Chapter 152 Twenty-Three Dance Steps and the Dance of Desire
They were still in a hurry when they came in the morning. Although Chen Shuo and Liu Wen didn't push hard, they didn't slow down either.
At this time, the interview was over, and there was nothing in mind, so I rode leisurely on the road, chatting with the setting sun and walking leisurely, bursting out with laughter from time to time.
The three of them had dinner near the Huaxi Opera, and sent Liu Wen back to school, while Chen Shuo took Shu Chang to No. [-] Middle School.
The two of them didn't speak a word along the way, they just rode quietly, quietly watching the last touch of whiteness disappear in the west, and the surrounding lights began to shine.
There is a sense of tranquility left alone in the bustling.
"When will you join the group?" Chen Shuo asked at the gate of No. [-] Middle School.
"Let's finish this week, take a day off on June 2, and join the group on the [-]nd." Shu Chang thought for a while and said.
Chen Shuo calculated the date, June [-]st happened to be Saturday, even if high school was not on holiday, it was still a day off.
He nodded and said, "Okay, let's see you on June [-]st. You have copied Xie Yushu's part for me."
"Okay, goodbye!" Shu Chang watched Chen Shuo get on the car and said with a wave of his hand.
"Go in." Chen Shuo said, waved his hands, kicked hard, and the bicycle speeded up instantly.
Shu Chang watched his back disappear around the corner, turned around and entered the school.
After returning home, Chen Shuo explained the situation of the interview to Chen Rui and others, and then returned to the room to start researching the newly opened creative skills and "Handed down Masterpieces".
The first is the creation skill. After studying it for a while, he has a little understanding of this newly opened skill.
Unlike the three skills of drama, stunts, and singing, it is not a performance skill, but a pre-performance skill.
And its basic challenge experience is higher than others, with 100 points as the base.
This is because it is more difficult to create a work from scratch than secondary creations such as acting and singing.
At the same time, re-creation on the basis of one's original works, with new breakthroughs or changes, can still be counted as a creative challenge.
That is to say, if Chen Shuo can innovate Lingbo Weibu, or use Lingbo Weibu to create other stunts.
Although it belongs to the second creation, it is still considered a creative challenge.
Rather than acting or singing, even when he is performing or singing, he has his own thoughts and changes.
But since he didn't create this thing from scratch, it doesn't count as his creation.
Chen Shuo did not create Lingbo Weibu, nor did the footwork and movement techniques he used.
But these basic things do not have any restrictions.
These are like notes and tones of a song, and they are fundamental elements.
He combined these elements, and then integrated them to create a complete set of stunts "Lingbo Weibu" that is different from others.
Then when he performs it, this set of movements is his creation.
After gaining a clear understanding of the definition of creation, Chen Shuo also knew how to improve this skill.
After temporarily putting this skill aside, he looked at the "Handed down Masterpieces" that had already been opened.
"Handed down masterwork" is attributed to the talent of "Mastering the Temperament", which made him think it might be some sort of score or something.
I didn't expect there to be a performance chapter and a dance chapter.
After reading it, the performance chapter is linked to drama skills. There are currently two chapters: "Brainstorming Speech" and "Glock Burlesque".
The dance steps are linked to stunt skills, and the number is relatively large. Catwalk", "Dance of Burning Desire" and other articles.
There is no specific speech or performance content for each chapter, but only a clear and definite perception, which allows Chen Shuo to perceive and understand the artistic conception contained in this chapter.
For example, "Dancing Steps of the Vine in the White Night", if he opened this chapter, he would be like dancing vines, but there were no specific dance steps.
To really make a difference, he had to write a speech, create a dance, perform a performance, and fit the meaning of the entry.
Only when he performed the works created by him can he achieve the effect of this masterpiece handed down from generation to generation.
Before he could ponder it carefully, a piece of information appeared in front of his eyes again:
"The test work "Lingbo Weibu" has a high degree of fit with the handed down masterpiece "Twenty-Three Dance Steps", is it possible to integrate the two?
Fusion please rename. "
Chen Shuo looked at the description of the twenty-three dance steps.
Twenty-three steps: sudden changes in footwork, rotations, and out-of-time leaps. The complex movements make it difficult to grasp your figure.
He compared the meaning of Lingbo Weibu and found that the two do have something in common.
After thinking about it, he directly chose Fusion and named it Lingbo Weibu.
"The work "Lingbo Weibu" was integrated with the famous work "Twenty-Three Dance Steps", and finally named "Lingbo Weibu"."
