Actor: My Entertainment Era
Chapter 201 Liu Yifei's Diary
Chapter 201 Liu Yifei's Diary ([-])
I am currently filming "The King of Kung Fu" in Hengdian.
From Dunhuang Desert to Wuyi Mountain to Jiuzhaigou and then to Hengdian, the crew traveled all over half of China within half a month.
Very hard, but also very fulfilling.
I used to be on the set, and I could quickly calm down and read a book after filming, but since I joined the set of "The King of Kung Fu", I can't calm down no matter what.
I will always think about one thing, why did Zhang Yuanjun help me?
Why did he tell me that Hua Yi was lying to me, and why did he introduce his relationship with the United States to me?
In the past few days, when I have free time, I will watch the reports of the Cannes Film Festival.
"Buried Alive" premiered in Cannes. Although the show book did not score high, the audience responded very well, even though Zhang Yuanjun told me that unless the sky fell, "Buried Alive" would not be able to win the award.
But I still hope he can get a consolation prize or something, and I don't know if there is a consolation prize at the Cannes Film Festival.
He can go to Cannes, and I also have Hollywood blockbusters like "The King of Kung Fu", which should be no worse than him.
The action scenes of "The King of Kung Fu" are more difficult than "The Condor", especially the pipa, when I was riding a horse with it on my back, it always hit me on the back of the head. fainted.
There is also Diao Weiya, after "The Condor of the Gods", I haven't performed Diao Weiya for two years, and now I suddenly come here, I am really uncomfortable.
But our Wu Zhi said that my wia clothing is very good, it can protect the waist and spine very well, it is not strangled, and it is also breathable.
This Wia clothes was given to me by Zhang Yuanjun in 04, which is wrong, it was not a gift, I exchanged it with him for a chair.
The price of my chair is not low!
A few days ago, I asked for leave to play "Blind City" in the theater. I had been queuing for this scene for half a month, and I felt very good.
But when it premiered at Peking University, I was more nervous than any film I ever made.
The first public performance of a drama, 160 minutes, all in one go, no NG, no restart.
For the first time, I personally felt why everyone's talking drama is the art of acting.
Although I am a supporting role, the feeling of being the only one on stage is so fascinating.
I used to arrange a small theater at school, but I didn't perform in public, and because the performances were all unimportant tricks, and sometimes there were no words, so I didn't feel strongly at that time.
And in the Memorial Hall of Peking University, all the audience looked at me. The excitement and tension were the pleasure that I couldn't feel in front of the director's camera on the set.
We performed in Peking University Memorial Hall for four consecutive days, and the performance was very successful. Listening to the warm applause from the audience, I felt that as a supporting actor, I was also extremely successful.
On the 6th of next month, we will have the second round of performances at the People's Liberation Army Opera House, and we are very much looking forward to that day.
Hearing that the crew of "Love Has an Afterlife" had stopped and returned to the capital, Zhang Yuanjun said that it was because the rainy season in Yunnan Province was early and the crew really had no way to start work.
Although Zhang Yuanjun was very sorry about this incident, he was a little lucky when he told me that he still wanted to ask Teacher Yu for leave to go back to the theater to play "Camel Xiangzi".
He also said that he would come to see my performance in June and asked me to perform well so as not to disgrace the National Theater.
snort!
Why do you speak Chinese as an actor? I'm not trying to embarrass you. I have time to scold me. Why don't you think about how to perform "Camel Xiangzi".
As soon as I entered the theater, I was the number two female lead. Why are you playing Xiao Shunzi so embarrassingly?
I wrote a diary to record my own work and life, but why did I write about Zhang Yuanjun again!
This guy is so annoying, he likes to run on me and make fun of me when he was in school.
After graduation, he still laughed at me and teased me, and introduced his American agent to me. This time, I owe him such a big favor, and I think I can't even pay it back.
How about introducing him to a girlfriend?
He is 22 years old, and he didn't fall in love in college, and he didn't hear where he would go to play around. According to Xiaoshu, he would suffocate to death.
He will definitely be happy to introduce a girlfriend to him, and I can repay the favor.
But what kind of introduction to him?
It’s definitely not good if it’s too ugly, he doesn’t like it, and I can’t open my mouth to introduce it.
But beautiful, he doesn't even like a beautiful girl like Zhou Yang, how can there be a more beautiful girl to introduce to him.
How about introducing Xiao Shu to him?
No, Xiao Shu is pretty, but she can't do anything, let alone take care of others.
Oh, how can I repay the favor of the "King of Kung Fu" audition.
blame him!
Let me owe such a big favor, he can laugh at me wantonly in the future and I can't talk back.
Why did I write and write about Zhang Yuanjun again!
I'm so bored, stop writing!
Liu Yifei learned to be smart, instead of writing a diary with pen and paper, she typed on the keyboard on the computer.
