Live appraising treasures, I became a national treasure expert?

Chapter 457 The No. 1 Cursive Script in the World

Mi Fu's "Shu Su Tie", the eighth running script in the world?

Are there even Su Shi’s inscriptions and seals?

Haha... Don't worry about Mi Fu and the Eighth Line Script. Just Su Shi's square seal and the twenty or so characters are worth several authentic paintings of Dong Yuan.

You want to ask why?
There is no reason, just the word "Su Shi"...

The eyes of the three people were staring straight, as if they were frozen.

For a long time, Ma Xianming was excited: "Le Yu said... is this "Shu Su Tie"?"

"Correct!"

"There is also Su Shi's "Hehe" poem on it?"

"I saw it, you don't need to repeat it again."

"Leader, I mean: What should I do with the one in Taipei?"

He Anbang raised his head suddenly: Shall I go?
He was just shocked, and then scolded the damn bears and wolves for chewing such a treasure into this piece of shit. He didn't even think about it: There is also one in the National Palace Museum in Taipei?
Once this one is released, where will the other one go?

Without telling you whether it is true or not, let me ask you, is there "Haha" or "Meiyang Su Shi"?
No, then tell me... huh?

He Anbang was stunned for a moment: What a joke... Is this only half a picture?

If I put it down again, it won’t be long before even this half of the picture is left...

He Anbang's face suddenly turned down and he stared at Wang Yongqian: "What did you say?"

What the hell am I talking about?

Wang Yongqian sighed heavily: "What do I say?"

Oh, that's right...

The two sighed and clicked on the video again.

Then, the eyes of the three people became wider and wider.

Cai Xiang's "Four Virtues and One Unworthy"?
Haha, finally it is no longer a half-finished piece. The important thing is that this is a calligraphy master who is as famous as Mi Fu.

Huang Tingjian's "Twenty Imitations of Longmen" is so long... longer than his "Inscription on the Pillar Pillar" which sold for 2010 yuan in the Baoli autumn auction?
Look further down: Li Cheng's "Lanym and Evening Sunny Picture"?
He and Fan Kuan were both disciples of Dong Yuan. The three of them were equally famous and were among the three great masters of the Northern Song Dynasty.

Cai Jing's "Fu Guan Tie"?
To be fair, Cai Jing's calligraphy excellence is no lower than that of Su Shi, Mi Fu, and Huang Tingjian. Before the Ming Dynasty, these four people were collectively known as the "Four Song Calligraphers". But because he was known as a traitor and was despised by future generations, he was forcibly removed and replaced by his cousin Cai Xiang in the Ming Dynasty.

Even so, if this calligraphy is placed in a provincial first-level museum, it is also a treasure.

Look further down... Fan Kuan's "Ten Thousand Miles of Rivers and Mountains"?
Tsk tsk, exactly seven meters long?
At first glance, the three people were attracted by the inscriptions and seals on the upper right, and could no longer look away: "One word, one flower" by Taizu Zhao Kuangyin, "Taiping Xingguo" by Taizong Zhao Guangyi, "Taiping Xingguo" by Zhenzong Zhao Heng. "Xianping Secret Pavilion", "Tian Sheng" by Renzong Zhao Zhen...

From Taizu Zhao Kuangyin to Huizong Zhao Ji, there is no one missing.

Especially the emperor Huizong: the gourd-shaped "Yushu", the square "Double Dragon", the round "Double Dragon", "Xuanhe", "Zhenghe"... His seven appreciation and collection seals are stamped all over it.

Qianlong's crazy habit of stamping his seals was learned from him: "What I see is what I own."

The rarest thing is the first seal on the top: the word "一" on the top and a flower below: the "One Word, One Flower" seal by Zhao Kuangyin, the originator of monogram seals and the ancestor of the Song Dynasty.

This is the second time He Anbang has seen this seal. The first time he saw it was in the Qing court collection in the Forbidden City. The first generation presiding officer of Xiangguo Temple (Great Song Dynasty Temple) was Empress Dowager Du Neng (the mother of Song Taizu Zhao Kuangyin and Song Taizong Zhao Guangyi). ) hand-copied Diamond Sutra.

So there is no need to guess, this painting is definitely Fan Kuan's "commissioned work"...by the order of Taizu Zhao Kuangyin.

Looking at the paintings again... Fan Kuan is one of the "Three Great Masters of the Northern Song Dynasty". His attainments are as high as Zhang Zeduan's "Along the River During the Qingming Festival" and Wang Ximeng's "A Thousand Miles of Rivers and Mountains".

Let’s talk about artistic achievements and their representativeness. “Along the River During the Qingming Festival” and “A Thousand Miles of Rivers and Mountains” are both listed among the “Top Ten Famous Paintings handed down from China”. What about this one?

What's more important is that there are not so many emperor's seals on those two paintings... are they still so well preserved?

