They have become goddess husbands, who needs a superstar system

Chapter 412: Saving the country through curves (12, please vote for recommendations and monthly votes)

Cousin Shen Martin's idea of ​​entering Hollywood was summarized and translated by Li Mengfei to Yang Yi.

When Yang Yi heard that he planned to invite him to come to Hollywood to make a movie, the first reaction in his mind was to refuse. Just like his previous understanding and consideration, the moon abroad is not that round. He is a Chinese director and a Chinese actor. When he went to Hollywood, regardless of his achievements, his Asian face could no longer get along with those Western directors and actors.

What's more, he is a staunch patriot!
No matter how tempted foreign capital is, Yang Yi wants to speak out for Chinese film and television dramas and contribute to China's cultural undertakings!

Even though there are so many seniors who have made famous films in China and want to try their luck in Hollywood, Yang Yi only cares about his own little land in China.

However, when Shen Martin said that he does not need to be in the United States all the time, but only needs to come to the United States to shoot a Hollywood movie every one or two years, so as not to delay his domestic career, Yang Yi's face showed his thoughts. eyes.

Martin Shen just said that making movies in Hollywood is a win-win result.

Not only will the films they invest in be able to land in the U.S. and Chinese film markets at the same time, but it will also be of great help to the Chinese films produced by Yang Yi that will land in the U.S. market in the future!

You know, it is true that American blockbusters can enter the Chinese market, but it is really difficult for Chinese movies to enter the American market.

Even if there are film and television companies willing to introduce Chinese movies, American theater chains will not give many Chinese movies a schedule!

For example, there was a movie in China that sold more than 30 billion at the domestic box office, but in the United States, the box office was only a few million US dollars.

Is that movie not good-looking and not popular with foreign audiences?

Not so. After this movie was introduced by foreign video websites, the playback volume was very high, and when it was played in movie theaters, the theaters were almost full. However, American theater institutions refused to schedule movies for it, making it less popular in the United States. When it was released, it was hard to get a ticket, but the result was a poor box office.

The same goes for Yang Yi's own movies.

Or rather he is even worse!
Don't look at the fact that "Space Exploration Editorial" has grossed 17 billion at the domestic box office, but this result is still not enough to open up the US market. It cannot be launched in US theaters. It can only be released in movies like "The Hidden Corner" and "Where the Wind Is" 》In that way, cooperate with foreign video websites and earn some not-so-significant subscription shares.

But what if it was a movie produced by Martin Shen, a film and television company run by an American?

Scheduling movies in foreign theaters is definitely not a problem. As long as the movie is good, it will definitely make a lot of money from Americans!
This can quickly open up the American market for Yang Yi and let American audiences know about him and his movies.

Later, movies like "The Wandering Earth" that Yang Yi plans to shoot in China will be much simpler if he wants to operate them in the United States through Martin Shen's company!
Yang Yi doesn't think so out of thin air. Senior director Li Ming is such a case worth learning from!
Although he is a director born in Taiwan, studied in the United States and signed a contract with an American agency, the films he shot at the beginning were all with Chinese characters or Chinese culture as the background. These films frequently won awards abroad.

Later, Li Ming began to no longer limit himself to works with a Chinese or Chinese culture background, and successively shot many Hollywood movies, some of which were aimed at winning awards, and some of which were commercial films, and they all performed very well.

Later, the domestic blockbusters he jointly invested with domestic and foreign film companies also became a great success. Not only did he win an Oscar, but they also earned more than [-] million U.S. dollars in U.S. box office, almost doubling the record at the time. The original box office record for a foreign-language film in the U.S. Film Market.

Therefore, Yang Yi taking some time to shoot American blockbusters for his cousin Martin Shen's company might not be a good way to save the country and open up the American market for his movies!

What's more, Yang Yi actually needs to make Hollywood blockbusters.

There are many wonderful Hollywood blockbusters in the "Superstar System", and Yang Yi has watched a lot of them himself.But not all Hollywood blockbusters are suitable for filming in China. It should even be said that the vast majority of Hollywood blockbusters are not suitable for their Chinese cultural background.

When adapting a short film like "Uncle Good-bye", Yang Yi actually felt the huge differences between different languages ​​and cultures.

Forcibly adapting it will only make the film look particularly blunt and unlike an excellent work.

But if the adaptation is too extensive and changes beyond recognition, the most important ideological core or creative features of the original film may be lost.

For example, "Uncle Good-bye", the original film is called "Curfew", the title refers to the time that children must stay at home. This is the reason and rules for the protagonist to take care of his niece and at the same time send her back on time.

After Yang Yi adapted it, he downplayed the idea and even changed the title of the film because there was no such saying in China.

Also very difficult to adapt is the short film "Feelings" which was only aired this year.

The story of the original film takes place on the streets of the United States in the early morning. The black protagonist is wandering, homeless and has nowhere to go, while the deaf-blind supporting actor needs to take a bus home and needs his help!
If Yang Yi wants to change it to be filmed in China, the background of the story will no longer exist.

The current public security environment in China is very good, and there are not so many homeless people. Yang Yi can only set the protagonist as a teenager who broke up with his family because he was addicted to games and lived in an Internet cafe while working to earn Internet fees.

It is impossible to take a bus in the middle of the night, so there is a big logical problem for deaf-blind people to take the bus in the middle of the night. Besides, if this is the case, wouldn't it be better to ask the police for help?

The police uncles in China have more credibility than those knee-jerk nobles in beautiful countries.

Therefore, in order to bring this story that had lost its most important creative core back to its full glory, Yang Yi racked his brains and thought of several plans before finally producing a brand new "Touch" that satisfied both him and the audience.

There are only a few that can be adapted, but most cannot be adapted!

If Yang Yi wants to film, he must consider whether to come to Hollywood and find a group of foreign actors to film.

Of course, he had shelved these plans before.

Since he doesn't have this condition, he won't do it. There are a lot of good works worthy of him in the "Superstar System", including these Hollywood blockbusters.

However, now Martin Shen has provided him with a new possibility, and he really needs such a cousin in Hollywood to help him open up the market.

It seems that these previous Hollywood blockbusters have the value of being able to choose and shoot!

　Xiaohan spent time with his children and family today and didn’t have time to write. QAQ, sorry, only two updates.

　　
　
(End of this chapter)