Baojian
Chapter 758
Chapter 758
"I didn't expect, I really didn't expect, I... can still see Wu Daozi's authentic work in this life?"
Looking at this painting, Qin Bing's hand holding the oil lamp trembled a little. You must know that he could make a master of Huajin look like this, which showed his inner excitement.
In fact, not only Qin Bing, but also Qin Feng, it's just that he was spreading out the scroll and couldn't tolerate the slightest mistake, otherwise Qin Feng would have jumped on the painting long ago.
"Let me see, is it really the "Picture of Sending the Son of the Heavenly King"?" After finally laying out the three-meter-long scroll, Qin Feng threw down the wooden stick and rushed to the front of the square table to examine it carefully.
The whole painting can be divided into two sections, all of which are drawn with line drawing.
In the front part of the painting, there are two gods riding auspicious beasts galloping forward. The heavenly king puts his hands on his knees with a majestic expression, his courtiers and maids have a serene attitude, and the general wants to draw his sword to prevent accidents.
Although there are many characters in the painting, and their expressions are also different, but one by one, there are rhythmic ups and downs.
In the back part of the painting, King Jingfan is holding the newborn Sakyamuni. Judging from his posture, King Jingfan is cautious for fear of hurting Sakyamuni.
The queen follows the King of Jingfan, and there is another god who greets him in panic. The whole painting depicts the identity, psychology, and form of the characters in great detail, which well reflects the conflicts and contradictions between the characters.
There are more than 20 figures, ghosts and gods, and auspicious animals in the two pictures before and after.
The characters are the majestic king, dignified ministers, kind wives, humble maids, ghosts and gods with claws and claws, auspicious beasts flying flexibly, imaginative and charming.
The unique "Wu family style" line drawing is thick and thin, and flows freely. Whether it is expressing the clothing pattern of the characters, the ferocity of ghosts and gods, or the flickering fire, it is vivid and appropriate, with ease.
"That's right, it is indeed "The Picture of Sending the Son of the Heavenly King", and it is definitely written by Wu Daozi..."
Qin Feng once saw the album of "The Picture of Sending the Son of the Heavenly King" in the Palace Museum, and this so-called only authentic work of Wu Daozi is hidden in the Osaka Municipal Museum of Art, Japan.
However, through research in recent years, the "Songzi Tianwang Tu" in Osaka, Japan is actually a copy of Li Gonglin from the Song Dynasty. That is to say, there is not even one of Wu Daozi's handed down works in the world.
But no matter how rich the imagination Qin Feng had, he never expected to see Wu Daozi's "Songzi Tianwang Tu" and Wang Xizhi's "Lanting Collection Preface" in this space.
Qin Feng believed that if his teacher Qi Gong knew about the two works here, he might be asked to jump into the vortex of the sea once, and Mr. Qi would jump down without even hitting a click.
"The inheritance of the saint of painting is immortal!" Qin Feng was pondering the authenticity of the Japanese painting by Wu Daozi, but Qin Bing's loud voice came from his ears.
"To be able to see the authentic works of Wu Daozi is really a worthwhile life!" Qin Bing has seen the works of countless masters in his life, but only Wu Daozi is missing. Seeing the authentic works of Wu Daozi today, he almost burst into tears.
For Qin Bing's excitement, Qin Feng can still understand, after all, Wu Daozi is too important in the history of Chinese painting.
Born in the Tang Dynasty, Wu Daozi was good at painting figures of Buddhism and Taoism. He was a teacher of Liang Zhang Sengxuan in the Southern Dynasty, and a close student of Zhang Xiaoshi. His handwriting is upright, majestic, vivid and three-dimensional.
Wu Daozi once made more than [-] Buddhist and Taoist murals in temples in Chang'an, Luoyang and other places, with different situations.When writing or starting from the arm, or starting from the feet, it can not lose the scale.
