The reincarnated banshee, save the world with the reincarnated daughter

Chapter 821: Praise to the Lord of the Deep Sea #1
“Playing music makes people perverted.”

"Today is the fifth time that lead singer Miss DuVernay has asked me, do you think our music on the Weeping Peninsula can represent the world?"

"I, the great owner of the cafe, Miss Xuelin, who is the third cutest in the world (1 Mei 2 Hai 3 Xuelin! Self-proclaimed!), am I someone who cares about the world?"

"Well, it's pretty big, but Heidi and Melina's sizes are a little bigger."

"I said, 'Girl, Banshee is the world, and so is The Weeping Peninsula.' And she just stared at me and said nothing, and I got so scared that she was having another attack, so I asked her something else: 'What do you think of our sister band?'"

“She smiled.”

"I think it doesn't matter at all that the band doesn't represent the world. What matters is that Miss Melina may be the whole world to Miss DuVernay."

...

The stage lights are dim.

Boom boom! Boom boom! Boom boom boom!

The sound of drums connects to the sound of piano.

The scale starts high, then gets faster, with a great sense of rhythm.

The curtain opened and the center of the stage was illuminated by a lamp.

DuVernay appeared in it, with a microphone hanging in front of her.

As the soaring music played, she swayed like a puppet tied with silk strings, faster and faster, with the rhythm getting stronger and stronger. Finally, she suddenly swung her arms to the left and right, with her forearms upright and her palms open facing outwards, as if she had broken free.

The air seemed to be fixed, and then she moved her hands swiftly, changing from a 'puppet' to a 'human', and closed the microphone in front of her with force, and finally let out a ethereal but high-pitched roar.

The music stopped abruptly.

The curtain opened, and the two little fairies behind the scenes, Inna and Julia, were sweating profusely, but one of them put down the keyboard, and the other threw down the drumsticks, and clapped with all their might.

Miss DuVernay, who had been maintaining an angry and unruly expression on the stage, suddenly blushed and shyly handed the microphone to Melina who was on the stage next to her. Looking at her, she was almost tearing.

This is the choreography scene.

A stage was set up in Melina's lair for the convenience of various peers and for private rehearsals.

At this moment, Melina was like a director, holding a small notebook and discussing the movements with Duverney who came to help:
"The choreography of the puppet breaking free could be a little more powerful."

"Does it mean it's not just the arm movement?" Du Weini thought for a moment, returned to her original position, opened her hands again like before, and then made the movement of grabbing the microphone again, this time adding a forward leap.

"Yes! This will give it more power!"

That’s the good thing about working with geniuses, you can just say something and they’ll make improvements on their own.

Melina excitedly walked up to Duverni, helped her straighten her collar, and patted her face frivolously: "This is charming."

DuVernis's face quickly turned red.

His body was shattered by cannon fire.

But this shell is honey.

Sweet and sticky, sticking myself and all my fragments together.

I can't live without this honey. Without it, I will fall apart, I will become my cowardly self again, and I will lose all my courage.

But don't stare at me too long.

Because of this, I will also lose my courage.

Duverney pretended not to care and touched Melina's hair. Although the silver and gray color was a little dazzling, it had been too long since the sun appeared in her world, so a little dazzling was acceptable. She would think about it again when she became more greedy and hysterical.

She said affectionately:
"Undersea Black Sheep? A great combination of styles, and the beginning rhythm is also great, I..."

"I borrowed from you." Merlin smiled and closed the book, blinking his left eye at her, "Music really does need to start with a strong rhythm." "Right!"

DuVernay suddenly perked up and enthusiastically shared the arrangement and choreography of her own music.

"I find that traditional dance can no longer meet our needs for choreography. The current choreography will definitely become more and more idol-like..."

On the contrary, it belongs to Tiangang.

In Melina's original world, idol style is increasingly following girl groups, rock and pop music, because the upper limit of that kind of sweet dance is too low.

Generally speaking, sweet dance and traditional enka are things that have an upper limit.

Melina analyzes the musical styles of several recent strong bands.

I found that they all have a faint pop music style.

They all use catchy melodies to stimulate people's emotions at first, and then start the performance after the emotions are introduced.

Banshee's previous singing style was quite stage-like.

There is a so-called "process".

Read more latest popular novels at 6.9*shuba!

For example, how to sing the opening, how to sing in the middle, what to praise in the harmony part, there is almost a very fixed process. It is not that the singing method is single, the style is single, but the format of this music style is very single.

It's like writing an essay within a specified scope.

This style has seen its dark night.

Strong beats and popular styles began to blow from the small Weeping Peninsula.

...

Biographer Alyssa recorded the entire process in full.

Behind her, six imposing clockwork cats stacked one on top of the other were watching over her.

Biographers have a lot of rights to know, but they must also fulfill the obligation not to disclose information.

For most banshees, biographers are very troublesome people.

The biographers in this world are very conscientious and persistent, much like the historians who would refuse to compromise even if they were beheaded.

The way they write has a format similar to music.

It can only be considered a biography if the original scene, one's own guesses, one's own feelings, a brief account of the character, and interviews obtained from people around the target person are all recorded.

The biographies in this world won’t help people recall the good and bad times, or speculate on what this person did in his childhood or what he did when he was growing up. At most, they will mention that “Melina spent her childhood with a clockwork cat, which greatly cultivated her patience and ability to take care of people…”

Because of authority, because of responsibility.

The witches who asked them to write biographies would also send people they trusted to keep an eye on them to prevent them from making up stories or having unclear memories.

“Meow!” The clockwork cat stared at Alyssa.

Alyssa didn’t care.

She is describing her own perspective:

"It's really ironic that Melina parted ways with DuVernay, the lead singer she discovered, because of musical differences and the contradiction of reality. According to Cat Lamp and Clockwork Cat, they had a big fight that day. Melina didn't even eat much for dinner."

"But after leaving each other, they stuck together because of their musicality, rehearsing on the stage every day, discussing music, and praising music."

“Maybe this is a secret to getting along.”

"If you get too close to the sun, you'll get burned. If you get too close, you'll get just the right amount of warmth."

(End of this chapter)