Respawn Entertainment: Days of Glory

Chapter 489 Bian Lang’s foreshadowing, "Moon Dream" , ,
The most present musician must be the guitarist. When they heard this fingerpicking medley between the two, almost all of them were in a state of despair.

It doesn't matter how difficult this section is. As long as everyone here devotes time and energy, they can conquer it in a short time.

The tacit understanding and ease with which Bianlang and Dili cooperate is the fundamental reason why these guitarists admire them. To be honest, the Rolling Stones' configuration of musicians is the envy of all the bands present.

The three guitars are not low in all levels, and there is much room for them to play in the arrangement, especially the live arrangement.

For example, for the current song "Spring Silkworms", you can hire outside help to record the song in a studio, but now when performing, issues such as tacit understanding will greatly affect the final effect.

Just when the mix of the two electric guitars was coming to an end, the simulated sound of spring silkworms spinning silk appeared in the synthesizer. After just one beat, the drummer added a groove to open up the solo of the electric guitar. prelude.

Ding Tong, who was playing solo, took two steps forward, and the sound as clear as a stream began to spread slowly, and a beautiful picture began to be traced on the surface of the stream.

Even Li Li was a little stunned when he heard it. He came to his senses after being lightly touched by Bian Lang and changed his electric guitar.

For Bian Lang, the biggest regret in his previous life was that he had not seen the Tang Dynasty brothers perform this song live. In fact, he suspected that after recording this song, the brothers might not be serious. Performed live publicly.

However, Bian Lang knew very well that this section was played by Brother Wu, and everyone who is close to the circle knows that this song is the third version based on "Moon Dream", which can be regarded as an insert. Electric's "Moon Dream".

"It's good, but it takes too much effort on my hands and eyes. Even if Rolling Stone gave me the score, I wouldn't have the intention to play it!"

While everyone was having a heated discussion, Li Li, who had already put on an electric guitar, walked up behind Ding Tong.

“I really don’t understand how Bian Lang, a lead singer, is so good at writing electric guitar solos?”

《月梦》起初是唐朝同名专辑里的一首歌，原曲只有4分49秒。97年《再见张炬》那张专辑上的《月梦》是第二版，时间达到了惊人的8分48秒。

Bian Lang heard the second version of "Moon Dream" live at Beizhan. Although the difference between Ding Wu's voice at the scene and the studio version was a bit obvious, this did not prevent him from singing and making many fans cry at the scene.

But now the ones with sore eyes are the guitarists at the scene and the techies online!
"You are truly worthy of being a cowardless member of the Rolling Stones. Uncle Ding is definitely as elegant as before!"

With the assistance of Ding Tong, Li Li once again stunned a group of professional guitarists with a grainy fast playing.

The person who went with him at that time was Jiang Han. After listening to this, Jiang Han said to Bian Lang: "I used to think that Li Hongqi was the one with the most similar temperament to Ding Wu in the band. After listening to him singing "Moon" "Dream", I feel that I was a bit wrong... Li Hongqi will never have the temperament of Ding Wu in this life! "

At the 1 minute and 20 second mark, the two of them stepped on the pedals at the same time, and the tone of the electric guitar changed from the clear tone before to a highly distorted metal tone.

"It's amazing to train this guy. I feel like after practicing on the Guitar Throne at Xiaopo Station, this guy has soared in an instant!"

"It's so powerful! After "Between Fingers", Li Li can really be regarded as a master!"

"Isn't Bianlang more awesome? There's no reason why he can't play the music he arranged, right?"

Just when everyone was gradually getting used to the high-speed playing, he pulled the rocker and made a "horse cry", which was an obvious warm-up for the changes in the next section.

"They are all tentacle monsters! Rolling Stone, I advise you to be kind!"

Ding Tong's solo started at 47 seconds and played until 1 minute and 20 seconds before starting the second section. During this period, he used all the electric guitar playing techniques he had known in his life.

"Zhou Cao, it's true! He can write, compose, and play. It's a blessing for rock people like us to have him in this Chinese rock circle!"

Ding Tong switched from the main music to the rhythm sweeping the rough rhythm to pave the way, handing over the solo task to Li Li.

"I suggest that the Rolling Stones open an instrumental performance school. With so many great musical instrument performers out there, I don't believe it will be any worse than what is taught at several major music academies!"

Even he felt that it was a bit difficult to chew off the hard bone. When he watched Bianlang play the ball for the first time, he felt that Bianlang had played it hundreds or thousands of times. Especially the chords around the 22nd fret, which made his eyes sore at the time.