When painting Buddha statues with round light, house pillars and beams, or curved bows and sharp blades, Wu Daozi never used a circle or ruler, and all of them were done with one stroke.
The characters he draws are good at expressing the folds of clothes with lines shaped like orchid leaves or water shield strips, so that they have the tendency to float up and down. They are called "Wu belts are in the wind." It is called "Wu costume."
In the Song Dynasty, Wu Daozi was named a saint of painting. Song Huizong Zhao Ji admired Wu Daozi. His calligraphy thin gold body and paintings all faintly have the shadow of Wu Daozi's line drawing skills.
Therefore, before Wu Daozi's paintings, the so-called Four Great Talents in the South of the Yangtze River, the Eight Eccentrics of Yangzhou, Zhao Mengfu and Dong Qichang were all juniors among the younger generations.
However, Wu Daozi's life was mainly engaged in the creation of religious murals, and the recognized painting handed down from generation to generation, that is, this "Songzi Tianwang Picture", shows its preciousness and rarity.
Qin Feng believes that if he can bring this painting out of this space, it may cause an unprecedented earthquake in the domestic painting and calligraphy circles.
If Qin Feng is willing to auction, then the price of this painting will definitely exceed the most expensive painting in the world today, and even the prices of works by Van Gogh, Picasso and others will be refreshed by him.
"Qin Feng, come and take a look..." Qin Bing took longer to look at the painting than Qin Feng. When he saw the inscription and bell seal on one part of the painting, he immediately called Qin Feng.
"Brother Qin Bing, what's the matter?"
Qin Feng hurriedly moved over. The length of this painting is more than three meters. It is impossible to see it at a glance. Now Qin Bing, Qin Feng and Qin Jun are standing in three positions.
"Although Zhao Mengfu doesn't have Han people's festival, he finally did a good deed!"
Qin Bing pointed to the inscriptions and said, "It turns out that Zhao Mengfu intentionally created the hidden paintings in this painting. If it wasn't for him, this "Picture of Sending the Son of the Heavenly King" would have been lost in history long ago... ..."
"Huh? Sure enough..." Hearing what Qin Bing said, Qin Feng focused his attention on those small letters that were exactly the style of Zhao Mengfu's writing.
Zhao Mengfu's inscription tells about a secret incident nearly a thousand years ago. When he took this "Picture of Sending the Son of the Heavenly King" into his hands, it happened that the emperor of the Yuan Dynasty called him to Beijing to be an official.
In order to prevent mistakes, Zhao Mengfu spent a lot of effort to draw the worst work in his life, and then hid the "Songzi Tianwang Picture" in it.
Zhao Mengfu lived his life smoothly and encountered few ups and downs. When he was dying, he recruited his descendants to his side and solemnly passed this painting on to his son.
It's just that Zhao Mengfu was afraid that future generations would sell the painting for money, so he didn't reveal the secrets in the painting. After the painting went through the Ming Dynasty, it accidentally fell into the hands of the shopkeeper Zhou's ancestors in the late Ming and early Qing dynasties. on hand.
Shopkeeper Zhou's ancestors were great Confucians of the Ming Dynasty, who refused to be officials in the Qing court. Later, under the guidance of the royal family of Qindu, they entered this paradise, and the encounter between this store and Qin Feng happened.
The latter are all speculations by Qin Feng and others, but they are basically indistinguishable.
"Qin Feng, your luck is really great!" Qin Bing looked at Qin Feng with a strange look in his eyes, and he was thinking in his heart, could it be that the legends that the emperor will be lucky are all true ?
"It's just luck..."
Qin Feng smiled and waved his hands. In fact, he just suspected that there was a painting in this painting, but he was not sure. In addition, the currency unit of this space was worthless in Qin Feng's eyes, so he bought it.
If it was exchanged for the money in Qin Feng's world, if five taels of fine steel was equivalent to hundreds of thousands, Qin Feng might not be willing to gamble on it. Speaking of which, it was really a coincidence.
