The bard wanders into the entertainment circle

Chapter 325 Hardness and Softness, the Perfect Combination of Strength and Beauty (Addition: 925)

"Love doesn't know where it came from, and it goes deeper and deeper. The living can die, and the dead can live. Those who are born but cannot be with death, and those who are dead but cannot be resurrected are not the essence of love."

Zhang Yimou rubbed his palms and murmured: "We need to change it, we should change the battle in Huahai.

It can't just be a simple fight, there should be life and death lingering..."

Seeing that he fell into his own world again, the others stopped disturbing him, but went to the other side to make room for him.

Zhang Jianmin pulled Chen Shuo and asked him about some transitions between actions.

After such a long time, he has finished compiling the water sleeve drum, but there are a few places where the movement turns are not so smooth.

At this time, after listening to Chen Shuo's explanation and personal demonstration, he suddenly became enlightened.

After following these movements, his water sleeve drum drum was officially completed.

"Papapa~" He clapped his hands violently, and said, "Come on, Yabin, Qifeng, you two will perform for Chen Shuo to see."

"Okay!" The two responded.

Zhang Yimou was also awakened by the applause. Hearing that the choreography of Shuixiu Drumming had been completely finished, he was ready to formally appreciate it.

A group of people helped set up the venue.

Wang Yabin took the lead on the stage, put on a posture of kicking towards the sky, and stretched quietly.

Then suddenly a water sleeve flew out and hit the drum on the right.

With a puff, the water sleeve fell on it, and before it hit the ground, she shook the water sleeve, put it back, and took the posture of exploring the sea again.

Then the other hand flew out and hit the left drum.

Her strength lies in the rhythm between dancing, which is mellow and smooth, with both form and spirit.

I'm not very good at drumming with water sleeves, and I didn't hit the drumhead a few times.

But this does not hinder her performance.

As the dance became more and more intense, when she performed some big moves, she withdrew abruptly and retreated, while Wu Qifeng, who had been prepared for a long time, quickly came to the stage.

While on the stage, several dragon gate scrolls in succession pushed the whole dance to a climax.

Next, the high-difficulty movements such as jumping in the air, 720°rotator rotation, and kicking the purple gold crown backwards were performed like flowing clouds and flowing water.

It's just that he is really not good at water sleeves. Even when dancing, water sleeves are a little weak, let alone drumming with flying sleeves.

After he finished several difficult movements, he replaced Wang Yabin again, and completed the final stage with some slightly difficult movements.

On the whole, the dance was too difficult because of the high requirements, which made the performance of the two people somewhat fragmented.

But from the cooperation between the two, it can also be seen how amazing it would be if someone could perform a complete performance.

After applauding, everyone looked at Chen Shuo.

If anyone can do it, it is only him.

The reason why Zhang Jianmin raised the requirements for this dance so high was because he was there.

Chen Shuo thought for a while, got up and said, "How about I do it again?"

Zhang Jianmin asked: "Is that okay, do I need to study for two days first?"

"It shouldn't be a problem. During this period of time, I have also specially practiced movements such as the Longmen scroll, the side flying swallow, and the volley jump.

The dance movements choreographed by Mr. Zhang are hardly out of the scope of what I have done before.

It may not be so good in rhythm, and you need to slowly adjust and practice in the future.

But it should be no problem if you follow the steps in sequence. "

"That's fine, come and have a look first." Indeed, as Chen Shuo said, the movements of this dance did not deviate from the pattern of his previous performances.

It's just that Zhang Jianmin fused his movements with those of classical dance and water sleeve dance to make them look better.

Chen Shuo was about to change into the water-sleeve suit worn by Wang Yabin when Zhang Yimou suddenly said, "Wait a minute, you can just put on the costume and act."

"Okay, you can see the final effect better if you put on costumes." Zhang Jianmin also nodded and asked Wu Qifeng to take Chen Shuo to change clothes.

In the dressing room, Wu Qifeng opened a locked cabinet and took out a set of clothes from it.

This set of clothes is very gorgeous. The upper body is a pale gold tube top embroidered with gorgeous patterns, and the lower body is a plain white pleated gauze skirt.

On the outside is a large cloak with wide sleeves, with a pink background, embroidered with golden peony flowers.

Two sleeves of the same pale pink color, one foot long, connected to the wide cuffs.

It was already hot in July, so Chen Shuo only wore a white short-sleeved pair and a pair of gray trousers, which were made of cool materials.

At this time, he did not take off the costume and directly changed into this costume.

While going out, get familiar with this dress, especially the fit between the two wide sleeves and the water sleeves.

In general water-sleeve clothes, the sleeves of both arms are self-cultivating, in order to facilitate movements and reflect the beauty of water-sleeves.

But now, I don't know what the costume design thinks, so I added this pair of big sleeves.

Not only does it increase the difficulty of the water sleeve action, but even the normal action performance will be affected.

The most important thing is that when the big sleeves are dancing, it is inevitable that they will compete with the water sleeves.

After leaving the locker room, Chen Shuo asked, "Have we decided on this outfit?"

Zhang Yimou nodded and said, "Basically, this is the final draft. Why, do you think there is something wrong?"

"I feel like these two big sleeves are stealing the show." Chen Shuo truthfully stated his thoughts.

Zhang Yimou explained: "Miss Hetian reconstructed it based on women's clothing in the Tang Dynasty. The cloaks of the Tang Dynasty are generally this kind of wide robe and long sleeves."

Now that he has joined the crew, Chen Shuo has a little understanding of the behind-the-scenes personnel of the crew.

Wada Huimei, a film costume designer in Fusang, has won the Best Costume Design Award at the Academy Awards and the Best Costume Design Award at the Hong Kong Film Awards three times.

The most recent time was in April, when he won the 4nd Hong Kong Film Awards with "Hero".

For such a person, the clothes designed may not match the dance moves, but they can definitely show the beauty of the movie.

After thinking about it, he didn't say any more, the big deal is to work harder when performing later, and just coordinate the big sleeves and water sleeves well.

Chen Shuo stood in the middle of the stage, imitating Wang Yabin, and made a kick towards the sky.

He has practiced Wuqinxi since he was a child, and his musculature and bones can be flexible or rigid. Although the upward kick in dance is different from the upward kick in martial arts, it is not difficult for him.

One leg was kicked straight up, with the toes facing the sky, and the other leg stood firmly on the ground without shaking.

Just seeing this action, Zhang Jianmin couldn't help applauding secretly.

Generally, men's muscles and bones are stiff, so it is difficult to do this kind of movement, while women's strength is insufficient, and it is difficult to maintain it.

For a person like Chen Shuo with soft muscles and strong bones, when he does this kind of movement, it is a perfect combination of hardness and softness, strength and beauty.

After Chen Shuo got the pose, he pressed one hand on his waist and raised the other on top of his head. The big sleeves hanging down covered half of his face, making him involuntarily poke his head out through the big sleeves.

At this moment, he also understood the meaning of these two big sleeves.

In opera, big sleeves, like water sleeves, have the function of assisting performance, and can show different emotions of characters with different movements.

At this time, his movements have a subtle feeling of still holding the pipa and half covering his face.

Sure enough, a fashion design master like Wada Huimei may not understand that such large sleeves will affect the movements of the water sleeve dance, but with this pair of large sleeves, the characters can be set off more beautifully.

That's worth it to her!

(End of this chapter)