God Three Group Chat: Three Kingdoms

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However, after Jia Kui's words of advice, Kabechi and others finally understood that building a statue of a princess of the Han Empire was not a good thing, at least for now.

Because the establishment of the statue will inevitably expose the target, it will naturally spread and radiate to a wider group of people.

That would not only bring more loyal personnel, but also more competitors. Faced with the opportunity to see the princess of the Han Empire, everyone chose to accept and give in.

Temporary concessions are only made in exchange for greater progress in the future.

If one day, the princess of the Han Empire really came to Beigui and really came to the Khyber Pass, wouldn’t it be better if they worked together to build a huge statue of the princess, a real statue of a god?
Jia Kui acted as if he was also a suitor of the princess and had been a member of the princess' guard for a period of time. I knew the princess better than you did and understood her inner thoughts. You should listen to me. He successfully made Kabechi and others give up the idea of ​​building it directly.

Jia Kui, who had accomplished all this, headed to the Pamir Mountains, exhausted both physically and mentally.

But for Kabechi, Jia Kui's statement and theory were just to prove one thing, that is, it could not be built on their territory, nor could it be built in the area north of the Khyber Pass.

If they can’t even build in these areas, they naturally won’t build it on other people’s defense zones, which will make it even more difficult to explain.

Moreover, building the princess statue inside someone else's defense zone was even more difficult for Kabechi to accept. He resisted this event and result from the bottom of his heart.

After much thought, isn’t the most reasonable and appropriate construction destination the westward-bound Silk Road?
There are many people coming and going, and when they are leaving Chang'an, they will also pass by that road. Isn't it an excellent choice to build the statue there?
Anyway, they can all see it, and no one else can, so it naturally won't affect their chance to meet the princess of the Han Empire.

From this point of view, it can be said to be perfect.

After all, there are quite a few mountains in that place. Finding a pure mountain and then carving it into the shape you want can also relieve your worries.

In order to carve out the best, most sacred and most respectable statue of Liu Tong in his heart.

Not only did Kabechi find a great sculptor, he also studied and practiced every day and put it into practice. In his daily life, he carved one decoration and garment after another to further improve his proficiency and skills.

Even in front of Barak, Kabaki did this.

However, Barak didn't have any thoughts about this. Instead, he thought that Cabbage's behavior was very good. It not only allowed him to express his longing for the princess, but also did not neglect his martial arts practice. It could be said that he had the best of both worlds.

There are beautiful clothes carved but no people, which means that things are still in progress and have not been finally confirmed. However, being able to achieve this is considered a lot of progress.

As for mobilizing internal energy for carving, or even carving from a distance, performing such difficult carving movements and behaviors is tantamount to controlling and training one's own internal energy, which is obviously a technique to improve martial arts.

He is indeed an outstanding young man who can achieve the best of both worlds in the process of pursuing his ideals and goals in life.

Not bad.

After a simple attempt and confirming the training techniques and the growth effects of doing so, Barak naturally did not interfere too much and instead allowed Kabechi to grow.

In Barak's opinion, Kabeqi, who could think of these things, has become mature, so he naturally needs to give him more power, let him get familiar with all this, get familiar with the pressure, and wait for his progress. In this case, Kabeqi's own abilities and means, especially in remote carving, combined with his strong divine willpower, are not inferior to top craftsmen in terms of fine operation.

Putting aside the amount of internal energy in his body, just considering the ability to control and master internal energy, Kabechi is not good enough to rank in the top ten in the current world, and even under the gaze of the princess, he can squeeze into the top five.

It’s just that the amount of internal energy is not much at the level of breaking through the realm, which ultimately affects the actual combat effectiveness.

But even so, Kabechi's combat effectiveness has indeed improved significantly compared to the past.

However, after making this progress, Kabechi did not put it into actual combat to demonstrate his martial arts. Instead, he came to the Silk Road in the Western Regions, selected a place with beautiful scenery, and carved the most beautiful and sacred statue of Princess Liu Tong in his memory.

It was just because of the longing and faith in my heart, and the scenes I learned from Chang'an.

The statue of Liu Tong carved by Cabernet Sauvignon is not only more similar in clothing to the ones used in previous sacrifices, but also in terms of facial features and headdress, it is closer to a majestic god than a benevolent monarch.

The direction the statue faces is also the direction that Cabecchi chose after careful consideration.

In the end, he chose the West instead of embracing the East and embracing Liu Tong who stayed in Chang'an.

The reason is also very simple.

When heading to Chang'an, Kabechi knew that he would soon arrive in Chang'an and see the eldest princess of the Han Empire.

Who would look at a stone statue when they can see the real person?

However, the cruel and cold reality meant that they could not stay in Chang'an forever, and they had to leave eventually.

With their current foundation and status, it is naturally impossible for them to have the sacred and noble Princess Changnian to see them off.

Therefore, turning the stone statue to face the west is a way of expressing one's feelings through objects. Under the gaze of the goddess, the statue slowly returns to his hometown and waits quietly for the next opportunity.

Not only that, in order to avoid accidents with the stone statue, Kabechi also deliberately chose to raise the base to avoid natural disasters. At the same time, he borrowed the corresponding auspicious concept of the Han Empire to construct the final statue of the goddess Liu Tong.

Tourists along the way who discovered the goddess statue naturally included some Han people, who believed that no matter whether it was useful or not, it was still a deity and there was no harm in worshipping it.

Naturally, some people also briefly left the Silk Road to see the statue of the goddess and take a short rest.

The location where the goddess statue was built is relatively good. It not only provides shelter from wind and rain, but also allows people to confirm the direction through its gaze.

It is like a large landmark, guiding the direction of everyone's progress, and also like a lighthouse leading everyone home, providing people with the direction to go home. (End of this chapter)