This star just wants to learn.

"Why don't you stop doing classical music and write novels? They will definitely be bestsellers..."

This was the true reaction of Yu Wanwan and the other two after listening to Pu Tong's story. Although he told it very simply, it was not difficult to hear that this was a very dramatic and romantic love story.

With such detailed names of the male and female protagonists, this story was definitely not something he came up with on a whim, but was the result of Pu Tong's careful consideration.

Rather than letting him compete in music, it would be better to let him compete in story-telling ability. Pu Tong has never been afraid of anyone in this regard. Isn't it easier than writing obscure classical music?
The ending of Liang Zhu is tragic, and tragedy is often more impactful than comedy. In the end, Zhu Yingtai jumped into the tomb and the two were buried together, which was also a happy ending in another world.

Compared with the lovebirds, mandarin ducks, bluebirds, swallows and other birds that were often used to express love in ancient times, Liang Zhu chose to use the image of the butterfly.

In addition to expressing the meaning of "lovers are like butterflies flying together", the image of the butterfly itself also carries a special meaning that transcends love.

The butterfly breaks out of its cocoon and is reborn, emerging from its cocoon and becoming a butterfly. In folk culture, the emergence of a butterfly from its cocoon has always been full of mysterious connotations such as "resurrection from the dead", "reincarnation of life" and "immortality of the soul".

In the story of Liang Shanbo and Zhu Yingtai, Liang Shanbo and Zhu Yingtai died for their love. It is a love story with a strong tragic color in itself, but the story does not end with the death of the two people, but ends with them turning into butterflies after death.

The image of the butterfly is extremely beautiful and ethereal, and it is a portrayal of a beautiful and free soul. For a butterfly, the process of transformation is a process of breaking through shackles, getting out of trouble, and regaining a new life, which is the replacement of old life with new life.

Similarly, for Liang Shanbo and Zhu Yingtai, turning into butterflies after death is a transformation and rebirth of life, and it is another way to achieve the perfection of love.

Both turned into butterflies, this ending is too romantic. The lovers who failed to be together in life turned into butterflies after death and stayed together from then on.

This story not only touched countless people, but also made the butterfly one of the symbols of beautiful love in traditional culture.

Although everyone knows that "the dead cannot be resurrected", due to the pursuit of a happy and fulfilling life, people always tend to see "lovers finally get married" in literary works.

Liang Zhu turned into butterflies after death, which made this tragic love story "sad but not hopeless" have a warm and hopeful ending. It is also because of this that this love story has been so enduring and deeply rooted in people's hearts.

In the eyes of the three girls, this story is very interesting and suitable for the screen. If it is made into a TV series, it will definitely be a big hit...

But what puzzled them was that Pu Tong said that his music this time was created with a story as the background, but how should this story be presented in the form of music?
Classical music itself is very difficult, and Pu Tong even tried to choose the more difficult path of using musical narrative.

The narrative nature of music is an expressive tool for songs and music that can transcend language and cultural boundaries and directly touch the hearts of the audience.

To reach this level, the creator must have a very high understanding of the musical work and have solid technical support, which are exactly what Pu Tong does not have.

The narrative nature of music refers to the ability of a musical work to tell a story or convey an emotion or situation through elements such as melody, harmony, rhythm, and timbre.

Using songs to tell stories is an integral part of musical language. As for the creative expression in songs, it is to tell a musical story with songs and music.

It is not easy for him to write a qualified piece of classical music, let alone tell a story directly through music, which is too difficult.

In classical music, this can only be achieved through the skillful use of melody, rhythm, timbre, dynamics, structure and motive. He hasn't even got started yet, so how can he have time to think about this?

"You know how to make things more difficult for yourself."

Yu Wanwan sighed. If she didn't know that Pu Tong's real purpose was not to win the competition, she would have been very anxious to hear this idea. But since he only wanted to be a successor, then he could choose what kind of music to produce.

Lin Yuxi and Iori Yukino couldn't figure it out either, but they were more curious than worried. Pu Tong was so confident, it was impossible that he didn't have any preparation at all.

As for what kind of music he has prepared, we will know when we hear it.

Pu Tong and Liu Mu arranged to discuss the cooperation in detail on the weekend. Yu Wanwan and the other two girls accompanied him, which in a sense could be considered a trip, although the destination was not far away.

In Shanghai, under Lin Yuxi's introduction, Pu Tong formally visited this master of classical music.

Although this teacher Liu Mu and senior Lin are from the same period, he seems to be well-maintained. Apart from a pair of calm eyes, there are no other signs of aging.

It is worth mentioning that when Teacher Liu greeted Pu Tong, he completely adopted the mode of interaction between peers, but when facing Lin Yuxi, he used the tone of a celebrity elder to a junior.

Pu Tong also had to admit that his prestige in the country had reached a terrifying level, so much so that many artists of the older generation regarded him as a "confidant".

"I want to ask about your current progress so that we can have better cooperation." Liu Mu paused, "I heard that you still chose domestic traditional music. To be honest, I am very glad that you made this choice. If you gave up, I can't think of anyone else who can take on this responsibility."

Just as Pu Tong guessed, no one struggled more than Liu Mu when persuading him to give up. She hoped that Pu Tong would stick to this path like her, but she was also afraid that Pu Tong would go down the same path as herself.

"If you have an idea, my team can help you complete the production of music..."

"No need." Pu Tong waved his hand. He appreciated Liu Mu's kindness, but he really didn't need it.

"I've already done it, all you need is for your team to structure it into different instruments and play it."

"Are you serious?"

Liu Mudu suspected that he had heard it wrong. The last time Pu Tong asked him questions about classical music was a week ago, and now he said that he had completed his composition?

Yu Wanwan and a few others were still observing the ancient-style furnishings in Aunt Liu's house. Who would have thought that Pu Tong actually said that he had completed his creation?
No, it's done now? When was it done?

This week, Pu Tongke has been going back and forth between school and home. He has not fallen behind in the high-intensity studies of senior high school. Where does he find the time to create?
And now this guy says he's done it?

"you……"

Liu Mu wanted to swear, but her upbringing made her hold back.

"My team and I have to listen to it first."

Just say it's finished? They have to check it anyway. It would be inappropriate if Pu Tong just made a random song to get the job done.

(End of this chapter)