Respawn Entertainment: Days of Glory

Chapter 275 I’m still young, I’m still young (please subscribe, please vote)

Bian Lang didn't care what the two girls thought. After finishing writing, he handed the score to Liu Jiayun and said, "Half an hour should be enough for you to practice, right?"

Liu Jiayun saw four sections at a glance, and said with a confident expression on his face: "That's enough!"

It was only then that the violinist named Tao Xingyue spoke for the first time: "Teacher Bian, what about me?"

"Just play the prelude to "Believe in Yourself"..."

Saying this, Bian Lang was thinking that if Liu Jiayun could do it, then it would be necessary to form a band like Apocalyptica.

Not to mention anything else, just the theme songs of the island country anime series "No One Can Beat Me in My BGM" performed by Apocalyptica at Station B during the New Year's Eve are definitely very explosive and explosive.

Although this world does not have animations such as "Fairy Tail" and "JOJO", even if the animation itself is not included, these are excellent music...

While wandering around in Bianlang, Tao Xingyue had already taken out his violin and was getting ready to play.

She probably guessed that Bian Lang would ask her to do this before she came, so she consolidated it countless times in the past few days.

When the exciting piano sound sounded, Bian Lang also drew his attention back to Tao Xingyue's performance. After only 8 bars, Bian Lang could hear the biggest difference between her and Dong Shuxian's playing of this piece.

Comrade Lao Dong's performance naturally has nothing to say technically, but the technique, technique and experience are all too mature, giving people a bit too perfect, but it lacks some of the unpredictability that rock should have.

In other words, even if I ask him to do it a thousand times, it will still be perfect without any problems.But there is no possibility that there may be changes that will bring surprises to people.

Compared to rock music, which focuses on live atmosphere, the fear is not that it is wrong, but that it is not infectious!

Just like the God-level scenes created by various mistakes such as broken sounds, wrong playing, etc., it is very likely to happen with Comrade Lao Dong.

As for Tao Xingyue, although she is not as skilled as Comrade Dong, Tao Xingyue's grainy timbre may not be outstanding in the orchestra when it comes to arpeggio interpretation, but it is very suitable when used alone and blended with rock music. of.

With this judgment, Bian Lang can basically make a judgment.

Because Comrade Lao Dong still has the status of a university professor, it is impossible for him to go to all performances, so if Tao Xingyue can adapt to it, he will be a good substitute.

Of course, the test for her cannot be just a little bit.

There are many rock music that incorporate violin, but Bian Lang still followed the way of thinking just now and focused on Chinese rock music.

When it comes to a band with a regular violinist, Magnum Youth Hostel must be the most unavoidable first choice.

Moreover, Wanqing's most impressive thing is that he can arrange these orchestral and popular Western instruments using the traditional Chinese pentatonic scale.

For example, the violin solo in the song "Heart-wrenching Joke and Long Daydream" lasts for more than a minute, which is full of the long and long tones of the pentatonic scale of Gong, Shang, Jiao, Zheng and Yu.

There is also the interlude after the end of the first verse of "Kill That SJZ Man". Liu Kuo has already played the fiddle and the morinouqin so stupidly that he can't tell the difference.If it weren't for the last few clicks of the bow, even a professional would be hard-pressed to distinguish it by listening only with his ears.

But if you play the pentatonic scale too much, you will inevitably be labeled as folk music. If Wanqing's skills stop here, then it won't be called Wanmian Youth Hostel, and it should be renamed Wanmian Youth Twelve Band.

Therefore, these brothers will still show off the blues scale, the ancestor of rock music.

For example, in "The Impossible Comedy", the violin and flute parts can repeatedly rub the sounds la, do, re, mi, mi, and so, creating a blues atmosphere, which gives people a sense of being in the blues. In the industrial park, there is an image of a bistro that is open all the time.

Thinking of this, Bian Lang asked Tao Xingyue: "How well do you know the pentatonic scale and the blues scale?"

Tao Xingyue was a little dumbfounded when he heard this. If you want to know it, you must know it. After all, the pentatonic scale is something left by the ancestors. Even if you don't know why, you must know it.

But she has always played classical music. Isn't it a bit too much for Bian Lang to use the pentatonic scale to test her in school?

Moreover, what puzzled him the most was when did Bian Lang, a rock player, get involved with folk music again.

But she was not an outspoken person like Liu Jiayun. Although she thought so, it was impossible to ask directly.But after thinking for a while, he said: "I know a lot about the blues scale, and sometimes I often use it for accompaniment work. As for the pentatonic scale, I only know the principles, but if the teacher needs it in the future, I can learn!”

When Bian Lang heard this attitude, he thought it would work.

After all, before Wanqing, he himself had never seen anyone play the pentatonic scale to that extent using a Western instrument, let alone the fiddler from Aqua Blue Star.