But she doesn't know how to set a password for the document, so she can only take the most stupid method, and save it in a USB flash drive after writing, so that others can't see it.
…………
Far away in France, the Cannes Film Festival ushered in the closing ceremony.
Because there was no expectation, the crew of "Buried Alive" was extremely relaxed and participated in the red carpet of the closing ceremony of the film festival and the subsequent award ceremony with a very normal state of mind.
"Buried Alive" has already earned enough money from its trip to Cannes. Although it is not a hit, it was shortlisted for the main competition after all, showing its face in front of the film media all over the world.
"Buried Alive" has sold distribution and screening rights in almost all major regions of the world, and has also received invitations from several small and medium-sized film festivals, hoping that "Buried Alive" can be screened.
For these alone, "Buried Alive" is enough to recover the cost.
But unfortunately, the screening of "Buried Alive" in the United States encountered some resistance.
The film has only obtained a limited release license, and it is only allowed to be released in big cities such as New York, Los Angeles, and Chicago. As for whether the release will be expanded in the future, it depends on the performance of the film.
"Buried Alive" has been scheduled to land in North America on August 8 this year. It's a very good schedule for the summer vacation.
Representatives of China Film Group and Wang Zhonglei did not enter the movie palace after the closing ceremony, but chose to return to China early.
Zhang Yuanjun and the crew sat in the middle and back of the right row of the Lumiere Palace. They didn't pay enough attention to it, and the viewing angle was not good enough.
The awards were presented one by one, and Zhang Yuanjun did not hesitate to applaud each winner.
In particular, this year's Best Actress was awarded to South Korean actress Jeon Do-yeon, making Jeon Do-yeon the first three best actresses in Korean film history, and also the second Cannes actress in Asia - the first being Zhang Manyu.
Her performance in "Mi Yang" is particularly good, and the director of "Mi Yang" Lee Chang Dong is Jang Won Jun's favorite Korean director.
Jeon Do-yeon's performance always gave Zhang Yuanjun a feeling of watching Zhang Manyu.
But I also feel that Jeon Do-yeon is not so similar to Zhang Manyu.
The Palme d'Or for Best Picture went to "Three Weeks and Two Days in April" by Romanian director Mungi, who participated in Cannes for the first time.
From these two award-winning films, we can see the aesthetic preferences of the jury: female themes, the film has a calm temperament, no strong dramatic conflicts, but the fate of the characters is exciting.
Zhang Yuanjun also likes this kind of movie, so he applauds the winners sincerely.
(End of this chapter)
I am currently filming "The King of Kung Fu" in Hengdian.
From Dunhuang Desert to Wuyi Mountain to Jiuzhaigou and then to Hengdian, the crew traveled all over half of China within half a month.
Very hard, but also very fulfilling.
I used to be on the set, and I could quickly calm down and read a book after filming, but since I joined the set of "The King of Kung Fu", I can't calm down no matter what.
I will always think about one thing, why did Zhang Yuanjun help me?
Why did he tell me that Hua Yi was lying to me, and why did he introduce his relationship with the United States to me?
In the past few days, when I have free time, I will watch the reports of the Cannes Film Festival.
"Buried Alive" premiered in Cannes. Although the show book did not score high, the audience responded very well, even though Zhang Yuanjun told me that unless the sky fell, "Buried Alive" would not be able to win the award.
But I still hope he can get a consolation prize or something, and I don't know if there is a consolation prize at the Cannes Film Festival.
He can go to Cannes, and I also have Hollywood blockbusters like "The King of Kung Fu", which should be no worse than him.
The action scenes of "The King of Kung Fu" are more difficult than "The Condor", especially the pipa, when I was riding a horse with it on my back, it always hit me on the back of the head. fainted.
There is also Diao Weiya, after "The Condor of the Gods", I haven't performed Diao Weiya for two years, and now I suddenly come here, I am really uncomfortable.
But our Wu Zhi said that my wia clothing is very good, it can protect the waist and spine very well, it is not strangled, and it is also breathable.
This Wia clothes was given to me by Zhang Yuanjun in 04, which is wrong, it was not a gift, I exchanged it with him for a chair.
The price of my chair is not low!
A few days ago, I asked for leave to play "Blind City" in the theater. I had been queuing for this scene for half a month, and I felt very good.
But when it premiered at Peking University, I was more nervous than any film I ever made.
The first public performance of a drama, 160 minutes, all in one go, no NG, no restart.
For the first time, I personally felt why everyone's talking drama is the art of acting.
Although I am a supporting role, the feeling of being the only one on stage is so fascinating.
I used to arrange a small theater at school, but I didn't perform in public, and because the performances were all unimportant tricks, and sometimes there were no words, so I didn't feel strongly at that time.
And in the Memorial Hall of Peking University, all the audience looked at me. The excitement and tension were the pleasure that I couldn't feel in front of the director's camera on the set.