Lingbo Weibu (Completion: 50%)
Performance conditions: stunt level 7
Performance effect: Limbo microstep, agility +1
The body is swift and flying, erratic like a god, lingering with small steps, and the socks are dusty.
This complex stunt makes it difficult for you to be hit by the enemy. The speed and sensitivity of the enemy are not 20% higher than yours, and they will not be able to touch your figure.
When you perform Acrobatics, you gain +1 to your Dexterity score.
When the stunt skill level exceeds the casting condition by 4 levels, the requirement for the quality of the enemy will increase by 10%.
(Note: Since the work has not been completed, the effect ×50%.)
Chen Shuo got up and walked around the courtyard, and observed his actions through the display of his own image on the information panel.
The most noticeable effect, he found, was that his movements became more abrupt.
At the same time, when walking in the courtyard, he can spontaneously avoid some obstacles without thinking about it deliberately, and use this to make more complex and difficult movements.
After stopping, Chen Shuo thought for a while, and thought to himself: "Isn't this "Masterpiece Handed down" like a magic effect one by one?
It's just that if he wants to use these spell effects, he must re-create and perform by himself.
As for the effect, although I don't know what value 10% is.
But in general, as long as he performs this body movement, the speed does not exceed his own, even if he is close to his body, he will not even think about touching him.
It would be convenient to fight in the future. "
Then he came to his senses suddenly, and said, "Bah, what are you thinking about fighting? Wouldn't it be good to honestly use it to perform and make money?"
He carefully looked at the chapters that have been opened in the masterpieces handed down from generation to generation. In addition to the chapter originally called "Twenty-Three Dance Steps" and now called "Lingbo Weibu", there is an additional set of his performance moves and detailed explanations Other than the tutorial, there was no movement in other articles.
However, when he clicks on other corresponding articles, he will be immersed in the artistic conception contained in them.
Presumably in the future, I will have more insights and accumulate more, and I will be able to create other chapters like "Lingbo Weibu".
However, not every piece of Chen Shuo has the desire to create and reproduce.
Like Dance of Desire.
Dance of Burning Desire: Every sway of the waist and hips can arouse your audience's passionate lust from the depths of hell.
Not to mention the shame of creating and performing this thing, even if he wants this effect, it's useless?
What kind of situation does he need to arouse the audience's lust?
Still enthusiastic?
(End of this chapter)
They were still in a hurry when they came in the morning. Although Chen Shuo and Liu Wen didn't push hard, they didn't slow down either.
At this time, the interview was over, and there was nothing in mind, so I rode leisurely on the road, chatting with the setting sun and walking leisurely, bursting out with laughter from time to time.
The three of them had dinner near the Huaxi Opera, and sent Liu Wen back to school, while Chen Shuo took Shu Chang to No. [-] Middle School.
The two of them didn't speak a word along the way, they just rode quietly, quietly watching the last touch of whiteness disappear in the west, and the surrounding lights began to shine.
There is a sense of tranquility left alone in the bustling.
"When will you join the group?" Chen Shuo asked at the gate of No. [-] Middle School.
"Let's finish this week, take a day off on June 2, and join the group on the [-]nd." Shu Chang thought for a while and said.
Chen Shuo calculated the date, June [-]st happened to be Saturday, even if high school was not on holiday, it was still a day off.
He nodded and said, "Okay, let's see you on June [-]st. You have copied Xie Yushu's part for me."
"Okay, goodbye!" Shu Chang watched Chen Shuo get on the car and said with a wave of his hand.
"Go in." Chen Shuo said, waved his hands, kicked hard, and the bicycle speeded up instantly.
Shu Chang watched his back disappear around the corner, turned around and entered the school.
After returning home, Chen Shuo explained the situation of the interview to Chen Rui and others, and then returned to the room to start researching the newly opened creative skills and "Handed down Masterpieces".
The first is the creation skill. After studying it for a while, he has a little understanding of this newly opened skill.
Unlike the three skills of drama, stunts, and singing, it is not a performance skill, but a pre-performance skill.
And its basic challenge experience is higher than others, with 100 points as the base.
This is because it is more difficult to create a work from scratch than secondary creations such as acting and singing.
At the same time, re-creation on the basis of one's original works, with new breakthroughs or changes, can still be counted as a creative challenge.
That is to say, if Chen Shuo can innovate Lingbo Weibu, or use Lingbo Weibu to create other stunts.
Although it belongs to the second creation, it is still considered a creative challenge.
Rather than acting or singing, even when he is performing or singing, he has his own thoughts and changes.
But since he didn't create this thing from scratch, it doesn't count as his creation.