Thinking of this, Bian Lang continued: "Leave your contact information. When I give you a sheet of music, come back and come back to me after you practice."

Whether it's "Heart-wrenching Joke and Long Daydream" or the interlude of "Kill That SJZ", Bian Lang can't just take a moment to write the score here, so that he can review it carefully. By the way, he brought over all the songs he still remembered from Wanqing.For a band like this that still has many fans after 10 years of recording one album, the quality of the music goes without saying.

Hearing this, Tao Xingyue naturally thought about it: "It seems that the score Teacher Bian wants to give me is more difficult than Jiajia's."

After nodding in agreement, Liu Jiayun also finished preparations and came over from another rehearsal room.

"Teacher Bian, I'm ready here. Can I start now?"

Bian Lang nodded and said, "Okay, I'll give you this part as the prelude to the song. After you finish playing it, you'll get into the main song. Then you can play freely. You can try playing the double bass and add some improvisation." inside……"

Speaking of this, Liu Jiayun started to get a little excited.

This time, she had to improvise, which was a method she didn't expect but that she recognized.

After all, she was very sure before she came that Bian Lang would not use various classical music pieces that they were already familiar with to test their skills and adaptability.So, the most likely thing is improvisation.

This is her favorite too!
After all, a large number of music scores have not changed for decades. Although it is a irritating thing for young people, it is also the culprit of obliterating creativity...

Thinking of this, she didn't even find a stool to sit down on, she straightened up and started to pull up.

Looking at this posture, Bian Lang felt that it felt a bit pocalyptica!

If you really join a rock band and find a stool to sit on the stage and pull up, but you can't even get high, how will you stimulate the atmosphere below?
The worst thing to do is to imitate Ouyang Nana, who collaborated with Penicillin on Lexia, and tie her body with shoulder straps while standing up.

Of course, making no mistakes is a big prerequisite!
Otherwise, everything is in vain, it would be easier to record an accompaniment.

As Liu Jiayun's bow skipped four measures on the four strings, Bian Lang, who had already picked up the guitar, started to play and follow, and what followed was the well-toned Chinese song: "In this world , looking for your dream, you asked me where my dream is, I am still young, I am still young..."

When Bian Lang heard this song, he heard the voice of the lead singer and the name of the band, and thought this was a "Dutch" band?

When he later learned that this band was from Wanwan, he was really shocked.

Their music is obviously influenced by Wanqing, and they even named themselves "the band" rather than "the orchestra" like other Bayan bands, which is a bit "rebellious".

As for the band name "Laowang", it is exactly what you imagined. The English name of their band is "Your Woman Sleeps with Others!"
At that time, Bian Lang thought this band was so interesting!

At this time, under the brisk and jumping main song melody, Liu Jiayun also followed the prompts given by Bian Lang and began to change the playing technique of double bass to plucking, replacing the bass to support the bass part of the melody.

"They all say that we have forgotten our ideals. In those frivolous days, I will not cry or escape..."

Zhou Ketong, who had already taken out his mobile phone to record, now began to mutter in his heart: "Fortunately, I didn't do anything else, otherwise I would have missed the birth of a good song again."

But at the same time, she was also struggling with whether she should broadcast the song to the evening after recording.

After all, there are still many holes waiting for Bianlang to fill in the sandpit of Bianlang Chaohua.With the company's current development strategy, he probably wouldn't start recording new songs if he didn't bring over either Olaf or Liu Ziyang.

Just when she was thinking about it, the most essential lines of the song popped out: "Give me a bottle of wine, give me a cigarette, and let's go. I have plenty of time... I don't want to be here In the days to come, I will cry alone and be unable to move forward..."

At the same time, Liu Jiayun also changed the dialing to pulling according to his own understanding, and started playing with Bian Lang impromptu.

This chorus part is also what Bian Lang thinks is the biggest difference between Lao Wang and Wan Qing, that is, the melodic nature of the lyrics is much better than Wan Qing's.

Because for most of Wanqing's songs, the most outstanding part is actually the solo, especially Shi Li's superb trumpet, which is even more memorable.

In this song, Laowang Band not only solved the "no trumpet" bug, but even under the shadow of Wanqing, they still cannot hide the fact that their songs are more popular.

Although they also have long solos for you to enjoy, it is obvious that the success of Laowang Band still depends on their more catchy lead melody and lyrics that are much easier to understand than Wanqing.

When Bian Lang suddenly raised an octave, singing with a bit of hoarseness and roar: "Give me a bottle of wine, give me a cigarette, let's go, I have plenty of time... I don't want to spend the next few days..." , crying alone and unable to move forward..."

Liu Jiayun felt that the words sang directly into her heart. She felt that coming here today was the most correct thing she had done in music in her life!
Just like what the lyrics say: "Just leave, I have plenty of time... I don't want to cry alone and be unable to move forward in the days to come..."

Because: "I'm still young, I'm still young!"

(End of this chapter)