The Inheritance of Culture and Entertainment

Chapter 63 The Craftsman

This packaging fixation method is very authentic.

Fix the work completely, so that the work will not be deformed by collision.

It can give the work good protection.

It is obvious that Jingzhou not only attaches great importance to his works, but also treats every work with great care.

There should also be a good master.

These techniques are all based on personal habits and are different from anything she has ever seen.

But very practical.

It's obviously someone else's experience.

It depends on Jingzhou’s age and the number of works he has displayed.

It should not be enough to support him in summarizing such experience.

She was curious about Jingzhou's master.

But such an expert always has his own temper.

She is just acquainted with Jingzhou now.

It's not good to ask directly.

She made up her mind that when she got to know Jingzhou, she would definitely ask him.

If only she could communicate with such an expert.

Maybe we can break the bottleneck and go one step further.

Jingzhou handed the velvet flower to Jiang Yirong.

“No problems, no bumps.

You kept it well! "

Jiang Yirong checked it over and couldn't help but praise.

She wrapped the work again.

“I’ll take it to the exhibition hall and put it away later.

After that, arrange the exhibition at the museum and give it to them. "

Jingzhou handed the things over with his own hands, feeling that something had been accomplished.

Seeing Jiang Yirong's careful treatment of his works, I also admire these masters' care for intangible cultural heritage even more.

I am also very pleased with the feeling that my work is cherished by others.

Only then did Jingzhou reveal the purpose of his visit.

“When I came to the Intangible Cultural Heritage Association this time, I also wanted to see the existing paper materials.

I heard that all inheritors of intangible cultural heritage can visit here. "

He looked forward to it.

Jiang Yirong turned his head when he heard the words, as if hearing a child's tentative wish.

I can't wait to satisfy him.

"Of course! I'll take you there!
I'll go take a look almost whenever I have nothing to do here.

No one knows better than me! "

She is very enthusiastic.

As the director of the handicraft department, Guo Chunting agreed readily.

"exactly!

These paper materials are relatively fragile, and the original ones need to be well preserved, which is why they are not exhibited outside.

Since you want to go, let Master Jiang take you there to see it!

If you still want to see it in the future, you can come over anytime!

As long as there is someone here, you can enter the paper data storage room and view it at will. "

Information is meant for people to see.

If you just put it away in a high cabinet.

Cultural relics and antiques have also lost their most intrinsic value.

"Aren't you going to trouble Master Jiang?"

Jingzhou thought it would be fine to watch alone.

He can also take notes and stuff.

I don’t know if I can take pictures here.

"No trouble, no trouble!"

Jiang Yirong waved his hand.

Then he took Jingzhou away.

Show with practical actions that she is really happy.

“We are in the manual department.

If you want to go to the paper data storage room of the Manual Department, you can go there at any time.

If you want to go to other departments, you need to make an appointment in advance. "

While walking, Jiang Yirong popularized some common sense for Jingzhou.

Jingzhou was very grateful and wrote down everything she said.

Regardless of whether it will be used or not in the future.

This kind of heart is really rare.

When new employees join the company, old employees may not be willing to pass on all their experience.

Not to mention that they are no longer colleagues.

The exhibition halls here are not closed.

Only after get off work, when no one is at the Intangible Cultural Heritage Association, will it be closed together.

“This is the information donated by Mr. Huang.

It is a record of filigree and filigree techniques in gold and silver joinery.

The picture of the velvet flower was also donated by Mr. Huang.Because filigree uses gold and silver filigree craftsmanship.

At that time, it was classified as gold and silver fine work. "

Jiang Yirong walked to a booth and introduced it to Jingzhou.

He also pointed out the picture of velvet flowers.

Jingzhou had only seen the electronic version of the picture before.

Didn't see the original picture.

But it also felt very clear.

Details can also be seen clearly.

I thought it was well preserved.

Unexpectedly, the original picture was even more unclear.

It may have been restored using technological means.

Looking at the yellowed paper picture.

Jingzhou felt a little emotional for a moment.

I wonder if his previous drawings have been handed down.

Will it also become this yellowed appearance?

“In the production process of many jewelry, gold and silver joinery techniques are used to a greater or lesser extent.

In ancient times, gold and silver were used as materials to make various utensils because they were not easily deformed.

There are many ways to make gold and silver, involving many processes and integrating many skills.

A series of processes including drawing, sculpture, mold turning, assembly, welding, glue filling, painting and engraving, surface treatment, cloisonné, inlay, assembly, etc.

Hammering, filigree, tired wire, bead blasting, welding, inlay and other processes.

Goldsmithing is not a simple craft.

Crucible smelting techniques, chisel carving techniques and polishing techniques for bronze mirrors.

Various.

Nothing is easy.

Not to mention integrating it all. "

Jingzhou really admires those masters of gold and silver craftsmanship.

When he was learning filigree inlay, the master he followed was a master of filigree inlay.

There are also masters of gold and silver workmanship.

Those masters are no longer young.

The hand is really steady.

No timing measurement is required.

You can tell how much solder to use with just a pinch of your hand.

Just pick up the spray gun and you'll know where to burn and how long to burn.

That is the experience accumulated through many works.

It takes time to grind.

An apprentice can learn a skill in three years.

Basically, I just know how to do it, but I can’t say I’m proficient.

But those who have studied with the masters for more than four years are rare.

Many people change careers in their fourth and fifth years.

After Jingzhou learned filigree inlay, it can be said that he did not change his career.

But it is not an orthodox profession that only specializes in this industry.

Something like craftsmanship becomes very obvious if you don't do it for a long time.

You can't lie to others, and you can't lie to yourself.

The inheritance was so difficult in the beginning.

Nowadays, gold and silver workmanship can still be worn.

These masters are really indispensable.

It’s enough to imagine the difficulty involved.

“The craftsmanship of gold and silver marquetry is complex and requires accuracy and finesse.

Need to calm down. "

Jiang Yirong also has a deep understanding of this.

She learned the art of gold and silver joinery all over.

Some of them were researched by her based on data.

But there are still some processes that cannot be reproduced.

Listen to Jingzhou explain each process and craft.

She was even more convinced.

There must be some expert guidance in Jingzhou.

This information is not accessible to ordinary people.

Even the heirs of gold and silver craftsmanship, the younger generation, may not know the complete process.

“Nothing is easy to learn.

Both take time.

Nothing is achieved overnight.

Crash, after all, can not stand the exquisite. "

Jingzhou has always felt that if you want to get something, you have to pay for it.

Blindly wanting something in return but being unable to pay is like waiting for pie to fall from the sky.

Although he traded with the system, he never thought of getting something for nothing.

(End of this chapter)