Live appraising treasures, I became a national treasure expert?

Chapter 133 Students Are Still Equipped With Assistants?

The four kings of the Qing Dynasty were all good at imitating ancient times, but in terms of who has the highest level, it must be Wang Hui.

Later generations commented that he "imitated whoever he was like", and even Zhang Daqian said that "no one who imitates ancient times is on the right side of Wang Shigu".

In terms of artistic value, his works are comparable to those of Wang Shimin and Wang Jian. A collection of albums has fetched sky-high prices of hundreds of millions, and individual works have sold for tens of millions.

On the contrary, the works created by him have a slightly lower price.

And the one in front of me is also a copy, and it is precisely because he copied Wang Shimin's copy of Huang Gongwang's work that the price is high.

Looking at the time of creation, the 12th year of Kangxi is 1673, and Wang Hui was 40 years old. He was in his prime, and it was also the time when the level of creation was at its highest.

And it just so happens that this one is his most representative "Autumn Forest Fu Poetry Landscape", I dare not say it is the pinnacle work, but there is no problem calling it a masterpiece of the heyday, and the price is relatively higher.

Therefore, the system estimates 600 million yuan, which is quite fair.

The reason why Li Ding'an said that it can be doubled is because of the above seal and postscript.

Not to mention the seals and inscriptions of Wang Shimin, Wang Jian, and Wang Yuanqi, every time one more famous artist appreciates and leaves a seal, the price of the painting will increase by [-]% to [-]%. This is common sense in the art market.

The key point is that in addition to these three, there are two seals and four poems.

One is "Respect, Diligence and Tirelessness", and there are two lines of poems under the seal: golden autumn, rich and beautiful days, strong and prosperous for many years.

I just saw it in the morning, so don't be too impressed with the handwriting: Stamped mad demon Qianlong.

The other one is "Rui Jian", which also has two poems: "The evening comes from the autumn mountains, and the mountains return with people."

He didn't have an impression of Yin, but when he looked at the words carefully, there was a little bit of familiarity.The problem is, whether it is the seal or the inscription, the position is a little bit higher than that of Qianlong?

To put it another way: Unless it was left by the emperor before Qianlong, this phenomenon will never occur.

Who would that be?

After a little thought, Li Ding'an had the answer: Shunzhi doesn't have this hobby, so it's unlikely.Yongzheng is not good at this, and Kangxi's posthumous title has the word "Civil and Military Ruizhe", so it is absolutely impossible for him to use the seal of "Ruijian", so Kangxi, who was regarded as the idol of his life by Qianlong, is left.

Since the painting is real, what about the postscript and seal?
If there is a problem, the system has already pointed it out...

Therefore, this is a treasure that two generations of emperors have appreciated and left calligraphy. This painting is definitely from the imperial palace collection of the inner court of the Qing Dynasty.

If it's not worth 5000 million, Li Ding'an dares to eat the painting...

Haha, earned again?

He let out a sigh of relief, and pointed to the two seals: "Senior brother Gao, you asked an expert to appraise it at the time, and what did you say when you saw this?"

"The source of these two seals can't be found. Experts claim that they were fabricated by imitators...so they say that Qianlong's characters are also imitated, but the imitation is very real..."

I understand: an expert looks at things, even if there are 99 places that are fine, as long as there is one place where the source cannot be found, they will never draw a conclusion.What's more, there are more than one things wrong with this painting: the style of painting is wrong, the artistry is wrong, and the artistic conception runs counter to Wang Shimin's.

Coupled with this seal that cannot be found, and a "Ruijian" that appeared out of nowhere, and was in a higher position than Qianlong, it was even more nondescript. Naturally, this painting became a fake.

Because of this, no one has thought about "whether it is Wang Shimin imitated by a famous artist" at all. Even now, Li Ding'an is holding this painting and saying that it was painted by Wang Hui.

In fact, if you work hard, you can still find the source. "Ruijian" dare not say, but "Gongqin and Tireless" definitely has relevant records. The information is in the Forbidden City, and he saw it two days ago.

But it's not very easy to check: it's in Manchu!

After a short pause, he asked again: "Where did Mr. Zheng invite the experts?"

"It's Dean Cheng of Huaxia Painting and Calligraphy Academy..."

"Is this worth tens of millions?" Li Ding'an frowned. "Didn't you invite researchers from the National Museum and the Forbidden City, or invite Professor Wu to take a look?"

Gao Shengdong looked terrified: You treat these people as Chinese cabbage, and you can invite them if you want?
Seeing his appearance, Li Ding'an knew that his thinking was too simple.

Let's put it this way, why is Gao Shengdong also Wu Xiang's direct disciple and right-hand man... If it is so easy to hire Wu Xiang, how many millions can he pay?