"I used to go to Lao Zhou's store when I was free, and I didn't pay attention to this painting..."
Qin Bing shook his head sadly, seeing that Qin Jun almost put his eyes on the painting, he slapped it with a slap, and said, "Pay attention to your breathing, don't put your breath on it, it will hurt the painting of."
Qin Bing's level of restoration of calligraphy and painting is not very good, but the maintenance of calligraphy and painting is excellent. He knows that this kind of painting, which has been handed down for thousands of years since the Tang Dynasty, is easily affected by the surrounding environment, and it will be damaged if you don't pay attention arrived.
"Brother, you were closer than me just now." After hearing what the elder brother said, Qin Jun couldn't laugh or cry. Qin Bing's posture just now made him want to take out his eyeballs and put them on the painting.
"Brother Qin Bing said, it's better to put away the paintings first!"
Qin Feng knew what Qin Bing meant. This painting was hidden in Zhao Mengfu's painting, and it should have been there for nearly a thousand years. Fortunately, the Yuan book paper has the ability to breathe, otherwise, if it is taken out so suddenly, it may rot on the spot .
"Tomorrow, I will paste this painting with my own hands, and then apply some antiseptic agents, so it will not be damaged..."
Watching Qin Feng reroll the "Picture of Sending the Son of the Heavenly King", Qin Bing's eyes were full of reluctance. According to his temperament, even if he watched it for three days and three nights, he would not get tired of it.
"Qin...Qin Feng, this...after this painting is pasted, can you show me a few more days?" Qin Bing said eagerly, knowing that in his own capacity, he should not make demands on Qin Feng.
"Yes..." Qin Feng nodded, and said, "I can't take this painting with me, Brother Qin Bing, please keep it for me first, and wait for me to release it in the future..."
Speaking of this, Qin Feng quickly stopped talking. He took it out when he originally wanted to say it, but he almost missed it.
"Okay, I'll take good care of it, and whoever dares to miss this painting, I'll fight with my life!" Fortunately, Qin Bing was just immersed in his joy, and didn't hear Qin Feng's wrong words.
"Master, you can't eat this painting, and you can't drink it, why are you so nervous?"
For the actions of Qin Feng and others, Zhang Hu on the side was already dumbfounded. He was still in the room at this moment, and Zhang Xiaotian took Jinxuan back to the room to sleep.
"Can't eat or drink?"
Qin Feng laughed when he heard the words, pointed at Qin Bing and said, "Ask Brother Qin Bing, if he is the patriarch of the Qin clan, I want half of the Qin clan's wealth in exchange for this painting, will he be willing?"
"Yes, I am also willing to change all the other things except "Lanting Collection Preface"!"
Qin Bing was still a little sober, and when he was speaking, he picked out the "Preface to the Lanting Collection" which was not worth as much as the "Picture of Sending the Son of the Heavenly King".
"So expensive?"
Zhang Hu stuck out his tongue, but stopped talking. He had only learned to read characters from his grandfather since he was a child, and he didn't understand the value of these calligraphy and paintings at all.
"Brother, let's put the drawing aside first."
Compared with Qin Bing's fanaticism, Qin Jun is a little bit better. He has regained his sobriety at this time, "There will be elders coming from the clan tomorrow and the day after tomorrow. Let's solve the problem of Qin Feng's tattoo first..."
"Yes, yes, I almost forgot the business!" Qin Bing nodded repeatedly and said, "The paint has been prepared, Qin Feng, how about we start now?"
Ordinary people with the surname of Qin recognize their ancestors and return to the clan. Originally, an elder from Qin Bing should be enough to testify. However, for an evildoer like Qin Feng who is in his early twenties and has half-stepped into strength, the clan will definitely send out elders to check.
-
PS: The second update, please recommend tickets, the middle of the month, please give a few if you have monthly tickets!
.
