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Chapter 276 Wang Fei's guest appearance in the editorial department

Chapter 276 Wang Fei's guest appearance in the editorial department

Qingying Studio, the crew of "The Story of the Editorial Department".

The filming of "The Story of the Editorial Department" started almost a year later. It's already in April, and it's almost finished. Historically, the filming of this film was completed last year.

I don't know what's going on, but this time there was a funding problem, and Shengsheng came out a year late.

However, also because it was a year late, the screenwriters of the stories in the editorial department were fully prepared this time, and they were no longer filmed and edited like in the previous life, which made many stories appear to be of uncertain level.

Moreover, also because of adequate preparation, this time there are actually ten more episodes, which is half as long, so that it doesn't feel like it ended in a hurry like the previous life, and it doesn't feel like a sitcom at all.

"Brother Shuo, you're here too. Didn't you say you're not with the group?" Wang Xu came with Wang Fei today, and he agreed to be a guest star in an episode, so he arranged for today.

"It's not that I heard that my brother and sister are guest stars, so I have to come to support the show, right?" Wang Shuo didn't put on his unscrupulous expression today, and he's not always like that. Usually, this person is quite funny when talking and chatting.

When meeting someone he likes, this person is not only not arrogant, but also has the kind of temperament that you won't be in a hurry to make a joke.

But if you fail to catch his eyes, then he is as proud as Long Aotian, he can really look at you through his nostrils.

At this moment, Wang Shuo is at the peak of his career, and his works have been published in "Contemporary" and "Harvest". It should be said that he is a benchmark figure of an era.

In the literary world of the 90s, it was impossible to get around this "Stubborn Master". His writing has a strong taste of the imperial capital, a kind of unscrupulous ruffian, and a sense of unscrupulous irony in his language.

This style of writing is not very popular with people outside the imperial capital. His works are well-known in the imperial capital, but in another city, the response may be mediocre.

Later, he had similar problems with Feng Trousers' films, but now he is actually a representative figure of popular literature, and he has a lot of verbal battles with the old school of serious literature.

At present, Wang Shuo's status in the literary world is roughly the same as that of Han Gongzi and Guo Xiaosi in later generations, but his works should be said to be slightly more literary than those two.

But Wang Shuo's rebellion was stronger, so he received no less scolding than those two.

Wang Shuo is actually a very talented person. Later generations are not very lovable on the Internet, mainly because his era has passed, but he is unwilling to let go of his figure. He looks down on this and that. It is strange that he can be liked. .

This is a common problem of people in the imperial capital, it is also a common problem of talented people, and it is even a common problem of literati. Wang Shuo, he is naturally a disease.

He really looked down on a lot of people. If it is said that after he passed his temper in the later period, he would be more or less suspected of being bad money when he scolded this and that, but he also scolded the street in his heyday.

This master has fought with many people, and the famous saying "I'm a hooligan who I'm afraid of." was made at this moment.

An important reason why Wang Xu likes this era is because this era has not been polluted by the media of later generations. In comparison, this era seems very pure.

In the later generations, after the Internet, playing with the character design one by one, it is really too fake, and you can tell it is fake when you hear it.

Because anyone with some social experience knows that it is impossible for someone to set up such a thing.

One personality has lasted for decades, and it sounds so unreliable to act according to one personality in everything.

Wang Xu didn't know if such a person really existed, anyway, he had lived for decades and had never seen one.

Human nature is really too complicated, whether it is literature or movies in the 80s and 90s, even songs like to discuss human nature, because this thing is really complicated and cannot be summed up in a word.

After entering the second decade of the 21st century, people seem to have forgotten that human beings have humanity.Everyone's discussion has changed from human nature to human design, manipulating living people as paper people.

Covering the truth with hypocrisy and inducing countless minors to consume crazily, at least in Wang Xu's view, this is really a retrogression.

The story of Wang Fei's guest appearance was not in Wang Xu's memory, but this group of people made up a part based on Wang Fei's identity.

Wang Fei was still playing a Xiangjiang star. Li Dongbao eagerly went to interview the star who came to sing, but he was deceived by the agency and waited for several hours in vain.

As a result, when I came back, I accidentally bumped into the Xiangjiang star who was secretly eating stewed stew, and then I realized that the Xiangjiang star was from the imperial capital.

Wang Fei's clothes were stained by the stewed soup, Li Dongbao had no choice but to take Wang Fei back to the editorial office and ask Sister Niu to borrow clothes.

Then another story that happened in the editorial department was merged together, which was the story of the carrot that flooded the Seventh Army.

Most of the time, Wang Fei is holding a big tea mug, wearing a Lenin suit, braiding her hair as an audience, and occasionally throwing in a few lines in imperial dialect.

In the end, Sister Niu helped wash the clothes and ironed them dry. After putting them on, she was a fashionable beauty again, and she said Gangpu and left.

Anyway, the filming was pretty quick, for guest appearances, just show your face, and there are not many real lines.

Wang Fei focused on a contrast, the contrast between the imperial capital and Xiangjiang, the contrast between fashion and conservative clothing, and in the end, she was wearing big braids, wearing fashionable clothes, and chanting the language contrast of Hong Kong Pu and the dialect of the imperial capital.

There are not many shots, and the time is not long, so it's enough to shoot for a whole morning. After all, what I promised was a cameo, and it's not a good thing to have too many scenes.

Zhao Baogang originally wanted Wang Fei to act in two episodes, the protagonist of a complete story would be singer Shuangshuang, the role of Liu Pei, but Wang Fei rejected it.

It’s easy to talk about guest appearances, if you actually play two episodes, then it’s a character, and you don’t have to go through an agent. This kind of crew doesn’t have much money, and the trouble is meaningless.

So, in the end, I made up a random encounter, and then showed up to finish, simple and direct, with some laughs.

Wang Xu became an audience below, and also participated in the recording of the live laughter. When he was free, he chatted with Feng Pants, Wang Shuo and the others.

Wang Xu feels okay, but Wang Fei's camera sense is actually quite good, which is considered a talent.

She hasn't been trained for this, but she's just born with the ability to hold the camera, and she has a pretty natural demeanor.

What's more, although there were not a few words, it was basically a small burden, and Wang Fei's cold trembling was still a little funny.

Of course, Wang Fei also made a guest appearance in the last reunion episode, "The People Help the People".

This is an episode commemorating the fight against the flood last year. Wang Fei also attended the disaster relief charity performance as a Xiangjiang star, and returned to the editorial department to chat with several editors. There are even fewer of these content, and a few scenes are enough.

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(and also)
(End of this chapter)

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