Actor: My Entertainment Era
Chapter 25 The Strange Situation Witnessed by the Crew
Chapter 25 The Strange Situation Witnessed by the Crew
Zhang Yuanjun miscalculated his injury.
Three or five days?
The bruises on his body never went away.
Even in an explosion scene, due to a calculation error, an explosion point exploded under Zhang Yuanjun's feet, and Zhang Yuanjun's right leg was cut open.
The injury was not serious, the right leg was stretched to a half-finger-long cut, and the blood flowed down immediately.
The crew immediately became tense.
"Hurry to the hospital."
Zhang Yuanjun sat down and asked the medical staff of the film crew to do some simple treatment: "Who would go to a hospital for this injury. When I was a child, I fell much heavier than this when I was riding a bicycle. Both knees were rotten, but I still got up and rode like flying."
The doctor at the scene confirmed: "The cut is not deep."
Zhang Yuanjun said: "For disinfection, just rub some purple syrup on it."
"You are casual." The doctor didn't say he was wrong.
"It's not that precious." Zhang Yuanjun crossed his legs and said with a smile, "If you have the time to go to the hospital, the wound will heal by itself."
This made the director and the doctor laugh.
The doctor took care of him, but he still didn't forget to tell him: "It's a small injury, but you still have to be careful in the next few days, don't get wet."
"Well, I see." Zhang Yuanjun stood up and moved a little bit, but it was not a big problem, and his normal walking would not be affected.
Fortunately, Zhang Yuanjun didn't have any violent action scenes in the next few days, they were all literary scenes, and this injury really didn't affect the progress of the filming.
Zhang Yuanjun rejected the director's offer to give him a half-day off, and resumed work after only half an hour's rest.
But one day after filming, Zhang Yuanjun left the scene and went back to the room. When he cleaned the wound and reapplied the medicine, there was still blood coming out.
But the next day, he was just like a normal person, and he still went to the crew to make up and start work on time.
A production crew can have as few as dozens of people, and as many as several hundred people. It is not normal if there are no accidents.
Zhang Yuanjun worked day and night in the Wuxi production crew, not knowing his age.
During this period of time in the crew, what touched Zhang Yuanjun the most was the invisible barrier between mainland actors and Hong Kong and Taiwan crews.
Although most of the starring cast is mainlanders, the attitude of a few Hong Kong and Taiwan actors towards mainland creatives is still visible to the naked eye-it cannot be said to be unfriendly, but at least it will make people feel that you can't pee in the same pot with them.
They seldom communicate with mainland actors on the set, and at most they nod to you when the play is over, and then go back to their chairs to rest and wait for the next scene.
And they have a very bad habit. They are in a crew with a majority of mainlanders, and they usually still like to communicate in Cantonese. Even if the opponent is a mainland actor, they don't speak Mandarin.
Language has become the biggest obstacle for the creators to communicate. At first, Zhang Yuanjun thought that they could not speak Mandarin or could not speak Mandarin well, but later he found that this was not the case.
They simply don't want to speak Mandarin, they subconsciously use language to form a communication barrier and distinguish between me and me.
Cantonese speaks fast, with a few English words mixed in.Many people can't understand Cantonese. As a result, most mainland actors, including Zhang Yuanjun, have to memorize not only their own lines but also those of their opponents when they play against Hong Kong actors.
Otherwise, if one doesn't pay attention, the other party will slide over, unable to answer the words, and delay the shooting.
Similarly, some bad habits of the Hong Kong Island crew were also brought to Wuxi.
For example, the flying paper boy phenomenon.
The first time Zhang Yuanjun saw the director and screenwriter change the lyrics on the spot, he took a small note and gave it to the actors to read it on the spot.
It's not just a sentence or two, it's a large-scale change of words, not only changing my own, but also changing the opponent's actors.
At least four of Zhang Yuanjun's ten days' scripts were different from the ones he got before.
This shooting method puts a lot of pressure on Zhang Yuanjun, an actor from an orthodox academy, and he can only recite his lyrics at full capacity.