(End of this chapter)
"I didn't expect, I really didn't expect, I... can still see Wu Daozi's authentic work in this life?"
Looking at this painting, Qin Bing's hand holding the oil lamp trembled a little. You must know that he could make a master of Huajin look like this, which showed his inner excitement.
In fact, not only Qin Bing, but also Qin Feng, it's just that he was spreading out the scroll and couldn't tolerate the slightest mistake, otherwise Qin Feng would have jumped on the painting long ago.
"Let me see, is it really the "Picture of Sending the Son of the Heavenly King"?" After finally laying out the three-meter-long scroll, Qin Feng threw down the wooden stick and rushed to the front of the square table to examine it carefully.
The whole painting can be divided into two sections, all of which are drawn with line drawing.
In the front part of the painting, there are two gods riding auspicious beasts galloping forward. The heavenly king puts his hands on his knees with a majestic expression, his courtiers and maids have a serene attitude, and the general wants to draw his sword to prevent accidents.
Although there are many characters in the painting, and their expressions are also different, but one by one, there are rhythmic ups and downs.
In the back part of the painting, King Jingfan is holding the newborn Sakyamuni. Judging from his posture, King Jingfan is cautious for fear of hurting Sakyamuni.
The queen follows the King of Jingfan, and there is another god who greets him in panic. The whole painting depicts the identity, psychology, and form of the characters in great detail, which well reflects the conflicts and contradictions between the characters.
There are more than 20 figures, ghosts and gods, and auspicious animals in the two pictures before and after.
The characters are the majestic king, dignified ministers, kind wives, humble maids, ghosts and gods with claws and claws, auspicious beasts flying flexibly, imaginative and charming.
The unique "Wu family style" line drawing is thick and thin, and flows freely. Whether it is expressing the clothing pattern of the characters, the ferocity of ghosts and gods, or the flickering fire, it is vivid and appropriate, with ease.
"That's right, it is indeed "The Picture of Sending the Son of the Heavenly King", and it is definitely written by Wu Daozi..."
Qin Feng once saw the album of "The Picture of Sending the Son of the Heavenly King" in the Palace Museum, and this so-called only authentic work of Wu Daozi is hidden in the Osaka Municipal Museum of Art, Japan.
However, through research in recent years, the "Songzi Tianwang Tu" in Osaka, Japan is actually a copy of Li Gonglin from the Song Dynasty. That is to say, there is not even one of Wu Daozi's handed down works in the world.
But no matter how rich the imagination Qin Feng had, he never expected to see Wu Daozi's "Songzi Tianwang Tu" and Wang Xizhi's "Lanting Collection Preface" in this space.
Qin Feng believed that if his teacher Qi Gong knew about the two works here, he might be asked to jump into the vortex of the sea once, and Mr. Qi would jump down without even hitting a click.
"The inheritance of the saint of painting is immortal!" Qin Feng was pondering the authenticity of the Japanese painting by Wu Daozi, but Qin Bing's loud voice came from his ears.
"To be able to see the authentic works of Wu Daozi is really a worthwhile life!" Qin Bing has seen the works of countless masters in his life, but only Wu Daozi is missing. Seeing the authentic works of Wu Daozi today, he almost burst into tears.
For Qin Bing's excitement, Qin Feng can still understand, after all, Wu Daozi is too important in the history of Chinese painting.
Born in the Tang Dynasty, Wu Daozi was good at painting figures of Buddhism and Taoism. He was a teacher of Liang Zhang Sengxuan in the Southern Dynasty, and a close student of Zhang Xiaoshi. His handwriting is upright, majestic, vivid and three-dimensional.
Wu Daozi once made more than [-] Buddhist and Taoist murals in temples in Chang'an, Luoyang and other places, with different situations.When writing or starting from the arm, or starting from the feet, it can not lose the scale.
