People are in Xianwu, there are small games

Chapter 83 Summary
Reminder in the front row: Today is only one chapter, which is considered a half-day leave.

And this summary has a bit too many words, so if you want to read it, you can read it, and if you don’t want to read it, you can skip it.

……

The first volume is finished, actually finished it very early, but the new book period is not easy to update...

Here, Dabai will talk to you about the creative thinking of this book and the creative thinking of the first volume.

……

The first is the creative idea of ​​the whole book.

When I started the book, I told the brothers in the book club that I designed the outline of the first two volumes of this book, and I haven't designed the outline for the beginning of the third volume.

Because in the plan, the outline of the first two volumes will be a fairly complete story.

In my humble opinion, a complete story must have foreshadowing, various supporting characters, and a story line that is at least reasonable and logical.

Well, back to the topic.

The source of inspiration for this book…

From my last book, the outline of the second volume of the Lord of Myriad Tribulations...

This is real.

Due to physical reasons, the story in the last book was not completed, but in the outline, I personally think that the battle for the throne of Jingguo that I designed is a bit interesting.

After recuperating for a year, I wanted to start a book, so after thinking about it, I used this background.

Therefore, the design logic of the first two volumes of this book follows the logic from top to bottom.

--What does it mean?

That is, first there is the biggest main plot of the second volume, first there are those supporting characters that I want to write, and then I sort out the logical thinking of the story plot on this line, going down bit by bit, down to the bottom, Xuanshui City and the protagonist.

First there is a story, first there are supporting roles, and then according to the story and plot ideas, the character design of the protagonist and the supporting cheats are designed.

This idea is a bit out of tune with the current rhythm of online texts.

Because everyone wants to see the protagonist, a small climax and a big climax, and emphasizes the excitement over the plot.

But in fact, it does not mean that all readers are like this. Before I opened this book, I was actually very entangled.

After taking a break for a year, I read books and stories every day. I know what readers like to read, and I also know why those books with explosive scores have good scores.

But in fact, there is one thing that you may not know...

I have tried the kind of essay that wins by structure, that is, the kind with three chapters of small climax and ten chapters of great climax.

I can't write well.

Everyone knows that writing cool articles makes money, so why doesn’t anyone make money from cool articles?
Because some people are not good at this stuff, and they can't grasp the rhythm of the plot well, so the rhythm is so refreshing!
So I just gritted my teeth.

Come at my own pace, at my own pace.

I have always felt that if the author of a book is not passionate, but just writes according to the designed skills, templates, and routines like a machine, it will probably not impress the readers-of course, it is more likely because of my limited ability , did not master that technique...

That's all for now.

……

Back to the first volume.

The first volume is based on a crossbow armor smuggling line in Xuanshui City, introducing the protagonist and some foreshadowing and supporting characters.

The core is the three questions in Yusha Building.

These three questions run through most of the causal logic in this volume.

From the very beginning of the design, the content of this first volume also came from top to bottom - first there was Zhou Tiyu's visit to Xuanshui City, and then Lu Yao's death triggered a series of follow-up reactions.

The protagonist's travel time is after the incident.

But in terms of writing, I put the cause of this incident at the end—that is, in the two chapters of the one-word decision.

In fact, I have my own petty intentions in doing this.

You can't say at the beginning of the book that you put the protagonist in an absolutely unavoidable death, because that kind of heavy pressure will dissuade most readers.

And from a feeling point of view, I also think it might be better to write this way.

It's still my humble opinion, which makes everyone laugh.

Back to the book.

The story of the first volume is actually not complicated. Now that the first volume is finished, if the big guys replay it, they can clearly see through all the context in it.

And there is no plot reversal for the sake of reversal - everything is reasonable and logical. Everyone and everything they do may not be the best and best choice, but it must be reasonable and consistent with the character's personality. choose.

The purpose of the first volume is, firstly, to pave the way for the following story, to foreshadow the story - for example, Emperor Zhou Chang, for example, Ling Miaomiao, who everyone thinks is very abrupt...

Second, and the most important point.

The protagonist is fierce and bloody.

As mentioned before, the design idea of ​​this book is from top to bottom, with the main plot first, then the protagonist and Goldfinger.

After the main plot was designed, I considered what kind of protagonist to design—the character of the protagonist must fit the rhythm of the story.

