Please, come home and practice the piano

Suite is an ancient form of instrumental suite.

The suites of the Baroque period were composed of a number of ditties with a strong dance style, and were played in sequence in one key. This traditional pattern later became the unique structure of the suites of the Baroque period.

Anyone who has played the piano must be familiar with the terms Allemande, Courante, Sarabande, Gavotte, Gig, etc.

These ditties were already very famous during the time when Bach lived.

Nowadays, these communities often appear in various types of piano steel, as classic pieces that must be understood when learning piano.

There are a total of six English suites by Bach, among which the third in G minor is loved by the public for its rich decoration and light and beautiful melody, and is also the most famous.

At that time, Song Kang was under considerable pressure and accepted Boss X's invitation to conduct a cautious trio arrangement of this classic work.

This is a very big challenge for Song Kang. Looking at the six parts, the chart is actually not complicated.

The original work is divided into six parts. In order of appearance, they are: Prelude, Allemande, Courante, Sarabande, Gavotte, and Gig.

The six dances are all related to the G minor chord. In other words, these six parts are all developed on the G minor chord.

The first few notes of the Prelude are its original chords.

The Allemande began as its reflection.

The melodic framework of dance music such as the Coulant is its inversion.

The backbone of the sarabande is its displacement.

The gavotte is its retrograde reflection.

Giger directly scaled the melody contours of the prelude.

Every dance music closely revolves around the G minor chord. Behind this seemingly simple approach, there are actually countless mysteries.

Song Kang spent three days just in the dismemberment process.

During the entire arrangement process, he also had to consider the performers of each part.

It finally took him a week to complete the first draft of the adaptation of this piece.

Likewise, this work is a great challenge for children.

A Tang Xiaoxing.

The second part was originally played by Liu Ziqian, but was later performed by Liu Zihan.

Three volumes by Lu Hanwen.

The children also suffered a lot during the rehearsal process.

In order to take care of the level of the children who played the second and third pieces, Song Kang had to continue to revise while rehearsing.

The children kept practicing and revising through repeated revisions.

Otherwise, Liu Zihan and Lu Hanwen might not have been so emotional after learning that the show had been moved.

Although they are not the protagonists of this duet.

Just like the solo part that everyone hears at this moment, starting from the prelude, Tang Xiaoxing took the lead in starting alone.

Tang Xiaoxing needs to establish the speed framework and musical character tone in the prelude, paving the way for the entry of the other two people.
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"when-"

It is another sentence that starts with an accented note. Tang Xiaoxing uses both hands to perform the natural and smooth interpretation of the prelude with exquisite control. The continuous breath occasionally shows a bit of sad emotion, bringing a touching feeling to the music. charm.

The progressive intensity of every three notes made the volume barrier thicker and thicker. At the moment when the music energy accumulated to the critical point, Liu Zihan dropped his hands.

The addition of new parts makes the progressive level of music develop from horizontal to vertical. Liu Zihan's second part is powerful yet jumping. Her piano sound is like beating particles without a moment's pause. Stepping on the hotbed of Tang Xiaoxing's first part, she moves upward. Jump, the suite instantly comes to the second part.

Old Charlie praised the two children's exquisite cooperation here and the adapter's conception.

As soon as the music came to the Allemande dance, Lu Hanwen first made a small vibrato with his left hand, and then drew a top-down melody line with his right hand.

At the same time, Liu Zihan kept the rhythm steady and forward, while Tang Xiaoxing gradually lowered his volume and came to the bass for continuous chord delivery.

There are three pianos and six hands, which seem to be scattered and played separately, but in fact they merge into one at this moment.

The three musical lines are tied together and twisted into a very singing musical image.

Lu Hanwen's steady arpeggios carry a desire to move forward, and Tang Xiaoxing's hands warmly push the lower parts of the music behind. Liu Zihan creates a rhythmic space in which the two voices of Lu Hanwen and Tang Xiaoxing blend, warming and comforting each other.

For a moment, the music was so beautiful that it made people intoxicated.

Professor Martin's eyes were solemn, and the way his head moved with the music from time to time showed that he was completely immersed in the music in front of him.

Ang Lee had no time to feel ashamed, and the music flashed into the third part.

The Coulant dance is like the sun shining through the treetops of silver-leaf pine trees, and the shadows on the snow dancing alone in the world of reflection.

