The bard wanders into the entertainment circle

Chapter 335 Knife, the Knife of the Jianghu
After seeing Chen Shuo's actions, Cheng Xiaodong didn't speak, and put his hands on his chest and his chin in thought for a while.

Asked: "What equipment do you know?"

"Swords, guns and sticks can be used with common weapons." Chen Shuo said truthfully.

Beside him are Yang Junyi and Zhang Jin, two martial arts athletes who are proficient in all kinds of weapons, how could he not learn from them?

With his level 12 stunt skills and powerful talents, it is still very easy to learn these weapon routines.

Basically, you can learn it as soon as you learn it, and after a period of practice, you can look like it.

"Let's try some sword skills." Cheng Xiaodong was talking, and naturally his apprentice took a knife from the weapon rack and handed it to Chen Shuo.

Chen Shuo took it and saw that it was a machete with a wide blade and a thick back. It is said that the sword moves lightly and the knife moves fiercely.

The knife is sharpened on one side, with a thin blade and thick ridge. It is famous for its vigorous, heroic, and tiger-like style.

He held the knife and slashed twice in the air, adjusted to the weight and center of gravity of the knife, opened his posture, and used a set of Five Tiger Broken Door Knives.

Most of this sword technique is used as a supporting martial art in martial arts novels, and it is familiar to everyone.

But in fact, in reality, it is a very well-known school, with moves such as teasing, chopping, wiping, stomping, and hacking, among which hacking is the most powerful.

In the past, those who used to play tricks in the rivers and lakes really liked to perform this. It is a beautiful and ruthless sword technique.

Chen Shuo is strong and strong, which makes his sword show his talent and strength. A prop knife makes him vigorous and vigorous.

In particular, the sword technique is simply a trick.

As long as you can face yourself with the back of the knife all the time, and cover your head with the blade of the knife in a flowery manner, then this knife technique will not be bad.

Different from swordsmanship, which requires delicate changes, swordsmanship is fast, ruthless and accurate, as long as the dancer is both powerful and beautiful.

Looking at Chen Shuo's saber technique, which never leaves the back of his head, and makes it fierce and fierce, Cheng Xiaodong knew that he really has the ability.

And it can also be seen from some of his little moves that he not only practiced routines, he must also have rich experience in fighting.

But Cheng Xiaodong is not a curious person. After he accepted the Tao, he nodded and said: "Very good, the foundation is very solid, and the routine you want to design is not difficult for you."

"Thank you, Director Cheng, for your compliment." Chen Shuo asked, holding the knife in his hand, "Is this the prop knife in our play? I feel that it is different from the standard knife of the Tang Dynasty?

In my impression, the Tang Dao seems to be a narrow-edged straight sword, rather than this style of ghost-headed sword and machete. "

Although not all the things in the dream can be used by him, some details can still give him a lot of insight.

Whether it is "Crossing Love" or "The Secret History of Xiaozhuang", although they are just jokes, and there are some falsehoods in them, there are still some things that can fit the real history.

For example, he is in the impression of Zhu Yunwen and Fulin, and even Zhen Zhibing and Wei Bi.

For example, the horizontal sword of the Tang Dynasty and the ring sword of the Han Dynasty are all straight swords, more like single-sided swords.

And this kind of machete-like knife is mostly used by the people, and it didn't become popular until the Song Dynasty.

And its use is limited, at least you can't use such a machete to make any elegant movements.

This is also the reason why Chen Shuo chose to perform the Five Tigers Broken Door Knife.

Because this is already one of the most beautiful and practical knife techniques.

"Yes, this is the knife used by the policemen in the play." Cheng Xiaodong took the knife and danced two knives and said: "Your knife is not like this, but a Tang Hengdao similar to a sword.

I didn't know you were coming today, so I didn't bring it. You will start training with that knife tomorrow. "

Zhang Yimou's last "Hero" was more about swords, and this time "House of Flying Daggers" he intends to focus on swords.

The sword is the sacrificial vessel of the country, carrying the family, the country and the world, so he let Wuming and Qin Shihuang use the sword to talk about the world.

But the knife is more quack-like, has the characteristics of universality and common people, and can better express the struggle of people in the quagmire.

He made every character in the play use a knife, and differentiated each character with a different knife.

For example, several people in Feidaomen use flying knives to show that they are all wanderers.

But except for the eldest sister who only uses throwing knives, which clearly represents her identity, the others also use different weapons.

The blind girl will use sticks, bamboo sticks and other weapons that are within reach during her escape. At the same time, she will also have a small short knife for close combat. This knife also represents her last line of defense.

The second sister has a willow-leaf machete, showing the woman's softness and twists and turns.

Liu Butou uses a machete with a wide back and a thin blade. The broad back represents his ambition and strength, while the thin blade represents his determination to pursue goals by any means.

On the government side, the previously designed props are still used, and the chief headhunter uses a ring head knife, which is ornately decorated to show his identity.

And Suifeng used a simple and unpretentious horizontal knife, and asked Cheng Xiaodong to design a move that was close to the sword move, but it also had to have the toughness of the knife.

The freehand sword technique is like a sword move, which can fit his alias "Suifeng".

The simple horizontal knife shows that although he is casual, there is a simplicity hidden under the glitz in his heart.

After listening to Cheng Xiaodong's explanation, Chen Shuo couldn't help feeling admiration for Zhang Yimou and the prop master's ideas. They had thought too much about the details.

Indeed, each weapon has a different style of play, and different styles of play can also reflect the personalities of different characters.

He nodded and said nothing more.

It was only under Cheng Xiaodong's instruction that he got on the wire again, and showed a few moves while hanging the wire, so that Cheng Xiaodong had some understanding of his level.

Immediately afterwards, Cheng Xiaodong did not let him continue training, but prepared and combined his style, modified Suifeng's movements, and let him practice formally tomorrow.

Seeing that he had nothing to do, Chen Shuo ran to Liu Yifei and taught her the skills of hanging wire.

According to Cheng Xiaodong and Zhang Yimou's plan, when the blind girl and Suifeng were being hunted down, there were many movements that needed to hang on to Wia.

This can be regarded as one of his specialties. When filming "Shooting the Condors", "Tianlong", "Water Moon" and other dramas, he did not miss Wia a lot.

It has also undergone special training.

And Liu Yifei has no such experience, even the martial arts film "Tian Long Ba Bu", let alone the Republic of China drama "Golden Powder Family" and the modern drama "Crystal Love".

"When you get up, you push your lower back and lean back a little bit.

Wait for Wia to pull you up, take advantage of the trend and use your legs to roll up, and you can easily turn around. "

Chen Shuo cooperated with Master Wia's movements and explained to Liu Yifei the technique of exerting force.

Watching her try again and again, trying to do her best.

And she, after nearly a year of training, not only picked up the previous dance foundation, but even trained better.

There has also been a qualitative improvement in the control of the body, and it is not difficult to perform such movements.

After finding out the technique, she got the feeling after practicing it twice, and the next step is a process of proficiency.

(End of this chapter)