I work as a horse trainer in Tokyo

Chapter 226 Detailed pre-game combat meeting

Interview before the game.

"Rider Wada, is this your second time participating in the Satsuki Festival?"

the host asked.

Among the seventeen riders participating in the Satsuki Festival this time, Wada Ryuji was still the youngest rider.

Such an important competition is quite stressful for a new rider.

"Yes, thank you Master Izumi and the team for giving me this opportunity. I will make good use of this hard-won second Satsuki Sightseeing ticket."

Wada Ryuji said seriously.

They have managed to get over it a little bit now. As for the future reputation, it will definitely depend on the results of Satsuki Shang.

Compared with the previous popular horse racing jockeys, the pressure on Wada Ryuji is not as great as the other.

But no matter what, you must use all your strength to live up to this opportunity to participate in the Satsuki Prize.

“And what do you think of this good opera state?”

"The status of good opera has been improving in recent times. Teacher Izumi's evaluation of it is getting higher and higher. I feel that good opera has also found its own path."

Wada Ryuji thought for a while and said.

He has been working with Hao Opera for a long time, and his strength has increased dramatically since he came back this year.

Master Izumi is really strong.

"The chasing results this time seem to be very good, but do the Hotan riders have any concerns about whether Zhongshan Racecourse can adapt to this aspect?"

After the debut of Good Opera, there are Hanshin Racecourse and Kyoto Racecourse.

This is its first expedition.

"There is no mental problem. Good Opera itself is a horse that is very quiet in the stable. As for Zhongshan Racecourse, I also believe that Good Opera has enough power to rush up the uphill slope of Satsuki Shang."

Wada Ryuji has experienced the difference of Zhongshan Racecourse before.

But he still has confidence in good opera.

The follow-up inquiries were relatively simple, mainly about various aspects of horse racing performance.

Wada Ryuji showed unprecedented confidence in this interview.

Confidence is self-confidence, but he is not arrogant either.

It’s already pretty good for a good opera to get a fifth place in popularity.

The next step is to see how Master Izumi arranges his tactics.
-
Izumi stable.

Good Opera started the break after the pre-match chase.

Close your eyes and rest your mind.

It took quite a lot of effort to track it down this time.

Here in the office, we are discussing the next tactical issues.

"I got a No. 12 gate this time. I can't say it's very good, but I can't say it's too bad either."

"The most important thing is to prevent those two from using tactical coordination."

Chi Jiang Taishou said with a serious face.

The horse owners who love Orihime and Narita Road both participate in the race with two horses.

There is a high possibility of cooperation in order to obtain the Satsuki reward, but how the cooperation will unfold, they can only speculate a little.

"Well, these four horses are indeed the ones we have to wait until the game starts again. Wada-kun must pay more attention to them."

Izumi Hikaru twirled the pencil in his hand.

They played this trick during the cherry blossom viewing in the stable, and I believe that the other party will not miss such a good opportunity.

“I’m always keeping an eye on the horses ahead of me.”

Wada Ryuji nodded.

This time the race is far more complicated than the previous ones. If the two horses cooperate, then there is a high probability that this big race will be suitable for the chasing horse.

"If Yukio Okabe leads the field strongly in this game, then there is a high possibility of a finisher match."

Izumi Hikaru continued.

Most of the popular horses this time are suitable for fast and explosive horses, and if they cooperate, the rhythm of this game will be different.

"The rhythm of the Satsuki Appreciation competition will most likely be like this."

Chijiang Taishou agreed.

He couldn't say anything about whether a good opera has its own scraps.

The reason why I can't make a judgment is also because Good Opera itself is not a stable horse, but the last big prize victory gave their team a lot of confidence.

What if we can continue to rush?

"So the NO.12 gate is very suitable for our next tactical arrangement."

Izumi brought a map and seventeen numbered cylindrical markers.

Next, he will analyze the game by imitating the possible rhythm of the Satsuki Shou game.

The two most critical points in this game are: one is to pay attention to the rhythm ahead, and the other is the timing of the start.

NO.12 The gate prevents the opera from getting too close to the inner passage, but it is not easy to analyze how far away it will be.

Judging from previous experience, Naritaji and Aimu Orihime are both in the middle and back positions.

For a good opera, it is better to choose a location similar to them.

Originally, World Opera chose to start in the rear entirely because there was a problem with the gate, but later Wada Ryuji chose to start early, which is common at Zhongshan Racecourse.

Good Opera went fast enough on the big uphill to win the race.

In addition to the original experience, Izumi felt that he could avoid many mistakes this time.

One of the great things about being fifth most popular is that you don’t have to worry about being targeted by other horses and teams.

