The bard wanders into the entertainment circle

Chapter 70 Performance Level, Huang Xiaolei
"Name: Chen Shuo
Occupation: Bard (Level 3: 2890/3750)

技能：戏剧（5级：150/1600）、特技（6级：220/2400）、歌唱（2级：350/600）”

After nearly a month of training, Chen Shuo's ability has improved a lot.

Except for improving some physical fitness and solidifying skill characteristics every time the professional level is upgraded, there is not much change.

It seems that it doesn't matter if this level is there or not.

However, the improvement effect in terms of skills is very obvious.

Since the start of "Crossing Love", there have been an average of four or five scenes a day. Except for the kiss scene, Chen Shuo has basically performed well, and rarely pulls his hips.

And as he gradually gets deeper into the characters, many performances can directly get perfect evaluation.

All these experiences can be precipitated and absorbed by his understanding.

Whether it is a professional level or a skill level, when it is raised to an odd number, there will be a qualitative change.

A level 3 professional level means that when Chen Shuo plays a supporting role, no matter what kind of role he plays, he can at least reach an excellent level.

This is the basic bottom line of professional ability.

That is to say, he has reached the foundation of playing a supporting role well in each of the four subjects of acting major, vocal form and form.

The level 5 drama skill and level 6 stunt skill level prove that with his heart, he is enough to perform any leading role in a TV series that does not require high acting skills to an excellent level.

With this level of skill, if he plays some small supporting roles, he feels like he can play a small leading role.

What the skill level represents is also the lower limit of Chen Shuo's current skills. It's not a particularly difficult performance, and he can at least give an excellent evaluation.

As long as his acting is not too bad, at least he can get a mediocre evaluation, not bad.

If you have a deep understanding of the characters, like Zhu Yunwen in "Crossing Love", you will devote yourself to it wholeheartedly.

Then when performing, it has a bonus effect on the skill effect.

Moreover, the bucket effect of an actor is a long-term effect. Chen Shuo has a solid foundation. If he can raise a scene by two levels, then all other scenes will automatically be upgraded to a higher level.

After all, it is impossible for the audience to remember all your scenes, but he will remember your highlights.

In this way, when he watches your performance, he will subconsciously define your level by the level of those few highlight scenes.

Especially when recalling it in the future, it is a bonus to have a good impression.

Chen Shuo's current performance is like this. Whether it is the crew or the actors who are filming together, they don't have too many demands on him as a child.

But after seeing his fluttering performance, he subconsciously raised his level.

Coupled with the fact that the next few scenes will be filmed in martial arts, this is even more of his housekeeping skill.

A set of movements is smooth and flowing, and it is extremely agile, which makes people feel pleasing to the eye after watching it.

After two or three beautiful fights, everyone's impression of him was higher and higher, and the impression became deeper and deeper.

When it came to the literary and opera parts, he didn't give up too much, using the bird-playing-crane shape to control the demeanor of Zhen Zhibing.

Between words and actions, the arrogance and confidence of Quanzhen School, the world's number one school, are fully displayed.

Not only did he not fall behind, but also because of Chen Shuo's special temperament, he seemed to be the protagonist in the camera.

After filming the scene where he was hit by Huang Yaoshi's palm and flew backwards out of the house.

Chen Shuo stood up suddenly, put his hands on the ground, and did a backhand flip.

After getting up, I rubbed my arms. It’s getting cold now, and it’s not very comfortable to blow on a fan.

He asked Ma Tao: "Is it time to hang Wia next?

It's okay for you to let me fly in, but it's a little impossible to let me fly out. "

Ma Tao looked at him and said, "Forget it, let's get a substitute, it's too much effort to pull you."

"Okay." Chen Shuo said indifferently, if he was allowed to go, he would never refuse.

Ma Tao wants Wias to save some effort and use a double, and he doesn't mind.

Anyway, anyone can fly out, and they won't show their faces.

After the stand-in flicked across the camera neatly, according to the sequence of the plot, it was supposed to be the scene where Chen Shuo got up, glanced angrily at the room, and turned to leave.

However, in order to save the trouble of transitioning, this shot was left for tomorrow to shoot.

The next thing the crew will film is the scene where Huang Yaoshi orders mandarin ducks for Lu Guanying and Cheng Yaojia and leads the red line.

In the evening, the crew had to go to the night show to film the scene of two people's bridal chamber.

However, these have nothing to do with Chen Shuo, his role today is over.

After he said goodbye to the director, Li Wei and other actors of the crew, he was going to go back to the hotel with Wu Qi.

Today, the two of them flew by plane, by car, and by boat. They came here after a long journey, and they just had two lunch boxes at noon, and they were still not full.

Now that work is over, he naturally wants to fill his stomach first.

Huang Xiaolei, like him, had no role to play at night, so the two went back to the hotel together.

She is currently in her third year at Beijing Film Academy, and the school's classes are no longer tight. Many of their classmates have started looking for dramas outside during the summer vacation.

After understanding the situation, Chen Shuo found out that she and Yu Bo were in the same class, and they got closer immediately after they talked.

Huang Xiaolei asked curiously: "I heard that he took a lot of roles in that role during the summer vacation, how is he doing?"

Chen Shuo nodded seriously and said: "Brother Bo's acting skills are very good, the character Lian Chengbi is very tense, he was originally a very bad person, but Brother Bo's acting is not at all hateable.

But the character I'm filming now is much more likable, and Brother Bo also plays it very well. "

Whether in "Xiao Shishilang" or "Crossing Love", Chen Shuo and Yu Bo had many rival scenes.

Every time he plays, Yu Bo will carefully sort out the relationship between the characters with him.

When acting, he will also match his level, while maintaining his own level, he will also follow him quietly.

Bring out his full potential.

"I didn't expect him to film two films without making a sound, and the roles are not light.

He and Yang Zhigang are the oldest in our class, and Yang Zhigang is just as young as he is, messing around all day long.

He is like a little old man, and I don't see him say a word all day long. "

"Brother Bo is introverted. After getting to know him, he talks a lot."

The two came to the restaurant of the hotel together while talking and chatting.

Seeing Chen Shuo took a lot of food, Huang Xiaolei, who was already familiar with him, complained, "No wonder you are so heavy after eating so much."

Just as Chen Shuo was about to refute, he saw a commotion at the door, and a group of people came.

The two of them looked around and saw the Quanzhen Seven Sons, the Jiangnan Seven Monsters, and a group of people from the Wanyan Mansion.

Although they are all in modern attire now, Huang Xiaolei has been filming with them for more than half a month, so she naturally recognizes them all.

On the contrary, Chen Shuo didn't know anyone except some people he had seen on TV.

No, he still saw an acquaintance.

(End of this chapter)