The Inheritance of Culture and Entertainment

Chapter 200 Hand-painted Patterns
The relevant knowledge given by the system includes how it was lost and when it was passed on.

That's why Jingzhou was able to have such an understanding of the development of these intangible cultural heritage techniques at this time.

Mo Wanting originally had a new understanding of Jingzhou based on a series of titles in Jingzhou.

I think this should be a treasured figure of the Intangible Cultural Heritage Association.

He is also a "future boss".

But when she truly accepted Jingzhou's teachings, she truly realized how capable Jingzhou was.

Why was Xu Sulei willing to support him like that? He seemed to want to cooperate at all costs.

Even if he offended Qin Xiao, he would not hesitate to do so.

Now it seems that these are not without reasons.

Compared with Jingzhou, who is Qin Xiao?

I heard that they have all been expelled from the school now.

I don’t know how to survive in the future.

No matter where he is, if he is despised by his master and is expelled, others will definitely suspect that there is something big wrong with him.

Otherwise, it would not have reached such a point.

When others talk about cooperation, they will definitely consider it.

Not to mention in a circle of intangible cultural heritage that attaches great importance to the inheritance of masters and disciples.

This person is afraid that he has come to an end.

However, Mo Wanting listened to Jingzhou and followed the topic and briefly introduced several other traditional printing techniques.

If you offend Jingzhou, you are not considered innocent.

She now regrets offending such a big boss.

Where do we need to wait for the "future"?
He is a boss now!
With such a full stomach of knowledge, this is probably not a living encyclopedia of intangible cultural heritage!
Even if she doesn’t know much about intangible cultural heritage.

But she was still clear about the basics, including the many non-lost skills, the serious lack of information, the inability to study the lost knowledge due to faults, etc.

It should be said that it only takes a little understanding.

We can know that these huge problems existing in intangible cultural heritage are also difficulties that the inheritance of intangible cultural heritage must face.

But when facing Jingzhou, these problems seemed to be fake and did not exist.

Although Mo Wanting was arrogant, he was not a fool who really didn't know anything.

Her intestines were almost turning green at this moment.

Why bother him when you have nothing to do?
Obviously, the previous jewelry props issue on the set had nothing to do with her.

Whether it's Qin Xiao or Gu Yongcheng, how can it be so important?

Now that I think about it, I was really at a disadvantage because I didn’t know enough information!

In the future, we still need to investigate clearly.

Even if you want to lose your temper or bully someone, you must make sure that the other party really has no way to come back.

Otherwise, you will leave yourself with future troubles.

After Jingzhou finished explaining the general knowledge, he also implicated other knowledge for them.

This wasn't planned either.

It's just that he got used to it when recording videos or live broadcasting.

Expand your knowledge.

In a limited time, output more information.

He had not prepared the teaching content this time.

After all, it was not clear before whether I could choose the teaching content myself.

I'm still not sure what kind of students I will choose.

Which aspect needs to be taught.

There is no special preparation.

It can be said to be improvised at this point.

But he had taught Huang Yuhong and Zhu Jinming before.

Then I also filmed instructional videos.

Already very familiar.

At this time, I feel confident when teaching.

There is nothing stagnant to say the least.

Very smooth.

It is also because he has taught others that he has a little grasp of the key points of teaching.

Of course, out of Zeng Xinyi's understanding, he changed it slightly to make the content more understandable.

Zeng Xinyi also experienced the joy of being a Jingzhou student.

After all, it is different from when I learned hand-making before.

There is no level of difficulty.It could also be that his talent is negative in terms of manual work.

At least for now, it seems that he has accepted the knowledge of batik well.

After explaining the basic knowledge, Jingzhou started to draw the patterns while introducing the basic pattern styles to them.

“Tie-dyed patterns need to be combined with knotting techniques.

Batik can be drawn directly, and then use wax as a resist to express it.

We will learn how to get the desired pattern specifically later.

Now let me first introduce you to the basic patterns.

When you are studying, you can also think about what kind of patterns you want for your future works. "

Jingzhou was very familiar with these patterns as he had tried them before.

It was also because when I was learning filigree inlay, I also learned how to draw designs.

I even taught myself painting tutorials.

It can be considered as having a foundation in painting.

At this time, you don't even need intelligent auxiliary tools to create patterns.

You can draw it with your bare hands.

“If you are not skilled at it at the beginning, you can use tools.

In fact, whether it is batik or tie-dye, most of the patterns are symmetrical.

In terms of painting, it's not that difficult.

Although there are still certain differences in the styles of the two.

But they all have strong national customs. "

In fact, these two printing and dyeing techniques are indeed used more by ethnic minorities.

Zeng Xinyi listened very carefully and had experience in taking classes with Jingzhou.

He also learned to take notes.

Although he didn't take notes during serious classes.

After all, in serious classes, the teacher always has handouts.

They just need to download the handout.

No need to take extra notes yourself.

Moreover, many of their courses still require practical exercises.

Then there is no need to take notes.

But the Jingzhou lectures not only lacked handouts.

I also like to spread out.

He himself may not even know what this class will cover.

Usually a theme is decided and then played out as the class goes.

There is a lot of content that cannot even be found on StarNet.

There is no way to check the information.

I can only write it down myself.

Mo Wanting looked at Zeng Xinyi taking notes with some contempt in his heart.

We are all good friends, why do we still need to act like this to help our friends improve their status?

In fact, she wanted to say that Jingzhou did not need such behavior to improve his status.

After all, the knowledge in his mind is his greatest reliance.

But listening to it, she seemed to understand the purpose of Zeng Xinyi's notes.

Because she discovered that after Jingzhou explained the pattern, he directly canceled the original drawing and then continued to draw the next pattern.

Not saved at all!

She looked a little stunned.

Is there such an operation?
If you don’t save it, will it be difficult to use it next time?

It seems that it is indeed possible.

What he is doing now is painting.

She was a little shocked.

Although I already know the power of Jingzhou in my heart.

But she really didn't expect that Jingzhou could shock her like this.

What kind of fairy is this?
Even the drawn patterns do not need to be saved.

She originally thought that Jingzhou had prepared it in advance.

Now just memorize it.

Unexpectedly, people recited it, not this time, but every time!
(End of this chapter)