He sniffled resentfully: "Look at the others!"

"Row!"

Gao Shengdong nodded and led the way for him. Li Dingan was about to follow when he felt a tightness in his waist.

Shu Jinghao grabbed the corner of his clothes again, and pushed her mouth to the side from time to time.

Good guy, are you not confused now?

Li Ding'an glared at her: You quietly!

Shu Jing nodded vigorously, and in an instant, two big eyes flashed...

There are also many other things, about seventy or eighty pieces, and they are all kinds of things.

However, most of them are genuine products, and only [-]-[-]% are fake.

This has surpassed more than 90.00% of players.

Don't listen to what Gao Shengdong said, there are not [-] but [-] invisible rich people in the capital, and [-] of them like to play and collect.But the collection room is simply appalling: it's like looking into the exhibition hall, as if you've followed Panjiayuan or Liulichang.

How much do you want to ask these rich people?
Hmm... I dare not say tens of billions, but several billions per person is the least.

It shows that Mr. Zheng's eyesight is still extremely high...

By the way, I tasted a few works by the famous painters of the Republic of China "Si Ren" and Xiao Junxian, and looked at miscellaneous utensils. Li Ding'an came to the other half of the collection room.

There are all porcelains here, and the four shelves are full. From the unglazed pottery pots of the Han Dynasty to the multicolored porcelains of the Republic of China, there are porcelains from almost every dynasty.

There are few treasures, but there are still a few fine ones, the two most eye-catching famille rose ampoules from the late Qing Dynasty.

There is a "Chuxiu Palace" on it, which means that it was something that came out of the imperial kiln during the "Cixi" period. It is no problem to call it "things for the imperial use", and each one can be worth more than one million.

After watching the imperial bottle, Li Ding'an went to another wooden frame, glanced around, and his eyes lit up when he saw two blue and white bowls.

The color is very bright and bright, which means that the age is not too long ago, and the earliest is something from the middle and late Qing Dynasty.There is also no soil bleeding, indicating that it was not dug out from the tomb.

Li Ding'an was curious about the patterns on the two bowls: it is not a common rendering technique of blue-and-white porcelain, nor is it the traditional "expressing spirit with form", and it has no charm or artistic conception...

To put it bluntly, this is not a Chinese painting, but a bit like an oil painting: leaves are leaves, branches are branches, delicate and realistic, with a strong sense of three-dimensionality.

If you look closely, it really uses the classic technique of oil painting: geometric division and composition.Expanding the picture of the whole bowl, all the patterns can be included in a circle, and the separate area is a circle within a circle, non-stop nesting, non-stop division...

Really rare?
Li Ding'an picked up the bowl subconsciously, and just as soon as he got started, he paused again.

Or overglaze?
In short, it is to fire once at high temperature to shape and glaze the clay body. After leaving the kiln, paint and paint on the glaze body, and then enter the furnace again to cure the pigment at low temperature.

Generally, blue and white porcelain is fired only once, so it is called underglaze color, and some are fired twice, which is called "blue and white plus colored porcelain", and other colors are usually added to the blue and white glaze.

It is rare to burn the original glaze first, and then add blue and white on the glaze, but it is not precious.

Because from a technical point of view, it is completely unnecessary.

This is even more strange?

Therefore, Li Ding'an looked at it very carefully and carefully, not only looking at it, but also touching it vigorously.And the more he touched it, the more he felt something was wrong: it was too harsh!
The overglaze color also pays attention to the three-dimensional effect. Sometimes, for the sake of vividness, the pigment is deliberately thickened when coloring, so that the pattern protrudes from the glaze surface.

Feeling it carefully, it feels a bit similar to the batch of Mongolian porcelain studied during this period, both of which are like relief porcelain, but there is a big difference: Mongolian porcelain is "carved", but this porcelain bowl feels like a "pile".

In addition, this bowl is made of ordinary paint, while Mongolian porcelain is made of enamel...

Hmm, no...How can ordinary paint be so bright?

Not only is it bright, but when it is illuminated by the light, the pattern on it also has a "sparkling" feeling, just like the kind of lip gloss that women often have, sparkling.

Kind of like the color of pearls...

Hmm, pearls?

It seems that among the imperial porcelains of the Qing Dynasty, there is indeed a kind of porcelain that uses pearls for coloring.However, according to historical records, as early as when the Eight-Power Allied Forces entered Beijing, a fire was burned out.

Not only did they burn everything, but even the technique was lost, so future generations will not be able to imitate it...

Hey yo...I'm going...

Thinking of this, he was taken aback for a moment, and suddenly lifted the bowl up.

