I was eliminated from the draft, and I became a superstar with a ballad

Chapter 283 283 "Climbing the Yellow Crane Tower", the current Qilu is the first
【283. "Climbing the Yellow Crane Tower", today's seven laws are number one】

"Mr. Su, since you want to write, let's try it."

Muto Fei sighed helplessly.

Some people on the Internet said that Su Qingyun's talent is enough to wrestle with Li Taibai and Su Dongpo.

But when this moment really comes, most people still don't believe it.

After all, Li Taibai and Su Dongpo have been the top literati in the eyes of Chinese people for thousands of years!
This impression has long been ingrained and recognized by the world.

When someone really said that he could stand shoulder to shoulder with a poet, he broke everyone's inherent cognition, which made them feel uncomfortable in their hearts.

"This... I admit that Su Qingyun is very talented, but he said that he is not inferior to Li Bai, is it a bit too exaggerated?"

"If you're talking, singing, writing lyrics and composing music, Su Qingyun's strength is no less than Li Bai, but if you want to talk about writing poetry? I'm afraid it won't work!"

"Who is Li Bai? Poetry Immortal! That is a majestic Poetry Immortal, that is a banished immortal who came to the world, even Su Qingyun can't catch up with him!"

……

Although most people are skeptical, there are still some diehard fans who support Su Qingyun very much.

"Hehe, after thousands of years, future generations may not be able to compare Su Qingyun to Li Bai!"

"That's right, count the romantic figures, and look at the present! Today Su Qingyun is not much worse than Li Taibai!"

"Li Bai and Su Shi have been dead for 800 years. If you want to say that the most talented person today, you have to look at Su Qingyun."

"Li Du's poems have been handed down thousands of times, and it is not new until now. Talented people come out from generation to generation, each leading the coquettish for hundreds of years. God Su is the one who is the only one!"

……

Amidst all the discussions, pens, inks, papers and inkstones have been prepared at the scene.

Su Qingyun calmly picked up the pen, pondered for a moment, and began to write with a natural and smooth movement.

Soon, a seven-character verse appeared vividly on the paper.

On the white rice paper, the fonts are ethereal and unrestrained, very eye-catching.

"Climbing the Yellow Crane Tower"

The former people have already taken the Yellow Crane, and the Yellow Crane Tower is empty here.

Huang He is gone forever, and Bai Yun is full of leisure.

Qingchuan calendar Hanyang tree, fragrant grass parrot island.

Where is Rimu Xiangguan? The Yanbo River is worrying.

-

After writing a poem, Su Qingyun put down his pen and said with a smile:
"Wu Ju, how do you think this poem is written? Can you break your wrist with Li Taibai?"

At this moment, the whole audience was shocked, the air seemed to be stagnant, and it seemed that there was only this song "Climbing the Yellow Crane Tower" left in the world.

After a long time, only sparse barrages floated out.

"This song "Climbing the Yellow Crane Tower" looks very awesome, can anyone analyze it?"

"I'll go. Although I'm not a major in ancient literature, I can feel the beauty of this poem!"

"I'm a major in ancient literature, and I can guarantee that this poem is very elegant and natural."

"Wonderful, neither the ancient nor the law, but also the ancient and the law, a swan song for thousands of years."

"As soon as this poem comes out, the Yellow Crane Tower will rise to another level!"

……

Obviously, among the audience, Hidden Dragon Crouching Tiger.

Many people have seen the extraordinaryness of this poem, and have expressed their admiration.

Of course, more people are not aware of it.

They can feel that this poem is very powerful, but they don't know where the power is?
At this time, people in the comment area have already started to comment.

"The Yellow Crane Tower is a tourist attraction, and this poem by Su Shen expresses the nostalgia for the past."

"The first four sentences describe the nostalgia of the past. The immortals of the past have left by the yellow crane, and there is only one Yellow Crane Tower left here. The yellow crane will never come back once it is gone. For thousands of years, there are only white clouds in the bright blue sky."

"An ancient building with a long history, a beautiful myth and legend, a bit of loss and melancholy after the prosperity and excitement have passed away."

"The poet sang repeatedly around the origin of the Yellow Crane Tower, as if blurting out, the language is vulgar, but it is coherent, and the style runs through. An empty Yellow Crane Tower thus presents a profound cultural heritage, and an ordinary visit turns into a trace of ancient times. Today's sigh, white clouds for thousands of years, long daydreaming."

"The last four sentences describe what I saw and thought standing on the Yellow Crane Tower. The beautiful scenery in front of me is picturesque, and the homesickness in my heart is hard to suppress."

"Qingchuan is full of Hanyang trees and luxuriant grass. Yingwuzhou is a vivid and intuitive description: on the clear land, the green trees of Hanyang in the distance are vivid; on Yingwuzhou, there are luxuriant grasses. Broad vision, full of vitality The bright and beautiful scenery, as a distant view, sets off the tall and straight momentum of the Yellow Crane Tower overlooking Hanyang and the Yangtze River."