Many people with attitude don't have the skills, and those with skills don't have the attitude of the seniors, just like a band like Tang Dynasty that pursues quality over quantity!
Although "Spring Silkworm" on the album "Gift" in 05 is said to be the third version of "Moon Dream", in fact, if you don't point it out, even some music fans who are very familiar with the Tang Dynasty may not be able to listen to the prelude. Tie the two songs together.

In fact, the temperament of that wave of old bands at that time, as long as they were not bad commercial performances, would be difficult for new bands to compare with.

It was this "horse braying" that suddenly raised the heart rates of the people present. More than 90% of the rock fans present had seen Dili perform on "Between Fingers", and the "horse cry" was still fresh in their memory!

How can they not be excited now that they can watch and listen with their own eyes and practice this on the spot? But because of Zhang Ting's instructions before starting the performance, everyone still tried their best not to scream!

Because he himself knows very well that whoever makes noise to disturb him and misses a certain detail will definitely be the sinner tonight!

Boss Liu in the small private room, taking advantage of the fact that he was the farthest away and the wall of the private room was blocking him, immediately clapped his hands and applauded!
"The skill of this person just now should be the same as that of a ventriloquist, right?"

"This is much more difficult to play on the guitar than ventriloquism!" Guo Sichu said this without any emotion, as if he was stating a recognized fact.

Compared with those who were holding back and endured at the scene, the technical party members in the live broadcast room of Xiaopo Station were too happy. All kinds of Chinese quintessence flying all over the sky were not enough to express their excitement at the moment.

Just after "Horse Brawl" ended, there were some changes in the tone of Ding Tong's solo: "唔唔唔唔..." The muffled sound was mainly used, and the stagnant sound brought the elements of heavy metal to the extreme!
Many people didn't seem to realize that this "prelude" had lasted for more than 2 minutes, but looking at them, they didn't seem to be planning to sing it yet.

At this time, everyone discovered that Bian Lang got up and left the high stool, went to the piano stand behind Ding Tong and others, and lifted up a flat guqin.

At the position of 2 minutes and 20 seconds, it was fixed on a piano seat behind Dili. By the time 2 minutes and 25 seconds passed, Li Li had stopped assisting with the dead sound, threw the electric guitar behind him, and stood behind the guqin. After the whole aerial shot was over, he showed off the hand he used on the small poky station again, but at that time he was using a Hawaiian harp to imitate the guqin.

And this time he was really playing the guqin!

Seeing Ti Li start to show off ancient musical instruments again, these people at the scene were even more afraid to call out. Silent jumping and waving were the only behaviors they could use to support Ti Li.

Boss Liu in the small private room spoke again at this time: "If I hadn't seen this guqin player with my own eyes, I would definitely think that this person is someone who has been immersed in guqin for decades. If in our industry, the level must be the same. !”

Guo Sichu stood up at this time and said: "Teacher, you guys just stay here and watch carefully, I have to go down and prepare!"

"Wait a minute, it's not too late to leave after listening to this!"

After hearing what his teacher said, Guo Sichu knew there must be some reason for this, otherwise...

Sure enough, after listening to about 4 bars, Boss Liu spoke again: "Test you, where did this paragraph come from?"

The same words came out of Gong Qian's mouth downstairs, but he whispered in Wang Yunfei's ear.

Guo Sichu really didn't know, so he asked with great confusion: "Teacher, is this part of the play we learned before?"

When Boss Liu thought about it, it seemed that this section really didn’t exist!
Then he and Wang Yunfei downstairs said four words almost at the same time: "Yangguan Sandie!"

At this time, in the live broadcast room of Xiaopo Station, there was a matrix of various touching adjectives that were blowing the national style. A line of four highlighted white characters has become the most eye-catching thing:
"The morning rain and dust in Weicheng are light, and the guest house is green and the willows are new. I urge you to drink another glass of wine. There will be no old friends when you leave Yangguan in the west."

"Yangguan Three Pieces" spoken by Boss Liu and Wang Yunfei is also known as "Yangguan Song" and "Weicheng Song".

It is a famous qin song composed based on the seven-character quatrain "Send Yuan Er Envoy to Anxi" by Wang Wei, a poet of the Tang Dynasty.

The three folds refer to the three sections of the quatrain that are adapted and repeated three times, with additions and subtractions. According to the lyrics in the "Zhenzhuan Zongzong Qinpu", the lyrics should be as follows.