According to the overall thinking of the first two volumes, the character traits of the entire protagonist are revealed.

It must be fierce, bloody, and fierce.

There must be a murderous nature to draw a sword if you have an injustice in your chest!
He can leave a retreat for himself when he knows that things cannot be done, and he can also distinguish between "desperate" and "death".

But if there is a chance, the protagonist does not lack the courage to fight to the death.

Thus, the plot trend of the first volume came out.

I threw Lu Ming into a deadlock where "you will die if you don't fight hard", trying to cultivate the spirit in the protagonist's chest.

As for how to shape it, it's up to the beholder to see the benevolent and the wise.

……

Let's talk about the shortcomings.

The shortcomings of this book are actually obvious at a glance.

First: The writing method of flashbacks and interludes will inevitably bring some confusion to everyone's reading experience.

At the same time, due to the reasons for not revealing the secret story in the early stage, everyone will not be in line with the protagonist's thinking, and feel that some of the protagonist's decisions are quite mentally retarded.

——Why don't you run?
Well, that's what I see the most.

However, this is an unavoidable controversy brought about by the way of writing, and I have not found a good solution here.

Second: The description of supporting characters and too much psychological description.

As mentioned above, everyone likes to watch the protagonist, and likes to see the protagonist pretending to kill everyone and causing rivers of blood.

But in this book, I often focus on the supporting characters, which is somewhat similar to a group portrait article. But in fact, this book cannot be completely said to be a group portrait article - I can't deceive myself. Water word count, and then explained to everyone that this book is about group portraits.

It's really not a group portrait, at least not worthy of the label of a group portrait...

I just want to make the supporting characters a little more vivid, and don’t create a supporting character, and then everyone reads a few words: Oh, this person is like this.Oh, that's what that person is.

like a puppet.

I don’t have the ability to make passers-by A, B, C and D come to life.

But I do want to write a few supporting characters that everyone can remember.

It is difficult for one person, one protagonist, to bring up a vivid book world, a chaotic kingdom and a rivers and lakes full of various elements.

This requires many, many supporting roles with different images.

Maybe the main character is very awesome, systematic, and has outstanding personality traits.

But this does not mean that some supporting roles can only be wild flowers and weeds on the side of the road, not even worthy of being green leaves.

In fact, I personally feel that the most satisfying thing in this first volume is the portrayal of Yuqing as a supporting role.

When I wrote about him, I was indeed smiling. When Yuqing "resigned", I was also a little emotional.

He is a good brother, a good uncle, and a good elder.

He would protect the children of the weaker side, for example, he protected Lu Ming, for example, Lu Ming's reaction to killing Yu Luosha Yuqing was very aggressive.

The second supporting role that satisfied me was actually the two leaders of Tiger Roar Camp.

But there may not be much pen and ink focusing on them, and my writing skills are not enough, so you may not understand deeply.

……

Well, I accidentally talked too much, so let's get back to the topic.

Focusing on the supporting characters will inevitably lead to a lengthy plot, which looks like hydrology...

But there is a solution to this.

Sometimes, a single sentence from a supporting role can actually fully highlight the supporting role's personality characteristics, and can also vividly describe the supporting role-I try my best to do this, and it is also what I need to grow and strengthen.

No matter how bad it is, it will explode.

There is no problem in quickly updating the relevant plots.

There is no good way to avoid too much psychological description.

As I mentioned just now, in fact, the main purpose of the first volume is to cultivate the protagonist's fierce and ferocious nature.

As a modern person, after traveling through time, there will always be some insights and experiences, so in the first volume, there will be a little more ink on this aspect.

But the first volume is over, and the tone of the protagonist has also been set in the second volume, so there is no need to be so cumbersome in the second volume.

Third: The problem of embarrassing poems...

Well, this is my fault. I have watched too many puppet shows and listened to too many storytelling... I will reduce the frequency of this in the future.

Fourth: Insufficient refreshment.

This is what I expected, because the external pressure is too great and the sense of urgency is too great. In the first volume, there is no room for the protagonist to easily pretend to be aggressive.

Survival in death and fighting to the death are the main themes of this first volume.

But this problem will be much better in the second volume.

……

By the way, let’s talk about the story of the second volume.

