Actor: My Entertainment Era

Zhang Yuanjun now faces a very embarrassing choice: Should he ask An Shaokang to get back the half of Chengxintang?

If you do, will it look like you are too stingy?I couldn’t even bear to part with a few pieces of paper.

No, Qingfang Chengxintang is also a rare treasure. Even if we can see it again in the future, collectors may not part with it.

Besides, although An Shaokang was an intellectual, Zhang Yuanjun could see that he was only interested in calligraphy and painting, and his appreciation level was not very high. Chengxintang was not of much use in his hands.

"It's your fault. You didn't know to take the paper with you when you left." In the dilemma, Zhang Yuanjun passed the blame to Liu Yifei.

Liu Yifei smiled: "You are being unreasonable. You asked me to show it to my dad when you drank too much. Now that my dad has detained it, you blame me."

"He also said that he is an elder and takes things from the younger generation. A gentleman will not take what others like." Zhang Yuanjun murmured.

"How about I go get it back?" Liu Yifei sneered.

"Don't." Zhang Yuanjun stopped him, "If you open your mouth, he will definitely know that it was me who instigated it. It took a lot of effort to make him happy. All the efforts were in vain." Zhang Yuanjun pondered for a long time and made a difficult decision, " Forget it, just give it to him if he wants it, I won’t let him use it even if I take it.”

Liu Yifei did not accept this, but said: "I drank to make him happy. Now think about it, you drank more than a pound yesterday, how much did he drink."

Zhang Yuanjun tried hard to recall the scene of drinking with An Shaokang yesterday, and he came to his senses: "I've been fooled! I said something was wrong. I drank one glass after another, and your father drank the wine from beginning to end."

"You don't even think about what he does. He is a diplomat stationed abroad all year round. He can't drink randomly." Liu Yifei was very happy to see her boyfriend being manipulated by her father like this.

Putting aside Zhang Yuanjun’s troubled mood while filming on the set of “Inception”, major primary and secondary schools in China are starting to reopen one after another, the summer is over, and the summer schedule is starting to take stock.

This year's summer winner belongs to the co-production "Source Code," which took in $25 million in 2.36 days of release.

The success of "Source Code" gave the General Administration a glimmer of hope. "Source Code" is a co-production led by China.

The success of "Source Code" has inspired the General Administration and many film companies to take the lead in co-productions in the future.

Another thought brought about by the success of "Source Code" is: Does star effect really exist?In other words, do big-name stars really have a decisive impact on the film's box office?

The biggest star of "Source Code" is Zhang Yuanjun, but Zhang Yuanjun was absent from all offline promotions of the movie.

Moreover, "Source Code" was released after Zhang Yuanjun officially announced his relationship.

According to the predictions of various companies in advance, with the leading actor absent from all road shows and announcing his relationship, the movie would be a hit if it exceeded [-] million.

But reality slapped them in the face.

Does the success of "Source Code" show that as long as the story is good, it can be successful even if there are no big names or big names are absent from promotion?

Not!
Film company bosses and film practitioners didn't want to believe this, so they found a plausible reason for "Source Code" to reach the top - the success of a new marketing method.

Because Zhang Yuanjun was unable to participate in the film's offline promotion activities, he focused his promotion online.

Mainly through Weibo, a novel network tool, to communicate with the audience and promote the film.

Well, it must be so!
Therefore, after "Source Code", more and more producers began to pay attention to the role of Weibo as a new publicity tool.

This unknowingly attracted another group of users to Weibo.

"Source Code" allowed Wu Er to enter the [-] million yuan box office club as a new director, and also successfully promoted the heroine Song Jia to the front line.

Although she is suspected of being the first female lead, judging from the ranking of the cast, she is right behind Zhang Yuanjun, and she deserves the title of the second female lead.

The heroine of a 2 million box office co-production, Flange?Some people want to set up but they don’t have the skills yet.

Some people laugh, and some people cry. "Source Code" performed so strongly in August that it seriously encroached on the market of "Perfect" and "Roboman".

The former is Zhang Ziyi's first film as a producer, and it is very ambitious. However, apart from the impressive 2500 million sales in the first four days of the first weekend, the subsequent film has failed to make a dent.

The highlight of this movie is not on the screen, but behind the scenes.

The two heroines started to fight.

Fan Bingbing "matched Zhang Ziyi's clothes" and overcame the international Zhang Ziyi with fierce force. He said that he figured out the role "the definition of the role is that of a top actor in China, so he acted directly like Zhang Ziyi."

Fan's role is a third party who intervenes between the male and female protagonists.

Zhang Ziyi did not suffer this disadvantage at all, "I think you should have a child."

Fan said Zhang Ziyi suggested she find a foreigner boyfriend so she could learn English faster.

It is obvious that Zhang Ziyi learned English in bed.

But Zhang Ziyi quickly denied that she had said this.

Since then, the conflict between the two has intensified. As the film's producer, Zhang Ziyi directly deleted Fan Bingbing from the poster of the Korean version of the film, and did not take her with her for overseas promotions.

The film was released until the end of the month and could only earn a little over 5000 million at the box office. Zhang Ziyi's production journey got off to a bad start.

The second one to cry is "Roboman".

This movie is clearly a money scam.

He shot it after "Transformers" and said, "Stop comparing the two movies."

If you don't compare it with "Transformers", then compare it with "Source Code" of the same period and type.

"Source Code" has very few special effects shots, which is far inferior to "Roboman" which has 500 special effects shots. However, "Source Code" is far ahead of "Roboman" in terms of performance with its solid basic story.

After "Roboman", "Source Code" was used in marketing - this is the industry's default, the same schedule and the same type, as long as they are not suppressed, they are allowed to be bundled.

By September, "Roboman" had been released for 17 days, with a box office of 2790 million. Boss Jia's movie ship was forced to return as soon as it set sail.

"Love Is Afterlife" was suddenly raised to 310 million by Zhang Yuanjun's fans on the first day - it is really not easy for people who are willing to spend money to watch literary films.

The most discussed aspect of this drama is not the plot, but Zhang Yuanjun’s appearance.

He looks so good in his moon-white robe!
His relaxed and measured demeanor, his brows and eyes seemed to be filled with a pool of autumn water, clear and full of affection, making the audience believe in A Ming's half-century of waiting.

In comparison, although Yu Feihong's appearance is also beautiful, it looks a bit bigger next to Zhang Yuanjun.

However, "Love Is Afterlife" is destined not to arouse enthusiastic responses from the market, and these discussions are destined to only circulate in a small circle of fans.

Seeing such results, Yu Feihong was completely discouraged.

When the copy was reprinted, she already realized that the film was destined to lose money, and she just hoped that the audience would appreciate her ten years of hard work.

But this result on the first day became the last straw for Feihong.

Yu Feihong fell seriously ill on the first Sunday of the movie's release. After he recovered, he locked himself in his room and refused all visitors.

Zhang Yuanjun had already gone to the UK with the crew, and his manager Eddie also came to London with a novel on the third day after Zhang went to the UK. (End of chapter)