and deceive them into thinking that this was "a new-style diet based on low-sodium, low-salt and pure natural cooking theory. If you are bold enough to say it doesn't taste good, you're out!"

Hoping to defeat the boredom of taste buds by occupying the high ground in terms of IQ... and the transcript with a string of Cs hovering just above the passing line, occasionally sprinkled with one or two Bs.

"I don't know if there is any preference for ballet specialty in enrollment. Anyway, it can't be difficult for Koko! I can easily fool those stupid fools in the bar, so what are the teachers at the school recruitment fair? When I take action, I can deal with them with just a tearful look--"

Katsuko Sakai noticed that she heard Koko's very soft murmurs coming from the wind.

She couldn't help but smile slightly.

Koko is always cute.

Gu Weijing secretly thought that Shengzi and Koko became friends.

But Ms. Sakai herself would not call Koko her friend.

It's a bit similar.

But it's different.

She didn't know if one day she and Koko would become best friends.

That's not now.

Miss Sakai knew that Koko had done nothing wrong.

She is proud, brave, very nice to Gu Weijing, and loves her boyfriend.

There is nothing wrong with a person being proud, and there is nothing wrong with being brave.

Fall in love with someone else.

There is nothing wrong with that either.

Gu Weijing is a person who deserves to be liked, and Sakai Katsuko is proud of this, just as she knows that there are many people who like her.

Miss Sakai is not afraid of being liked by others, and she is also not afraid of being liked by others for Gu Weijing.

Only people who lack confidence will worry about losing what they have.

Shengzi believed it.

From any angle, she and Gu Weijing are a perfect match.

They are a good match, have a tacit understanding, and a common language, and can walk the artistic path together to the end.

and so.

She is very generous most of the time. Katsuko Sakai can face Koko with a gentle attitude, and even has enough confidence to applaud Koko's bravery.

Let alone Gu Weijing.

Even Miss Sakai thinks Koko is really nice.

But Katsuko Sakai is reluctant to call this relationship "female competition."

This is so LOW.

She believed that Koko was so great, not because she wanted to be better than herself or calculate whether she could gain other people's attention or be "favored" by others.

But she was just that great.

Love is different from friendship. It carries the natural possessiveness of human reproduction instinct.

Ms. Sakai has never heard of Mr. Sloth's love class.

But she also felt.

Regardless of men and women.

It is very difficult for people to simply become good friends with another person who likes their partner.

Unless the other person is so insignificant and inferior that you feel he can be ignored, there is an element of pity mixed into "friendship".

It’s like suddenly encountering a puppy with a lame leg on the side of the road, curled up in a ball and barking pitifully at you, making you want to take out some food from your pocket and share it with it.

How is this possible?
Koko is indeed not the type of person like Miss Elena. Even Katsuko Sakai couldn't help but feel longing for her when she saw her on the screen... and a little bit of jealousy that she was too embarrassed to say.

Miss Elena is so brilliant.

It's so beautiful that it takes your breath away.

Even a girl like Lian Shengzi, who is so dazzling, couldn't help but ask Gu Weijing the classic trap question, "Is she much prettier than me?"

But Koko is not a pitiful puppy either.

no way.

in contrast.

The closer you get to Koko, the more straightforward and lovely she becomes.

No matter how adorable Katsuko Sakai is, deep down she still doesn't want Koko to get too close to her boyfriend.

She knew Gu Weijing's character, he would empathize with everyone around him. Gu Weijing was not the kind of Warring States hero who fought for supremacy in the works of Ryotaro Shiba.

If you are good to him, he will be good to you.

Feel what you feel and think what you think.

For the painter, such a sensitive character gives him sharp enough insight.

As for girlfriends——

The shortcoming of my boyfriend is that he is a little clingy.

Knowing Miss Sandenu's situation and being able to help her, Gu Weijing couldn't help but come over and ask for a place for Mona to attend the advanced class.