However, Fei Zhi really exercised the ability of actors, and Zhang Yuanjun also benefited a lot from it.
But Zhang Yuanjun still has a hard time accepting this way of shooting.
Another unacceptable thing for Zhang Yuanjun is the performance of the leading actor Guo Jinan.
Cheng Shifei is a comedy character, but Guo Jinan's performance is too Hong Kong-style nonsensical.
I have said it ten thousand times, even if Wang Jing himself came, Zhang Yuanjun would also say that, except for Zhou Xingxing, he hates the nonsensical performances of everyone else.
When someone else plays it this way, the character's actions and lines appear to be illogical and obnoxiously stupid.
In fact, according to Zhang Yuanjun's understanding, success is not the performance of this character, and should rely on the path of Chen Xiaochun and Wei Xiaobao.
It would be better if the nonsensical style is restrained.
Now he really understands why so many "professional" people don't recognize Zhou Xingxing.
But the good thing is that Cheng Shifei and Gui Hai Yidao don't have many rival scenes, and they don't concentrate too much. The two actors don't need to communicate too much, and they can finish their own performances.
After May [-]st, after a month of running-in, the production crew became smoother and smoother, and the shooting progress suddenly accelerated.Taking ten pages of paper a day is normal operation.
But the more intense the work, the more people need to adjust their emotions in a timely manner.
Zhang Yuanjun’s choice is running and writing. The weather in Wuxi in May is very good. Zhang Yuanjun goes out for a run every day when he has time, and writes for an hour after taking a shower.
I don't know who told Liu Yifei that he wrote "Orchid in the Empty Valley" for his assistant, so he pestered Zhang Yuanjun to give him a copy too.
Zhang Yuanjun said on the phone: "You don't have that artistic talent, and you can't tell the good or the bad when you write it. Don't waste my words."
But Liu Yifei didn't agree, saying that she hadn't gotten Zhang Yuanjun's name after being a classmate for two years: "Luo Jin and the others have it, even your temporary assistant has it, can I have a pair?"
Zhang Yuanjun couldn't hold her back, so he promised to write for her, and when he returned to school after filming, he would write to her: "Write for you, what do you want?"
Liu Yifei is very ghostly, she opened her mouth and said, "I want a thin gold thousand character essay."
Zhang Yuanjun almost cursed: "Thin Gold Thousand-Character Essay? What do you think I am! Do you know how long I have to write Thousand-Character Essay? You are still thin gold, you really know how to ask for it."
"I don't care, you promised to write to me."
"Why don't you say that I will write Siku Quanshu for you."
"That's too much, you can't finish writing in your lifetime." Anyway, Liu Yifei wants a thousand-character essay.
Zhang Yuanjun explained to her again: "I am a beginner in official script, and I can also know regular script and cursive script. Shoujin has never learned seriously, and the writing is not good-looking."
"I see those thin golden bodies on the Internet are very beautiful."
"Why don't you laymen like you can't read? Shoujin is...forget it, you don't understand." Zhang Yuanjun originally planned to teach Liu Yifei the characteristics of Shoujin, but after thinking about it, he gave up. "Shoujin's writing is really not good. How about I give you a copy of "Orchid Pavilion Preface", the best running script in the world."
Zhang Yuanjun worked hard on Erwang Zhengjing, and he wrote it well.
"What is "Lanting Preface"?" Even if Zhang Yuanjun was killed, Liu Yifei would never have thought that such a question would be asked.
"High school Chinese is a compulsory text, and history class will also teach it. I forgot that you didn't go to high school in China." Zhang Yuanjun directly stabbed Liu Yifei's lung tube.
"Ah!" Liu Yifei was about to die of anger, and Zhang Yuanjun used to tease her for being "uneducated", "You have read books! I don't care, if you write me "Lanting Preface", it will be better than that Wang Xizhi."
Zhang Yuanjun said with a smile, "Then come to Wuxi now and stab me to death."
After the joke, Zhang Yuanjun still agreed to give Liu Yifei a copy of "Orchid Pavilion Preface".