Other trainers will focus more on Narita Road and Orihime Aimee.Because in their view, only by targeting these two horses, can they win the championship or achieve a better ranking. As for the horse race that suddenly performed well one month before the Satsuki Festival, many people Everyone will think this is just a coincidence.

This is exactly the effect Izumi wanted.

Chi Tianqian, who was sitting on the sofa, quickly stood up and came over.

He has nothing to do with Zhongshan Racecourse this week. Seeing such a good learning opportunity, as a disciple, he will not let it go.

Zhongshan Racecourse was a place he had to overcome.

During the simulation, Izumi Hikaru talked about various possibilities.

He combined a lot of collected information with various information about previous horse racing riders.

The main object of analysis is also who of the horses in front will take the lead and get the rhythm, and at which corners the horses behind will start early.

Compared with his previous analysis, this time it will be much more detailed.

For a top rider like Wu Feng, a simple exchange between the two of them can roughly determine the next direction of the game.

But Wada Ryuji is still a young man and is not that familiar with Zhongshan Racecourse.

"Um"

Wada Ryuji and Ikezo Kenichi kept nodding.

Chijiang Taishou was thinking about what his trainer said.

During his time as an assistant, he continued to learn new things. This kind of tactical analysis was very useful to him. If he wants to become a horse trainer, these things are what he will consider next.

This tactical meeting lasted for a long time. Fortunately, Izumi prepared a bottle of water for himself before starting.

After a general analysis, he told Wada Ryuji a few points that needed attention.

After the meeting, Wada Ryuji took a special look at the resting opera before leaving.

Chi Tianqianyi continued to prepare for this week's game.

This week, all the horses at Izumi Stables were basically in his hands, and the spiritual sequence was handed over to Yuichi Fukunaga.

Fukunaga Yuichi has been in good form recently, so Izumi Hikaru also wanted to try another rider.

Wada Ryuji returned to his master's stable and received the small stove opened by his master.

Master Yan Yuan is very concerned about Wada Ryuuji.

Last year's classic Triple Crown was a miserable loss, but there is still hope this year.

No matter how you look at it, last year's three-year-old horses were particularly strong. How this year will turn out depends on the performance of the upcoming Satsuki Sho.

Fukunaga Yuichi sent a special blessing to Wada Ryuji on Thursday.

Now every first-level race is extremely critical for them, and Wada Ryuji also represents the top strength of their group of riders.
-
Thursday passed peacefully, and Izumi received this interview program on Friday.

The most important thing to watch was the mutual opposition of the previous popularity. As he expected, good opera was only mentioned a little bit, but Wu Feng specifically expressed that he would pay attention to the position of good opera in the competition.

"This is really a low-popularity thing that still needs to be noticed."

Regarding what Taketomi said in the interview, Izumi Hikaru also had a lot to say.

If you want to follow it, just follow it.

Later in the program, the weather for this week was also determined. If the rain is severe, it will be more difficult to rush up the final straight uphill of Zhongshan.

But this is something that no one can confirm right now.

The host of the show gave Orihime Admiration and Narita Road a pretty good rating, while Good Opera only received an average rating.

The only question now about Narita Road is about the strength of the riders.

But winning the Yayoi Prize also gave him a lot of confidence.

No matter how you look at it, Aimu Orihime is a strong force joining forces. The trainer is the main cooperative trainer of the owner of Aimu's title, and the rider is the top Takefeng rider in the country.

"Master Izumi, the opera is ready, and the carriage is waiting at the door."

Yamamoto Hideyuki knocked on the door and said.

Now we are waiting for the trainer to show up. At this time, the riders have to enter the racecourse for isolation.

"Ah."

Izumi Hikaru went out and saw Good Opera standing at the door of the stable.

Chichi——

The good opera turned and glanced at the office door, and then walked towards the carriage under the guidance of the stable attendant.

This is his first trip.

Although it has no idea of ​​its journey.

Hikaru Izumi will still have to stay at Hanshin Racecourse on Saturday, waiting for the first day of racing to end before going to Tokyo.

"Is everything ready?"

"Don't worry Master Izumi, we have prepared all the food and food that should be brought, and the stables have been cleaned."

"Well, Mr. Chi Jiang, I've worked hard on you these past two days."

"That's what I should do."

Chijiang Taishou said with a smile.

This time he will go with the carriage to Miura.

If any unexpected situation occurs, he can communicate with the trainer in time and deal with it.

Da da da--

Good opera looked back again, and then entered the carriage.

After the stable attendant confirmed it again, the carriage door slowly closed.

Looking at the carriage gradually disappearing, Izumi waved his hand.

(End of this chapter)