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Chapter 42 Erhu and Suona Ensemble
When the tactful erhu and the high-pitched suona were combined, Chen Ye suddenly felt that these two instruments were a match made in heaven.

It seems that when the two are played together, it is a complete instrument.

This song "Dissipating Sorrow" was originally a song that was popular for a while before Bloody Descent, but what I didn't expect was that the old erhu would also perform an ensemble.

Although after his own understanding, adaptation, and adding it in the form of harmony...

Not only is there no sense of disobedience, but it also strengthens each part of the song, making the sense of hearing change.

For a moment, Chen Ye felt that his mind was completely immersed in the suona performance.

As the melody of the erhu old man gets faster and faster...

Like an auditory hallucination, Chen Ye actually felt that the erhu had not only one soundtrack, but multiple soundtracks combined!

He gradually felt that the suona in his hand became difficult, and it was difficult for him to keep up with the progress of the old man on the erhu.

The music became messy and difficult to fit together.

After struggling to play the entire song, the music stopped abruptly.

At this moment, the old erhu slowly stopped what he was doing, and said with a smile:

"Do not worry……"

"The reason why musical instruments need to be infused with a lot of practice is because enough muscle memory must be formed so that the sound can be unified and smooth."

"If you want to think and play at the same time, you will be distracted by it, and you will not be able to maintain emotional coherence, which will naturally lead to distraction."

"However, early thinking is essential. At this stage, you need to think about what music is suitable, what tune should be played, and what skills are not yet proficient..."

"When you pass this stage and form enough muscle memory, you can enter the state of 'flow' when playing, so that you will not be disturbed by everything."

Chen Ye pondered for a moment, carefully thinking about the words of the Erhu old man, nodded, and said:
"Keep practicing."

The two continued to play together.

When the first half of the song begins, the old erhu will reduce the intervention of his own song, and Chen Ye will take the lead.

Just play simple harmony.

When the song reaches its climax, the erhu at this time needs to give full play to its timbre advantages, so as to bring subversive changes to the whole song.

Therefore, at this time, the old erhu will not hold back.

Whenever the performance reached the climax, the suona in Chen Ye's hands seemed to be filled with lead, and the familiar syllables became difficult to play, as if it was difficult to play together with this music.

He took a deep breath and tried his best not to let the old man's erhu music affect his emotions, but instead focused more on the emotional expression of the performance.

For the audience, the emotional evocation is the most important, which requires the performer to push it out with skillful skills.

However, for Chen Ye, he must first find his emotions before he can express them well.

This is why in terms of creation, imitators can often do very similar things, but they still cannot become an excellent creator.

True creation requires personal expression, which requires finding oneself, rather than deliberately imitating or blindly following the rhythm of others.

Chen Ye gradually tried to get away from the technique of the songs, so as to find his inner self.

Suddenly, he felt the suona in his hand loosen, and the song became more tactful.

He was secretly surprised, obviously he didn't expect that such an ugly suona could be played by him with such a gentle tone?

After mastering this technique...

Chen Ye suddenly realized how to play suona correctly.

Gradually, slowly, I was able to keep up with the old man on the erhu at the climax, and the melody of the whole song was also transformed because of the suona, so that it really became beautiful.

Even Chen Ye, who is also a performer, was deeply moved by the melody.

At this moment, his mind was blank, as if he had forgotten all the playing skills.

I just played the suona with the "heart flow", but the timbre was completely different, mellow and deeply rooted in people's hearts, and there was no mistake in the technical performance.

On the contrary, when Chen Ye had been entangled in the correctness of his skills before, he was prone to various small flaws frequently, and always felt that there was something that was not perfect.

Although the current technique has not yet reached the level of perfection, but with the promotion of "heart flow", some imperfections are modified with small techniques to ensure that the entire rhythm and direction are not wrong.

It has achieved the effect of not covering up the flaws.

Thereby making a piece of music become listenable.

at last.

The performance came to an end, and the music ended in the ethereal with the distant and deep artistic conception.

The old erhu raised his head, looked at Chen Ye with a smile and said:
"Hehe, boy, today's harvest should not be small, right?"

Chen Ye gradually separated from the emotions brought by the music, returned to reality, calmed down again, sorted out his thoughts in his mind, and then organized his words:
"Yes, I seem to understand how to play as a musician."

"Humans are human after all, it is impossible to achieve perfection, and it is impossible for every sound to be as precise as a machine."

"Technique is not a formula, but the expression of the player."

"But the expresser needs what he really wants to express in order to acquire real skills and make this 'expression' close to perfection."

"If you only play for the sake of technique, it will be farther and farther away from the essence of expression..."

After Chen Ye finished speaking, suddenly, the feeling of "digestion" emerged again.

However, the digestion progress this time is much more obvious than last time.

At this moment, Chen Yeming realized where he had been unable to break through before.

After he had a preliminary understanding of music, he cared too much about whether the technique was correct, whether the sound was correct, and whether the rhythm was stuck on the beat...

However, the more you think about it, the more cumbersome the content you want to "express".

In the end, it will be difficult to grasp anything, and the mentality will be fluctuated by technical mistakes during the performance, which will make you too nervous.

Just imagine……

When an expresser is too nervous, what he expresses, in this case, is also an expression of "imbalance".

Even if the accuracy of the distance "skill" is high, the ups and downs caused by this "imbalance" will make people feel uncomfortable in the sense of hearing.

On the contrary, it is a state of complete relaxation, without too strict constraints brought about by techniques, so that the melody and rhythm return to freedom.

The effect of the performance has undergone earth-shaking changes.

Turn on the bloody phone again...

The weird value has reached [-] points!
(End of this chapter)