Entertainment: Stepmother’s daughter is actually a future queen

Chapter 60 The actor’s anger is difficult to calm down
Lin Yu carefully thought about this role.

Why is the feeling of inner anxiety not obvious enough when filming Infernal Affairs in that world, and is it more like a pure police film?

There is no doubt that this cannot be a problem with the audience, it is purely a problem with the filming.

Just like Farewell My Concubine, Miles Dieyi's love is unavailable and difficult to express in words.

When happiness comes knocking on the door, Chris Garner is always too embarrassed to raise his head, ashamed to speak, unable to tell his children about the endless and endless sadness.

These are all things that the audience can see through at a glance.

So what's the problem?The reason is that to express the torture of the inner drama in this way requires too much tension, and the actors are all actors who are completely accustomed to the shooting methods of old-fashioned Hong Kong films.

It's not surprising that it was made into a traditional police movie.

So let's peel this apart and think about it carefully, who should Liu Jianming and Chen Yongren play?

What kind of role is Liu Jianming?
First, he needs to have an almost fragmented sense of contrast.

Second, he is an absolutely positioned villain.

What is the sense of fragmentation?The role of Liu Jianming, in front of outsiders, is perfect. He is a rising star in the police force, a capable person in the eyes of his boss, a rising star, and the kid next door in the eyes of his colleagues.

This is a 'sacred' feeling as if you are walking on the road and your body is emitting a halo of light.

Please use all the beautiful words to describe this image.

He represents extreme brilliance and perfection.

But inside, he was ugly, dirty, and riddled with holes.

As soon as the black boss makes a call, he must immediately throw away all his glory and transform into a clown who can be manipulated by others.

This is contrast and separation.

Secondly, he is an absolute villain.

Thinking about this character, the shooting of Ni Yongxiao's father leads to the beginning of the second drama.

The woman who repeatedly asked the boss Han Chen whether she wanted to be with him or not, after getting a negative answer, directly reported it to her opponent, killing her sweetheart.

Cooperate inside and outside to kill his boss, Superintendent Huang.

Lure the enemy into a urn and kill your own boss.

It was a person, and he almost killed them all!

Especially this person, who directly killed his beloved woman with just one phone call. This kind of cruelty is horrifying.

Therefore, this is a dark character with a clear positioning and a bright appearance!

However, the actors are accustomed to the traditional Hong Kong film shooting methods and have not tried to figure out this kind of inner drama at all. As a result, most viewers feel like a pitiful "semi-good guy" after watching this character.

At least, I can't bear the feeling of a creepy final boss.

Just imagine, a mole kills his boss and boss, is ruthless, evil-faced and kind-hearted, and finally succeeds in hoeing everyone off and taking over. How could such a person not be the final boss?
The fact that this person survived should be the most impactful.

But, no, it always makes people feel that everything will be over when the boss, Han Chen, dies, and it also makes it difficult for people to have a clear sense of this person's position as a villain.

In short, the lack of sense of separation prevents the character's inner drama from being reflected.

The lack of ruthlessness makes this character appear too kind.

Especially the sense of contrast. For example, in Liu Jianming's moving scene, he was greeting his colleagues and turning his head, but he was on the phone with his boss, acting like a traitor.

This seems to be just a very ordinary scene, but in fact it is not, it is just an ordinary shot.

This is a typical contrast play between light and dark.In short, in the last second, when he looked back, in the eyes of his subordinates and workers, he was kind, a kind boss, and a perfect police officer.

Subordinates treat him with sincerity, and workers treat him with respect.

The next second, when he turned his head, he saw his dark side, the clown-like ugly side being held in someone's hands.

This sense of switching between light and shadow is missing.

The actors just followed the normal police and gangster film process, and it was precisely this lack of countless details that caused the color sense of Infernal Affairs to be completely obliterated.

Wouldn't this become a castrated version?

As for Chen Yongren, it was even more problematic. Not only was it an issue with the acting, but the casting itself was the biggest problem, because this was a character who at least had to be a ruthless ruffian, but the character Liang who was hired was too gentle.

This appearance could not support the hysterical lunatic thug at the beginning who beat people everywhere to serious injuries.

Even when he sits in that direction, the audience will wonder, does this guy have the fighting ability to fight?How did he get into the position of Han Chen's most trusted and effective thug?

Just like asking Zhuge Liang to play Zhang Fei, it is impossible to ask someone to perform the daunting image of a thug madman.

I will only talk about one plot here. The highlight of the whole play is the rooftop scene that gave birth to countless classic lines.

There’s a line here, “Go tell the judge.”

"See if he agrees with you being a good person."

why?
At a glance, these are two moles who are trying to clear their way to shore, and they sacrifice everything for it, no matter the cost. In the end, they hold each other's lifeblood, and they are entangled all the way to the rooftop, this is the ultimate showdown.

But why didn't Chen Yongren raise his hand and really let him go? Hello, me, everyone. Why go to the end, be killed, become a benevolent person, be ruined, and gain nothing?

The reason is, no!

There is a conflict of personalities!
Why, because these two characters are typical double-sided images. Liu Jianming is bright on the outside but cold on the inside, while Chen Yongren is crazy on the outside but righteous on the inside.

When he takes off his disguise, he is an absolutely righteous policeman.

The police want to bring all crimes to justice!
How is it possible to negotiate terms?

The reason for such a weird feeling is precisely that this entire character should have reached the climax of its biggest subversion here, but it didn't!

Because before, he was playing the role of a 'gentle undercover' throughout the whole process

On the rooftop, he is still a 'gentle undercover'

And what should it actually look like?In Han Chen, Chen Yongren is a ruthless fighter who is the best in fights. He goes crazy and scares his colleagues. After going to the rooftop and tearing off all his pretense, the audience should finally see it.

Ah, what a perfect and upright policeman this is.

Like the dead Chief Huang, he continued to perform his tasks one after another until he was killed and became a benevolent person!
It is precisely the lack of such a sense of huge subversion before and after that makes the audience feel that at this moment, it seems that there is "some discussion"

You two moles, please discuss it among yourselves and it will be over, right?

In fact, there is no such possibility.

To put it simply, these two characters have huge duality and fragmentation, but they only played one side, and they were just 'hiding information', but not their personalities.

The lack of a sense of fragmented contrast and countless details directly led to Infernal Affairs, which is worthy of being recorded in history and sublimating the height of a police film, downgrading into an ordinary police film.

Infernal Affairs!
It’s hard for any actor to be satisfied!

At this moment, the script had not yet been filmed, but his script appeared in his hands.

Holding this page of paper, Lin Yu couldn't help but take a deep breath slowly and raised his head. There was a trace of vicissitudes of light in his eyes, and there was a light called scorching heat!
(End of this chapter)