That's right, it's sparkling...

It's pearl powder coloring...

Missed it again?

Without the slightest hesitation, Li Ding'an turned on the system, and in an instant, his heart trembled from the shock of the long series of zeros.

Looking at the specific information again, there was a hint of fascination and fanaticism in his eyes, and more pride.

Let's see... Even if the system is not used, isn't the buddy's eyesight stretching the hips?

Looking at the remarks below, Li Ding'an was a little bit shaken.

Rare treasure!
When I picked up the Xiping Stone Book, these four characters never appeared...

Shu Jing approached curiously: "What's wrong with this bowl?"

"Oh..." He let out a breath, and settled his mind, "It's relatively rare, you should take a look too!"

She subconsciously received it in her hand, and looked at it carefully: "Well, the glaze?"

Li Dingan nodded: "What else?"

"Hmm... more?"

Shu Jing finally opened her eyes, "It feels a little bit similar to the one I studied during this period of time?"

What I have studied during this time... isn't that Mongolian porcelain?

Gao Shengdong's eyes lit up: "I'll take a look too?"

Shu Jinghao handed it to him.

After staring for a few times, Gao Shengdong sighed again: "Oh... this is embossed porcelain. It should be imitated with embossed blue and white flowers, but the imitation is neither fish nor fowl: ordinary embossed blue and white porcelain is carved, and Mongolian porcelain is also engraved, but Xiao Shu, look, the patterns on this bowl are not carved, but piled up and pasted on...

And this color is not a pure pigment, it is definitely added with chemical raw materials, so it is so bright..."

Shu Jinghao suddenly realized: "So it is like this?"

Li Ding'an sighed secretly: Gao Shengdong punched his eyes again?
Sure enough, if so many people really need to know each other, how could it be my turn?
It is even more impossible for this thing to be rated as a "rare treasure" by the system...

After a few glances, Gao Shengdong also put down the bowl.

When we got here, we basically finished reading the things in the house. Li Dingan made a rough calculation:
Although I haven't seen it, there is a high probability that Zhou Chen's "Golden Pine in the Autumn Mountain" is an authentic work. This one alone should be around [-].There are also two works by "The Four Ren of the Republic of China" and Xiao Junxian, Jin Cheng and others, each worth more than one million.

In addition, there are a few works by famous masters, so just paintings, it is almost more than 2000 million.

There are no high-quality items in the miscellaneous utensils, there are 34 pieces in total, and it is estimated that tens of millions can top the end.

The rest is porcelain. There are two porcelain kilns from the Song Dynasty, several Ding kilns from the Ming and Qing Dynasties, and the two famille roses from the late Qing Dynasty, all of which are about 200 million.Adding in some odds and ends, it's almost 2000 million.

In this way, the approximate value should be around 6000 million.Of course, this does not include the two bowls I saw last, nor Wang Hui's painting.

Therefore, as long as Mr. Zheng doesn't open his mouth like a wild lion, Li Ding'an will be able to decide the things in this room today.

Counting the money in the card, it is more than 5000 million, which should be enough...

Just as he was doing the calculations, Mr. Zheng led two groups of guests to come here, but they didn't seem to be looking at the porcelain, but they seemed to be here on a special trip to find them.

"Ms. Gao... Oh, Boss Li, how do you look?"

Gao Shengdong nodded lightly: "It's okay!"

"It's okay..." Mr. Zheng nodded, "This is the first time for Mr. Li, but it's not the first time for Mr. Gao, Professor Jin, Mr. He, and Mr. Xiao. They have already seen what should be seen. So, if you have no objections, let's... talk about the price?"

It has to be said that Mr. Zheng is still very good at doing business, and he even wanted to hold an on-site auction.

Li Dingan nodded slightly, and Gao Shengdong said, "Yes!"

"Okay... this way please!"

Several people left the collection room and came to the previous living room.Then Mr. Zheng took the center and gave another introduction.

It turned out that the previous four were two-part customers: a man in his 50s was in the same group as the driver, and he claimed to be a professor from a certain college in Hebei, but judging by his posture, he should be the leader.

A man and a woman are the same group, but the woman is in charge, claiming to be a small business of literature and entertainment.

When it was Gao Shengdong's turn, he only said he was a teacher, and introduced Li Ding'an emphatically.

At this time, the two groups of guests realized that the co-author was not the bespectacled man, but the young man who looked like a student.

Ask again, he is really a student, he is studying for graduate school, but he didn't say where he is studying.

After further questioning, the star-like girl next to her is not a girlfriend, but an assistant?

Really, the four guests stared eight eyes.

This is the first time I heard that students are assigned assistants?
Gained knowledge...

(End of this chapter)