Yuanshen: The sea of ​​sand at the beginning, straight to the seat of God

Follow up
After thinking about it again and again, I decided to go with the old-fashioned world crisis + saving the world scene.

Although the plot covers five countries, the real secrets about Teyvat have not yet been revealed in the game. Of course, if we continue to wait, there will still be a large wave of information when Riddlers like Dyne appear.

The plot has always been like this, the first half is the story, and the second half is about the truth behind the story.

As for truth, as soon as Dyne, the Riddler, appeared on the stage, everything was true.

If I wait a little, I might be able to write a more suitable ending if I have a more suitable script, but if I really think about it, I have to wait for at least half a month. In this half month, apart from chatting, I will just write some love stories.

I'm a sucker for romance plots, and my preference is simple exchanges of interests. This is reflected in the writing that the protagonist is willing to believe in the story of true love, but does not believe that such a story will happen to him.

So as you can see, the love lines around Rama are often based on his own outstanding value, and the person involved has to choose him as a husband to deal with certain problems that happen to things he cares about - such as Kan. Tisi and her village, such as the lady and the family reasons behind her.

Including Ke Lai, who I mentioned later, my favorite characters are actually Ke Lai and Dina Zedai, but you may not be able to tell because my love line is very, very bad.

Kelai's heart is a mixture of gratitude and love after being saved. This is not pure true love, but it is already the most reasonable love line in my opinion. It is difficult for me to imagine a true love like Romeo and Juliet who would give up their family and the power and wealth it brings simply for love. However, when I wrote about this kind of love in the plot, I also deliberately avoided Romeo thinking that the other party was stupid. Rhetoric, because such a story can indeed happen in reality, and everyone respects true love.

I like it very much, although I still feel a bit stupid and unwilling to accept why someone would choose to give up money and power to pursue true love - but this is my own problem, because there is no glorious love, so I am The prejudice of love is the personal opinion of the dark rat.

If I continue writing, there will really be no more story lines to write except the love line. Of course I can continue writing this kind of love line, it is much easier to write than a real love story. For example, the simplest one is that I have created a very bad environment for Eula, and she can never solve this problem by herself, so she needs external help. The continuation is very simple, a deal, Rama lends a hand, and Eula pays the small chip of herself, which is herself.

A love line like this is written haphazardly, but it makes no sense and doesn't help the story.

Candice has the use of Candice. She appeased the desert people. She used Candice as a springboard to contact Dina Zedai, conveyed the news that the gods chose Rama, and disintegrated the Six Sages' influence among the people from the inside. Support rate, the story of our lady is based on my understanding of the power of the extraordinary world - I don't think that the skirmisher and the brother-in-law are the same status, so even if the skirmisher makes mistakes everywhere, it is actually the skirmisher who makes the first move, but in the end If the brother-in-law wants to replace the skirmishers, he still needs to sacrifice himself.

And the reason why he is willing to pay for himself is the value of our lady's appearance.

At this point in the story, I have no better arrangements other than the ending.

The above is the end of the story.

Thank you all for watching the ending and spending money on such a mediocre story all the way to the end. It's not that Rama is bad. What's bad is that I unconsciously insert a lot of introductions when I write things - why do I do this? Because long paragraphs of straightforward narratives can be written easily, and can easily meet the daily requirements of 4K without thinking. When I realized this problem, I found that I was used to it. Even if I tried to control it intentionally and was a little distracted when writing, I would still find myself on the same old path - the update was at night, because the writing of this book was 8 It started at 11:59 and ended at 1:. I spent four hours writing k each hour, and the rest of the time was wasted.

Stories, encountering problems, solving problems, new troubles... I hope that the chapters of the new book will be written according to this logic, reducing the large paragraphs of introduction, so that I can look like I have made some progress.

Above, good night, and I wish you all a healthy and successful life!
See you soon everyone!
(End of this chapter)