The Wind of China Entertainment 2005

Chapter 219 Lifestyle

It takes about an hour and a half from the Bund to the airport.

Lu Yuan drove a Jinhuan van borrowed from the crew. It had a lot of space, but its appearance was shabby and had various scratches.

When they arrived, they saw Liu Shishi on the side of the road with her head down and tinkering with her mobile phone. Yang Mi squinted and put his head on her shoulder. The two looked quite intimate.

After getting closer, he rolled down the window, pressed the horn gently, put his head out and joked: "Where are you two beauties going? Can you take a taxi?"

Liu Shishi raised his head, jumped off the suitcase with a "Ah" sound, and ran towards him happily.

Yang Mi's head slipped from her shoulder, but she barely managed to fall. She looked over with wide eyes and quickly stood up to say hello: "Hello, senior brother."

Lu Yuan helped the two of them carry their suitcases into the car, took off his sunglasses, and said with a smile, "Why do you look a little nervous?"

Yang Mi blinked, aren't you nervous? Just now, the two of them were bored and had a lot of large-scale private conversations. Now that the real owner is here, it's a bit embarrassing.

She tilted her head and glanced at Lu's abdomen in confusion. Did she really have eight-pack abs?

Miss Liu didn't care about this, she climbed onto the passenger seat and shouted: "Mi Mi, get in the car quickly."

"Come on, come on."

The car slowly drove out of Pudong Airport, and the section along Dongqihang Road that turned into Yingbin Expressway was particularly congested.

Liu Shishi fanned his nose with his little hands, moved the tip of his nose forward hard, and asked doubtfully: "Why do I smell the smell of roasted chestnuts with sugar?"

Lu Yuan pointed casually: "Well, didn't you say on the phone a few days ago that you wanted to eat chestnuts? You bought some before you came here. You two can share them."

The corners of Liu Shishi's mouth curved up into a charming arc, and she smiled very sweetly. She gave half of it to Yang Mi, and she picked out one and spread it easily with one finger.

A small part of the yellow pulp was bitten off, and the rest was stuffed to Lu's lips.

"If you don't eat it, it will be all your saliva."

"Ah, Lu Yuan, you dislike me."

Yang Mi looked at the rough and tumble man and woman, then looked at the half-broken chestnut in his hand, and felt that it wasn't that fragrant anymore.

Send the two girls to a hotel booked in advance on the Bund.

After making an appointment to have a meal together when Hu Chan arrived in the evening, Lu Yuan hurried back to the set to continue filming.

This is the seventh day of filming, and he has been reading the script for a week. Everyone is familiar with it, and he has almost figured out everyone's professional capabilities.

The investment in Woju is not that big, just over 2000 million, and the actors hired are not big names, but their abilities should not be underestimated.

Hao Ping, Hai Qing's acting skills are online, and Zhang Jiayi, who plays Song Siming, impressed him even more.

The reputation of being a Nortel graduate is really useful. In the circle, you are either a senior sister or a senior brother, and you can all have some connections anyway.

Yes, Zhang Jiayi also graduated from Nortel, but he was unlucky. He played supporting roles for more than ten years and was one of those who didn't become popular.

He is close to forty years old, his appearance is not outstanding, and he has the face of a civil servant.

There's nothing to say about his acting skills, he's smooth, his performance is delicate, and his skills are extremely solid.

He played the image of Song Siming, a resourceful middle-aged corrupt official, to the extreme, with raised eyebrows, showing his sophistication and ruthlessness.

The way he walks is interesting.

Slightly hunched back, rocking three times in one step, and throwing his hands back forcefully, he was very free and elegant.

Actors are afraid of not being distinctive, and distinctiveness is the prerequisite for success.

He estimated that if Zhang Jiayi became popular, the way he disowned his relatives would be a sign of his popularity in the circle.

After talking with him, he found out that he walked like this because in his early martial arts scenes, he didn't even need a body double. If he had to be strong, he would just fall onto the concrete floor and injure his spine.

After comparing, Lu Yuan sometimes couldn't help but wonder if his luck was too good.

Compared with most male actors, their careers gradually begin to reach their peak after they reach their thirties.He became famous too quickly and too early. He has achieved his current achievements and status only three years after joining the industry.

For peers, or even non-peers, it is inevitable to be envious or even jealous.

He even felt that many colleagues were secretly watching him make mistakes, and then took the opportunity to make trouble for him.

The most indispensable thing in this world is not hard-working people, but pink eye patients.

As for how much effort he has put into this, when jealousy reaches a certain level, no one will care and will only be selectively ignored.

The idle mistress looks forward to being a gangster, the single old man chases the aunt, the middle-aged man is afraid of going to bed, and the actor looks forward to death.

Not without reason.

"Card!"

Teng Huatao sat behind the monitor and shouted out his chaotic thoughts.

What was filmed on the set was the daily quarrel between Su Chun and his wife.

It is said that Haiping bought a second-hand bicycle in order to look at a house, but the bicycle was stolen not long after.

She felt that she was extremely unlucky and wanted to seek comfort when she returned home. However, when she saw her husband smoking, she was so angry that she cursed.

Haiping bought a bicycle to save transportation expenses, but in Su Chun's eyes, it was unnecessary.

He sighed helplessly and said: "I advised you not to buy it but you didn't listen. You are really spending money to get yourself into trouble. Your biggest problem is that you can't listen to other people's advice."

After he finished speaking, he couldn't help but rejoice: "It's just a loss. It's all a small setback. Fortunately, our family didn't encounter any real big troubles."

After expressing his opinion, he took out a cigarette.

Just as he was about to click, Haiping immediately rushed down and snatched the cigarette from his mouth, threw it on the ground and stomped on it, muttering: "I told you to smoke when you get home. If you don't smoke for a day, you won't feel good."

Then he sat by the bed and started complaining again, saying that he ate dust on the street every day just to save some money, but you smoked every day and wasted money.

After taking the photo here, Teng Huatao couldn't help shouting.

In this scene, Hai Qing improvised the lines and lengthened the two extremely short sentences in the script.

Originally it was just "Puff, puff, let you smoke." It was replaced by "I tell you to smoke when you get home. If you don't smoke for a day, you will feel uncomfortable."

The advantage is that it is more life-like, but the disadvantage is that it is too personal and seems to be fragmented, and there is some overlap with her previous role.

In modern-themed dramas such as Dwelling House, several characters are relatively close to real life.

In fact, the more such a subject matter, the more difficult it is to act.

The advantage of naturalistic performances is that they are close to the audience, but the audience can easily draw analogies.

They will compare whether you take off your shoes first when you enter the house, or whether you close the door first, and whether you fold the clothes you take off casually.
Therefore, once the actors act falsely, they will feel awkward and have opinions, and of course they will also resonate with each other. It is a double-edged sword.

Therefore, modern dramas test the life experience of actors very much.

But the paradox is that it is too plain and natural, equates the performance with one's own life, and loses the unique charm of the performance.

Xi Haiqing's change of words was completely subconscious and in line with her own behavioral habits.

When presented on the screen, it will make people feel too arrogant and the audience will feel bored.

Life-oriented performance is by no means an attempt to replace artistic creation with one's own life itself, and the true reflection of nature is not the actor himself.

It should take life as the prototype, select and refine it, and then express it artistically in a life-oriented form.

"Hai Qing, come here and talk." Teng Huatao thought for a long time and shouted.

(End of this chapter)