How could he not help Koko?
How could Katsuko Sakai possibly stop it?

Koko was so cute that she even came over to ask for her opinion. Even from a rational point of view, if Miss Sakai told the other party to get out, it would be the worst option.

Picasso's pregnant wife and her lover fought in the studio.

Lao Bi laughed triumphantly beside him.

This tragic case has proved that when it comes to relationships, it's all about quarreling, hair pulling and fighting.

It's useless except losing your dignity.

It is better to block than to open up.

If one day Katsuko Sakai feels that she no longer likes Gu Weijing, or feels that Gu Weijing is no longer worthy of her love.

Then Shengzi will leave without any regrets.

Even in extremely special circumstances.

Gu Weijing really pissed off Miss Sakai, and she was like a volcano, determined to hit some people (considering Miss Sakai's personality, this was very difficult, but if Mrs. Sakai was pissed off, it was quite possible that the blonde aunt would run over and hit some people).

Complaints have a head, and debts have an owner.

Katsuko Sakai would also choose to beat Gu Weijing instead of making things difficult for Koukou.

She was happy to help Koko, out of respect for Koko.

on the other hand.

Katsuko Sakai also doesn't want Gu Weijing to get too close to Koko.

You care about something because you like it, and it doesn’t matter if you don’t care about it.

This is respect for feelings.

Fortunately.

Ms. Sakai does not lack wisdom in dealing with such issues.

She chose to abandon Gu Weijing and came over to teach and help Koko. This became a matter between the two girls.

While helping Koko to make her portfolio, Teacher Sakai has been carefully observing her with his curiosity and "awareness".

Apart from the relationship between her and Koko, there is the complicated relationship between this "little artistic princess" and the "poor little rich girl".

If Koko was merely regarded as someone she met while collecting folk songs and a model for her paintings.

There are no little entanglements contained in those complex positions.

Then.

Shengzi only has pure admiration for Koko, her bravery, pride, strength and optimism.

These sparkling highlights are the most soul-stirring emotional qualities that a painter may encounter when portraying a character.

How can a great girl not be likable?
You don't have to visit to feel the charm of Koko.

Katsuko Sakai also couldn't help but like Koko!
A girl like this, don't even say she is charming, pretty and cute.

Even without these external conditions, as long as you can get to know her deeply enough, you can take a deep look at her.

As long as Koko doesn’t have scars, numbness or stupidity.

Then she will still be the most popular person in Dulwich School.

Some are boys and girls who are willing to gather around her and treat her as a little heroine on campus.

In everyone's eyes, Koko is outgoing, cheerful, and capable, with a slightly aggressive personality.

Miao Angwen got in touch with Brother Hao and thought he had succeeded in shaking himself up, but in front of Koko, he was whipped repeatedly like a spinning top.

However, after these days of contact.

In Shengzi's mind, Koko looked slightly different.

If.

Whenever Ms. Sakai sits on the mat to meditate, she can feel the beauty of her boyfriend, just like the spring water flowing through the woods.

Then Koko...the feeling she gave to Shengzi was like the forest itself.

fresh.

quiet.

Those dark green leaves and grass mats that stretch deep into the mountains and fields not only bring the unique smell of green grass in the woods, but also contain the depth and coolness of nature.

Yes.

Koko is such a cheerful, noisy girl who likes to chatter and hum. She is obviously a typical social bull type of person.

When Ms. Sakai calmed down and felt it.

But I feel that the other person is very cold.

She will smile at you, joke with you, hug you, and rub her cheek against Shengzi's ear like a little wild cat.

It's like the forest in the mountains of Kansai.

Every spring weekend, tourists would bring their families and take the Osaka Electric Railway to the camping site planned on the edge of the forest to camp.

Set up tents, play guitar, and enjoy cherry blossoms.

Friends and family gather together for a BBQ picnic, and toast together with paper cups filled with foaming beer.

