This star just wants to learn.

Life is like a drama, drama is like life.

Actors are a beautiful scenery on the opera stage, and they are also the bearers of countless bitterness and laughter in life.

But beneath the colorful costumes, their real lives are hidden.

Born on the stage, raised on the stage.

They have been learning to sing, read, do and play since they were young, and have put in countless hardships and sweat for that moment of glory.

Their life seems to be a never-ending performance, no matter the joy or sorrow, it must be vividly displayed on the stage.

The actor played too many roles and performed too many parting sorrows.

In order to meet the needs of the characters, they often have to endure physical fatigue and mental suffering, and even empathize with the characters...

They often put themselves in the shoes of the characters in the play and taste the ups and downs of these characters. However, over time, they tend to get too deep into the play and unable to get out.

During the acting process, I often experience joys and sorrows along with the ups and downs of the character's life, and I feel worried about the life of the character related to me.

Opera performers convey their emotions, experiences, and perceptions to the audience through their performances on stage, and thus win people's respect and love. However, behind these praises, they are also confused, confused, and unable to walk. Get off the stage.

Maybe on the stage, they are "characters", but in life, they are just ordinary people. Because they have played too many roles, they may be more sensitive than ordinary people.

The richness of actors is a true reflection of the hearts of opera performers...

"Ci Jiu Men Memories" was sung by Pu Tong and Lin Yuran. Pu Tong sang the narration and monologue, while Lin Yuran sang the dramatic part, which is the chorus and climax of the song.

Pu Tong's voice full of story-telling successfully brought everyone into the atmosphere. Everyone seemed to really see this scene: the male and female protagonists meet in the same building, and then look at each other for ten thousand years, like a half-life fate.

But there will always be a day when the two of them face reality. Once they enter this building, they enter society, and they can no longer help themselves or look back.

"There is no need to say it in words, I will bow to the stormy shackles of the case again", explaining that the love between the two does not need words to express, saying goodbye to the stormy past, and one day they will meet again.

But when the drama starts, all of this seems not to be important anymore...

They met again, but many years had passed. They had grown old, but their affection had never changed.

It's hard to control the play without any bones. After a change, it starts all over again.

Life is like a play, life is like a dream, one twist after another, one dream after another.

As an actor, he is a boneless person. How he writes the script is how he acts. It cannot influence history, and it is even harder to influence reality. The only thing we can do is to change a piece of music and start the performance of the next scene again...

In a daze, the audience in front of the screen seemed to see an affectionate actor who was helpless after seeing his beloved leave. He hugged his wife's body in despair and cried silently.

At the end of this story, there is only one sentence left: "Only the most important thing can not be left in this world."

Only then did the audience realize that Pu Tong was issuing a knife again in this song, and it was still the silent big knife...

On the birthday of the male protagonist who lost his wife two years ago, he is in a place of laughter, but he still just wants to eat a familiar noodle soup. If a few years pass, and a few more years pass, and the friends around him gradually disperse, those sorrows no longer seem to be scattered. In the corner of the room, even breathing carries the past.

"I opened my mouth to sing, but my voice was mute. I wore a pink face and wore a fake dress."

Lin Yuran's clear and ethereal drama echoed in the venue for a long time, and successfully put another big stone on everyone's heart.

When the actor first started singing, he was choked and hoarse because of sadness and could not sing.

This kind of situation usually happens when you go on stage to perform with worries in your heart. Every time you sing this play, you always want to cry, you are always worried, and it is difficult to control your emotions.

How heart-wrenching is the pain that can make famous opera singers choke and hoarse and unable to sing?

What this song conveys is indeed two dimensions from "Chi Ling". The former tells everyone that an actor of humble status dares not to forget about the country, and even if he speaks lightly, he will still care about the world.

But the song "Ci Jiu Men Memories" reveals another side of the actors. They are sensitive and emotional, and they also have their own softness in their hearts.

Backstage, many older opera performers felt their eyes dry. They may have lived up to the opera over the years, but they felt guilty towards their loved ones. As performers, they have very little time at their disposal. They are either busy practicing basic skills or busy performing, leaving too little time for their loved ones.

As the opera industry is declining, the remuneration they can receive has also begun to gradually shrink.

Because of their love for opera, not only do they have no time to spend with their families, they can't even guarantee the rich material life of those around them. Isn't this too selfish for them?
On the stage, the singing of Pu Tong and Lin Yuran, masters and apprentices, continued. Their cooperation was so tacit that it could even be described as seamless.

Just now, Mr. Cheng and Master Gan Hengxu’s performances won applause from the audience. Now, how can Pu Tong and Lin Yuran do the same?
Today's two master-disciple sessions really left an indelible impression on everyone.

When the song ended, it did not cause the same grand event as the first song "Chi Ling". This time, the audience was silent, not even applauding.

Pu Tong calmed down. He didn't think there was anything wrong with this situation. A song is not successful only when it wins the applause of the whole house. It is also a kind of success when everyone is shocked and silent.

The audience in the audience looked at each other, obviously not recovered from this sad song.

They heard that this song recorded a poignant love story. The male protagonist was an affectionate actor, and the female protagonist's song seemed to be a monologue written by the female protagonist to him before she died...

At some point, Sun Yilin's eyes were filled with tears.

She could tell that after the death of the heroine, the actor shed tears all his life. How could one easily forget the pain of being separated from the yin and yang of a loved one?

The reason why she cried was just because she inserted herself into this story, and she also fell in love with a "Jiao'er"...

She is a woman full of poetry, and she is full of sorrow, not because of her family's fault, nor because of the rise and fall of her country, but because of her melancholy and rare emotions.

"Don't cry."

A familiar voice came from the side. Sun Yilin was stunned for a moment and turned sideways with tears in his eyes. However, he did not see Xie Mu who was sitting next to him. Instead, he saw a gentle smiling face.

Gan Hengxu handed over a white handkerchief, which seemed to belong to their troupe.

He had heard Pu Tong tell this story.

There are always more affectionate stories in affectionate songs.

……

"Brother, in this life, I...do not...regret."

When the girl finished saying this, her hand suddenly fell on his knee. The last tear fell on Er Erhong's shoulder, but her eyes were closed forever.

In fact, she didn't want to leave, and she didn't want to leave the second master. The girl said that in her last days, she just wanted to stay with the second master like this, just like usual, just quietly.

"Girl, I miss you."

"Second Master, what are you talking about? Aren't we together all day long?"

"That's not enough."

"I want one year, ten years, a hundred years. Being with you will never be enough for me."

"Okay. This life is not enough for us. We will still be husband and wife in the next life."

"Okay. We will still be husband and wife in the next life."

……

If you really love, then love seriously and without regrets. Only if you have truly loved can you live up to it and not regret it.

Gan Hengxu didn't know if Er Erhong would wait for his girl in the next life, but he did in this life.

The next life is too far away, but I want to live in this life.

(End of this chapter)