The story in the second volume may be about a million words long and is roughly divided into two parts.

Arena.

Kyoto.

Let's talk about this arena first.

Everyone understands Jianghu differently.

In my understanding, Jiang Hu is a hero, but also hateful.

Chivalry, evil spirit.

A chivalrous man is happy with his grudges.

Warriors are brave and ruthless.

There is justice, there is blood, and there is punishment for rape and evil.

There are evils, schemes, and bullying.

Some book friends commented like this, I think it is quite interesting: underworld rivers and lakes, underworld martial arts, underworld royal family, underworld protagonist...

Strong and awesome, weak and unreasonable.

I pondered for a while and had nothing to say.

Because it's a fact.

Because the background color of this book is dark, bloody, fist power is paramount, and it is a very naked law of the jungle.

However, in a fantasy world where force is the foundation, there seems to be nothing strange about this background.

Therefore, the three views of the characters in the book are sometimes different from those of modern people-for example, servility.

Of course, it’s not enough to say that there are all villains in this book, and the diversity of supporting roles is also what I pursue.

After all, fiction is fiction and reality is reality.There are still differences in the background of the Three Views from country to country, let alone fiction and reality.

I digress again and get back to the topic.

The first half of the second volume will talk about Zhou Guo's Jianghu martial arts.

The Holy Sect of Zhenguo, two giants, two factories in the east and west, four sects of Taoism and Buddhism, five aristocratic families, eight sword sects, nine evil ways, and thirteen gangs.

much?

many, many...

More characters.

There are eleven of Zhou Guo's top three grades alone.

Chaos?

When I designed it, it felt too messy.

If you want to write well, you need more pen and ink. Too much pen and ink will mess up the rhythm and make your writing watery.

——In fact, there is a fact that I am not afraid of everyone to know. Any writing of travel plots will lead to a sharp drop in grades.

Therefore, I will use a tricky method to present this river and lake story, and strive to combine coolness, character design, supporting roles, and plot together, and make it more streamlined.

Well, thinking of this "trick way", I'm a little high again.

Now that the viciousness has been cultivated, there is no reason to hold it back, right?

As for Kyoto... once the first half of the second volume is finished, it will naturally flow out.

……

It's a bit lengthy and confusing, basically just saying what comes to mind, everyone laughs at it.

Finally, a summary:

No one is perfect, and no book is perfect.

There are still many shortcomings in this book, and I will not mention them one by one. Some shortcomings can be avoided, and some shortcomings may be regarded as advantages in the eyes of some readers, and some shortcomings are really due to the limited ability of the author, and the level is indeed not enough.

As for the advantages... I'm not too good at talking about it...

But one thing is for sure.

I am writing this book with all my heart, and this time I don’t want to care about grades or grades. Write well, finish this book, have other feelings, want to make other changes, and that is the next book.

I haven’t been back for a year, but this time I’m coming back, let’s not talk about anything else, I’ll write a complete story for everyone, this still needs to be done.

And to be honest, the results of this book are pretty good, and Sanjiang’s release in the new book period is considered a success.

I have to thank everyone for their support, Dabai hereby thank you all.

Now, the first volume of the plot is finished.

The first volume does not talk about the foreshadowing, if it is taken out alone, it can be regarded as a relatively complete story.

There are traces of all causal logic, and most of the characters that appeared on the scene also have their endings.

And everyone can actually review it again. Any choice made by anyone in the first volume is either reasonable or reasonable.

The only thing that is unreasonable is the ghost Ling Piaomiao - why is she helping the protagonist?

But this is a foreshadowing.

Originally, I really wanted to put the card on the shelf, but after a few updates, the rhythm became chaotic, and there was no way to talk about the card on the shelf.

But I think this is a good thing.

The story in the first volume is presented to everyone. Please review it. If you feel it is right, please give me your support for the second volume.If I feel something is wrong, I really can’t do anything about wasting time, but you can save money on counting coins.

I think this is an acceptable thing for me and for the big guys.

The book will be on the shelves at twelve noon next Tuesday, which is the day after tomorrow.

Then the update phase began.

If you think this story has some meaning.

I implore everyone to support.

Thank you all in advance.

……

By the way, today is an update, I will take a leave of absence, and the story of the second volume will start tomorrow.

(End of this chapter)