The three of them raised their heads together and looked at each other in astonishment: If this painting is brought back, will the position of "China's top ten famous paintings handed down from generation to generation" have to be moved?

The general grinned, but Ma Xianming kept his face straight: Are you laughing your ass off? This thing is still lying in a cave nearly a hundred kilometers away. Maybe one day it will be torn into several pieces by wild beasts.

Just like the two pictures before...

He shook his head and clicked on the video again:

Read on: Good guys, Ouyang Xiu's "Reunion with the Ming Concubine", Wang Anshi's original work, "Shangshi Zhengshu"?
Damn it, there are actually authentic works of Su Shi?
Or Ouyang Xiu's "The Drunkard's Pavilion", hahaha... plus the inscription, it's a full 450 words?

If we were to rank the famous calligraphers and painters of the Song Dynasty, Su Shi would rank first. This and that family, including Huang Tingjian, Cai Xiang, Li Cheng, Fan Kuan, as well as Dong Yuan, Mi Fu, and even Ouyang Xiu, who had the favor of teaching and promotion to him, had to move to the back.

Believe it or not, just this one word can buy dozens of courtyard houses in Beijing?
At this point, the "Three Great Families of the Northern Song Dynasty" and the "Four Great Families of the Song Dynasty" have been completed...

No, that’s not right. There are two people who are not: Ouyang Xiu and Wang Anshi.

But except for Su Shi, the other "six masters" combined are not as good as these two. These two are both famous artists and famous figures. Their works can no longer be summarized as "artistic achievements", but must be combined with their identities and works. “representativeness” and “influence”.

In particular, the "Shangshi Zhengshu" jointly drafted by the two is, to a certain extent, more valuable than the imperial edict of the Song Dynasty emperor...

Suddenly, the mood of the three of them improved a lot: with so many highly representative works by famous artists, it seems that it is not unacceptable to occasionally have a few calligraphy and paintings damaged due to accidents?
But after a while, they realized that it was a little early to be happy.

I understand better what Li Ding'an's words mean: It's just a painting by Dong Yuan that makes you so sad? Don't worry, the sadder part is yet to come...

Yan Shu's "Autumn Smoke on the Threshold of Chrysanthemums"... I have never heard that Yan Shu still has works circulating?
Huang Jian's "Autobiographic Notes"...isn't it lost?
Su Shi's "A Gift to Lu Zhi (Huang Tingjian, the two were master and apprentice)"...has it also been lost?

Fan Zhongyan's "Ode to Boyi"?
I have only seen the name of this calligraphy in history books, but I actually saw the original work today?

There are also Li Tang's "Pine Breeze in the Smoke Temple", Guo Xi's "Small Rain and Clear Mountains", Li Jianzhong's "Xitai Tie"... there are all kinds of them, 17 or 18 paintings.

All of them are famous artists, and all of them are masterpieces handed down from generation to generation.

But without exception, they were either bitten to pieces or torn into pieces...

He Anbang felt that his heart was bleeding, and he wanted to roar loudly to vent his anger.

Wang Yongqian was stunned.

It's not that he feels pity, but he is relatively rational: instead of feeling sad about the spring and autumn, and being incompetent and furious, it is better to find a way to get these national treasures back.

Must get it back...

Ma Xianming was still watching, watching Li Ding'an pick them up from the ground one by one, blow the dust off them, and carefully fold them next to them.

Yu Huiyin is also helping.

As he picked it up, Yu Huiyin exclaimed: "Li Ding'an, why are these characters so ugly?"

Li Ding'an tilted his head and took a look: It's not ugly, but at first glance, it is indeed different.

For example, Mi Fu's "Shu Su Tie", Ouyang Xiu's "Zai He Ming Fei Qu", and Fan Zhongyan's "Ode to Boyi" are all running script, which is smooth and elegant.

Later, Su Shi's "The Drunkard Pavilion", Wang Anshi's "Shangshi Zhengshu", Cai Xiang's "Four Sages and One Unworthy", and Cai Jing's "Fu Guan Tie" are all in regular script, and they are even more neat.

But this one is in cursive script?

Let’s take a closer look: He left his family and became a monk, understood the mind, understood the inaction, and was called a Samana. Always practice the two hundred and fifty precepts, be pure in progress and stop, and become an Arhat for the Four True Paths. An Arhat can fly and change, has a lifespan of vast eons, and can live and move the heaven and earth...

"The Sutra of Forty-Two Chapters"...the Sutra of Forty-Two Chapters in cursive script?
Rare indeed.

When he saw a seal on the right hand side, Li Ding'an leaned back fiercely and was shocked again: Is this Huai Su's cursive script, "Zhang Jing Tie"?
"what happened to you?"

"Huai Su, Cao Sheng Huai Su... the best cursive script in the world?"

The three people in front of the mobile phone can no longer negotiate: What can the cursive sage Huai Su do, and what can the world's best cursive script do?
Wouldn't he still be torn to pieces?

Fuck my sister... (End of chapter)

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