When painting Buddha statues with round light, house pillars and beams, or curved bows and sharp blades, Wu Daozi never used a circle or ruler, and all of them were done with one stroke.
The characters he draws are good at expressing the folds of clothes with lines shaped like orchid leaves or water shield strips, so that they have the tendency to float up and down. They are called "Wu belts are in the wind." It is called "Wu costume."
In the Song Dynasty, Wu Daozi was named a saint of painting. Song Huizong Zhao Ji admired Wu Daozi. His calligraphy thin gold body and paintings all faintly have the shadow of Wu Daozi's line drawing skills.
Therefore, before Wu Daozi's paintings, the so-called Four Great Talents in the South of the Yangtze River, the Eight Eccentrics of Yangzhou, Zhao Mengfu and Dong Qichang were all juniors among the younger generations.
However, Wu Daozi's life was mainly engaged in the creation of religious murals, and the recognized painting handed down from generation to generation, that is, this "Songzi Tianwang Picture", shows its preciousness and rarity.
Qin Feng believes that if he can bring this painting out of this space, it may cause an unprecedented earthquake in the domestic painting and calligraphy circles.
If Qin Feng is willing to auction, then the price of this painting will definitely exceed the most expensive painting in the world today, and even the prices of works by Van Gogh, Picasso and others will be refreshed by him.
"Qin Feng, come and take a look..." Qin Bing took longer to look at the painting than Qin Feng. When he saw the inscription and bell seal on one part of the painting, he immediately called Qin Feng.
"Brother Qin Bing, what's the matter?"
Qin Feng hurriedly moved over. The length of this painting is more than three meters. It is impossible to see it at a glance. Now Qin Bing, Qin Feng and Qin Jun are standing in three positions.
"Although Zhao Mengfu doesn't have Han people's festival, he finally did a good deed!"
Qin Bing pointed to the inscriptions and said, "It turns out that Zhao Mengfu intentionally created the hidden paintings in this painting. If it wasn't for him, this "Picture of Sending the Son of the Heavenly King" would have been lost in history long ago... ..."
"Huh? Sure enough..." Hearing what Qin Bing said, Qin Feng focused his attention on those small letters that were exactly the style of Zhao Mengfu's writing.
Zhao Mengfu's inscription tells about a secret incident nearly a thousand years ago. When he took this "Picture of Sending the Son of the Heavenly King" into his hands, it happened that the emperor of the Yuan Dynasty called him to Beijing to be an official.
In order to prevent mistakes, Zhao Mengfu spent a lot of effort to draw the worst work in his life, and then hid the "Songzi Tianwang Picture" in it.
Zhao Mengfu lived his life smoothly and encountered few ups and downs. When he was dying, he recruited his descendants to his side and solemnly passed this painting on to his son.
It's just that Zhao Mengfu was afraid that future generations would sell the painting for money, so he didn't reveal the secrets in the painting. After the painting went through the Ming Dynasty, it accidentally fell into the hands of the shopkeeper Zhou's ancestors in the late Ming and early Qing dynasties. on hand.
Shopkeeper Zhou's ancestors were great Confucians of the Ming Dynasty, who refused to be officials in the Qing court. Later, under the guidance of the royal family of Qindu, they entered this paradise, and the encounter between this store and Qin Feng happened.
The latter are all speculations by Qin Feng and others, but they are basically indistinguishable.
"Qin Feng, your luck is really great!" Qin Bing looked at Qin Feng with a strange look in his eyes, and he was thinking in his heart, could it be that the legends that the emperor will be lucky are all true ?
"It's just luck..."
Qin Feng smiled and waved his hands. In fact, he just suspected that there was a painting in this painting, but he was not sure. In addition, the currency unit of this space was worthless in Qin Feng's eyes, so he bought it.
If it was exchanged for the money in Qin Feng's world, if five taels of fine steel was equivalent to hundreds of thousands, Qin Feng might not be willing to gamble on it. Speaking of which, it was really a coincidence.