"Where is the hometown at dusk? The Yanbo River makes people sad, and the scene creates love. The tenderness of the dusk is intertwined with the resentment of homesickness: the evening mist gathers quietly in the heart of the river, and the nostalgia also surges in the poet's heart; the water on the river's surface The air is dense, and nostalgia is attached to the misty mist. The sunset mist echoes the long white clouds, forming a distant and vague artistic conception."

"Finally, this is a seven-character rhythm poem, but it does not abide by the seven-character rhythm, and does not pay attention to the duality of flat and oblique. The twists and turns make the meaning of the poem full and natural. Place names are cleverly embedded in the poem, and the scenery of mountains and rivers is more concrete and sensible."

There are great talents in the comment area, and the analysis is clear and logical.

At this time, Qian Muwen, a professor at Luzhou University who had been watching the live broadcast, finally couldn't bear it, and took the initiative to chat with Su Qingyun.

"Mr. Su is really a great talent. This seven-character verse is unmatched in the past and present, and it can be called a genius handwriting!"

This evaluation is not too high.

Qian Muwen continued:

"It's extremely subtle at this time, but what's so wonderful about it? Let me analyze it!"

"One is the beauty of artistic conception with images in mind and the combination of reality and reality. The poem starts from the origin of the name of the building, draws on legends, and then develops. Immortals crossing cranes, originally belonged to nothingness, now they use nothingness as existence, saying that it is "one" "Going and never returning", there is a regret that the time is gone and the ancients can't see it; when the immortals go to the sky, there are only white clouds in the sky, which can be expressed for thousands of years. The people in the building often feel that they are bold and sincere.”

Having said that, Qian Muwen paused, took a sip of water and continued:

"The second is the beauty of magnificent and colorful paintings. There are paintings in poems, which have always been regarded as an artistic standard for landscape poetry. "Yellow Crane Tower" has also reached this sublime state."

"The first couplet depicts the close-up of the Yellow Crane Tower in the legend of the immortal riding the crane, implying the majestic and ethereal situation of the tower next to the mountain and facing the river."

"In the lyric of lamenting that "the yellow crane is gone and never return", the couplet depicts the distant view of the Yellow Crane Tower, showing the magnificence of the tower towering into the sky and surrounded by white clouds."

"The neck couplet swims with the eyes in the arms, directly outlining the bright day scene on the river outside the Yellow Crane Tower."

"The tail couplet lingers and whispers, indirectly presenting the hazy evening scene on the river below the Yellow Crane Tower."

"In the whole picture shown in the poem, the close-up, long-range, daytime and evening scenes of the Yellow Crane Tower appear alternately, with wonderful changes and magnificent scenery; Chuanshazhou, green trees and fragrant grasses, and the setting sun and river are vivid and colorful."

Finally, Qian Muwen was extremely excited and sighed:
"The whole poem is full of picturesqueness in the poetic sentiment, full of the beauty of painting. Reading this "climbing the Yellow Crane Tower" is like looking at a beautiful painting. There are paintings and poems in the poems. Such talents , to enter the realm of a master!"

Qian Muwen had just finished his compliments, when the Dean of the Confucius University over there, Mr. Kong Rufeng, a great scholar in the world, applied for Lianmai again. As soon as he got connected, Mr. Kong praised:

"Excellent, excellent. Mr. Su's "Climbing the Yellow Crane Tower", I am afraid that Li Taibai will feel ashamed and leave the pen when he sees it!"

"Mr. Su, if your song "Climbing the Yellow Crane Tower" had been written 300 years earlier, Li Taibai would not have dared to write a poem on the Yellow Crane Tower!"

With that said, he also began to analyze.

"Predecessors have said that "writing is based on qi". The first four sentences of this poem seem to be spoken casually, and they spin in one breath, following the trend, without any hindrance."

"The word "yellow crane" appeared again and again, but because of its momentum, the readers "waving the five strings and watching Feihong", hurriedly read on, and had no time to notice its overlapping appearance. This is a big taboo in rhyming poetry. It seems that I forgot that I was writing the seven rhythms of "there is a floating sound in front, and there must be a cut sound in the back", and every word has a fixed sound."

"Take a look: the fifth and sixth characters of the first couplet are the same as "Yellow Crane"; the third sentence is almost all in the tone; The syntax of ancient poetry."

Having said that, Kong Rufeng stroked his gray beard, his eyes brightened:
"This is precisely the brilliance of Su Qingyun. Su Qingyun practiced according to the principle of "taking the conception as the main idea of ​​the poem" and "not using words to harm the meaning", so he wrote such a rare verse among the seven rhythms. In addition, the repeated use of double-tone, double-rhyme and double-sound words or phrases, such as "yellow crane", "Fuhui" and other double-tone words, double-tone phrases, "here", "Jiangshang" and other double-rhyme phrases, as well as "yoyo", "Lili", "Qiqi" and other overlapping sound words make this poem sonorous, clear and harmonious, full of musical beauty."

