Tripod wedding
Chapter 842 Guqin Evaluation (3)
Chapter 842 Guqin Evaluation ([-])
"As we all know, the Gu family of the Northern School has a large collection of pianos, and they also have unique methods of appraising pianos. But these methods are based on summarizing the achievements of the predecessors, and they are not shocking methods. But the topic of today's competition is No matter how you look at it, the competition to appraise Guqin is in favor of me, Gu Yunzhi. If I still lose to Master Xu today, then I, Gu Yunzhi, are really far from Master Xu. She will be the legitimate master from now on. people."
Xu Qingru didn't expect that Gu Yunzhi would add such a seemingly insignificant remark, but the others didn't expect that Gu Yunzhi would be able to frankly say that today's test questions were biased towards him.
Gu Yunzhi just paused for a moment, glanced at Xu Qingru, and continued: "This piano is in the style of sunset, with a black body and a hidden green light. The body of the piano is made of phoenix trees, the bottom of catalpa wood, and the body of the piano is thick. , the back is slightly convex, and the paint gray is thicker. There are ice cracks and small water fractures on the back of the piano, and the fractures on the surface of the piano are also faintly visible. The first emblem and the seven emblems have broken patterns that resemble plum blossoms. Untitled payment."
"The identification of the year of a guqin is nothing more than looking at the inscription, the style, the broken grain, the paint gray, and the phonology. Rumor has it that Sima Xiangru's 'Green Qi' has an inscription inside: Tongzi Hejing."
"Leaving aside whether the rumors are true or not, this qin is indeed made of phoenix trees and catalpa wood as the base, which can be said to be consistent. But there is no inscription in the qin, and there is no drawing, so it cannot be judged from the inscription. Judging its age."
"Then let's look at the style of the qin. The "Wuzhizhai Qinpu" in the Qing Dynasty has listed 51 kinds of qin styles. In the Tang and Song Dynasties, the styles of the qin were not perfect, but there were more than 20 kinds. It is mentioned in "Shi" that since ancient times, there have been more than 18 qin masters and [-] styles, but the most common ones are Fuxi, Dashun, Master, Lingji, Linghe and five kinds."
Speaking of this, Gu Yunzhi paused and looked at Xu Qingru: "Master Xu thinks there is a problem with the style of this piano?"
Xu Qingru said: "Some qin styles appeared earlier, and some appeared later. For example, the Thunderbolt style did not appear until the middle of the Tang Dynasty, the Yunhe style appeared in the Song Dynasty, and the Jiaoye style appeared in the Yuan or Ming dynasties. Even The Zhongni style, which appeared very early, only became popular in the late Tang Dynasty."
"This Qin is of the Luoxia style. The earliest extant Luoxia Qin is the Caifeng Mingqi lyre in the collection of Zhejiang University. But the earliest record of the Luoxia style is in the Eastern Han Dynasty."
"In the "Dong Ming Ji" written by Guo Xian in the Han Dynasty, Emperor Wu of the Han Dynasty saw Zhuang Nu coming from the east and playing the qin of Luoxia. , it was the period of Emperor Wu of the Han Dynasty. Therefore, it cannot be judged from the style that this Qin is a fake."
The veterans sitting below probably didn't expect that Gu Yunzhi would suddenly ask Xu Qingru a question in the process of explaining his appraisal, and they didn't even expect that Xu Qingru could take Gu Yunzhi's question and speak down very smoothly .
It seems that these two people are going to get serious today. Compared with yesterday, Gu Yunzhi is really high-spirited today.
Gu Yunzhi smiled: "You are right, we cannot judge the authenticity of this piano from its style."
As he said this, his eyes remained on Xu Qingru, and he continued to ask: "Then how about judging from the tone?"
(End of this chapter)
"As we all know, the Gu family of the Northern School has a large collection of pianos, and they also have unique methods of appraising pianos. But these methods are based on summarizing the achievements of the predecessors, and they are not shocking methods. But the topic of today's competition is No matter how you look at it, the competition to appraise Guqin is in favor of me, Gu Yunzhi. If I still lose to Master Xu today, then I, Gu Yunzhi, are really far from Master Xu. She will be the legitimate master from now on. people."
Xu Qingru didn't expect that Gu Yunzhi would add such a seemingly insignificant remark, but the others didn't expect that Gu Yunzhi would be able to frankly say that today's test questions were biased towards him.
Gu Yunzhi just paused for a moment, glanced at Xu Qingru, and continued: "This piano is in the style of sunset, with a black body and a hidden green light. The body of the piano is made of phoenix trees, the bottom of catalpa wood, and the body of the piano is thick. , the back is slightly convex, and the paint gray is thicker. There are ice cracks and small water fractures on the back of the piano, and the fractures on the surface of the piano are also faintly visible. The first emblem and the seven emblems have broken patterns that resemble plum blossoms. Untitled payment."
"The identification of the year of a guqin is nothing more than looking at the inscription, the style, the broken grain, the paint gray, and the phonology. Rumor has it that Sima Xiangru's 'Green Qi' has an inscription inside: Tongzi Hejing."
"Leaving aside whether the rumors are true or not, this qin is indeed made of phoenix trees and catalpa wood as the base, which can be said to be consistent. But there is no inscription in the qin, and there is no drawing, so it cannot be judged from the inscription. Judging its age."
"Then let's look at the style of the qin. The "Wuzhizhai Qinpu" in the Qing Dynasty has listed 51 kinds of qin styles. In the Tang and Song Dynasties, the styles of the qin were not perfect, but there were more than 20 kinds. It is mentioned in "Shi" that since ancient times, there have been more than 18 qin masters and [-] styles, but the most common ones are Fuxi, Dashun, Master, Lingji, Linghe and five kinds."
Speaking of this, Gu Yunzhi paused and looked at Xu Qingru: "Master Xu thinks there is a problem with the style of this piano?"
Xu Qingru said: "Some qin styles appeared earlier, and some appeared later. For example, the Thunderbolt style did not appear until the middle of the Tang Dynasty, the Yunhe style appeared in the Song Dynasty, and the Jiaoye style appeared in the Yuan or Ming dynasties. Even The Zhongni style, which appeared very early, only became popular in the late Tang Dynasty."
"This Qin is of the Luoxia style. The earliest extant Luoxia Qin is the Caifeng Mingqi lyre in the collection of Zhejiang University. But the earliest record of the Luoxia style is in the Eastern Han Dynasty."
"In the "Dong Ming Ji" written by Guo Xian in the Han Dynasty, Emperor Wu of the Han Dynasty saw Zhuang Nu coming from the east and playing the qin of Luoxia. , it was the period of Emperor Wu of the Han Dynasty. Therefore, it cannot be judged from the style that this Qin is a fake."
The veterans sitting below probably didn't expect that Gu Yunzhi would suddenly ask Xu Qingru a question in the process of explaining his appraisal, and they didn't even expect that Xu Qingru could take Gu Yunzhi's question and speak down very smoothly .
It seems that these two people are going to get serious today. Compared with yesterday, Gu Yunzhi is really high-spirited today.
Gu Yunzhi smiled: "You are right, we cannot judge the authenticity of this piano from its style."
As he said this, his eyes remained on Xu Qingru, and he continued to ask: "Then how about judging from the tone?"
(End of this chapter)
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