The Inheritance of Culture and Entertainment

Chapter 202 Open a small stove
Some people are like this, always feeling that others are nothing special.

I feel that I am the most powerful.

Things that have not been tried can of course be defined as you like.

There is no way to verify it.

Jingzhou doesn't care about this at all.

Although he does only have a superficial understanding of some intangible cultural heritage skills.

But there is a system, and that little bit of knowledge can evolve into a continuous and complete knowledge system.

He doesn't need to worry about misleading the public.

The existence of the system completely eliminates this possibility.

After briefly explaining the patterns, Jingzhou stopped.

He is not going to set class time and then go to and from get out of class according to the time.

Mainly based on content.

get out of class ends when the content is finished.

Everyone is an adult.

It's not the kind of class where you can't concentrate after a long class.

There is no need to arrange it that way.

Moreover, the content has not been finished. If you continue after a break, you may sometimes not be able to connect.

“That’s it for this part.

If there is anything else you want to know, you can ask me individually.

The next time is up to you, you can design the pattern and fabric you want. "

Jingzhou also made use of his free time.

After all, it is impossible for everyone to take a break for only ten minutes.

In fact, no matter whether it is class or rest, everyone is actually working.

It's all work.

Mo Wanting now knew what he should do.

But I don't know how to make it.

She knew now that she should choose a piece of fabric and design a pattern.

But I don't know what I want.

Maybe it's her nature to be entangled.

Jingzhou ignored her.

Walked to Zeng Xinyi and started Xiaozao teaching.

“Batik is a bit different from tie-dye.

After designing the pattern with tie-dye, you can start using the corresponding tying technique.

But batik requires transferring the pattern to fabric first and then tracing it over with wax.

Moreover, the fabric requires some special processing.

First, bleach and wash it with plant ash, then press cooked taro into a paste, apply it on the back of the cloth, dry it in the sun and smooth it.

The pattern is transferred to the cloth. The traditional technique is to use a pin dipped in blue ink and pierce the white cloth one needle at a time.

Of course, there must be a more convenient and simpler way now.

We've tried improvements before.

There are also certain results. "

Jingzhou came to talk to Zeng Xinyi, of course Mo Wanting was always paying attention.

She knew that Zeng Xinyi had a good relationship with Jingzhou.

If these two people leave her and open an extra small stove because of their personal friendship, won't she suffer in vain?
On the surface, she seems to be still thinking about how to design.

In fact, all his attention was focused on the conversation between the two people.

After discovering that the conversation was about batik, she still did not let down her guard.

Listened carefully to all conversations.

She doesn't have a good relationship with Jingzhou herself, so this kind of extra reminder is probably impossible.

Now that you can listen to it more, of course you can’t miss it.

Her little moves thought they were disguised, but they were actually very obvious.

Both Zeng Xinyi and Jingzhou noticed it, but they didn't say anything, they just listened and didn't pay attention.

Jingzhou believes that there is nothing that cannot be heard.

It doesn't matter what anyone else listens to.

He told Zeng Xinyi some of the differences in batik.

Tell him what tools he should use to achieve the desired effect.

Such as sun drying.

If you really want to dry it in the sun, you have to watch the weather.

If the weather is bad, wouldn't it be possible?If the plan cannot be completed, can we just wait to be punished?

This is of course impossible.

With the current level of technology, it is completely possible to simulate the light intensity required for drying.

Intelligent restoration of simulated outdoor lighting conditions.

Can achieve the same effect as drying.

It can also shorten the time required.

After all, the weather is uncontrollable.

But smart tools can.

To transfer the pattern to the white fabric, there is no need to poke it stitch by stitch with a pin.

This is too time consuming.

The workload is still heavy.

Now there are many ways to transfer the outline of the pattern to the white cloth.

Disappearing pens are a good option, as are transfer machines.

It is entirely possible to restore the pattern to the exact same proportions.

Zeng Xinyi has studied painting, so this operation is not unfamiliar to him.

Jingzhou quickly told Zeng Xinyi some alternative methods that he, Huang Yuhong and Zhu Jinming had discovered during their research.

Also make it as convenient as possible for him.

Mainly to be able to complete what he needs to complete within the plan.

Mo Wanting saw Jingzhou talking for a long time before finally finishing.

Let Zeng Xinyi do it himself.

Zeng Xinyi didn't seem to hesitate.

Just started doing it.

She has no idea yet.

For a moment, I didn’t know what I should do.

After thinking about it and struggling for a while, I couldn't help but ask for help.

"Teacher Jing, what issues do you think I should pay attention to during the production process?"

She wanted to get help from Jingzhou.

But as soon as the words came out, he still found an excuse to ask.

He is in a dilemma if he doesn't want to reveal that he has actually done nothing and doesn't know what to do.

When Jingzhou heard her question, he couldn't pretend not to hear it.

For those who really want to learn intangible cultural heritage, no matter who they are, he is willing to help and answer questions.

“Tie dyeing is actually relatively simple if you just want to do it.

The difficulty lies in how to tie the desired pattern to achieve the desired effect.

You can now pick a piece of fabric and then think about what kind of pattern distribution you want.

It's best to choose patterns like those I listed before.

In this way, there are ready-made knot tying methods that you can learn directly. "

Jingzhou gave his advice without hesitation.

There didn't seem to be any intention of holding a grudge.

This made Mo Wanting feel ashamed.

They are all bosses, maybe they really don't have the heart to care so much about themselves.

Maybe this is a different pattern.

In fact, Jingzhou is not so selfless and can ignore old grudges.

But in front of intangible cultural heritage, his father would not let other personal feelings affect him.

But that doesn't mean he doesn't hold grudges.

Mo Wanting didn't know that this was Jingzhou's attitude towards intangible cultural heritage.

Because of Jingzhou's patient answer, she gained some courage.

Following the topic, I continued to ask Jingzhou about the selection of fabrics and the arrangement of patterns.

It was as if Jingzhou was trying to start a small stove for her.

Instead, it was Jingzhou’s real good brother who was studying on his own.

Jingzhou was surprisingly patient when faced with the teaching of intangible cultural heritage.

Even if Mo Wanting asked him about this and that, he would explain everything carefully.

Mo Wanting asked around, and finally got a clue.

At least there is a direction to start with.

(End of this chapter)