"Using rich imagination to lead readers into ancient times and back to reality, all kinds of emotions and natural scenery are blended together. Who can not feel its sadness and desolation. This poem makes me extremely happy. I would like to call it one of the seven laws of today. head!"

……

This poem made Li Bai ashamed!

This poem is the first of today's Qilu!
Kong Rufeng's evaluation is even higher.

However, it's not over yet!

Immediately afterwards, Mr. Wen Qianqiu from Chang'an Bailudong College also applied for Lianmai and began to comment.

"This poem first narrates the legend of the immortal riding a crane, and expresses the nostalgia for the past. The reminiscence of the past is to hurt the present, from the nostalgia for the past to the scene in front of you, expressing the frustration of life and the feeling of homesickness."

"The whole poem starts, inherits, turns, and merges naturally and smoothly, without any trace of chiseling. The first four sentences of the poem are about imagination and legend, and the good thing is that it was triggered by the Yellow Crane Tower and cannot be moved elsewhere. It came naturally, as if blurted out, without the slightest trace of chiseling."

"The last four sentences are realistic, and the scenery is more prominent, but they are all the foreground that comes at hand. The author does not deliberately portray it. He writes what he sees and feels in front of him, expressing his personal feelings."

"Ingeniously integrate myths and things in front of you, witnessing the scenery, remembering the past and hurting the present, expressing your feelings, full of emotion, elegant and fresh, and cohesive. Although the language is popular and simple, the whole poem blends with scenes, touching and touching. It is a rare poem!"

Old Man Wen Qianqiu was also eloquent, boasting this poem to the sky.

"It is said that Zi'an, a fairy, ascended to heaven on a crane a thousand years ago, and later generations built the Yellow Crane Tower to commemorate it."

"The matter of immortals is illusory. Therefore, it is difficult to return after going for a thousand years. The first floor is vacant, waiting for people to return. There are only white clouds, which have been like this for thousands of years, empty and long."

"The exclamation at the beginning of this poem may only be understood by those with some experience."

"Life is short, and the affairs of immortals are difficult. There are ups and downs. How can one live a hundred years for a long time. The time is not with me. Therefore, the worry of going to this building is not only in the present, but in history."

"It is not only about history, but also a sigh of life and death."

"The so-called relationship between people is one life, and the world is thousands of years."

"In these four sentences, at first glance, there are two blank characters and three yellow cranes. It is taboo to do this in general poetry."

"Generally speaking, it is a big taboo to repeat a word in a poem. Let alone repeating three times and repeating two words."

"But there is no problem with this song, but it is very exciting."

"Life is short, so there is a yearning for immortals, longevity, and Taoism."

"However, the immortal has gone, only the white clouds and empty buildings remain unchanged."

"Only the white clouds and gray dogs in the sky remain unchanged for thousands of years. The blue sky is open, looking down on the world, and it is empty for thousands of years in a blink of an eye."

"This is the void that fills reality and emotional desolation."

"So looking back, the opening is really very natural. But the exclamation scene is very harmonious. The legend, history, reality and self are all integrated into one."

"From fiction to reality, from ancient times to the present, from legends to reality."

"From the illusory dream of fear of life and death, to the realm of rationality, clarity and desolation."

"The yellow crane, which represents detachment from the cycle of life and death, is impossible to come back. It is gone forever. Here there are only tall buildings standing empty, white clouds for thousands of years, and the vast scenery of the sky is eternal."

"The ultimate question of all literature, philosophy and religion is essentially a question of life and death."

"White clouds for thousands of years, this building, this person, this scene, and this cloud are empty. Only existence, reality, and eternity that fills everything. It is the unchanging emptiness that is the immortal existence."

"And I waited, just passing by in a hurry."

"But self-seeking will be empty. There is a sigh that I have not seen the ancients before, and I have not seen the comers in the future. I am left alone for thousands of years."

"So both empty words can be understood. Reality, history, legends and even certain philosophical and religious issues are intertwined. And they are used very deeply."

"The exclamation of these four sentences is also the common exclamation of life and history through the ages."

……

……

Academic masters, through comments, pushed this song "Climbing the Yellow Crane Tower" to the altar.

At this moment, everyone in the live broadcast room realized that this poem has reached the peak level of poets!

"It's a real hammer, this song "Climbing the Yellow Crane Tower", I'm afraid Li Bai will be willing to bow down when he sees it."

"I was still mocking Su Qingyun before, but now I understand that the clown is actually me!"

"However, I am not educated, I can only say one sentence, really awesome!"

(End of this chapter)