The first paragraph adds sadness to the scenery: the long pavilion is covered with willows, the morning rain in Weicheng is light and dusty, and the guest house is green and the willows are new. I advise you to drink a glass of wine and leave Yangguan in the west without any old friends. The long pavilion is filled with willows, I am sad and sad, my ancestors sent me my old friend, and I bid farewell to the pavilion ten miles apart. The deepest love, the deepest love, the deepest affection, can't bear to be divided, can't bear to be divided.

The second paragraph of Qingzun says goodbye: The morning rain in Weicheng is light and dusty, and the guest houses are green and willows are new. I advise you to drink a glass of wine and leave Yangguan in the west without any old friends. Carrying luggage and wine bottles, carrying wine in the pavilion. Thousands of miles away, my heart is already drunk before I drink. Who knows this hatred. I'm sorry, I'm sorry, I'm sorry, I can't bear to leave, I can't bear to leave.

The third section is indistinguishable from the ancestral path: the morning rain in Weicheng is light and dusty, and the guest house is green and the willows are new. I advise you to drink a glass of wine and leave Yangguan in the west without any old friends. I can't help but feel sorry for Shang and Shen, I can't complain about the silk tung trees, and I can't feel sad about the scene. Looking forward to Zhengjing, looking forward to Zhengjing, we have not yet determined when we will return. For drinking this fragrant mash, the fragrant mash is limited, but this hatred is endless. Sad and sad, Chutian and Xiangshui are separated by Yuanxing, and I have been supporting Linhong for a long time. The most affectionate, the most affectionate, the most affectionate, ridicule and tolerance, ridicule and tolerance.

Wei Cong: After we say goodbye today, the two places miss each other so much. Who can tell me?

Although the theme of the lyrics is not to send a message to a deceased person, in ancient Chinese society, the phrase "There is no deceased person when leaving Yangguan in the west" is basically equivalent to sending a message to a deceased person.

Just after the sharp sound of the guqin, Ding Tong, who returned the sound to a clear tone, turned down the volume knob. In the distant artistic conception of the guqin, he used overtones to polish the background of this section deeper.

Coupled with the tight cymbal sounds that appear and disappear, the ancient charm and metal of this adaptation of "Yangguan Sandie" are perfectly integrated.

If you close your eyes and just listen to this paragraph, most people may not be able to imagine that this is a rock band playing a heavy metal song!
Among the praises from the people at Xiaopo Station who looked up to Chinese rock music, another barrage came up: "This has been more than three minutes. Is this a piece of pure music?"

As soon as this was said, many people assumed that this was pure music. To people who listen to rock, this doesn't seem to affect them at all.

Through the continuous changes of these instruments, timbres, and playing techniques, they truly felt the sorrow of farewell and longing.

But just after the sharp hand rolled over, the drummer's very varied transition came again.

Just when everyone was guessing in what form this fifth paragraph should be presented, Zhang Ting finally spoke up: "How can I forget that you are by my side, how many times I am happy and how many times I am sad..."

In the psychedelic "fog" produced by the synthesizer license, Zhang Ting's voice is like a traveler looking for his lost companions. This call is heard in this "fog" regardless of distance or height. Go, it feels like he hasn't stopped for the past few decades!
With this song, the Rolling Stones' die-hard fans instantly reached climax:

""Moon Dream"! Hold the grass, this is the song "Moon Dream" from the Rolling Stones album!"

"No, is this the same song?"

"I understand! "Yangguan Sandie"! You can go back and read the lyrics of "Moon Dream" and you will understand! Bian Lang's ability to use music to ambush is really terrifying!"

That's right, the song "Moon Dream" has already appeared in Rolling Stone's "Tang Dynasty" album this year. However, the title song "Dream Back to the Tang Dynasty" shines so brightly, and with "Internationale" following closely behind, the other songs in the album will naturally be relatively ignored by music fans.

It was only at this time that "Spring Silkworm" appeared that the greatness of the song "Moon Dream" was clearly explained!
"How can we forget the separation and reunion of the moon and shadows in the past, how much joy and how confused..."

"Oh, the wind blows through the cloud shadows like a dream..."

There are only 50 words in the lyrics. The current combination of vocals and accompaniment has already brought tears to many people at the scene and online. The only difference is that there is sound and no sound...

At this time, Bian Lang had already put a Fender on his back and began to beat the beat, preparing to follow up.

However, the name of a band suddenly appeared in his mind: Pink Floyd! and one of their albums, The Dark Side Of The Moon!
Bian Lang didn't know if the old brothers in the Tang Dynasty had learned from "The Dark Side Of The Moon", the 1973 psychedelic metal album, when "Moon Dream" was created. But in the period after Zhang Ju's death, what Ding Wu listened to the most was Pink Floyd...

(End of this chapter)