We performed in Peking University Memorial Hall for four consecutive days, and the performance was very successful. Listening to the warm applause from the audience, I felt that as a supporting actor, I was also extremely successful.
On the 6th of next month, we will have the second round of performances at the People's Liberation Army Opera House, and we are very much looking forward to that day.
Hearing that the crew of "Love Has an Afterlife" had stopped and returned to the capital, Zhang Yuanjun said that it was because the rainy season in Yunnan Province was early and the crew really had no way to start work.
Although Zhang Yuanjun was very sorry about this incident, he was a little lucky when he told me that he still wanted to ask Teacher Yu for leave to go back to the theater to play "Camel Xiangzi".
He also said that he would come to see my performance in June and asked me to perform well so as not to disgrace the National Theater.
snort!
Why do you speak Chinese as an actor? I'm not trying to embarrass you. I have time to scold me. Why don't you think about how to perform "Camel Xiangzi".
As soon as I entered the theater, I was the number two female lead. Why are you playing Xiao Shunzi so embarrassingly?
I wrote a diary to record my own work and life, but why did I write about Zhang Yuanjun again!
This guy is so annoying, he likes to run on me and make fun of me when he was in school.
After graduation, he still laughed at me and teased me, and introduced his American agent to me. This time, I owe him such a big favor, and I think I can't even pay it back.
How about introducing him to a girlfriend?
He is 22 years old, and he didn't fall in love in college, and he didn't hear where he would go to play around. According to Xiaoshu, he would suffocate to death.
He will definitely be happy to introduce a girlfriend to him, and I can repay the favor.
But what kind of introduction to him?
It’s definitely not good if it’s too ugly, he doesn’t like it, and I can’t open my mouth to introduce it.
But beautiful, he doesn't even like a beautiful girl like Zhou Yang, how can there be a more beautiful girl to introduce to him.
How about introducing Xiao Shu to him?
No, Xiao Shu is pretty, but she can't do anything, let alone take care of others.
Oh, how can I repay the favor of the "King of Kung Fu" audition.
blame him!
Let me owe such a big favor, he can laugh at me wantonly in the future and I can't talk back.
Why did I write and write about Zhang Yuanjun again!
I'm so bored, stop writing!
Liu Yifei learned to be smart, instead of writing a diary with pen and paper, she typed on the keyboard on the computer.
But she doesn't know how to set a password for the document, so she can only take the most stupid method, and save it in a USB flash drive after writing, so that others can't see it.
…………
Far away in France, the Cannes Film Festival ushered in the closing ceremony.
Because there was no expectation, the crew of "Buried Alive" was extremely relaxed and participated in the red carpet of the closing ceremony of the film festival and the subsequent award ceremony with a very normal state of mind.
"Buried Alive" has already earned enough money from its trip to Cannes. Although it is not a hit, it was shortlisted for the main competition after all, showing its face in front of the film media all over the world.
"Buried Alive" has sold distribution and screening rights in almost all major regions of the world, and has also received invitations from several small and medium-sized film festivals, hoping that "Buried Alive" can be screened.
For these alone, "Buried Alive" is enough to recover the cost.
But unfortunately, the screening of "Buried Alive" in the United States encountered some resistance.
The film has only obtained a limited release license, and it is only allowed to be released in big cities such as New York, Los Angeles, and Chicago. As for whether the release will be expanded in the future, it depends on the performance of the film.
"Buried Alive" has been scheduled to land in North America on August 8 this year. It's a very good schedule for the summer vacation.
Representatives of China Film Group and Wang Zhonglei did not enter the movie palace after the closing ceremony, but chose to return to China early.
Zhang Yuanjun and the crew sat in the middle and back of the right row of the Lumiere Palace. They didn't pay enough attention to it, and the viewing angle was not good enough.
The awards were presented one by one, and Zhang Yuanjun did not hesitate to applaud each winner.
In particular, this year's Best Actress was awarded to South Korean actress Jeon Do-yeon, making Jeon Do-yeon the first three best actresses in Korean film history, and also the second Cannes actress in Asia - the first being Zhang Manyu.
Her performance in "Mi Yang" is particularly good, and the director of "Mi Yang" Lee Chang Dong is Jang Won Jun's favorite Korean director.
Jeon Do-yeon's performance always gave Zhang Yuanjun a feeling of watching Zhang Manyu.
But I also feel that Jeon Do-yeon is not so similar to Zhang Manyu.
The Palme d'Or for Best Picture went to "Three Weeks and Two Days in April" by Romanian director Mungi, who participated in Cannes for the first time.
From these two award-winning films, we can see the aesthetic preferences of the jury: female themes, the film has a calm temperament, no strong dramatic conflicts, but the fate of the characters is exciting.
Zhang Yuanjun also likes this kind of movie, so he applauds the winners sincerely.
(End of this chapter)
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