"I used to go to Lao Zhou's store when I was free, and I didn't pay attention to this painting..."
Qin Bing shook his head sadly, seeing that Qin Jun almost put his eyes on the painting, he slapped it with a slap, and said, "Pay attention to your breathing, don't put your breath on it, it will hurt the painting of."
Qin Bing's level of restoration of calligraphy and painting is not very good, but the maintenance of calligraphy and painting is excellent. He knows that this kind of painting, which has been handed down for thousands of years since the Tang Dynasty, is easily affected by the surrounding environment, and it will be damaged if you don't pay attention arrived.
"Brother, you were closer than me just now." After hearing what the elder brother said, Qin Jun couldn't laugh or cry. Qin Bing's posture just now made him want to take out his eyeballs and put them on the painting.
"Brother Qin Bing said, it's better to put away the paintings first!"
Qin Feng knew what Qin Bing meant. This painting was hidden in Zhao Mengfu's painting, and it should have been there for nearly a thousand years. Fortunately, the Yuan book paper has the ability to breathe, otherwise, if it is taken out so suddenly, it may rot on the spot .
"Tomorrow, I will paste this painting with my own hands, and then apply some antiseptic agents, so it will not be damaged..."
Watching Qin Feng reroll the "Picture of Sending the Son of the Heavenly King", Qin Bing's eyes were full of reluctance. According to his temperament, even if he watched it for three days and three nights, he would not get tired of it.
"Qin...Qin Feng, this...after this painting is pasted, can you show me a few more days?" Qin Bing said eagerly, knowing that in his own capacity, he should not make demands on Qin Feng.
"Yes..." Qin Feng nodded, and said, "I can't take this painting with me, Brother Qin Bing, please keep it for me first, and wait for me to release it in the future..."
Speaking of this, Qin Feng quickly stopped talking. He took it out when he originally wanted to say it, but he almost missed it.
"Okay, I'll take good care of it, and whoever dares to miss this painting, I'll fight with my life!" Fortunately, Qin Bing was just immersed in his joy, and didn't hear Qin Feng's wrong words.
"Master, you can't eat this painting, and you can't drink it, why are you so nervous?"
For the actions of Qin Feng and others, Zhang Hu on the side was already dumbfounded. He was still in the room at this moment, and Zhang Xiaotian took Jinxuan back to the room to sleep.
"Can't eat or drink?"
Qin Feng laughed when he heard the words, pointed at Qin Bing and said, "Ask Brother Qin Bing, if he is the patriarch of the Qin clan, I want half of the Qin clan's wealth in exchange for this painting, will he be willing?"
"Yes, I am also willing to change all the other things except "Lanting Collection Preface"!"
Qin Bing was still a little sober, and when he was speaking, he picked out the "Preface to the Lanting Collection" which was not worth as much as the "Picture of Sending the Son of the Heavenly King".
"So expensive?"
Zhang Hu stuck out his tongue, but stopped talking. He had only learned to read characters from his grandfather since he was a child, and he didn't understand the value of these calligraphy and paintings at all.
"Brother, let's put the drawing aside first."
Compared with Qin Bing's fanaticism, Qin Jun is a little bit better. He has regained his sobriety at this time, "There will be elders coming from the clan tomorrow and the day after tomorrow. Let's solve the problem of Qin Feng's tattoo first..."
"Yes, yes, I almost forgot the business!" Qin Bing nodded repeatedly and said, "The paint has been prepared, Qin Feng, how about we start now?"
Ordinary people with the surname of Qin recognize their ancestors and return to the clan. Originally, an elder from Qin Bing should be enough to testify. However, for an evildoer like Qin Feng who is in his early twenties and has half-stepped into strength, the clan will definitely send out elders to check.
-
PS: The second update, please recommend tickets, the middle of the month, please give a few if you have monthly tickets!
.
(End of this chapter)
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