China Entertainment has been a director since 08

Chapter 359
"Thirty Only" was released.

I have been working on small-scale movies before, brewing word-of-mouth.

After all, it is a small and medium-sized production, and it is a literary film, so word of mouth is very important.

Premiere, not too strong.

Yang Mi attended the premiere, from the appearance, no one could tell that Yang Xiaohu was pregnant.

This is the case with celebrities, even if they are three months pregnant, no one will be able to tell if they wear a little matching.

Li Hao and Jing Tian sat quietly in the middle of the back, this is the best place to watch movies.

Then watched the movie with great interest.

Movies are art!

Because of this, it is often easier for literary films to win awards.

This is a commonality that exists in the entire world, and it is nothing more than a question of how much emphasis is placed on it.

Chinese films used to learn from European films, and awards like to be awarded to literary films, especially unpopular and niche literary films.

As a result, Feng Dapao lost his temper at the beginning, and the two had been arguing for several years.

In recent years, this situation has been well reversed.

Began to take care of the box office.

Although it will still focus on literary films, it will not be so discriminatory against commercial films.

In commercial films, if the characters perform well, they can also win awards.

From this point of view, it is acceptable.

In the past, the sixth generation of directors was still being created.

Up to now, the sixth-generation directors are basically no longer mentioned, and no one wants to operate anymore.

The fifth generation of directors, that is, the young directors who graduated from Nortel in the 80s, their films are characterized by strong subjectivity, symbolism, and allegory. Representative figures include Zhang Yimou, Chen Kaige and others. He went to the countryside, served as a soldier, and endured hardships.In the Kaikai era, they received professional training and entered the film industry with a passion for innovation. They were particularly keen on new ideas and new artistic techniques, and tried to find new angles in each film.

They have a strong desire to explore the history of national culture and the structure of national psychology through films, so they strive to be unconventional in terms of material selection, narration, character creation, lens language, and picture processing.In the 90s, directors of the fifth generation won the highest awards in the three major European international film festivals, namely the Golden Lion, Golden Bear, and Palme d'Or, and were nominated for Oscars for best foreign language film four times.

Feng Xiaogang was discriminated against and squeezed out at the beginning because Feng Dapao graduated from Chinese opera instead of Nortel, and he did not have any achievements in international film festival awards in the 90s.

Later on, as a box office hit director, he has won major domestic awards for several years in a row before he was gradually recognized as the fifth-generation director.

But up to now, many people still think that he is not the fifth generation director because he is not worthy!

What happened last year has not completely dissipated yet.

Although he paid the fine, Feng Dapao said something he shouldn't have said, and he ran out later, it is estimated that it would be impossible to direct a movie in China.

What to send children to study abroad, this kind of argument is just listening.

The Weibo with 2000 million fans was emptied directly.

It's a lot of fun to hit a cannon, and the price behind will naturally have to be paid as well!

The sixth-generation directors have been speculating before. This group of directors refers to a group of young directors who have directed movies since the 90s, including Jia Zhangke, Zhang Yuan, Wang Xiaoshuai, Wang Chao, Lu Xuechang, Zhang Ming, and Guan Hu. , He Jianjun, Lou Huohua, Wang Quanan, Lu Bin!
It's a pity that this group of directors won various awards overseas, but domestic audiences simply don't buy it. Coupled with the rise of cutting-edge directors such as Li Hao, this group of directors is not well-known among ordinary people in China. Bankruptcy Jumping from a Building has no movies to shoot now.

Zhang Mo can also be regarded as one of the directors being trained by Haotian Media.

With the precepts and deeds of his father and Lao Mouzi, Zhang Mo's level is still acceptable.

But like other directors, the producer has to keep an eye on it, and if he doesn't, he might want to bring private goods into the movie.

The movie "Thirty Only" tells the story of urban women encountering multiple pressures at the important age of 30.

"I'm in my 30s, I haven't made any money, I'm doing nothing at work, and my life is a mess." After experiencing the previous depression, the heroine broke out.

Li Hao watched Yang Mi's performance here, and nodded secretly.

Acting is still there!

If it wasn't for earning a high salary before, I'm afraid he would have won several movie awards now.

Of course, this is not referring to the Golden Broom Award.

"Wow, Mi Mi's acting skills have exploded." Jing Tian lowered his voice and couldn't help but exclaim in a low voice.

Li Hao nodded slightly.

So far, the performances of the male and female protagonists are quite good.

The trivialities of urban families and various family conflicts have accumulated in the early stage and tend to be depressive, but now they have exploded.

As long as you don't pull your hips behind, giving the hero and heroine a few awards can make people speechless.

Li Hao continued to watch.

Although "Thirty Only" is an urban emotional drama, the scene is not big, and there are few characters involved, but the character carving is quite profound.

From this movie, Li Hao saw traces of Lao Mouzi.

Li Hao really couldn't understand Lao Mouzi very well.

In terms of sculpting female characters, Lao Mouzi is definitely a master.

Gong Li in "Red Sorghum", "Raise the Red Lantern", "A Lawsuit by Qiu Ju", Wei Minzhi in "Not One Less", Zhang Ziyi in "My Father and Mother", etc. Zhou Dongyu in "The Love of the Hawthorn Tree".

At this moment, in the movie "Thirty Only", Li Hao can see such deep traces.

It seems that Lao Mouzi has given Zhang Mo a lot of advice in private!
90 minutes passed in a blink of an eye.

Movie playback ends.

"It's a wonderful movie, it should win an award." Jing Tian lowered his voice.

"Very likely." Li Hao nodded slightly, "This movie is still of a very high standard."

The actors' performances are online, the plot is smooth, and the characterization is also very successful.

Coupled with awards, it is inevitable that public relations will be indispensable.

The PR team of Haotian Media is not vegetarian.

Not to mention the China Entertainment Film Awards, even the overseas film awards, we are sure.

Jing Tian couldn't help but look enviously at Da Mi Mi on the stage. Li Hao said so, which means that the possibility of the award is very high.

"Let's go, let's go back, so as not to steal the limelight from the main creative team." Li Hao lowered his voice, and left with Jing Tian.

The two of them came here today, not as guests, but as ordinary spectators.

Even Yang Mi and others didn't know that Li Hao and Jing Tian attended the premiere.

If the two are discovered, they will inevitably steal the limelight from the main creative team.

The two were wearing down jackets and sunglasses. If others didn't look carefully, they really wouldn't be able to recognize them.

Come quietly, go quietly, without taking a cloud.

(End of this chapter)