Chen Shuo did not create Lingbo Weibu, nor did the footwork and movement techniques he used.
But these basic things do not have any restrictions.
These are like notes and tones of a song, and they are fundamental elements.
He combined these elements, and then integrated them to create a complete set of stunts "Lingbo Weibu" that is different from others.
Then when he performs it, this set of movements is his creation.
After gaining a clear understanding of the definition of creation, Chen Shuo also knew how to improve this skill.
After temporarily putting this skill aside, he looked at the "Handed down Masterpieces" that had already been opened.
"Handed down masterwork" is attributed to the talent of "Mastering the Temperament", which made him think it might be some sort of score or something.
I didn't expect there to be a performance chapter and a dance chapter.
After reading it, the performance chapter is linked to drama skills. There are currently two chapters: "Brainstorming Speech" and "Glock Burlesque".
The dance steps are linked to stunt skills, and the number is relatively large. Catwalk", "Dance of Burning Desire" and other articles.
There is no specific speech or performance content for each chapter, but only a clear and definite perception, which allows Chen Shuo to perceive and understand the artistic conception contained in this chapter.
For example, "Dancing Steps of the Vine in the White Night", if he opened this chapter, he would be like dancing vines, but there were no specific dance steps.
To really make a difference, he had to write a speech, create a dance, perform a performance, and fit the meaning of the entry.
Only when he performed the works created by him can he achieve the effect of this masterpiece handed down from generation to generation.
Before he could ponder it carefully, a piece of information appeared in front of his eyes again:
"The test work "Lingbo Weibu" has a high degree of fit with the handed down masterpiece "Twenty-Three Dance Steps", is it possible to integrate the two?
Fusion please rename. "
Chen Shuo looked at the description of the twenty-three dance steps.
Twenty-three steps: sudden changes in footwork, rotations, and out-of-time leaps. The complex movements make it difficult to grasp your figure.
He compared the meaning of Lingbo Weibu and found that the two do have something in common.
After thinking about it, he directly chose Fusion and named it Lingbo Weibu.
"The work "Lingbo Weibu" was integrated with the famous work "Twenty-Three Dance Steps", and finally named "Lingbo Weibu"."
Lingbo Weibu (Completion: 50%)
Performance conditions: stunt level 7
Performance effect: Limbo microstep, agility +1
The body is swift and flying, erratic like a god, lingering with small steps, and the socks are dusty.
This complex stunt makes it difficult for you to be hit by the enemy. The speed and sensitivity of the enemy are not 20% higher than yours, and they will not be able to touch your figure.
When you perform Acrobatics, you gain +1 to your Dexterity score.
When the stunt skill level exceeds the casting condition by 4 levels, the requirement for the quality of the enemy will increase by 10%.
(Note: Since the work has not been completed, the effect ×50%.)
Chen Shuo got up and walked around the courtyard, and observed his actions through the display of his own image on the information panel.
The most noticeable effect, he found, was that his movements became more abrupt.
At the same time, when walking in the courtyard, he can spontaneously avoid some obstacles without thinking about it deliberately, and use this to make more complex and difficult movements.
After stopping, Chen Shuo thought for a while, and thought to himself: "Isn't this "Masterpiece Handed down" like a magic effect one by one?
It's just that if he wants to use these spell effects, he must re-create and perform by himself.
As for the effect, although I don't know what value 10% is.
But in general, as long as he performs this body movement, the speed does not exceed his own, even if he is close to his body, he will not even think about touching him.
It would be convenient to fight in the future. "
Then he came to his senses suddenly, and said, "Bah, what are you thinking about fighting? Wouldn't it be good to honestly use it to perform and make money?"
He carefully looked at the chapters that have been opened in the masterpieces handed down from generation to generation. In addition to the chapter originally called "Twenty-Three Dance Steps" and now called "Lingbo Weibu", there is an additional set of his performance moves and detailed explanations Other than the tutorial, there was no movement in other articles.
However, when he clicks on other corresponding articles, he will be immersed in the artistic conception contained in them.
Presumably in the future, I will have more insights and accumulate more, and I will be able to create other chapters like "Lingbo Weibu".
However, not every piece of Chen Shuo has the desire to create and reproduce.
Like Dance of Desire.
Dance of Burning Desire: Every sway of the waist and hips can arouse your audience's passionate lust from the depths of hell.
Not to mention the shame of creating and performing this thing, even if he wants this effect, it's useless?
What kind of situation does he need to arouse the audience's lust?
Still enthusiastic?
(End of this chapter)
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