Before, it was for promotion, and if there are no special circumstances later, it will return to normal update. I really can’t afford the new book date.
(End of this chapter)
Zhang Yuanjun miscalculated his injury.
Three or five days?
The bruises on his body never went away.
Even in an explosion scene, due to a calculation error, an explosion point exploded under Zhang Yuanjun's feet, and Zhang Yuanjun's right leg was cut open.
The injury was not serious, the right leg was stretched to a half-finger-long cut, and the blood flowed down immediately.
The crew immediately became tense.
"Hurry to the hospital."
Zhang Yuanjun sat down and asked the medical staff of the film crew to do some simple treatment: "Who would go to a hospital for this injury. When I was a child, I fell much heavier than this when I was riding a bicycle. Both knees were rotten, but I still got up and rode like flying."
The doctor at the scene confirmed: "The cut is not deep."
Zhang Yuanjun said: "For disinfection, just rub some purple syrup on it."
"You are casual." The doctor didn't say he was wrong.
"It's not that precious." Zhang Yuanjun crossed his legs and said with a smile, "If you have the time to go to the hospital, the wound will heal by itself."
This made the director and the doctor laugh.
The doctor took care of him, but he still didn't forget to tell him: "It's a small injury, but you still have to be careful in the next few days, don't get wet."
"Well, I see." Zhang Yuanjun stood up and moved a little bit, but it was not a big problem, and his normal walking would not be affected.
Fortunately, Zhang Yuanjun didn't have any violent action scenes in the next few days, they were all literary scenes, and this injury really didn't affect the progress of the filming.
Zhang Yuanjun rejected the director's offer to give him a half-day off, and resumed work after only half an hour's rest.
But one day after filming, Zhang Yuanjun left the scene and went back to the room. When he cleaned the wound and reapplied the medicine, there was still blood coming out.
But the next day, he was just like a normal person, and he still went to the crew to make up and start work on time.
A production crew can have as few as dozens of people, and as many as several hundred people. It is not normal if there are no accidents.
Zhang Yuanjun worked day and night in the Wuxi production crew, not knowing his age.
During this period of time in the crew, what touched Zhang Yuanjun the most was the invisible barrier between mainland actors and Hong Kong and Taiwan crews.
Although most of the starring cast is mainlanders, the attitude of a few Hong Kong and Taiwan actors towards mainland creatives is still visible to the naked eye-it cannot be said to be unfriendly, but at least it will make people feel that you can't pee in the same pot with them.
They seldom communicate with mainland actors on the set, and at most they nod to you when the play is over, and then go back to their chairs to rest and wait for the next scene.
And they have a very bad habit. They are in a crew with a majority of mainlanders, and they usually still like to communicate in Cantonese. Even if the opponent is a mainland actor, they don't speak Mandarin.
Language has become the biggest obstacle for the creators to communicate. At first, Zhang Yuanjun thought that they could not speak Mandarin or could not speak Mandarin well, but later he found that this was not the case.
They simply don't want to speak Mandarin, they subconsciously use language to form a communication barrier and distinguish between me and me.
Cantonese speaks fast, with a few English words mixed in.Many people can't understand Cantonese. As a result, most mainland actors, including Zhang Yuanjun, have to memorize not only their own lines but also those of their opponents when they play against Hong Kong actors.
Otherwise, if one doesn't pay attention, the other party will slide over, unable to answer the words, and delay the shooting.
Similarly, some bad habits of the Hong Kong Island crew were also brought to Wuxi.
For example, the flying paper boy phenomenon.
The first time Zhang Yuanjun saw the director and screenwriter change the lyrics on the spot, he took a small note and gave it to the actors to read it on the spot.
It's not just a sentence or two, it's a large-scale change of words, not only changing my own, but also changing the opponent's actors.
At least four of Zhang Yuanjun's ten days' scripts were different from the ones he got before.
This shooting method puts a lot of pressure on Zhang Yuanjun, an actor from an orthodox academy, and he can only recite his lyrics at full capacity.
However, Fei Zhi really exercised the ability of actors, and Zhang Yuanjun also benefited a lot from it.
