The King of Directors 2000

Chapter 317

"Hahahaha!"

There was a burst of laughter.

With the light of the screen, Zhang Yimou glanced at Feng Xiaogang next to him, and found that Xiaogangpao was leaning forward, with a serious expression, sullen face, and clenched fists.

The theater turned on the air conditioner, and a slightly cool wind blew down and fell on the arms, making the hairs stand up.

Zhang Yi was already coughing a little today, but he couldn't help but want to cough even more.

He wanted to hold on for a while, but he got up and went out considering the coughing sound would disturb others.

After sitting in the rest room for a while, drinking a cup of hot water, feeling a little better, I returned to the theater.

Before he sat down, he heard a lot of sniffling.

It's because the air conditioner is too cold. Are you all catching a cold?

Zhang Yi rolled his eyes back.

The eyes of Deng Chao, Li Lianhua, and many audience artists were red, and they were obviously crying.

He nodded and smiled, and couldn't help but glance at Feng Xiaogang again.

Xiaogangpao leaned back on the seat at this time, looking limp and powerless.

Zhang Yimou secretly laughed in his heart.

After a while, Feng Xiaogang got up, bent over and left.

At this time, the movie was about to end, and in the dim theater, the figure of Xiao Gangpao looked thin and lonely.

Zhang Yimou probably understood what was going on, and sighed inwardly.

When "Let's Punch, Dad" came out, it wasn't him, Jiang Wen, or Poet Chen who panicked the most, but Xiaogang Pao.

Although he is not a professional film critic, he can tell that Li Shengyao is definitely capable.

If he were to write a film review, he would be able to make the following analysis.

First, the camera language of "Let's Punch, Dad" is very rich.

Lee Sing Yew used a lot of wide-angle shots and medium shots, especially for the game scenes.

The benefits of the actors' training for a few months are apparent. During the competition, there are very few overall cuts. You can see the fighting scenes in Kung Fu movies similar to Li Lianjie, which is very smooth visually.

In addition, the camera position is always moving, but it is very stable. It is often pushed and pulled, giving people the feeling of breathing.

The second point is that the picture is clear and real, the setting has a sense of age, and the pursuit is a sense of substitution.

It is different from his preference to use bright red, green, and yellow to guide emotions with strong colors.

"Let's Punch, Dad" basically restores the original color and brightness of the object.

In terms of shooting structure, there is a clear theme.

For example, when the heroine wins, she is at the center of the shot, and the audience can lock her at a glance.

For example, when the father was defeated by the heroine, he looked small and frustrated at the edge of the frame.

The third point is that the rhythm of the story is steady.

From when the heroine was a child to when she won the World Cup, the overall narrative is straightforward without much suspense.

But the story is complete and clear, with highs and lows, funny and warm, very smooth, with almost no abrupt points.

The fourth point is that the editing is natural, smooth and sophisticated.

After the whole film, there are no uncomfortable cuts, and there will be no places that make the audience's eyes tired.

The fast is fast, the slow is slow.

In the last final, the heroine attacked crazily at the beginning of the third round, very quickly.

When it came to the last punch, he zoomed in instantly, highlighting the explosive power and importance of this punch.

The handling here can be said to be very mature and sophisticated.

The above four points are advantages.

If you insist on finding shortcomings, you can only consider it from the perspective of film art.

"Let's Punch, Dad" has no particularly eye-catching elements, such as his color, the light and shadow of Wang's sunglasses.

There are no repeated close-ups, and no particular point is highlighted.

There is no breakthrough in light and shadow, picture, soundtrack, and narrative.

There is no innovation in aesthetics, artistic expression, and a unique cinematic style.

These advantages and disadvantages summed up, that is one meaning.

"Let's Punch, Dad" is a very good and mature commercial film, but it's almost meaningless in terms of artistry.

Although Lao Mouzi has made several commercial films, on the whole, he still considers himself a director of literary films.

He felt that Li Shengyao could not threaten him, Jiang Wen, Chen Kai, but Feng Xiaogang was the most threatening.

The label of Xiaogangpao is an excellent director of commercial films. Unlike directors like Lao Mouzi who tell complicated stories, Xiaogangpao's films have clear themes and are excellent commercial films.

This is why Xiaogangpao was in the state of watching a movie just now.

At this moment, the movie came to the finale. The heroine became the champion of the Women's Boxing World Cup, and she gave the gold medal to her father.

Father hugs.

There were warm cheers and thunderous applause at the scene.

And Feng Xiaogang came back step by step.

Zhang Yimou glanced at Xiaogangpao, smiled and nodded.

Although he secretly sympathized with Xiaogangpao in his heart, he was not the kind of person who would speak out directly.

Feng Xiaogang was not too happy.

Just now Zhang Yimou peeked at him several times, he actually felt it.

He naturally knew the reason, nothing more than "Let's Punch, Daddy" proved the strength of Li Shengyao, and Li Shengyao is an excellent director of commercial films.

Among the big mainland directors, he is the first to bear the brunt of the director of commercial films.

Li Shengyao is the first to threaten his position in the future.

Although these are all facts, Lao Mouzi's gaze made Xiao Gangpao very uncomfortable. He rolled his eyes, and then said in a low voice, "Director Zhang, this movie is really well done."

Zhang Yimou nodded, "It's really good."

"Oh, I'm really old, I can't do it anymore, I guess I'm the first one to shoot him flying."

Feng Xiaogang is younger than Zhang Yimou, and he said he was old in front of Zhang Yimou, which is a bit murderous.

And he said he was the first, so who is the second and third?

Zhang Yimou quickly understood what Xiaogangpao meant.

That is, Lee Sheng Yew is so young, so there are infinite possibilities.

He, Feng Xiaogang, will be photographed flying, but the others will never be spared.

Immediately everyone will be defeated by Lee Shengyao.

Zhang Yimou glanced at Li Shengyao who was leading the leading role on stage.

At this time, the lights in the theater came on, and Li Shengyao stood in front of the leading actors, so dazzling, he was clearly a director, but he attracted attention like a star.

The audience cheered continuously, and many people shouted "Director Li".

Zhang Yi's nose was itchy and cool, and he couldn't help but sneezed.

Lee Sing Yew's first film is so mature and sophisticated, it doesn't look like his debut, such talent is indeed amazing.

He is now making commercial films, and if he has artistic pursuits in the future and wants to make literary films, will he win awards in the three majors, and will he threaten the status of Lao Mouzi Kaizi?

It's really hard to say.

After all, he is really too young.

Youth means infinite possibilities.

Zhang Yimou had some sympathy for Xiao Gangpao before, but now he feels that there is no need for him to do so.

The back waves are so fierce, it's really hard to say who is the front wave who died on the beach.

(End of this chapter)