The three of them disappeared, and Tang Xiaoxing returned to the main vocal.

Notes were flying all over the sky. The girl's arms in front of the piano were raised and lowered, and the wife was like a little puppet. For a moment, it was difficult to tell whether the girl was controlling the notes or the notes were controlling the girl.In this psychedelic state, Sarabande, the fourth part of the music slowly arrives.

As a straight melody line slowly appeared, Song Kang's expression was a little more solemn than before.

At the same time, Liu Zihan was also feeling a cold sweat in his heart.

If you ask Song Kang what is the most difficult thing to change in his entire work, the answer is undoubtedly Sarabande.

Of all Bach's suites, Sarabande is the slowest.

In Song Kang's musical world, the position of this Sarabande shows the pinnacle of Bach's speculation on music creation.

The dim musical mood embodies the cold-eyed observation of the composer as the "narrator". The adaptation here must grasp the composer's sense of being a mediator between the music and the audience.

Such an important passage should have been given to Tang Xiaoxing as the lead performer.

But after a series of experimental performances, he and Boss X finally decided to let Liu Ziqian from the second part perform, which is Liu Zihan at this moment.

Because the gavotte that follows Sarabande requires Tang Xiaoxing to enter in a fully prepared state.

In order to pave the way for the gavotte that follows, the entire fourth part of the sarabande needs to cover up the musical emotions in a balanced and rigorous musical structure without letting the music lose its tension.

Therefore, we cannot just use the clean and neat performance here. For Liu Zihan, this is a very big test.

"when--"

Just listen to another hidden big note floating slowly from Liu Zihan's finger, and Tang Xiaoxing on the side complements it with a chord at the right time. After three measures, Lu Hanwen releases the pedal and waits.

Everyone's eyes came to Liu Zihan.

Boss

As the music filling the sky over the church gradually slows down, the two pianos gradually point to the truth of the music as they intertwine.

Only then did the children discover that the main performer in this part was Liu Zihan and not Tang Xiaoxing.

"when--"

Fortunately, Liu Zihan withstood all the pressure and finally carried all the emotions of the part, landing firmly on the last note.

Song Kang felt relieved, beautiful.

No composer does not care about the premiere of his works, and Song Kang is no exception.

While Tang Xiaoxing was happy for her friends, she also did not forget her mission. After a brief pause, she took back the lead of the music and lowered her hands again.

The music in the hall started again, gavotte, probably the most familiar dance music to everyone present.

With clear melody and clean rhythmic counterpoint, accompanied by two partners, Tang Xiaoxing showed her famous playing technique with beautiful and round notes.

Cai Yun, an indescribable sense of rhythm is filled with confidence under her ten fingers, nourishing the unique blood of Baroque music.

How to play a piece with a simple melody to make people happy.

Tang Xiaoxing is giving a textbook interpretation with live performance.

At this moment, there was no teacher in the audience who was not moved by this lyrical performance flowing into the boundless wilderness.

For the first time, Ang Lee felt that a child could express musical emotions to such an extent, which was incredible.

Of course, this is inseparable from Tang Xiaoxing's family environment and the guidance of Boss X, but even so, he still has a feeling that Tang Xiaoxing was born to be a dazzling pearl on the stage.

He didn't want to make any comparisons between Che Lin and Tang Xiaoxing, but it was hard for him not to compare the two children.

So objectively speaking, at least from the current point of view, there is still a considerable gap between the two children, in all aspects.

As Che Lin's teacher, he needs to remain calm and objective enough to see the outside world, which is also one of the main purposes of taking Che Lin out this time.

He wanted to know how Xiao Che felt when facing such a performance.

With the arrival of the jig at the end, the three pianos finally come to the fugue texture of three parts in parallel.

Tang Xiaoxing's fingers once again fell with precision like a scalpel.

Under her guidance, the music unfolds in solemn tranquility.

Finally, with the delicate transformation of colorful patterns, like vines stretching out in all directions, with breathtaking continuity, in the casual clothes with radical tones, the understanding between Bach and the sacred and secular tightly restrained everyone at the scene. The consciousness of a listener.

"when!"

When the music finally ended in joy, Tang Xiaoxing gently raised his hand and looked up into the sky.

"Wow——————"

As applause rang in her ears, she retracted her thoughts, stood up, and walked to the edge of the stage with her two friends. The three of them stood in a row and bowed neatly to the audience.

"Wow!"