Adults will bring their children to observe the squirrels jumping in the woods in the distance through binoculars.

Couples visit some shrines in the countryside that are left over from the Edo period.

The woods are a place where people can feel happy and relaxed.

Red flowers, green grass, swaying branches, music in the camp, the grease dripping gently from the barbecue over the charcoal fire, and the sound of bells from the temple in the distance.

It is close to everyone equally, and soft grass is spread under everyone's feet.

The dew-covered leaves and branches of the forest brushed against everyone's cheeks, shoulders, and ears.

Any tourist can easily feel the joy and warmth of being close to nature from the woods.

But there is the tinkling music in my ears and the scattered leaves and grass roots.

Not real woods.

At least.

It's not all of the woods.

It is just the peripheral appearance close to the urban circle that the wilderness is willing to show to people.

The deeper you go.

The worldly atmosphere will become fainter, colder and quieter.

In the traditional Japanese aesthetic.

Literary works often depict suburban forests with love, praise, reverence... and a hint of fear of the mystery and loneliness.

This is an absolute cleanliness that brings deep pressure.

In ancient times, people would say that there were fairies, spirits of plants and trees, and eight million different gods living in the woods, but at the same time, people would also say that children who ran around would disappear in the wilderness, be taken away by nature, and secretly hidden by the woods.

There is also a legend of "God's disappearance".

During meditation, in Katsuko Sakai's "mind's eye", if temperament had color, the color on Gu Weijing was the sun on the skyline.

The rising sun.

Clouds at sunset.

Not dazzling, not glaring.

In the gentle rich golden color, there are orange-red lines burning like flames.

And Koko is the forest colors of varying shades, from green grass to forest, from noise to silence. The further you go in, the quieter and colder it becomes.

The woods are only waiting for those who are waiting for them.

Some people are not lucky enough.

Or maybe Koko doesn't like you, then they will get lost among the swaying branches in the woods, circling forever back to the starting point.

And for some lucky people, Koko will quietly leave a gap for you to walk in.

You advance through the jungle.

Surrounded by dark green branches and leaves, listening to the faint echoes of the wilderness beside my ears.

Eventually you might find a shrine carved out of a tree root that houses a wooden sculpture of a little girl, or you might find a clear, tranquil pond.

A pink and purple flower bud floats on the clear and ancient pond.

In silence.

Ancient pond.

The frog jumped into the water.

There was a thud.

"What a charming girl, just like this song "Princess Mononoke"."

In meditation.

All emotions were independently extracted, and Miss Sakai could clearly feel this thought arising in her mind.

She contracted her mind from the outside to the inside, allowing herself to return to her body from the macro perspective of listening to nature.

I once again paid attention to the sensations of my body and surroundings, listened to the gradually growing noise, and felt the warm and furry touch against my calves. I used this as a bridge to gradually walk out of meditation, and slowly opened my eyes and returned to reality.

Katsuko Sakai raised her finger.

Scratch Awang's ears.

"Meow!"

Awang exposed his belly to the young lady, looked at her ingratiatingly, and meowed softly.

"Go and play."

Shengzi took out a cat strip from the cloth bag beside her and held it in the palm of her hand.

Awang immediately bit it, held it in his mouth, rubbed it towards the little sister, then walked away to play, wagging his tail.

It quickly climbed up the old locust tree next to it, found a low branch to lie on, and lay down with its tail raised high, swaying from side to side.

Looks so cool!

As long as Uncle Sakai has his beloved donuts to eat, he is a happy little prince.

And Awang...the little prince?

Who are you looking down on?

With cat strips in his mouth, Awang looks so arrogant that he feels like the emperor!

Awang was lying on the branch, glancing at the little girl Jasmine who was looking up at him after looking at the painting beside Gu Weijing. He felt that this height was safe enough, so he shook his head proudly in a very human way.

I.

Awang, Qin Shi Huang, send money.

(End of this chapter)