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Chapter 154

Huang Baiyou must have an independent dressing room, he has the entire crew, and even Li Menglu shares it with the Buddhist Zheng Shaojun.

Before Wei Ming could open his mouth, Huang Baiyou said, "Director Wei, I still have something to discuss about the plot."

Um?Why were the lines stolen?Wei Ming was in a trance for a while, but it's okay to discuss the plot, he likes to discuss the plot.

"The script is well written, and there is no problem with the logic of the script, but I have something to say about Xiao Tu's behavior as a reporter." Huang Baiyou added, seeing the director in a daze.

"Mr. Huang, you said that discussing the plot is helpful for the understanding of the script, of course it's okay." Wei Ming likes discussing the plot the most.

"We can add a plot that shows Xiao Tu's identity as a reporter." Huang Baiyou said.

Presenting as a reporter?Wei Ming doesn't quite understand how to show it, does it involve interviewing other people's plot, but this is too cumbersome and affects the rhythm of watching the movie.

"Can these articles be printed as props and signed with the name of the hero Xiao Tu." Huang Baiyou handed over a stack of draft paper.

Wei Ming took over, several articles.

"On the Characteristics of Popular Reports on Jazzism"

"News cannot be a tool for profit,"

"Thinking from news rule of law and news psychology"

"Focus on historical materialism to solve practical problems in the news industry"

……

"What is this?" Wei Ming stared at one of the articles.

[The news should pay attention to the working people, and the working people must not become the object of news reports.

"Appeal, suffering in the world, let the society know."

I suggest that newspapers should set up special sections to report on "What's on the Streets of Shanghai" and "Factory Newsletter". The methods of presenting the life of the people at the bottom include but are not limited to: publishing photos and including workers.

Journalists need to denounce the old regime as dark.

If we want to write reportage, then good reportage must use naked facts to explain, inspire and encourage; use reports that are not embellished or exaggerated to make people walk in the direction of socialism.

...]
……

Wei Ming felt his brain itch, he scratched it, it's too bad he's going to grow his brain.He put down the manuscript and looked up, "What are these?"

"Director, you told me that the prototype of Xiao Tu is Comrade Yuan Shu, so I searched for some information. Some of these things were written by Comrade Yuan Shu at the time, and some of them were written by myself based on the information." Huang Baiyou said "Comrade Yuan Shu's thinking is very advanced. He realized decades ago that more waitresses and waitresses can't change the status of women. If everyone wants equality, he must let women receive knowledge education, which is very forward-looking. Sex, I'm just doing a second compilation by comparison."

One by one, Wei Ming roughly calculated that there were at least 20 articles, and he couldn't help asking, how much preparation did the young actor in front of him do? !
"I asked the props team to print all these contents as props." Wei Ming agreed directly, and asked, "I remember that Mr. Huang didn't graduate from the journalism department, right?"

"Of course not. This is just my design. Thanks to Director Wei for his support, it will be fine even if the audience is Leeuwenhoek." Huang Baiyou said.

"Leuwenhoek?" Wei Ming didn't understand the stalk.

"It's used to describe netizens who watch movies with a magnifying glass, and like to watch very detailed frame by frame." Huang Baiyou explained.

"What does Director Wei think of the role of Xiao Tu?" Huang Baiyou was troubled before whether to follow himself or fit in with the public, but later he made his own choice.

Now that the director has come, Huang Baiyou wants to know the director's intention.

This way of asking is familiar?Wei Ming was in a daze for a moment.

"During the audition, Mr. Huang, you also mentioned the matrix of my filming." Wei Ming organized his words, and then said, "For me, [discussing self] identity has always been the motif, and Xiao Tu is invested in A person in purgatory, his fate has long been doomed, and no one knows his contribution."

Huang Baiyou thought of some words that Mr. Zeng said when talking about his grandfather.

In the conversation that followed, Wei Ming realized that even though he wrote the script, his performance of the archetypal character Yuan Shu was definitely not as good as the actor in front of him.

Not only the prototype character, but also the familiarity with the script, Wei Ming was surprised that this guy came here just by opening his mouth.

"In scene 53, the protagonist talks to Li Feng. Although we are both called traitors, I have different ambitions. I hope we will not regret it when we reach the end of the road. This line is very good, and it is also what the protagonist is saying to himself .”

……

It was the first time, sincerely the first time, the first time Wei Ming felt that it was a little difficult to discuss the plot with the actors, because he said that any plot could be seamlessly connected by the other party.

The key was in the conversation that Wei Ming realized that the other party had designed too many details. For example, it was mentioned in the script that Xiao Tu was smoking for the first time. big.

Huang Baiyou has a small suggestion. The cigarette brand can also be changed. At the beginning, the old knife brand will be replaced with Double Happiness.

Old Knife Brand, whose real name is Pirate Brand, is the same company as Red Tin Bao and Hardman, and it often appears in spy war dramas.

At that time, Double Happiness was the only cigarette brand that could compete with foreign capital. "I was hesitant in my heart and wanted to find recognition through everything." I have to say that Wei Ming was poked by this sentence.

"Director Wei, I think I don't need the narration for this place." Huang Baiyou pointed to the narration on the script, which needs post-dubbing.

[Xiao Tu (inside): It is impossible for Mr. Fang to survive in the hands of the neon people.

Xiao Tu (heart): He was either forced to confess and became a traitor, or he experienced endless reincarnation under the torture of the Neon people.

[…]
"I understand that Director Wei wanted to show Xiao Tu's mental journey in this passage, and find enough reasons for himself to persuade himself to live." Huang Baiyou said, "But..."

"Don't let it go, this plot is originally for supporting the role. If you are confident that you can show it with facial expressions and body, you can remove this monologue." Of course Wei Ming knows that inner monologues are helpless most of the time.

"We've also chatted for more than 40 minutes, it's time to go and shoot." Wei Ming glanced at the time on the phone, he was directing the tube for seven or eight years, and this was the first time he ended the chat on his own initiative.

"It's really wasting the director's time." Huang Baiyou said apologetically, but I still have to talk about these details.

The two walked over quickly in three steps and two steps, and with the arrival of the two key parts, the male lead and the director, the big machine of the crew was able to operate again.

"Old Wei Niu, the time of chatting this time is longer than before." The assistant director said.

Don't look for Huang Baiyou next time, although talking about the role with the actor will help you understand, but the actor is too thoughtful and Wei Ming can't stand it.

　The point of view of the plot is indeed Yuan Shu's news theory, not made up.

　　
　
(End of this chapter)