But Zhang Yuanjun still has a hard time accepting this way of shooting.
Another unacceptable thing for Zhang Yuanjun is the performance of the leading actor Guo Jinan.
Cheng Shifei is a comedy character, but Guo Jinan's performance is too Hong Kong-style nonsensical.
I have said it ten thousand times, even if Wang Jing himself came, Zhang Yuanjun would also say that, except for Zhou Xingxing, he hates the nonsensical performances of everyone else.
When someone else plays it this way, the character's actions and lines appear to be illogical and obnoxiously stupid.
In fact, according to Zhang Yuanjun's understanding, success is not the performance of this character, and should rely on the path of Chen Xiaochun and Wei Xiaobao.
It would be better if the nonsensical style is restrained.
Now he really understands why so many "professional" people don't recognize Zhou Xingxing.
But the good thing is that Cheng Shifei and Gui Hai Yidao don't have many rival scenes, and they don't concentrate too much. The two actors don't need to communicate too much, and they can finish their own performances.
After May [-]st, after a month of running-in, the production crew became smoother and smoother, and the shooting progress suddenly accelerated.Taking ten pages of paper a day is normal operation.
But the more intense the work, the more people need to adjust their emotions in a timely manner.
Zhang Yuanjun’s choice is running and writing. The weather in Wuxi in May is very good. Zhang Yuanjun goes out for a run every day when he has time, and writes for an hour after taking a shower.
I don't know who told Liu Yifei that he wrote "Orchid in the Empty Valley" for his assistant, so he pestered Zhang Yuanjun to give him a copy too.
Zhang Yuanjun said on the phone: "You don't have that artistic talent, and you can't tell the good or the bad when you write it. Don't waste my words."
But Liu Yifei didn't agree, saying that she hadn't gotten Zhang Yuanjun's name after being a classmate for two years: "Luo Jin and the others have it, even your temporary assistant has it, can I have a pair?"
Zhang Yuanjun couldn't hold her back, so he promised to write for her, and when he returned to school after filming, he would write to her: "Write for you, what do you want?"
Liu Yifei is very ghostly, she opened her mouth and said, "I want a thin gold thousand character essay."
Zhang Yuanjun almost cursed: "Thin Gold Thousand-Character Essay? What do you think I am! Do you know how long I have to write Thousand-Character Essay? You are still thin gold, you really know how to ask for it."
"I don't care, you promised to write to me."
"Why don't you say that I will write Siku Quanshu for you."
"That's too much, you can't finish writing in your lifetime." Anyway, Liu Yifei wants a thousand-character essay.
Zhang Yuanjun explained to her again: "I am a beginner in official script, and I can also know regular script and cursive script. Shoujin has never learned seriously, and the writing is not good-looking."
"I see those thin golden bodies on the Internet are very beautiful."
"Why don't you laymen like you can't read? Shoujin is...forget it, you don't understand." Zhang Yuanjun originally planned to teach Liu Yifei the characteristics of Shoujin, but after thinking about it, he gave up. "Shoujin's writing is really not good. How about I give you a copy of "Orchid Pavilion Preface", the best running script in the world."
Zhang Yuanjun worked hard on Erwang Zhengjing, and he wrote it well.
"What is "Lanting Preface"?" Even if Zhang Yuanjun was killed, Liu Yifei would never have thought that such a question would be asked.
"High school Chinese is a compulsory text, and history class will also teach it. I forgot that you didn't go to high school in China." Zhang Yuanjun directly stabbed Liu Yifei's lung tube.
"Ah!" Liu Yifei was about to die of anger, and Zhang Yuanjun used to tease her for being "uneducated", "You have read books! I don't care, if you write me "Lanting Preface", it will be better than that Wang Xizhi."
Zhang Yuanjun said with a smile, "Then come to Wuxi now and stab me to death."
After the joke, Zhang Yuanjun still agreed to give Liu Yifei a copy of "Orchid Pavilion Preface".
Before, it was for promotion, and if there are no special circumstances later, it will return to normal update. I really can’t afford the new book date.
(End of this chapter)
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