How China Entertainment was developed

Chapter 44 Another Bunch of Old Artists
Even if the Modu Film Group couldn't intervene this time, the Modu Film Group helped in vain in the early preparations for the sequel of "Beijing Wuguan".

But as long as he got online with Zhang Nan, Zhu Guang felt that the Modu Film Group would not lose money.

After the discussion just now, Zhang Nan's level of conduct in the world in terms of dealing with people, conversation skills, and generosity, etc., made Zhu Guang, chairman of Modu Film Group, very optimistic about Zhang Nan's future. Nan's future is limitless.

"It would be too foreign to say thank you. Mr. Zhang's parents have been in Shanghai all year round, so Mr. Zhang can be regarded as half a person in Shanghai.

Mr. Zhang wandered in a foreign country by himself, and made a great career in the film industry, promoting our Chinese culture. It's not easy, even if I think about it for a while, I find it difficult.If the Modu Film Group has the opportunity to help Mr. Zhang, a fellow countryman, he will definitely not do anything. "

Zhang Nan was taken aback for a moment by Zhu Guang's close rhetorical logic.

From my parents working in Shanghai, I described myself as a half-townsman in Shanghai, and then talked about making movies to promote Huaguo culture, and finally I became a fellow-townsman after talking about half-townsman.

This level of language art, no wonder he can be the chairman of the Modu Film Group, Zhang Nan is really ashamed of himself.

However, the current environment is Zhang Nan's home after all, and it is difficult to discuss specific cooperation and assistance. We can only agree that Zhang Nan will go to the headquarters building of the Shanghai Film Group in two days, and then talk about it in detail.
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The next day.

The reception room of the Modu Film Group headquarters building.

Chairman Zhu Guang chatted with Zhang Nan for a while when Zhang Nan first arrived.

However, Zhu Guang did not participate in the specific preliminary preparations for the sequel of "Jingcheng Wuguan".

Instead, he led Zhang Nan to a conference room and chatted with the old employees of Modu Film Group.

It's not that Zhu Guang doesn't understand.

Zhu Guang, as the top photographer of Modu Studio, has participated in classic works such as "Wreath under the Mountain", "Wrangler"... etc. He is still very good at the crew.

It's just that the Modu Film Group has just successfully restructured. There are too many jobs and too busy to participate.

After Zhu Guang left, Zhang Nan looked at the people sitting in the conference room, a group of employees from the former Modu Studio or other merged film and television companies.

No, saying that these people are employees is somewhat disrespectful.

This group of people can basically be called artists in the film and television industry.

Old directors, old screenwriters, old cameramen, old action directors, old stylists, etc., all the talents that the crew can use, are all available in this meeting room, and each of them has a high level of attainment.

Let's say that.

Even when Zhang Nan was cooperating with Beijing Studio before, Han Sanpin helped him set up a film crew. Compared with the people in this conference room, although the grades are similar, the number is still inferior.

There is no other way. As a giant that has integrated many film and television companies in the area of ​​Shanghai, the Shanghai Film Group has a talent background that cannot be matched by a single studio in Beijing.

I'm afraid it will have to wait until the early days after the establishment of Huaying Group before it can overwhelm the Modu Film Group in terms of talent.

In the face of a group of professionals who can be called old artists, although Zhang Nan doesn't even have a script in his hand and only has a rough plot in his mind, Zhang Nan, who has had similar cooperation experience with Beijing Studio, has no Don't panic.

Zhang Nan is very clear about the abilities of the old artists in front of him in terms of film production, especially in more traditional film genres.

Basically, he spoke the script.

The director among these old artists can give him the sub-shots to be conceived in his mind, the screenwriter can make the plot full and reasonable, the stylist has all kinds of costume designs in his mind, and the photographer knows how to arrange the camera positions and filmed.

With this group of people, let alone the preliminary preparations.

Even if the shooting starts right now, Zhang Nan doesn't hesitate.

Then Zhang Nan came to this conference room every day like commuting to and from get off work, and started the preliminary preparations for the sequel of [Jingcheng Wuguan] with a group of people who can be called old artists.

But the more he prepared, the more Zhang Nanyue felt something was wrong?

Is this stepping on the horse a preliminary preparation?
This group of old screenwriters has enriched the loose and unformed plot in Zhang Nankou, which is almost a collection of novels—because every character who appears on the stage, these people have created a 10,000+ word biography .

This group of old directors, according to the plot, drew the sub-shots to a manuscript that is almost accurate to the second, and with more effort, the sub-shots can be broadcast as a sketch cartoon.

This group of old stylists not only designed the clothes of various characters according to the constraints of art, personality, and identity, but also began to design blueprints for the studios to be built in the future.

There are also action instructors who are cooperating with those old photographers to show Zhang Nan more intuitively the actions they designed in the form of real shots.

This... This is a bit outrageous.

Moreover, there was a lot of commotion. Han Sanpin, the director of the Beijing studio, also heard the commotion and called to inquire.

"Brother Zhang, I heard that the sequel of [Jingcheng Martial Art Museum] has already started filming in Shanghai. We had such a good time working together..."

On the phone, Han Sanpin didn't finish his sentence, but his meaning was almost revealed.

Zhang Nan still needs the Beijing Studio in the future, and quickly explained: "Rumors, absolute rumors, are just some preliminary preparations."

After clearing up the misunderstanding first, Zhang Nan said in a low voice: "The main reason for this trip is that I originally wanted to go back to China to see my family, and to take a look at where the sequel was filmed.

As for the sequel movie, Director Han, you are also an insider, so you must know that you always have to change the location to shoot, if you can't leave it in one place to tinker, then there is nothing new.

Who knew that the airport was blocked by a group of reporters, and they couldn't get away, so they said a few more words, and then the Modu Film Group came to visit when they saw the newspaper, you said, what else can I say? "

Zhang Nan's well-founded explanation made Han Sanpin on the phone can only sigh.

But sighs are sighs, what should be fought for is still to be fought for.

Otherwise, the first [Jingcheng Wuguan] has the cooperation of Jingcheng Studio, and if the sequel [Jingcheng Martial Arts] does not have people from Jingcheng Studio, maybe people outside will think that their Jingcheng Studio and Zhang Nan have broken up. , this is something Han Sanpin cannot tolerate.

"Is there still a shortage of manpower? If not, I'll help you find a few from the factory. They are all from the last cooperation. You know the ability and level." Han Sanpin suggested.

Zhang Nan looked at the detailed preparation content in his hand, which did not seem to be the pre-preparation content, and then looked up at the group of old artists in the conference room who were still working hard.

(End of this chapter)